Showing posts with label Video Entertainment. Show all posts
Showing posts with label Video Entertainment. Show all posts

Press Release: Warner Bros. Discovery Sets Special Meeting Date of March 20, 2026, And Unanimously Recommends Shareholders Vote FOR Netflix Merger; As Talks With Paramount Are Underway

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Warner Bros. Discovery, Inc. ("WBD") (NASDAQ: WBD) today announced that it will hold the Special Meeting of Shareholders (the "Special Meeting") to vote on the merger with Netflix, Inc. ("Netflix") (NASDAQ: NFLX) on March 20, 2026 at 8:00 a.m. Eastern Time and the commencement of mailing of the definitive proxy statement to shareholders in connection with the Special Meeting. WBD also announced today that Netflix has provided WBD a limited waiver under the terms of WBD's merger agreement with Netflix, permitting WBD to engage in discussions with Paramount Skydance ("PSKY") (NASDAQ: PSKY) for a seven-day period ending on February 23, 2026 to seek clarity for WBD stockholders and provide PSKY the ability to make its best and final offer. During this period, WBD will engage with PSKY to discuss the deficiencies that remain unresolved and clarify certain terms of PSKY's proposed merger agreement. Netflix retains its matching rights as defined by the merger agreement.

The WBD Board of Directors (the "WBD Board") continues to unanimously recommend in favor of the Netflix merger. The WBD Board also unanimously recommends that shareholders reject the PSKY offer, for the reasons set forth in the amendment to our Schedule 14D-9 filed today with the SEC.

Following receipt of PSKY's latest amended offer, a senior representative for PSKY informed a WBD Board member that, if the WBD Board authorized discussions, PSKY would agree to pay $31 per share and that the offer was not PSKY's "best and final" proposal. This price, along with several other matters that PSKY stated it would address in its February 10 letter, are not reflected in the latest merger agreement that PSKY proposed. To provide specific clarity in this regard, WBD has today sent PSKY a letter, included below, setting out the key issues yet to be addressed by PSKY, along with drafts of full transaction agreements for PSKY to confirm the terms of its offer.

"Throughout the entire process, our sole focus has been on maximizing value and certainty for WBD shareholders," said David Zaslav, President and Chief Executive Officer of Warner Bros. Discovery. "Every step of the way, we have provided PSKY with clear direction on the deficiencies in their offers and opportunities to address them. We are engaging with PSKY now to determine whether they can deliver an actionable, binding proposal that provides superior value and certainty for WBD shareholders through their best and final offer."

Samuel A. Di Piazza, Jr., Chair of the Warner Bros. Discovery Board of Directors added, "As announced today, we continue to believe the Netflix merger is in the best interests of WBD shareholders due to the tremendous value it provides, our clear path to achieve regulatory approval and the transaction's protections for shareholders against downside risk. With Netflix, we will create a brighter future for the entertainment industry – providing consumers with more choice, creating and protecting jobs and expanding U.S. production capacity while increasing investments to drive the long-term growth of our industry."

WBD today sent the following letter to PSKY, together with revised versions of the merger agreement and other transaction documentation:

Dear Members of the PSKY Board:

The Board of Directors of Warner Bros. Discovery (WBD) is fully committed to delivering a superior transaction to our shareholders. Since our decision last year to separate our Streaming & Studios businesses from our Global Linear Networks business, we have actively explored a wide range of alternatives, including through a publicly-announced strategic review process in which Paramount Skydance (PSKY) participated, having initially approached WBD in September 2025. Our agreed transaction with Netflix offers superior value for our shareholders, allows us to achieve our strategic goal to separate WBD's businesses, offers a high degree of certainty with minimal risk to the businesses in the interim and has essentially no financing risk. The WBD Board continues to unanimously recommend that our shareholders approve the Netflix transaction, as reflected in the definitive proxy statement we have filed with the SEC today.

On February 10, PSKY amended its tender offer for WBD common stock. While this amendment addresses some of the concerns that WBD had identified several months ago, it still contains many of the unfavorable terms and conditions that were in the draft agreements submitted by PSKY on December 4, 2025 and December 22, 2025 and twice unanimously rejected by our Board. PSKY indicated in its February 10 letter to the WBD Board a willingness to address some of those concerns, but does not do so in its proposed merger agreement, leaving WBD with vague assurances of intention. Other important issues raised several times with PSKY are unchanged from your prior submissions. On February 11th, a senior representative of your financial advisor communicated orally to a member of our Board that PSKY would agree to pay $31 per WBD share if we engage with you, and that $31 is not PSKY's best and final proposal.

We are writing to inform you that Netflix has agreed to provide WBD a waiver of certain terms of the Netflix merger agreement to permit us, through February 23, to engage with PSKY to clarify your proposal, which we understand will include a WBD per share price higher than $31. We seek your best and final proposal. To be clear, our Board has not determined that your proposal is reasonably likely to result in a transaction that is superior to the Netflix merger. We continue to recommend and remain fully committed to our transaction with Netflix and have scheduled a special meeting of our shareholders on March 20, 2026 to vote on the Netflix merger agreement.

As you know, it is typical and expected for a would-be overbidder to accept the substantive terms of the merger agreement that the target company has already agreed with its existing merger party. To provide you with specific clarity in this regard, we have prepared, and our legal counsel will deliver to you today, copies of transaction agreements that conform to this approach, address key issues for the WBD Board in prior PSKY offers and incorporate the terms and assurances reflected in your February 10 letter, as well as certain other changes to reflect matters unique to your proposal. Attached at the end of this letter is a business summary of these changes. As part of your binding proposal, the WBD Board needs confirmation that you are prepared to sign our proposed agreements. We encourage you to be direct and transparent with your best and final value and other terms in that binding proposal.

During this seven-day period – as we consistently did during the strategic review process last year – we welcome the opportunity to engage with you and expeditiously determine whether PSKY can deliver an actionable, binding proposal that provides superior value, transaction certainty and interim protection for WBD's businesses to Warner Bros. Discovery shareholders.

On behalf of the WBD Board of Directors,

Samuel A. Di Piazza, Jr.                                                       
Board Chair
David Zaslav
President and
Chief Executive Officer

Summary of Changes to Transaction Agreements
Below is a summary of the principal business changes reflected in the transaction agreements provided by WBD today, as compared to the draft agreements provided by PSKY in its tender offer. Many of these reflect terms proposed by PSKY in its public statements but not reflected in its merger agreement; others align the draft agreement with the terms of the Netflix merger agreement.
Refinancing and Junior Lien Notes: PSKY to bear expenses in connection with any junior notes liability management exercise when incurred, or pay the $1.5 billion financing fee to WBD at the time it would be due (December 30, 2026). The Netflix merger agreement does not require WBD to bear any cost in this regard.

Bridge Refinancing: PSKY's consent will not be required for WBD's bridge refinancing, which will consist of dollar and euro term loan debt and bonds on market terms available at the time of the refinancing. The bond component will have a tenor of no more than 7 years, and will be non-callable for no more than 3 years, and the loan component will be non-callable for no more than 1 year. This provision is substantially more favorable to PSKY than the terms of the Netflix Merger Agreement, which permit WBD full refinancing flexibility.

Material Adverse Effect: Consistent with the statement in PSKY's Feb. 10 letter that it is "prepared to address any concerns WBD has regarding the impact of Discovery Global's performance on closing certainty," the "Company Material Adverse Effect" definition excludes effects attributable to the performance of WBD's Global Linear Networks business (consistent with the Netflix Merger Agreement).

Equity Cure to Support Debt: The significant debt financing and resulting pro forma leverage in the PSKY offer create material closing uncertainty, particularly when compared to Netflix's investment grade credit rating and large positive free cash flow. PSKY has repeatedly stated that these concerns are not serious, noting the personal wealth of your lead equity sponsor and the credibility of your lending banks. To reflect your assurances, the draft agreements provide that in the event the transaction would not close due to the debt financing being unavailable, additional equity will be funded to enable closing to occur

Interim Operating Covenants: The interim operating covenants should not require consent from PSKY in order for WBD to operate its business in the ordinary course between signing and closing. The additional covenants you have proposed are not part of our agreement with Netflix, and are not accepted, as they further risk the certainty of closing.

Equity Financing Certainty: Our changes to the PSKY equity documents reflect the need for absolute clarity as to funding obligations and certainty of funding at closing, or to pay damages if due.

Equity Syndication: WBD will receive notice and full information regarding any equity syndication, and its consent will be required for any direct or indirect syndication that would require regulatory approvals or delay closing.

The WBD Board has not determined that PSKY's proposal is reasonably likely to result in a transaction that is superior to the Netflix merger. There can be no assurance that a definitive transaction will result from WBD's discussions with PSKY. The WBD Board and management team remain resolute in their commitment to maximizing value for shareholders and continue to recommend shareholders vote FOR the merger with Netflix.

WildBrain Unveils ‘Strawberry Shortcake’s New Look for Upcoming Digital Content & Licensing Collabs

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WildBrain has unveiled the berry latest refresh of classic character Strawberry Shortcake, ready to headline a slate of new original digital content rolling out for fans beginning this February.

The new content, which brings the iconic Strawberry Shortcake to life in CG animation for the first time, features a live-action/animation hybrid baking show, bite-sized micro-shorts, full minisodes and lo-fi ambience videos. Each piece is crafted to engage audiences across WildBrain’s digital network — reaching families on YouTube and igniting nostalgia from young adults on TikTok and Instagram.

The content announcement comes ahead of New York Toy Fair, where Strawberry Shortcake will be bringing her very own pop-up bakery to the heart of SoHo to celebrate Galentine’s Day. From February 14-15, Strawberry and her “berry besties” will serve up sweet treats to the public, debut exclusive first look reveals across toy, games and plush and dish out delicious giveaways in collaboration with Magnolia Bakery and Little Words Project. Strawberry Shortcake fans are invited to join the bake shop fun at 188 Lafayette St, New York, each day from 11-5 p.m.

Then, at the Toy Fair itself, Strawberry Shortcake’s resurgent fandom will feature alongside brands such as Peanuts, The Cat in the Hat and Peter Rabbit in an industry panel titled “How Entertainment Brands are Leveraging the Nostalgia Boom to Engage Multigenerational Audiences.” Led by moderator Joel Silverman, CEO & Co-Founder of KidsKnowBest, the panel brings together industry leaders, including Kate Smith, WildBrain’s EVP Audience Engagement; Scott Shillet, Peanuts Worldwide’s VP Global Licensing; Ellie Terveen, Dr. Seuss Enterprises’ Chief Operating Officer; and David Sprei, Penguin Ventures’ Commercial Director. Toy Fair delegates are invited to attend the panel on February 16 from 3:20-4:00 p.m. at the Toy Fair University Theatre.

In addition to new content and Toy Fair activations, the Strawberry Shortcake franchise continues to expand its footprint in the toys and games sector with new licensing partnerships brokered by WildBrain CPLG. A global collaboration with MGA Entertainment’s popular L.O.L. Surprise! brand, which has introduced the L.O.L. Surprise! Loves The World of Strawberry Shortcake Tots collection, while a collaboration with USAopoly will see exclusive Strawberry Shortcake editions of Hasbro’s Monopoly and Candy Land games roll out in the U.S. and Canada this spring.

“Strawberry Shortcake is a true icon, beloved by generations around the world. This evolution blends the nostalgia of Strawberry’s classic bonnet-and-bloomers style with CG animation and storytelling designed to captivate both new and long-time fans across generations and geographies,” said Erin Morris, VP, Strategic Global Franchise & Retail for WildBrain. “As we expand the world of Strawberry Shortcake and her ‘berry besties,’ we’re excited to partner with world-leading brands to sweeten the toy and games aisle with new products this year. Fans have told us they love classic Strawberry Shortcake, so we’re pleased to create joyful, fun and sweet experiences across our digital network for today’s audiences — whether they’re discovering Strawberry for the first time or reconnecting with a childhood favorite.”

Strawberry Shortcake: The Berry Best Baking Show
A Berry Sweet Content Rollout
From a fresh live-action/animation baking show to full minisodes starring Strawberry Shortcake and her “Berry Besties” bursting with fun and friendship, the content rollout is set to whisk fans of all ages into a world of sweetness.

With the official Strawberry Shortcake YouTube channel now reaching a global community of over 2.2 million subscribers, surpassing 1.4 billion lifetime views, the brand’s YouTube footprint continues to expand across North America, Europe and Latin America, powered by an ever-growing digital network of localized channels.

The new digital content slate includes:

The Berry Best Baking Show: A 12-episode live-action/animation hybrid baking show (3–5 minutes each) for children aged 4–8, blending real-life fun with animated charm. The first four episodes premiere weekly on YouTube from March 19, with the second batch of four on May 14, and the final four on July 9.

Minisodes: 26 CG-animated shorts (3–4 minutes each) featuring Strawberry and her “Berry Besties”, set to roll out on YouTube later this year.

Micro-shorts: 52 CG animated bite-sized, character micro-shorts (15 seconds each) starring Strawberry and her cat Custard, dropping weekly on YouTube and other social platforms from February 5.

Lo-fi ambience videos: visually rich, mood-setting videos (1 hour each) deliver a calming experience, launching on YouTube from February 5.

Paramount+ Greenlights Mo Willems’ ‘The Elephant & Piggie Show’ and ‘The Pigeon Show!’

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Paramount+ is getting into the Mo Willems’ animated animal business in a big way. The streamer announced today that it has greenlit two animated series, The Elephant & Piggie Show! and The Pigeon Show! Starring the Pigeon, based on the best-selling children’s author and illustrator’s books. This is the first time Paramount+ is collaborating with the author’s Hidden Pigeon production company.

“Mo Willems has delighted kids and ‘former kids’ around the world with these beloved characters,” said Jane Wiseman, Head of Originals for Paramount+. “Whether it’s Elephant and Piggie navigating the hard work of ‘best-friending’ or The Pigeon confusing wants and needs (a hot dog! a cookie! to drive the bus!), these characters remind us that the best stories are the ones that make us laugh and feel something real. We’re thrilled to bring them to life on Paramount+.”

“We are so excited to be partnering with Paramount+ to further expand the world of Mo Willems through these two new series,” said Karen K. Miller, CEO of Hidden Pigeon Company. “We can’t wait to present more of the characters and stories that kids everywhere already know and love in ways that will surprise and delight them at every turn.”

The Elephant & Piggie Show! is described as a warm, comedic pre-K series about the hilarious and sometimes challenging work of “best-friending.” The series takes place in the small, walkable neighborhood of Willemsburg, which is full of new locations audiences will love. Elephant Gerald is careful; his best friend Piggie is not. Gerald worries so that Piggie does not have to and together, along with young audiences, they will celebrate the messy and joyful art of friendship.

The Pigeon Show! Starring the Pigeon animates the day-to-day struggles of a pigeon who just wants to be listened to. He will be your best friend if you have a bus and you let him drive it. The series features familiar characters from Willems’ books, such as the adorable Duckling who always seems to get what she wants, plus new characters, like The Pigeon’s 150-million-year-old pterodactyl grandmother, Nana-Dactyl, and his best wing-pals, Ima Pigeon and Doug Pigeon.

Willems is a #1 New York Times best-selling author and illustrator who has received the Caldecott Honor on three occasions (for Don’t Let the Pigeon Drive the Bus!, Knuffle Bunny: A Cautionary Tale, and Knuffle Bunny Too: A Case of Mistaken Identity). His popular Elephant & Piggie early reader series has been awarded two Theodor Seuss Geisel Medals (for There Is a Bird on Your Head! and Are You Ready to Play Outside?) and five Geisel Honors (for We Are in a Book!, I Broke My Trunk!, Let’s Go for a Drive!, A Big Guy Took My Ball!, and Waiting Is Not Easy!). Mo began his career as a writer on Sesame Street, where he received six Emmy Awards.,

How Netflix's Potential Acquisition Of Warner Bros. Discovery Affects M-Net, DStv And Showmax?

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Not long ago, it was reported that Netflix won the bid to acquire Warner Bros. Discovery valuing the deal at $72 billion. This deal would DC Entertainment/Studios, Cartoon Network Studios, HBO, Warner Bros. Pictures/Television and New Line Cinema.

Below is a how this deal is bad news for MultiChoice

M-Net and Showmax
MultiChoice had been licensing Game Of Thrones and Penguins from HBO to M-Net and Showmax. In the event of an acquisition, Netflix had expressed interest to continue these partnerships with local broadcasters but it may not be easy.

If MultiChoice continues to license content from Warner Bros. they could as well look to increase the rates. This is something MultiChoice's new owners Canal+ may not find amusing as they've begun cost cutting due to DStv's shrinking consumer base.

Besides that, the previous owners at MultiChoice had been anti-Netflix for sometime so the general audience had sort of painted a certain image of the company. While free-to-air broadcasters such as SABC and eMedia Investments had been licensing from the streamer.

MultiChoice put up a wall between them and Netflix again this was the previous owners regime as Canal+ does view them as partners. They do have an agreement to bundle their services in francophone markets alongside a content deal through K+.

The reality is while Warner Bros. continues to license content to M-Net and Showmax, Netflix will likely make further productions exclusive to their services. If they do continue licensing, I doubt MultiChoice would want their scraps.

Netflix is already available in the market which further complicates things as M-Net and Showmax are meant to go hand in hand with their content. But then again, MultiChoice is part of StudioCanal's parent company which gives them leverage.

Netflix may offer Stranger Things, Squid Games and Wednesday but with Canal+'s MultiChoice there's Paris Has Fallen, Spinners and iShaka iLembe.

DStv
For this part, I feel there's a lot of exaggeration as Netflix is not acquiring Discovery, TLC or the linear Cartoon Network as that is being spun off into a separate company. Of course, Netflix's bid to be frank sort of dilutes the value of Cartoon Network.

Cartoon Network under Discovery Global will be leaning more toward third party programming such as Lego Ninjago, Dragonball Super and Totally Spies!. While what made Cartoon Network, Nickelodeon and Disney "The Big 3" like Regular Show and Tiny Toons Looniversity goes to Netflix.

It's likely that they will be a licensing agreement for these shows but they'll most definitely be like DreamWorks Channel - reruns. Under a separate company, they're not going to prioritise on these Netflix originals.

If it is deemed expensive these shows could as well get phased out and again that just dilutes Cartoon Network who had been reliant on these IPs.

Turning over the torch to Discovery Global, this is the company that MultiChoice is involved in a carriage dispute with over the future of its 12 channels. These include Discovery Channel, HGTV, TLC and as mentioned the linear Cartoon Network.

Of course, the matter of concern here to me is that as mentioned with Cartoon Network while the Netflix deal makes the company more leaner. There's still another 20 billion worth of debt they need to clean out.

Expecting for content to be reduced, potential sales or closures to operations or channels and lastly massive layoffs particularly for international feeds.

All of this might as well unfold while these channels are no longer on DStv but then again it's likely that MultiChoice could opt to keep a few channels. My guess would be Discovery Channel, TLC, Cartoon Network, Real Time, Cartoonito, ID and CNN.

‘HBO, DC, Cartoon Network’: 10 Companies That Netflix Will Now Own After The Warner Bros Buyout

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Following Netflix’s agreement to acquire Warner Bros Discovery’s TV and film studios and streaming division in a deal valued at roughly $72 billion, the streaming giant will take control of some of the most influential brands in global entertainment. Based on the assets included in the sale, here are 10 major companies and brands Netflix will now own.

1. HBO
The deal includes Warner Bros Discovery's streaming and premium-TV business, giving Netflix full ownership of HBO, one of the strongest content brands in the world, known for Game of Thrones, Succession, The Last of Us and more.

2. HBO Max / Max
Netflix will also acquire the HBO Max (rebranded as Max) streaming service, a direct competitor. This dramatically increases Netflix’s control over prestige television and reshapes the streaming landscape.

3. Warner Bros Television
The acquisition includes Warner Bros’ television production unit, one of the industry’s largest suppliers of scripted and unscripted programming, producing shows for networks globally.

4. Warner Bros Pictures
Netflix gains control of Warner Bros Pictures, the centerpiece film studio behind franchises such as Harry Potter, DC Films, Mad Max and Fantastic Beasts.

5. DC Entertainment / DC Studios
The DC superhero universe featuring Batman, Wonder Woman, Superman, Joker and more, falls under Netflix’s ownership as part of the studios division.

6. New Line Cinema
The iconic studio behind The Lord of the Rings, The Conjuring and IT will become part of Netflix’s content empire through the Warner Bros acquisition.

7. Cartoon Network Studios
The animation division producing global hits like Ben 10, Adventure Time and The Powerpuff Girls will be owned by Netflix, expanding its youth and animation catalogue.

8. Adult Swim
Known for Rick and Morty, Aqua Teen Hunger Force and cult animation, Adult Swim also moves under Netflix as part of the studios and TV assets it is buying.

9. Turner Classic Movies (TCM)
TCM’s extensive classic-films library and broadcast brand will fall under Netflix's control, giving it unmatched catalogue depth.

10. Vox Media Partnership Assets
Warner Bros Discovery maintains multiple joint ventures, including content partnerships with Vox Media (such as digital news/documentary collaborations). These partnership rights transfer to Netflix as part of the studio and streaming business purchase.

The article was originally published by Wionews

Netflix Wins the Warner Bros. Discovery Bidding War, Enters Exclusive Deal Talks

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Warner Bros. Discovery is moving forward with exclusive deal talks with Netflix, TheWrap has learned.

WBD has selected Netflix after the streaming giant offered $30 a share for the studio and streaming assets, according to two people familiar with the deal talks. The deal also includes a $5 billion break-up fee to match the terms that Paramount added with its bid.

While its unclear what the makeup of the new bid looks like, the prior bid was a mix of mostly cash and stock.

Netflix securing a win over rival suitors Paramount and Comcast represents a stunning turnaround from just two months ago, when co-CEO Greg Peters shaded big media mergers as not having an “amazing track record,” and Paramount buying WBD seemed like a foregone conclusion. Fast forward to today, and Netflix has won a furious M&A bake-off after three rounds of bids.

Representatives for Netflix and WBD weren’t immediately available for comment.

These exclusive talks clear the road for Netflix to acquire the Warner Bros. studios, HBO Max and a treasure trove of IP assets like “Harry Potter” and the DC Universe. Netflix, which once aspired to be like HBO when first embarking on original content, is on a course to become its next owner. Obtaining such assets could dramatically reshape the entertainment landscape and give Netflix even more power over Hollywood — concerns the streamer will have to assuage.

Regulatory hurdles
The willingness to include the unusually large breakup fee was likely critical with questions arising on how Netflix will get a deal with Warner Bros. through regulatory approval. It would face stiff antitrust scrutiny and opposition from the U.S. Department of Justice, New York Post’s Charles Gasparino reported on Tuesday.

A representative for the Department Justice declined to comment on the report.

In a Nov. 13 letter to U.S. Attorney General Pam Bondi, Federal Trade Commission Chairman Andrew Ferguson and Department of Justice antitrust division assistant attorney general Gail Slater, Republican Rep. Darrell Issa warned that a Netflix bid would raise antitrust concerns that could harm consumers and Hollywood alike. He noted that consolidation between the two companies would “diminish incentives to produce new content and major theatrical releases,” which could “undermine opportunities for the full range of industry professionals both in front of and behind the camera.”

California Attorney General Robert Bonta has previously voiced his opposition to any deals involving WBD. “Further consolidation in markets that are central to American economic life — whether in the financial, airline, grocery or broadcasting and entertainment markets — does not serve the American economy, consumers or competition well,” his office told TheWrap last month in response to Paramount’s initial offer.

“We are committed to protecting consumers and California’s economy from consolidation we find unlawful,” the spokesperson added.

The process of completing the deal could distract the company from executing its core business. There’s also the X factor of Netflix jumping into the deep end of the theatrical business, a part of the entertainment world it has kept its distance from. Netflix shares fell 5% on Wednesday when investors realized the prospect of a deal happening was very real.

David Ellison And Paramount’s New Regime Vows To Boost Nickelodeon And Family-Friendly Content, Invest In Paramount+ And Hang On To Cable Channels

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 BET Networks is no longer being shopped to third-party buyers, the new leadership regime at Paramount Skydance confirmed on Wednesday, August 13 as top executives gathered for a wide-ranging Q&A with journalists.


David Ellison, Chief Executive Officer (CEO) of the studio that he acquired last week, told reporters that BET and its content franchises would be a key part of the new regime’s streaming strategy. Ellison said the plan is to operate the company with its assets intact — that’s in contrast to the string of assets sales that Paramount Global and its predecessors have done in recent years. BET in particular had been shopped to a number of prospective buyers in private equity and prominent Black investors and stars including Tyler Perry.

Ellison said the concept of keeping Paramount Pictures, CBS and other assets together was a key point of his earliest discussions last year about buying the studio with former Paramount Global chair and majority shareholder Shari Redstone.

“We had this conversation with Shari when we had the first meeting, actually about the company. It is our intention is to keep the company together and invest in that lens,” Ellison said.

“We’re thinking about the cable network is not as declining linear assets that we need to spin them up or deal with somehow. We’re thinking about those brands that we have to redefine,” Ellison said. “Nickelodeon is also one of those. Fids and family is so important to the world and making sure that we’re doing the right thing for Nick and that whole cadre of content is critically important to us as well.”

Overall, Ellison and his top lieutenants sketched out a roadmap for the new Paramount Skydance team’s priorities that include increased investment in the Paramount Pictures studio, CBS and the Paramount+ streaming platform. Ellison and Paramount president Jeff Shell reiterated that the plan is to consolidate the company’s major streaming assets — subscription service Paramount+ and free ad-supported (FAST) platform Pluto TV — into one central service to save operating costs and to make Pluto TV a better driver of subscriptions for Paramount+.

Joining Ellison and Shell at the session were Andy Gordon, Chief Strategy Officer and Chief Operating Officer; George Cheeks, Chair of TV Media; Dana Goldberg, Co-Chair of Paramount Pictures and Chair of Paramount Television; Josh Greenstein, Co-Chair of Paramount Pictures and Vice Chair of Platforms; and Cindy Holland, Chair of Direct-to-Consumer.

Asked point blank if the programming budget for Paramount+ will increase to make the service competitive with larger rivals such as Disney+ and HBO Max, Ellison said yes. Cindy Holland, the Netflix alum who is leading streaming operations for the new Paramount, was also blunt when asked if she intends to commission made-for-streaming movies from the sibling studio. “Made for streaming movies are not a priority for me,” she said.

Gerry Cardinale, head of RedBird Capital which also had a big role in financing the $8 billion transaction, offered an expansive view of a team ready to spend what it takes to upgrade Paramount’s aging infrastructure. Cardinale complimented Ellison for being a savvy business executive in addition to having the creative ambition to own a movie studio, Big Three broadcast network and more.

“I’m betting my firm and my career on this deal. That should tell you guys one thing: We are coming, we are going to invest, and we’re going to be really sophisticated. This is not other people’s money,” Cardinale said. He even suggested that the Paramount Skydance ethos would not only change the corporate culture at Paramount and CBS but influence the broader industry.

The new regime is thinking about “How do we build the culture, not just for Paramount but for Hollywood,” Cardinale said. “I could not be more excited. Yes we are going to be investing a lot of money, and we’re going to show the great return on that investment.”

Among other highlights from the Q&A session:

“I’m here because I love movies,” Ellison said flatly when discussing his motivations for executing the complex acquisition that took more than a year to complete. The 42-year-old CEO described Sundays spent watching movies on VHS with his mother. “Our idea of a good time on Sunday was, we had 3,000 VHS movies, and Sunday was the one day we were kids that we could actually do whatever we wanted. And we would just binge all day long.”

Ellison also saluted the star that has had a long association with Paramount and Skydance when pressed about the status of the studio’s follow-up film to 2022’s Top Gun: Maverick.

“We’re really proud and honored that in our partnership with Tom, we have made 10 movies together. We want to be in business with Tom for the foreseeable future,” Ellison said. "Top Gun cannot be a bigger priority. I want to be making movies with Tom and telling stories with Tom for as long as he wants to be doing it. There’s nobody who works harder and who loves movies and loves business more.”

Ellison was pressed about the new regime’s view on CBS News. The slog of closing the merger took a toll on the Eye’s news division as President Donald Trump waged war with a baseless $20 billion lawsuit against 60 Minutes over its Kamala Harris interview. A $16 million settlement with Trump paved the way for the FCC to approve the Paramount Global Skydance transaction.

CBS News and the journalism it produces “is something that is incredibly important to me that we couldn’t support more,” Ellison said. “It’s also the area of company that we want to invest in. For sure it’s a vital part of our democracy, and it’s an honor to be part of that organization.

Goldberg, co-chair of Paramount Pictures and Paramount Television, buttressed Ellison’s pledge to invest in strong family and YA-friendly movies and TV shows. “That’s a space we’re going to run toward,” she said.

Goldberg also emphasized that there will be a new approach to managing Paramount’s valuable Star Trek franchise. "Star Trek is absolutely a priority, and it’s priority across the company,” Goldberg said. “We’re not going to be siloed off so that there’s a conversation happening about television and another conversation” about film plans.

Ellison made a point of asserting that the new ownership group is aligned with the interests of Paramount Skydance’s common shareholders. The company is bracing for widespread layoffs that will be part of the company’s pledge to find $2 billion in savings post-merger.

“What we need to do to make sure we can run as efficiently possible can as a company. And then the other is where we need to invest for growth, for long term,” Ellison said. He noted that the Ellison family and RedBird own 70% of the economic interest in the company. “We’re the largest shareholders. So from that standpoint, we’re going to look at everything through a long-term value creation lens.”

VIU And HBO Max Bundle Is Launching In Southeast Asia, Showmax Likely To Follow Soon For Consumers In Africa

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HBO Max and Viu are bundling their services in Southeast Asia into a single subscription, which will bring HBO shows such as The Last of Us and The White Lotus together with Viu’s original Korean and Chinese dramas.

The bundle will launch in Q4 across Indonesia, Malaysia, the Philippines, Singapore and Thailand, and is almost certainly the first of its kind spanning multiple markets in Asia Pacific.

HBO Max is bundled with other services elsewhere in the world, including in the States, where several variations exist. The service launched in seven key Asian territories in November last year – then known as Max, prior to the re-rebrand back to its original name over the summer.

“Following the proven consumer and business benefits of HBO Max bundles in other parts of the world, this new streaming offering will provide strong entertainment value for consumers across Southeast Asia, and help drive subscriber growth and stronger retention,” said James Gibbons, President of Asia Pacific at Warner Bros. Discovery.

“With access to two complementary and world class collections in a single subscription, local fans can enjoy even more choice – from premium Hollywood movies and series to standout local Asian content.”

The HBO Max/Viu bundle will include the likes of the Harry Potter, Game of Thrones and DC Universe franchises, feature such as Spinners and The Minecraft Movie, legacy series such as Friends and HBO originals, including The Last of Us and The White Lotus. From the Viu side comes reality series such as Running Man and 2 Days 1 Night, Chinese dramas including The Immortal Ascension and Love Has Fireworks and upcoming Viu original Korean dramas Taxi Driver 3 and My Youth. Yesterday, we revealed My Youth had been snapped up for Rakuten Viki for the U.S., Europe and Latin America.

Janice Lee, CEO of Viu and Managing Director of PCCW Media Group, said: “Our partnership with Warner Bros. Discovery is an exciting step forward in our promise to continually enhance Viu’s entertainment options and meet our viewers’ evolving tastes.

“By combining HBO Max’s Hollywood content with Viu’s Asian favorites in a single bundle subscription, we’re offering more choice in shows, easier access to diverse content and greater value across a wider range of programming.”

Disney Princess Let’s Party Launches This August

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Disney princesses have inspired girls and fans of all ages to discover, dream and believe through characters who go on epic, fun adventures where they realise their true potential. The heroines and their beloved stories have created shared moments between generations and this August, the fun continues with Disney Princess Let’s Party.

 

Disney Princess Let’s Party invites families and fans to create their own magical world and adventures by holding their own magical princess party inspired by the Disney princesses - from Cinderella to Jasmine, Belle to Ariel, Mulan and Tiana, there is a story and adventure waiting for all to be shared and celebrated.

 

The Disney Princess Ultimate Party Digital Hub is now live at www.disney.co.za/Disney-Princess-Party, featuring party inspiration including downloadable activity books, recipes, craft tutorials and more – all on hand for families to use to help spark their imagination.

 

24 – 31 August will mark Disney Princess Week and to celebrate, for the month of August, grown up party goers and throwers will be encouraged to share their Disney Princess parties on social media using the hashtag #DisneyPrincessZA, Tagging @DisneyinAfrica on Facebook and @DisneyAfrica on Instagram, to stand a chance of winning an exclusive Disney Princess hamper worth over R5000.00*.

 

Comments Christine Service, General Manager of DTC & Networks and Country Manager Sub-Saharan Africa of The Walt Disney Company Africa: “Disney continues to entertain the world with beloved stories and characters and the Disney princesses create opportunities for shared connections across generations. We hope that fans and families will enjoy throwing their own Disney Princess-inspired celebrations this August, embracing the messages of uniqueness and positivity with a dose of imaginative play, adventure and fun.”

 

A vast selection of Disney Princess toys, games, fashion and accessories will be available at leading retailers across South Africa, including Disneystore.eu this August too, offering something for Disney Princess fans of all ages. Mattel has products for hours of play, including Disney Princess Spin and Reveal Fashion Dolls (with 11 surprises), the Disney Princess 2-in-1 Stories Fashion Dolls inspired by favourite moments, Disney Princess Castle Pet Palace Playset and the magnificent Magical Adventures Castle – the ultimate Disney Princess doll house. LEGO® brings the Disney Princess Castle & Royal Pets Toy Building Playset, Disney Moana’s hilarious side-kick Hei-Hei set and Disney Cinderella’s Castle, complete with horse carriage. Enchanted playtime awaits!

The celebrations continue with Disney+, the home of all Disney Princess animated feature adventures, Moana 2 (2024), Raya and the Last Dragon (2021), Moana (2016), Brave (2012), Tangled (2010), The Princess and the Frog (2009), Mulan (1998), Pocahontas (1995), Aladdin (1992), Beauty and the Beast (1991), The Little Mermaid (1989), Sleeping Beauty (1959), Cinderella (1950) and Snow White and the Seven Dwarfs (1937). Not to mention the live action reimagining’s and retellings of these stories (Maleficent (2014), Cinderella (2015), Beauty and the Beast (2017), Mulan (2020)) as well as hours of animated series, shorts and specials including Beauty and the Beast: Belle’s Magical World, LEGO® Disney Princess: The Castle Quest, and much more.

 

Disney Channel (DStv 303) and Disney Junior (DStv 309) will be celebrating Disney Princess Week too, with the premiere of Disney’s Moana on Friday 29 August at (17:00 CAT on Disney Channel) and new episodes of much-loved Disney Junior Ariel (weekdays on Disney Junior). As a special treat also on Disney Junior, Sofia the First will air with episodes featuring the Disney princesses themselves inspiring Sofia in her journey to be a better leader and friend.

 

There are a number of ways to celebrate and create your own magical world, with Disney Princess Let’s Party this August.

Hulu Is Set To Launch On Disney+ Globally By The End Of The Year

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A new “unified” Disney+ and Hulu streaming app will be available in 2026, the company said. According to a Disney rep, customers will still be able to buy a stand-alone Hulu subscription (as well as a stand-alone Disney+ plan).

“Today we are announcing a major step forward in strengthening our streaming offering by fully integrating Hulu into Disney+,” CEO Bob Iger and CFO Hugh Johnston said in prepared commentary on the media giant’s quarterly earnings. “This will create an impressive package of entertainment, pairing the highest-caliber brands and franchises, great general entertainment, family programming, news and industry-leading live sports content in a single app.”

The single Disney+ app with Hulu will deliver an “improved consumer experience,” which will lower churn, Iger said on the earnings call. Both services will be “on one tech platform,” which will result in cost synergies, according to Iger. In addition, Disney — which already sells ads for Disney+ and Hulu together — sees new opportunities for bundling ad sales by fully combining them, he said.

In their prepared remarks, the Disney execs said, “By creating a truly differentiated streaming offering, we will be providing subscribers tremendous choice, convenience, quality, and enhanced personalization. This will enhance our ability to continue to grow profitability and margins in our entertainment streaming business through expected higher engagement, lower churn, and advertising revenue potential, as well as operational efficiencies that over time may result in savings that we can reinvest back into the business.”

In addition, Hulu will become a global general entertainment brand: Starting in the fall of 2025, it will replace the Star tile on Disney+ internationally.

“Work is already underway to continue enhancing our technology, and over the coming months, we will be implementing numerous improvements within the Disney+ app, including exciting new features and a more personalized homepage,” Iger and Johnston said.

The move to fully sew Hulu together with Disney+ comes after Disney — following two years of negotiating — closed its deal with Comcast to buy out NBCUniversal‘s one-third stake in Hulu in June 2025. Disney paid Comcast in total about $9 billion, including $8.61 billion in November 2023 and $438.7 million this past June. Comcast had been seeking more than $13 billion for the 33% Hulu stake; the final price tag was determined through arbitration by a third-party banker.

Disney has already taken steps to integrate Hulu and Disney+. In the spring of 2024, the Disney+ app launched “full” integration of Hulu content, which the company has used as a way to convert stand-alone Disney+ customers into bundled Disney+/Hulu subs.

Also Wednesday, Disney announced that it will no longer report streaming subscriber numbers for Disney+, Hulu and ESPN+, following the lead of Netflix and others.

Captain Planet Live-Action Series In The Works At Netflix

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Captain Planet and the Planeteers‘ long-awaited live-action adaptation is getting a big boost — and a major twist. In a competitive situation, Netflix has landed for development Captain Planet, a live-action series based on the cult animated show, Deadline has learned. It hails from Greg Berlanti’s Berlanti Productions, Leonardo DiCaprio’s Appian Way and Warner Bros. Television where Berlanti Prods. is based.

Mrs. Davis co-creator/executive producer Tara Hernandez will be writing the adaptation of the 1990 environmental superhero animated series Captain Planet and the Planeteers, which ran on TBS and in syndication for six seasons.

Appian Way previously spearheaded a live-action feature Captain Planet take. Originally set up at Paramount Pictures in 2016 with Glen Powell co-writing with Jono Matt and potentially starring, the project never materialized, with the rights eventually reverting to Warner Bros. Discovery, though Powell had remained passionate about it as his star rose fast post-Top Gun: Maverick.

Conceived by Ted Turner, Captain Planet and the Planeteers follows five teenagers who tackle environmental disasters with the help of a superhero, Captain Planet. The animated series was produced by DIC Enterprises (Seasons 1-3) and Hanna-Barbera Cartoons (Seasons 4-6).

Berlanti is no stranger to the superhero genre — he built an expansive DC universe at the CW. This marks Berlanti Prods.’ second high-profile live-action series adaptation of a beloved WBD animated property for Netflix, joining the upcoming Scooby-Doo origin series. At Netflix, the company also was behind hit thriller drama series You, co-created by Berlanti.

Berlanti Prods.’ current slate includes NBC’s Brilliant Minds and the CW’s All American. The company’s pipeline also includes horror thriller Stillwater, based on the Skybound comics, which has a series order at Amazon with Berlanti and Carly Wray adapting; mystery Foster Dade in the works at Hulu; Dilettante, starring Jeff Daniels, set up at Apple; and a family drama at HBO Max.

Environmental causes have been at the heart of Appian Way’s documentary slate with projects such as the Emmy-winning The Path Of the Panther, We Are Guardians, Virunga, And We Go Green, Fin, The Loneliest Whale and Ice On Fire as well as the kids animated series Ozi: Voice of the Forest.

After a decade as a writer-producer on The Big Bang Theory and spinoff Young Sheldon, Hernandez co-created with Damon Lindelof and served as an executive producer and showrunner on Peacock’s AI-themed limited series Mrs. Davis. She is repped by WME. Berlanti Prods. is repped by CAA; Appian Way by LBI.

Canal+ To Launch Streaming Service MyCanal In Eastern Europe By The End Of 2026 Followed By Asia, Could It Replace DStv Stream And Showmax In Africa?

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Canal+ is currently in the process of completing it's acquisition of MultiChoice after recieving a recommendation from the Competition Commission. Now the deal sits with the Competition Tribunal and Independent Communications Authority Of South Africa (ICASA) for further analysis. 

Reports going around is that MyCanal which is basically international version of DStv Stream and rival to Pluto TV from Paramount Global is looking to launch in Eastern Europe by the end of 2026 with Asia likely to follow in the first half of 2027.

The app combines a package of live content, replay and subscription video on demand. In addition to Canal’s own original content, it has also aggregated the platforms of Netflix, Apple TV+, HBO Max, Paramount+, BeIN, Eurosport and Dailymotion.

MyCanal currently operates in Africa namely Ghana, Liberia, Rwanda and Niger basically regions in which it pay-tv service resides. What was interesting about this report is that it mentioned Canal+ plans to rollout MyCanal in regions in which it operates.

With Canal+ currently pursuing MultiChoice who own Showmax and DStv Stream with VIU also operating in South Africa these could as well be potential candidates for its streaming endeavours.

After acquiring Netherland's SPI International, FilmBox+ serves as European equivalent of MyCanal with K+ in Vietnam so the idea of Showmax and DStv Stream fitting under this umbrella wouldn't seem far fetched a stretch.

Following the relaunch of Showmax with NBCUniversal, MultiChoice had mentioned that the number of activations had increased which indicates that the streamer has plenty of scale. This is where DStv Stream lacks as it serves as a companion app to the DStv satellite.

Some consumers have felt that DStv had become expensive even with its OTT counterpart having reduced rates for its dishless consumers. With the price of DStv Premium, consumers can pay for 5 streaming services making DStv Stream a liability.

Merging Showmax and DStv Stream would make it easier to market rather than splitting consumers and alienating them from content. DStv has a batch of channels whose content is not on Showmax and vice versa - merging could reduce those expenses.

Integrating these services could face various delays one being licensing agreements which MultiChoice could have extended for several years. Another has to do with NBCUniversal as they retain 30% in Showmax preventing full integration.

Canal+ could buy back the shares but NBCUniversal could prioritize it's streaming endeavours or want more money as seen with Hulu.

Showmax has been viewed as a direct competitor to DStv so Canal+ could look to reduce its investment perhaps by selling more shares. They do have this whole thing going on with VIU and I'd imagine them keeping a percentage in Showmax in order to tap the rest of Africa which VIU remains nonexistent.

But if I'm being rational, they could as well look to merge the two that's what happened when WarnerMedia and Discovery merged. They removed a ton of content (mainly animation) from Max and focused on adult programming while licensing it's other content to rival platforms.

‘Steven Universe: Lars Of The Stars’ In Development For Prime Video; ‘Teen Titans Go!’ Gets 10th Season On Cartoon Network

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From the Studio Showcase presented by Warner Bros. Animation, Cartoon Network Studios and Hanna-Barbera Studios Europe at Annecy Festival today, two major announcements promised the return of fan-favorite toon titles to screens in the near future.

Cartoon Network Studios revealed it is currently developing Steven Universe: Lars of the Stars for Prime Video. The series is a follow-up to the Peabody Award-winning Cartoon Network series Steven Universe, created by Rebecca Sugar, who returns to this new project as executive producer, alongside Steven Universe writer/EP and creator of OK K.O.! Let’s Be Heroes, Ian Jones-Quartey.

Per the announcement: 

Steven Universe: Lars of the Stars explores the past, present and future of the Steven Universe universe. The sequel series follows Lars Barriga, eternal teenager and space outlaw, as he and his pirate crew smuggle contraband, evade the authorities, and uncover the darkest secrets of the fallen Gem Empire.

Additionally, it was announced that Teen Titans Go!, the longest running animated series in DC history, has been renewed for a 10th season on Cartoon Network. The show last Fall celebrated its epic 400th episode. Executive Producers are Luke Cormican, Peggy Regan and Sam Register.

Robin, Starfire, Cyborg, Beast Boy and Raven continue the fun with all-new comedic adventures, giving viewers a look at what life is really like as a teen super hero…once the cape comes off. Inspired by and featuring the principal voice cast of the original Teen Titans series, this character-driven comedy — based upon DC characters — focuses on the funny that happens in between saving the world and living together as teenagers without adult supervision.

Iyanu Premieres On Showmax With All-Nigerian Voice Cast

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The animated series Iyanu will make its African debut on Showmax starting on June 13, 2025. It will feature an impressive lineup of Nigerian voice actors, including Adesua Etomi-Wellington, Blossom Chukwujekwu, Serah Johnson, Stella Damasus, and Shaffy Bello.

The show follows the story of a brave young orphan living in the magical kingdom of Yorubaland. When danger arises, she unwittingly activates divine powers that have been dormant since the Age of Wonders. With the help of her adventurous friend Biyi, voiced by Okey Jude, and the bookish Toye, played by Samuel Kugbiyi, Iyanu embarks on a journey to confront the evil threatening her community. They are joined by a magical leopard named Ekun, adding to the excitement of their adventure.

Iyanu has already made waves in the United States since its launch on Cartoon Network in April 2025. It has received critical acclaim and considerable viewership, ranking number one on the network and within the top 10 for kids and family series on Max. Screen Rant lauded it as “The Last Airbender and Black Panther hybrid you didn’t know you needed,” emphasising its innovative fusion of African mythology and contemporary superhero themes.

Adapted from the graphic novel Iyanu: Child of Wonder by Nigerian creator Roye Okupe, the animated series has captured audiences worldwide. Okupe expressed his excitement for the African premiere, emphasising the importance of representation in superhero narratives. “To see Iyanu launching on Showmax across 44 African countries is truly a full-circle moment,” he said.

Iyanu showcases the rich tapestry of Nigerian culture, music, and mythology and highlights the universal appeal of superhero stories. It invites viewers of all ages to connect with a hero who looks and feels like them. The series promises a magical journey of self-discovery and adventure for audiences throughout Africa and beyond.

Cartoon Network & Max Greenlight ‘Iyanu’ S2 Plus Two Movies

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Following the breakout first season, a second season of Lion Forge Entertainment’s Iyanu, the epic animated fantasy series inspired by Nigerian mythology, along with two feature films expanding its universe, have been greenlit by Cartoon Network and Max.

Based on the graphic novel series Iyanu: Child of Wonder by Roye Okupe, and produced by Lion Forge Entertainment, Iyanu follows a teenage orphan who discovers her divine powers and her destiny to save the ancient kingdom of Yorubaland.

“We’re incredibly inspired by the response to Iyanu and the connection it has made with audiences,” said David Steward II, CEO of Lion Forge Entertainment. “The opportunity to expand this world with a second season and two feature films is a testament to the power of meaningful storytelling and innovative creative collaboration. We’re grateful for the continued support of our partners at Cartoon Network and Max, and it’s been a lot of fun working with Roye to bring Iyanu to life and build the franchise.”

Okupe, who also serves as series creator, executive producer and showrunner, commented, “This is a huge win for Iyanu, Lion Forge Entertainment and YouNeek Studios fans around the world. The support for our show has been nothing short of humbling — and because of that incredible response, we now get to bring the next chapter of Iyanu’s story to life. I’m thrilled to continue expanding the world of Iyanu and the YouNeek YouNiverse, and to share this journey with audiences across the globe. This is just the beginning.”

Season 2 will return with 10 new episodes where we’ll see Iyanu continue to master her burgeoning powers as she finds herself in the midst of a fierce conflict between Elu and the People of the Deep, led by a new formidable opponent. With various factions of Yorubaland vying for powerful divine artifacts that have reemerged, Iyanu strives to find a way to end the war and restore peace. As Team Chosen reunites and tensions rise between old allies and foes, Iyanu must confront even more powerful threats from the Age of Wonders — including secrets buried deep within her own past.

The first of the planned animated film extensions, titled The Age of Wonders, is set to be released later this year. It will transport viewers 500 years before Iyanu’s rise, taking them to a thriving Yorubaland at the peak of its magical civilization. When the embodiment of the seven deadly sins threatens the world, Iyanu’s predecessors join forces with the Divine Ones to prevent the Age of Darkness.

The show’s executive producers are David Steward II, Stephanie Sperber, Kirsten Newlands and Matt Heath from Lion Forge Entertainment, Erica Dupuis of Impact X Capital, Ryan Haidarian of Forefront Media Group and Doug Schwalbe of Superprod. Iyanu was adapted from Okupe’s graphic novel series Iyanu: Child of Wonder by Youneek Studios and Dark Horse Comics.

Iyanu Season 2 will return to Cartoon Network and Max in 2026, followed by the second film currently in production.

Press Release: Netflix Announces Live Action Scooby-Doo Series

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The eight-episode show goes back to the haunting case that started it all.

Half a century, three theatrical films, and more than a dozen animated series later, Scooby-Doo remains one of pop culture’s most recognizable and entertaining characters. But few people know about how the cowardly dog and his mystery-solving gang first got together. In a new series, showrunners Josh Appelbaum and Scott Rosenberg (and their production company, Midnight Radio) are going back to the beginning, to the terrifying case that started it all.


Based on the characters from Hanna-Barbera, the latest show is a modern reimagining of the iconic mystery-solving group of teens and their very special dog. During their final summer at Camp Ruby-Spears, old friends Shaggy and Daphne get embroiled in a haunting mystery surrounding a lonely lost Great Dane puppy that may have been a witness to a supernatural murder. Together with the pragmatic and scientific townie, Velma, and the strange, but ever-so-handsome new kid, Freddy, they set out to solve the case that is pulling each of them into a creepy nightmare that threatens to expose all of their secrets.  

The series will be executive produced by Rosenberg and Appelbaum, as well as Greg Berlanti, Sarah Schechter, Leigh London Redman (via Berlanti Productions), and André Nemec and Jeff Pinkner (via Midnight Radio). “One of my first and favorite jobs in Hollywood was sitting with Bill Hanna and Joe Barbera while they signed animation cels,” says Greg Berlanti. “Josh and Scott and everyone at Midnight Radio have crafted a story that captures their amazing spirits and their genius creation. We are grateful to them and everyone at Warner and Netflix for the partnership in helping bring this iteration of Scooby-Doo to life!”

This isn’t the first time a beloved franchise has made its live-action debut on Netflix. Netflix has continued the world-building of beloved franchises with live-action adaptations of ONE PIECE and Avatar: The Last Airbender, as well as fan-favorite characters like Wednesday. “Mystery Inc. is back in business! We’re excited to bring Scooby-Doo to TV as a live-action series for the first time,” said Peter Friedlander, vice president of scripted series at Netflix. “The beloved franchise has had an impact on pop culture that is undeniable — it’s rich with universal themes of friendship that generations of fans have long embraced. Together with creative powerhouses Berlanti Productions and Midnight Radio, we’re committed to delighting longtime fans and opening up a world of groovy adventures for a new era of meddling kids.” 

The show is a result of Berlanti Productions’ overall deal with Warner Bros. Television. Clancy Collins White, president of creative affairs at Warner Bros. Television, added, “We’re thrilled to collaborate with our longstanding partners at Berlanti Productions and with Midnight Radio to bring the legendary Scooby-Doo franchise to a live-action series for the first time. It’s no mystery why audiences continue to love these iconic characters after more than a half century. We’re excited for a new generation to discover Mystery Inc. And we’re grateful to our partners at Netflix for the opportunity.”

Power Rangers TV Series In Development For Disney+

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“Percy Jackson and the Olympians” showrunners Jonathan E. Steinberg and Dan Shotz are in talks to write, showrun and produce a live-action “Power Rangers” series for Disney+ and 20th Century TV, TheWrap has exclusively learned.

Hasbro will produce the series, which will reinvent the franchise for a whole new generation of fans while delighting those who already know and love the world of Power Rangers.

The ’90s TV show, originally called “The Mighty Morphin’ Power Rangers,” was inspired by a Japanese children’s show, “Super Sentai” (even using footage from that show). It featured five teenagers who gain the ability to “morph” into superheroes known as the Power Rangers, complete with their own mech fighters. A film version of the series that starred most of the original cast was released in 1995, with a second one in 1997 (this one featured only a few original cast members).

The series has had many different iterations throughout the past 25 years.

Lionsgate and Saban Film attempted to reboot the original “Power Rangers” franchise in 2017 as a gritty, YA adaptation. The film grossed only $142 million on a budget of around $100 million, scrapping hopes for a bigger franchise.

Hasbro then acquired Power Rangers in 2018 in a deal designed to capitalize on the franchise’s full potential across all of the company’s divisions. 

The development of “Power Rangers” is part of Hasbro Entertainment’s ongoing strategy to elevate storytelling and produce series based on Hasbro’s most iconic brands alongside the industry’s best talent, studios and distribution platforms. Beyond “Power Rangers,” Hasbro Entertainment’s active projects include a re-imagining of “Clue” across film and television with Sony’s TriStar Pictures and Sony Pictures Television; a live-action “Dungeons & Dragons” series “Forgotten Realms,” currently in development at Netflix with Academy Award nominee Shawn Levy executive producing; showrunner Terry Matalas’ animated “Magic: The Gathering” series, currently in production at Netflix; a major, live-action film and television universe adapted from “Magic: The Gathering,” produced alongside Legendary Entertainment; and game shows based on “Trivial Pursuit” and “Scrabble,” which both premiered on The CW this past fall.

Steinberg and is currently the co-creator, executive producer and showrunner of “Percy Jackson and the Olympians” for Disney+, along with his producing partner Shotz. It just wrapped its second season and has been renewed for a third. Other credits include the critically acclaimed series “The Old Man,” starring Jeff Bridges and John Lithgow for FX. Both series are produced by 20th Television/The Walt Disney Company, where Steinberg and Shotz have housed their production company, Quaker Moving Pictures, since 2019.

Warner Bros. Discovery To Separate Linear From Streaming And Studios

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Warner Bros Discovery is to bring in a new corporate structure that will see the creation of two separate divisions, Global Linear Networks and Streaming & Studios.

The never-ending cycle of merger and demerger is described as being “designed to enhance its strategic flexibility and create potential opportunities to unlock additional shareholder value.”

The two divisions will both come under the corporate wing of Warner Bros Discovery, but ultimately this could lead to a spin off of the channel assets. A sale of linear channels in the Nordics and Poland is already under consideration and is a reflection of similar moves within the big US networks. The future is clearly in streaming service Max and the production that feeds it.

“Since the combination that created Warner Bros. Discovery, we have transformed our business and improved our financial position while providing world class entertainment to global audiences,” said Warner Bros. Discovery President and CEO, David Zaslav. 

“We continue to prioritise ensuring our Global Linear Networks business is well positioned to continue to drive free cash flow, while our Streaming & Studios business focuses on driving growth by telling the world’s most compelling stories. Our new corporate structure better aligns our organization and enhances our flexibility with potential future strategic opportunities across an evolving media landscape, help us build on our momentum and create opportunities as we evaluate all avenues to deliver significant shareholder value.”

Its expected the new structure will be in place by mid-2025.

Last month, Comcast confirmed the separation of NBCUniversal’s cable television networks including USA Network, CNBC, MSNBC, Oxygen, E!, SYFY and Golf Channel. It might be expected for a similar move to take place at Paramount Global once its new owners are in place.

Video: Afrikaans Voice Actors For Ramo

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Afrikaans Voice Actors For Blink Kant Bo And Op Dun v

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