Showing posts with label DStv Flex. Show all posts
Showing posts with label DStv Flex. Show all posts

11 Actors That Were Only Cast In The Friends TV Show

As Mark Darcy from Bridget Jones would say, you like Friends just the way it is. Despite some of the inconsistencies, plot holes and storylines that keep you up at night, it’s perfect just as it is – and you’d be horrified to see anything change.

But it wasn’t always meant to be the way it turned out: actually, at the very beginning, Friends creators David Crane and Marta Kauffman wanted to cast different actors as Ross Geller, Rachel Green, Monica Geller, Chandler Bing, Phoebe Buffay and Joey Tribbiani. Here’s the most famous 11.

1. Eric McCormack – Ross Geller

Before he hit the big time in Will & Grace, Eric McCormack auditioned to play Ross Geller – but later revealed he thought the part was written with David Schwimmer in mind.

“I needed to start pulling at this other sort of funnier, lighter side. So I auditioned for everything,” he told Huff Post. “I auditioned for Friends even. I auditioned for Schwimmer’s part.

“Years later, I told Jimmy Burrows, who directed all of Will & Grace and Friends too [that] I was up for Schwimmer’s part. He said, ‘Oh, honey, you’re wasting your time. They wrote the part for him.’”

2. Nancy McKeon – Monica Geller


“Nancy McKeon also read for Courteney’s part. She gave a terrific performance,” Lori Openden, head of casting for NBC at the time, said. “Warren [Littlefield, the then NBC president] let Marta [Kauffman] and David [Crane] make the call. They went off for a walk and came back and said Courteney.”

3. Jane Krakowski – Rachel Green


Before starring in Unbreakable Kimmy Schmidt, Jane auditioned for the role of Rachel – and joked in an interview with Giuliana Rancic on the 2015 Emmys red carpet that her “business manager is very sad” she didn’t get a call back.

She revealed, “Well, I, like almost every actor in the world, auditioned for Friends. I wish I had gotten that one. I actually auditioned for Rachel, and I didn’t go very far.”

4. Jon Cryer – Chandler Bing


Two and a Half Men‘s Jon Cryer explained on The Late Late Show With James Corden, ‘I was working in the UK and got a call from [Friends executive producer] Marta Kauffman, and she had a script called ‘Six of One’.

“She said, ‘the part I want you for is named Chandler Bing. I had to audition the next morning with the casting director who was in the UK. So I went in, I did my best… she packaged up the tape of me doing my best Chandler Bing, sent it to LA, and it got stuck at customs.”

5. Vince Vaughn – Joey Tribbiani


Friends casting director Ellie Kanner told Huffington Post that when Vince Vaughn auditioned to play Joey, though he was “handsome and tall” and a “good actor”, he just didn’t fit the part as well as Matt Le Blanc did.

“It’s just a matter of putting the pieces of the puzzle together”, she added. “That would have been a little different”.

6. Hank Azaria – Joey Tribbiani


Er, so this one isn’t so much as a nearly played him, but rather really wanted to.

“That’s the only job I ever auditioned for twice,” Azaria told HuffPost Live in 2014. “I thought it was so good — they had rejected me once — I said, ‘I’m going back, I’m gonna do it again, I’m gonna try it again’.”

Still, he got a cameo as Phoebe’s Science Guy, so all’s well that end’s well. Sort of.

7. Janeane Garofalo – Monica Geller


You might not believe it, but Friends creator David Crane revealed he initially wrote the role of Monica with Reality Bites‘ Janeane Garofalo in mind – it was only when Courtney Cox nailed the audition that they changed the character a bit.

“When we originally wrote the role, we had Janeane Garofalo’s voice in our head”, he told Vanity Fair. “Darker and edgier and snarkier, and Courteney brought a whole bunch of other colours to it. We decided that, week after week, that would be a lovelier place to go to.”

8. Craig Bierko – Chandler Bing


In the same Vanity Fair interview, Warren Littlefield, the former president of NBC Entertainment, explained that because Matthew Perry was initially tied into a pilot for Fox, he couldn’t commit to the role of Chandler – so he trained actor Craig Bierko up for the role instead.

“There was something Snidely Whiplash about Craig Bierko. He seemed to have a lot of anger underneath, more of a guy you love to hate. The attractive leading man who you love and can do comedy is very rare.”

9. Courtney Cox – Rachel Green


Yep, the casting directors actually wanted Courtney to play Rachel, not Monica – but it was only when she auditioned as Monica and “brought a whole bunch of other colours to the role”, that she got it.

“We originally offered Rachel to Courteney Cox,” says creator Kauffman, “but she said she wanted to do Monica, not Rachel”.

10. Leah Remini – Monica


The King Of Queens actress made it through the studio audition and to the network, where it was narrowed down to her and one other actress (side note – maybe Nancy McKeon?! See point one). But instead of picking, the casing directors asked them both to leave because they had someone else to see. 

“We walked out of the building and into the completely empty parking lot,” she wrote in her biography. “We chatted on the way to our cars, wishing each other the best, and then we saw Courteney Cox walking toward us, then past us and right into the building. Motherf*cker! We both knew it right away: she had the part of Monica.”

She does feature in ‘The One With the Birth’, though.

11. Kathy Griffin – Phoebe


Kathy Griffin revealed during a chat with Huff Post Live that both she and Jane Lynch (who went on to play Sue Sylvester in Glee) auditioned to be Phoebe.

Speaking about their friendship, she commented, “I’ve known Jane since we were both auditioning — I think we were auditioning for Phoebe on Friends like all my other girlfriends did…”

Article originally published by Cosmopolitan 

WBD Acquisition Is Near Completion As Paramount Secures Funds From Gulf State

David Ellison’s Paramount Skydance has secured funding commitments from three Gulf nation sovereign wealth funds to back its proposed acquisition of Warner Bros. Discovery, Deadline has confirmed.

A Wall Street Journal report on Sunday said the financing agreements were near to being finalized.

It was not a surprise as the proposed mega-deal had always included a big chunk of Middle East funding from Saudi Arabia, Qatar and Abu Dhabi. Now it’s been nailed down. In response to pressure from WBD, the merger agreement calls for billionaire Oracle co-founder Larry Ellison to backstop any equity shortfall to assure the deal would close.

The signed equity commitments of close to $24 billion include $10 million from Saudi Arabia’s Public Investment Fund flanked by the Qatar Investment Authority and Abu Dhabi’s L’imad Holding.

Paramount Skydance declined to comment.

The move comes after Democratic lawmakers expressed national security concerns related to foreign ownership and backing of the merger. Last month, a group of senators called on FCC chairman Brendan Carr to conduct a “full and independent” review of Paramount‘s proposed deal, with an equity value of $81 billion, due to Arab state investment. At the same time, Carr has said the agency would have minimal oversight over the transaction, as it does not involve the transfer of ownership of broadcast stations.

In its open letter, Democratic leadership cited a provision of the Communications Act, which dictates that foreign entities may not hold more than 25% of the equity or voting interest in a U.S. company that holds a license without the commission’s approval. Meanwhile, Paramount has maintained that the transaction does not require oversight by the Committee on Foreign Investment as the Gulf bodies will not have governance over the corporation.An earlier version of Paramount’s hostile bid included financial backing from Chinese tech conglomerate Tencent and President Donald Trump’s son-in-law Jared Kushner’s private equity firm Affinity Partners. Both are no longer involved, and the former had earlier withdrawn from the transaction amid concerns that its interest would trigger Foreign Investment review.

Gulf investors’ seemingly imminent backing will supplement costs faced by Paramount Skydance chair and CEO David Ellison and his billionaire father, Oracle co-founder Larry Ellison. Additional backers are RedBird Capital Partners, Bank of America, Citigroup and asset management firm Apollo Global Management.

News of the near-to-closing talks also comes as the region faces continuing turmoil and instability with the U.S.-Israeli war on Iran.

Meanwhile, WBD has set an April 23 special meeting of shareholders to vote on the media giant’s sale to freshly merged entity Paramount Skydance, constituting a key step forward in the process. The deal is also pending regulatory review in Europe, and WSJ reports Paramount execs have told employees to prepare for potential close by the end of July.

Malcolm & Eddie | Pilot | Season 1 Episode 1 | UPN

An aspiring radio sports announcer, Malcolm, and his talkative, would-be tow truck driver roommate, Eddie, attend a get-rich-quick seminar in hopes of winning a much-needed TV.

The Equalizer Is Back With Season 5 On Universal TV Across Africa

The Equalizer is set to return for its fifth and final season on Universal TV (DSTV 117) on 3 April at 8 PM with new episodes every Friday until the series finale on 31 July 2026. 

The Equalizer is a reimagining of the classic series starring Academy Award® nominee and multi-hyphenate Queen Latifah as Robyn McCall, an enigmatic woman with a mysterious background who uses her extensive skills as a former CIA operative to help those with nowhere else to turn. McCall presents to most as an average single mom who is quietly raising her teenage daughter. But to a trusted few, she is The Equalizer – an anonymous guardian angel and defender of the downtrodden, who’s also dogged in her pursuit of personal redemption.

Robyn’s clandestine work and her personal life often collide when her smart and observant daughter, Delilah, and her aunt Vi, who lives with Robyn to help her balance life as a working mother, struggle to conceal her vigilante career. While Robyn worries about the mental and emotional toll her work exacts on her family, she is joined in her pursuit of justice by Melody “Mel” Bayani, an edgy bar owner and sniper from Robyn’s past who recently quit the Equalizer team to recover from post-traumatic stress disorder; and Harry Keshegian, a paranoid and brilliant white hat hacker married to Mel. As Robyn aids the oppressed and exploited, she sometimes works with Marcus Dante, an NYPD detective and trusted friend who respects the need for Robyn’s type of justice even as he often questions her methods. 

Queen Latifah (Chicago, Hairspray) returns alongside Tory Kittles (Colony, True Detective), Adam Goldberg (A Beautiful Mind, Saving Private Ryan), Liza Lapira (Fast & Furious, Crazy, Stupid, Love), Laya DeLeon Hayes (God of War Ragnarök, The Angry Black Girl and Her Monster) and Lorraine Toussaint (Orange Is the New Black, Selma).

The Equalizer is produced by Universal Television in association with CBS Studios. Executive producers include Joseph C. Wilson, Dana Owens (Queen Latifah), Debra Martin Chase, Shakim Compere, John Davis, John Fox, Loretha Jones and Rob Hanning.

The Equalizer Season 5 premieres on Universal TV on 3 April at 8PM, with new episodes airing every Friday until 31 July 2026.

Blue Ridge Returns For Season 2 On Universal TV Across Africa

The wait is finally over as Blue Ridge returns to Universal TV (DStv 117) with Season 2 on 2 April at 8PM with new episodes every Thursday until the season finale on 21 May.

Based on the 2020 film of the same name, Blue Ridge follows Sheriff Justin Wise and his two deputies as they work to protect their small Appalachian town from the forces trying to rip it apart. Every case tests their grit, loyalty, and the limits of small-town peace. Longstanding feuds, disgruntled criminals, unruly travellers, and cold-blooded murderers wreak havoc - threatening the safety of the citizens Justin has promised to protect. 

Season 2 explores the shifting dynamics within the community and the growing pressures that come with wearing the badge in a place where everyone knows your name – and your history.

In Blue Ridge, justice is personal and earned one fight, one mystery, and one truth at a time.

Johnathon Schaech (That Thing You Do!, Houdini) returns alongside Sarah Lancaster (Chuck, The Judge) as Elli Wise, Taegen Burns (Imaginary, The Mighty Ducks: Game Changers) as Maddie Wise, and A. Martinez (Longmire, Avatar: The Last Airbender) as Connor McGrath.

The series will also feature surprise guest stars including Bruce Boxleitner (Babylon 5, Tron), Eric Close (Suits, Without a Trace), and Sean Patrick Flanery (The Boondock Saints, Nefarious).

Blue Ridge premieres on Universal TV on 2 April at 8PM, with new episodes airing every Thursday until 21 May.

 

Universal TV is available on DStv Channel 117 across Africa.

Tia Mowry: My Next Act: Offering An Unfiltered Look At Tia’s Next Chapter, The Docuseries Arrives On Bravo Africa On 29 March

Tia Mowry pulls back the curtain in her unscripted series Tia Mowry: My Next Act, landing on Bravo Africa (DStv 124) on Sunday, 29 March at 7 PM, with new episodes every Sunday until 17 May 2026.  

 

Tia Mowry is a multi-hyphenate actress, producer, author and entrepreneur, with a career spanning over three decades and more than 25 million social media followers. She has acted in and produced numerous TV shows and films, most recently starring in the hit series Family Reunion, and has published several books, including her second cookbook, The Quick Fix Kitchen.

 

Having spent most of her life as part of a duo after working with her twin sister, Tamera and then spending 20 years with her now ex-husband, she is for the first time, truly experiencing what life is like on her own both personally and professionally.

 

In each episode, the series delivers unprecedented access to behind-the-scenes ongoings of Tia’s multifaceted life. Join her as she navigates her newly single status, motherhood, building businesses and juggling her super busy and ever-evolving career. Tia is ready to date, take her multiple businesses to the next level, and discover what makes her happy.

 

Tia’s story is set to resonate with audiences seeking authenticity, reinvention and joy. From parenthood to entrepreneurship to rediscovering herself, she opens up in a way she never has before. This chapter brings profound changes and adjustments to the roles she plays in her everyday life – and marks the beginning of her next act.

                                            

Tia Mowry: My Next Act is executive produced by Tia Mowry, Adam Griffin and Erin Richards. Executive Producers from Jesse Collins Entertainment include Dionne Harmon, Madison Merritt, Elaine Metaxas and Jesse Collins, with Tahira Francis serving as co-executive producer. Rodney Holland also serves as co-executive producer. Angela Molloy and Lisa Marie Angelo executive produce for WEtv.

 

Tia Mowry: My Next Act premieres on Bravo Africa (DStv 124) on 29 March at 7 PM, with new episodes every Sunday until the season finale on 17 May 2026.

MTV Cancels Jersey Shore After 15 Years

MTV has pulled the plug on its long-running reality series Jersey Shore: Family Vacation, a revival of the original Jersey Shore.

The network, which is currently undergoing a massive overhaul, announced the news Wednesday in a press release, calling the forthcoming season its last.

“This farewell season marks the culmination of a franchise that entertained millions with major life milestones, laugh-out-loud chaos, and the unfiltered chemistry that defined an era of reality television,” the press release read. “The ‘Shore’ family is going bigger than ever, celebrating the moments that made this franchise a cultural phenomenon.”

Premiering Thursday, May 7 at 8 p.m. ET/PT on MTV, the 18-episode season will be “packed with fist-pump-worthy milestones and unforgettable moments, from pregnancies and baby showers to bachelorette parties, gender reveals, ab reveals, births, birthdays, weddings, and more.”

However, within hours of Wednesday’s announcement, Jersey Shore star Mike “The Situation” Sorrentino insisted the series is simply changing networks. “Legends don’t retire — they reroute,” he wrote on X. “The network changed. The legacy didn’t. Jersey Shore is forever. Just wait until you see what’s next.”

'Jersey Shore Family Vacation' is set to conclude with its farewell season this year on MTV (MTV)
Nicole ‘Snooki,’ the breakout star of the reality series, revealed last month that she had been diagnosed with cervical cancer.

Nicole ‘Snooki,’ the breakout star of the reality series, revealed last month that she had been diagnosed with cervical cancer (Snooki)
The Independent has contacted Paramount for comment.

Jersey Shore: Family Vacation debuted in 2018, bringing back a majority of the core cast of the six-season series Jersey Shore, including breakout star Nicole “Snooki” Polizzi, Mike Sorrentino, Paul DelVecchio, Jenni Farley, Vinny Guadagnino, Deena Nicole Cortese and Ronnie Ortiz-Magro.

The original series ran from 2009 to 2012, and followed the lives of a group of housemates as they spent their summers partying, working, and living together in Seaside Heights, New Jersey.

Just last month, Snooki told fans she had been diagnosed with Stage 1 cervical cancer and would likely undergo a hysterectomy.

MTV has canceled another beloved show

“Obviously not the news that I was hoping for,” she said in a TikTok video in between medical appointments, “but also not the worst news, just because they caught it so early, thank freaking God.”

The show’s cancelation comes months after the cable network, a subdivision of the Paramount Media Networks under Paramount Skydance, shuttered its 24/7 music networks worldwide after 44 years. Paramount has undergone massive changes in recent months, following its $8 billion merger with Skydance Media last August. Months later, the company reportedly laid off 2,000 staffers —10 percent of its total workforce.

That same month, MTV axed its mainstay series, Ridiculousness, after reports revealed that creator and host Rob Dyrdek was being paid $32 million per year for his work on the show.

At the time, Deadline reported that the company planned to refresh its programming and give MTV a facelift going forward amid the merger.

Paramount Expected To Easily Secure EU Nod For Warner Bros Deal, Sources Say

Paramount Skydance, is expected to easily gain European Union antitrust approval to buy Warner Bros Discovery, opens new tab while divestments, if required to address regulatory concerns, will likely be minor, two people with direct knowledge of the matter said on Friday.

Unlike Netflix's aborted bid, Paramount's offer faces fewer regulatory hurdles because a combined Paramount and Warner Bros has a market share of below 20% in all markets across Europe, the people said. They spoke anonymously because of the sensitivity of the matter.

European Commission antitrust regulators usually take a tough line when market share is 30% or more. Paramount has yet to formally seek EU approval, but is providing information on its businesses.
The deal would also require approval under the EU's foreign subsidies regulation because Saudi Arabia's Public Investment Fund, Abu Dhabi's L'imad Holding Company and the Qatar Investment Authority are also bankrolling the bid. The FSR targets unfair foreign state aid.

Paramount declined to comment. The Commission said the deal has not been formally notified to the watchdog and declined further comment.

PARAMOUNT OPEN TO DIVESTING MINOR CHANNELS

While Paramount hopes to secure unconditional EU approval, the company is willing to divest minor channels such as its children's brands if required, the people said. Overlapping businesses include the combination of two studios and several TV channels.

Paramount has Nickelodeon while Warner Bros owns the Cartoon Network.

Paramount will likely seek formal EU approval in the coming months, the people said, which will then kick off a 25-working-day preliminary review, which can be extended by 10 working days if remedies are offered at the end of the 25 days.

California may be the biggest obstacle to the deal. Regulatory approvals from the U.S. and UK are also key deal requirements.

Paramount has been on the charm offensive in Europe since January, with CEO David Ellison meeting French President Emmanuel Macron that month while Chief Legal Officer Makan Delrahim met the European Commission's top merger official Guillaume Loriot that same week, the people said.

Delrahim is well-acquainted with Loriot from his previous stint as assistant attorney general at the U.S. Department of Justice's antitrust division.

European Parliament lawmaker Andreas Schwab, who has criticised Netflix's bid and led the negotiations in several pieces of tech legislation in recent years and also met Delrahim last month, said a Paramount bid poses fewer issues.

"I think Paramount is something we could accept. It is a concentration in the production of films. There is no risk of a digital champion taking over the video streaming market," he said.

Warner Bros. Discovery Declares New Paramount Bid A ‘Superior Proposal’; Netflix Has Four Business Days To Match

The board of Warner Bros. Discovery said Thursday it has determined that the latest offer from Paramount Skydance is a “superior proposal” to its existing merger pact with Netflix. The move sets off a four-day clock for Netflix to make a counteroffer to the nearly $83 billion deal that it reached with WBD in early December.

Netflix has four business days, or Wednesday, March 4 at 11:59 p.m. ET, to come up with a new proposal to salvage the deal.

In a statement Thursday, WBD said, “Following the conclusion of this period, if the Board determines in good faith, after consultation with its independent financial and legal advisors, that, after considering any revisions to the terms of the Netflix merger agreement proposed by Netflix, the PSKY proposal continues to constitute a ‘company superior proposal,’ WBD would be entitled to terminate the Netflix merger agreement.”

As it stands, Warner Bros. Discovery’s Netflix agreement remains in effect, and the WBD board says it is continuing to recommend in favor of that deal, which is up for a vote on March 20. 

Paramount Skydance chief David Ellison issued a statement Thursday in response to WBD’s announcement, saying: “We are pleased WBD’s Board has unanimously affirmed the superior value of our offer, which delivers to WBD shareholders superior value, certainty and speed to closing.”

Netflix co-CEO Ted Sarandos is believed to be in Washington, D.C. today in an effort to lobby Trump administration officials on the deal. Amid the fractious national political environment, the Netflix-WBD deal has become a lightning rod for critics. The Justice Department has embarked on a regulatory review that promises to probe all aspects of Netflix’s business, exposing the streaming giant to more scrutiny in D.C. that it has ever faced before.

In its statement, Warner Bros. listed the elements of the revised Paramount Skydance bid that turned the tables:

• Increased the purchase price to $31 a share in cash; 
• Accelerated timing of the daily “ticking fee” of $0.25 per quarter to begin after September 30, 2026, until the consummation of the Paramount transaction, rather than starting in January.
• Increased the regulatory breakup fee to $7 billion in the event the transaction does not close due to regulatory matters;
• Reaffirmed it will pay the $2.8 billion termination fee which WBD would be required to pay to Netflix to terminate its existing Netflix merger agreement,
• Reaffirmed it will eliminate WBD’s potential $1.5 billion financing cost associated with its debt exchange offer,
• Agreed to an obligation to contribute additional equity funding to the extent needed to support the solvency certificate required by PSKY’s lending banks, and 
• Agreed to a “Company Material Adverse Effect” definition that means the price won’t be dropped if WBD’s linear networks decline faster than expected before the deal closes.

The Netflix deal, which includes buying Warner Bros. and HBO Max, is valued at nearly $83 billion. Paramount’s latest bid was a $108 billion all-cash offer for the entirety of WBD, including its linear cable channels. With the addition of $1 to the per-share price to reach $31 per share, the Paramount proposal submitted Feb. 24 amounts to approximately a $111 billion bid, including the $33 billion in debt that WBD is currently shouldering on its books.

Warner Bros. Discovery Warming Up To Paramount Deal

Paramount has upped its offer for Warner Bros. Discovery to $31 a share, above its previous offer of $30 per share.

Warner Bros. Discovery said the board has not yet made a determination as to whether the offer is superior to Netflix’s but says it could “reasonably be expected” to lead to a “company superior proposal.” Netflix has offered $27.75 per share for the company’s streaming and film assets alone, in a deal valued at $82.7 billion.

The revised proposal from Paramount not only includes the increased purchase price of $31.00 per WBD share in cash, but also a daily ticking fee payable to shareholders equal to $0.25 per quarter beginning after Sept. 30, 2026, as well as a $7 billion regulatory termination in the event the transaction does not close due to regulatory matters. Paramount has also agreed to pay the $2.8 billion termination fee that Warner Bros. would be required to pay to Netflix to terminate the existing merger agreement.

The ticking fee schedule was originally slated to start Dec. 31, and the $7 billion fee is also being raised from the $5.8 billion fee that the company proposed. The new timing for the ticking fee and the higher termination fee is meant to underscore Paramount’s confidence that it can get the deal through the regulatory process, and to put pressure on Netflix.


The companies, however, are still talking, which suggests that Paramount’s latest offer may not be its “best and final.” WBD had said that it wants to get to that point in order to remove any doubt over Paramount’s willingness to raise, and Netflix’s ability to match.

If the Warner Bros. board determines that Paramount’s offer is a “Company Superior Proposal,” Netflix will have four business days to negotiate with WBD and to propose any revisions to its bid.

Paramount has been launching hostile takeover bid directly with shareholders in its effort to undo the previously agreed $82.7 billion Netflix deal. That deal was first unveiled in December and amended into an all-cash bid in late January. Warner Bros. board members had given Paramount a deadline of early this week for a revised best and final bid. Paramount’s offer encompasses all of Warner Bros., which means it would also be taking on linear cable networks such as CNN, TBS, HGTV and TNT.

WBD has set a March 20 date for shareholders to vote on the Netflix deal, meaning that the clock is ticking to come to a conclusion one way or another.

Earlier this morning, Warner Bros. had said its board, along with financial and legal advisors were reviewing Paramount’s latest new offer, but did not reveal exact details of the bid. Paramount had also confirmed the bid but was mum on details.

Afrikaans Voice Actors For Landman [Video]

Press Release: Warner Bros. Discovery Sets Special Meeting Date of March 20, 2026, And Unanimously Recommends Shareholders Vote FOR Netflix Merger; As Talks With Paramount Are Underway

Warner Bros. Discovery, Inc. ("WBD") (NASDAQ: WBD) today announced that it will hold the Special Meeting of Shareholders (the "Special Meeting") to vote on the merger with Netflix, Inc. ("Netflix") (NASDAQ: NFLX) on March 20, 2026 at 8:00 a.m. Eastern Time and the commencement of mailing of the definitive proxy statement to shareholders in connection with the Special Meeting. WBD also announced today that Netflix has provided WBD a limited waiver under the terms of WBD's merger agreement with Netflix, permitting WBD to engage in discussions with Paramount Skydance ("PSKY") (NASDAQ: PSKY) for a seven-day period ending on February 23, 2026 to seek clarity for WBD stockholders and provide PSKY the ability to make its best and final offer. During this period, WBD will engage with PSKY to discuss the deficiencies that remain unresolved and clarify certain terms of PSKY's proposed merger agreement. Netflix retains its matching rights as defined by the merger agreement.

The WBD Board of Directors (the "WBD Board") continues to unanimously recommend in favor of the Netflix merger. The WBD Board also unanimously recommends that shareholders reject the PSKY offer, for the reasons set forth in the amendment to our Schedule 14D-9 filed today with the SEC.

Following receipt of PSKY's latest amended offer, a senior representative for PSKY informed a WBD Board member that, if the WBD Board authorized discussions, PSKY would agree to pay $31 per share and that the offer was not PSKY's "best and final" proposal. This price, along with several other matters that PSKY stated it would address in its February 10 letter, are not reflected in the latest merger agreement that PSKY proposed. To provide specific clarity in this regard, WBD has today sent PSKY a letter, included below, setting out the key issues yet to be addressed by PSKY, along with drafts of full transaction agreements for PSKY to confirm the terms of its offer.

"Throughout the entire process, our sole focus has been on maximizing value and certainty for WBD shareholders," said David Zaslav, President and Chief Executive Officer of Warner Bros. Discovery. "Every step of the way, we have provided PSKY with clear direction on the deficiencies in their offers and opportunities to address them. We are engaging with PSKY now to determine whether they can deliver an actionable, binding proposal that provides superior value and certainty for WBD shareholders through their best and final offer."

Samuel A. Di Piazza, Jr., Chair of the Warner Bros. Discovery Board of Directors added, "As announced today, we continue to believe the Netflix merger is in the best interests of WBD shareholders due to the tremendous value it provides, our clear path to achieve regulatory approval and the transaction's protections for shareholders against downside risk. With Netflix, we will create a brighter future for the entertainment industry – providing consumers with more choice, creating and protecting jobs and expanding U.S. production capacity while increasing investments to drive the long-term growth of our industry."

WBD today sent the following letter to PSKY, together with revised versions of the merger agreement and other transaction documentation:

Dear Members of the PSKY Board:

The Board of Directors of Warner Bros. Discovery (WBD) is fully committed to delivering a superior transaction to our shareholders. Since our decision last year to separate our Streaming & Studios businesses from our Global Linear Networks business, we have actively explored a wide range of alternatives, including through a publicly-announced strategic review process in which Paramount Skydance (PSKY) participated, having initially approached WBD in September 2025. Our agreed transaction with Netflix offers superior value for our shareholders, allows us to achieve our strategic goal to separate WBD's businesses, offers a high degree of certainty with minimal risk to the businesses in the interim and has essentially no financing risk. The WBD Board continues to unanimously recommend that our shareholders approve the Netflix transaction, as reflected in the definitive proxy statement we have filed with the SEC today.

On February 10, PSKY amended its tender offer for WBD common stock. While this amendment addresses some of the concerns that WBD had identified several months ago, it still contains many of the unfavorable terms and conditions that were in the draft agreements submitted by PSKY on December 4, 2025 and December 22, 2025 and twice unanimously rejected by our Board. PSKY indicated in its February 10 letter to the WBD Board a willingness to address some of those concerns, but does not do so in its proposed merger agreement, leaving WBD with vague assurances of intention. Other important issues raised several times with PSKY are unchanged from your prior submissions. On February 11th, a senior representative of your financial advisor communicated orally to a member of our Board that PSKY would agree to pay $31 per WBD share if we engage with you, and that $31 is not PSKY's best and final proposal.

We are writing to inform you that Netflix has agreed to provide WBD a waiver of certain terms of the Netflix merger agreement to permit us, through February 23, to engage with PSKY to clarify your proposal, which we understand will include a WBD per share price higher than $31. We seek your best and final proposal. To be clear, our Board has not determined that your proposal is reasonably likely to result in a transaction that is superior to the Netflix merger. We continue to recommend and remain fully committed to our transaction with Netflix and have scheduled a special meeting of our shareholders on March 20, 2026 to vote on the Netflix merger agreement.

As you know, it is typical and expected for a would-be overbidder to accept the substantive terms of the merger agreement that the target company has already agreed with its existing merger party. To provide you with specific clarity in this regard, we have prepared, and our legal counsel will deliver to you today, copies of transaction agreements that conform to this approach, address key issues for the WBD Board in prior PSKY offers and incorporate the terms and assurances reflected in your February 10 letter, as well as certain other changes to reflect matters unique to your proposal. Attached at the end of this letter is a business summary of these changes. As part of your binding proposal, the WBD Board needs confirmation that you are prepared to sign our proposed agreements. We encourage you to be direct and transparent with your best and final value and other terms in that binding proposal.

During this seven-day period – as we consistently did during the strategic review process last year – we welcome the opportunity to engage with you and expeditiously determine whether PSKY can deliver an actionable, binding proposal that provides superior value, transaction certainty and interim protection for WBD's businesses to Warner Bros. Discovery shareholders.

On behalf of the WBD Board of Directors,

Samuel A. Di Piazza, Jr.                                                       
Board Chair
David Zaslav
President and
Chief Executive Officer

Summary of Changes to Transaction Agreements
Below is a summary of the principal business changes reflected in the transaction agreements provided by WBD today, as compared to the draft agreements provided by PSKY in its tender offer. Many of these reflect terms proposed by PSKY in its public statements but not reflected in its merger agreement; others align the draft agreement with the terms of the Netflix merger agreement.
Refinancing and Junior Lien Notes: PSKY to bear expenses in connection with any junior notes liability management exercise when incurred, or pay the $1.5 billion financing fee to WBD at the time it would be due (December 30, 2026). The Netflix merger agreement does not require WBD to bear any cost in this regard.

Bridge Refinancing: PSKY's consent will not be required for WBD's bridge refinancing, which will consist of dollar and euro term loan debt and bonds on market terms available at the time of the refinancing. The bond component will have a tenor of no more than 7 years, and will be non-callable for no more than 3 years, and the loan component will be non-callable for no more than 1 year. This provision is substantially more favorable to PSKY than the terms of the Netflix Merger Agreement, which permit WBD full refinancing flexibility.

Material Adverse Effect: Consistent with the statement in PSKY's Feb. 10 letter that it is "prepared to address any concerns WBD has regarding the impact of Discovery Global's performance on closing certainty," the "Company Material Adverse Effect" definition excludes effects attributable to the performance of WBD's Global Linear Networks business (consistent with the Netflix Merger Agreement).

Equity Cure to Support Debt: The significant debt financing and resulting pro forma leverage in the PSKY offer create material closing uncertainty, particularly when compared to Netflix's investment grade credit rating and large positive free cash flow. PSKY has repeatedly stated that these concerns are not serious, noting the personal wealth of your lead equity sponsor and the credibility of your lending banks. To reflect your assurances, the draft agreements provide that in the event the transaction would not close due to the debt financing being unavailable, additional equity will be funded to enable closing to occur

Interim Operating Covenants: The interim operating covenants should not require consent from PSKY in order for WBD to operate its business in the ordinary course between signing and closing. The additional covenants you have proposed are not part of our agreement with Netflix, and are not accepted, as they further risk the certainty of closing.

Equity Financing Certainty: Our changes to the PSKY equity documents reflect the need for absolute clarity as to funding obligations and certainty of funding at closing, or to pay damages if due.

Equity Syndication: WBD will receive notice and full information regarding any equity syndication, and its consent will be required for any direct or indirect syndication that would require regulatory approvals or delay closing.

The WBD Board has not determined that PSKY's proposal is reasonably likely to result in a transaction that is superior to the Netflix merger. There can be no assurance that a definitive transaction will result from WBD's discussions with PSKY. The WBD Board and management team remain resolute in their commitment to maximizing value for shareholders and continue to recommend shareholders vote FOR the merger with Netflix.

NBCUniversal International Networks & Direct-To-Consumer Annoncent Qu'E! Et SYFY Vont Être Rebaptisées Bravo Et SciFi En France

NBCUniversal International Networks & Direct-To-Consumer annoncent que deux chaînes de l’offre Universal+ en France adopteront de nouvelles identités de marque à compter du 17 mars.

E! deviendra Bravo, la chaîne internationale emblématique de NBCUniversal dédiée à la télé‑réalité et aux franchises iconiques du genre, tandis que SYFY deviendra SciFi, avec un nouveau nom et une nouvelle identité visuelle, tout en restant la destination incontournable des fans de science‑fiction.

L’offre de divertissement Universal+ – qui comprend 13ÈME RUE, DreamWorks et prochainement Bravo et SciFi – est disponible en France via SFR, Bouygues Telecom, Prime Video, Molotov, Free et Orange (mais pas Canal+).

L’offre de divertissement que propose Universal+ en France monte en puissance avec le lancement de Bravo et l’arrivée de SciFi. », déclare Hendrik McDermott, Managing Director, Hayu, EMEA Networks & International Direct-To-Consumer, NBCUniversal. « Grâce à Bravo, leader mondialement reconnu dans l’univers de la télé‑réalité, les téléspectateurs français pourront regarder davantage de contenus incontournables et de franchises emblématiques, associés à une chaîne de science‑fiction au look entièrement renouvelé avec SciFi. 

"Présente depuis de nombreuses années aux États‑Unis, et accessible au Canada, en Australie, en Nouvelle‑Zélande et en Afrique, Bravo est une chaîne de télévision emblématique, reconnue pour son offre de télé‑réalités premium et ses franchises phares. Portée par l’immense popularité des contenus Bravo, E! avait déjà élargi sa sélection de programmes Bravo ces derniers mois. La chaîne rebrandée diffusera encore plus d’émissions phares de Bravo, notamment : The Real Housewives of Beverly Hills, Below Deck et ses déclinaisons (Méditerranée, Sailing Yacht, Australie), Southern Hospitality, Bravo’s Love Hotel, Next Gen

Un nouveau look et un nouveau nom, mais toujours la destination incontournable des fans de science‑fiction, SciFi continue d’offrir les programmes phares du genre, tout en enrichissant sa grille avec des nouveautés exclusives, dont la nouvelle série War of the Kingdoms, disponible en intégralité à la demande ; Domino Day ; et The Librarians: The Next Chapter (Saison 2), dont le lancement est prévu dans l’année. Elle propose également l’intégralité des séries Grimm et Heroes, disponibles à la demande, permettant aux fans de redécouvrir ces franchises cultes à leur rythme. SciFi est la chaîne de référence pour les séries, films et franchises emblématiques de la science‑fiction. Des sagas spatiales aux mystères surnaturels, elle rassemble des communautés passionnées et propose des rendez‑vous événementiels avec des exclusivités, des classiques du genre et des films à succès."

Bravo va remplacer la chaîne E! La chaîne SYFY va devenir SciFi. 

Warner Bros. Discovery Is Now Considering Sale To Paramount

Warner Bros Discovery is considering reopening sale talks with rival Hollywood studio Paramount Skydance, after receiving its hostile suitor's most recent amended offer, Bloomberg News reported on Sunday, citing people with knowledge of the matter.

Members of Warner Bros' board are discussing whether Paramount could offer the path to a superior deal, the Bloomberg report said, adding that the board has not decided how to respond and may stick to the current deal with Netflix.

Paramount had enhanced its Warner Bros bid last week by offering shareholders extra cash for each quarter the deal fails to close after this year. It also agreed to cover the breakup fee the HBO parent would owe Netflix if it walked away, even though the CBS owner did not raise its per-share offer.

Paramount said it has offered shareholders a 25-cent-per-share quarterly "ticking fee" (about $650 million) in cash starting in 2027 until closing and agreed to cover Warner Bros’ $2.8 billion breakup fee to Netflix. However, it did not raise its $30-per-share offer, valuing the deal at $108.4 billion including debt.

Both Netflix and Paramount covet Warner Bros for its leading film and television studios, extensive content library and major franchises such as "Game of Thrones," "Harry Potter" and DC Comics superheroes Batman and Superman.

Activist investor Ancora Holdings, which has built a nearly $200 million stake, last week said it plans to oppose the Netflix deal, arguing the board did not sufficiently engage with Paramount over its rival bid, which includes cable assets like CNN and TNT.

Dangerous Alliances And Criminal Secrets Collide In New Thriller In Flight On Universal TV

Set to deliver tension and twists, In Flight will premiere on Universal TV (DStv 117) on 19 February with new episodes every Thursday at 8 PM until the season finale on 26 March 2026.

When flight attendant and single mum Jo Conran is forced to smuggle drugs to protect her imprisoned son, she’s dragged into a dangerous criminal underworld. There she encounters Cormac Kelleher, who promises to keep her son safe so long as she smuggles heroin for him. Desperate, Jo reaches out to her ex, Dom Delaney, a customs officer, who begins to help Jo uncover the truth behind Cormac’s network before it’s too late.

Jo is an ordinary woman in an extraordinary situation. Over the course of the series, she is forced to negotiate gangsters, corrupt cops, hired killers and an unlikely love triangle fraught with danger. Terrified, alone and out of her depth, she learns fast and hatches a daring plot to turn the tables on the outfit threatening her son. Set against the fast-paced, high-pressure backdrop of international air travel, In Flight follows Jo’s relentless quest to protect her family while entangled in a dangerous criminal syndicate.

The cast includes Katherine Kelly (Mr Bates vs. The Post Office, The Long Shadow, Happy Valley), Ashley Thomas (Them, Top Boy), Stuart Martin (Rebel Moon, Miss Scarlet and The Duke), Harry Cadby (Everything Now, Red Rose), Tony Pitts (All Creatures Great & Small), Corinna Brown (Heartstopper, The Summer I Turned Pretty), Emma Higginbottom (Ted Lasso), Bronagh Waugh (Ridley, The Stolen Girl) and Ambreen Razia (Hounslow Diaries, Ted Lasso).

In Flight is a high-octane 6x60’ drama series produced by Buccaneer Media (The Crow Girl, Marcella, The Burning Girls), written and co-created by Mike Walden (Marcella, Whitstable Pearl) and Adam Randall (Slow Horses, iBoy), produced by Brendan Mullin (Wreck, Dalgliesh) and directed by Chris Baugh (Wreck, Tin Star).

Executive Producers are Anna Burns, Richard Tulk-Hart and Tony Wood for Buccaneer Media, Rebecca Dundon and Simon Judd for Fremantle, Mike Walden, Adam Randall, Katherine Kelly and Chris Baugh. Fremantle is handling global sales.

In Flight premieres on Universal TV on 19 February at 8PM, with new episodes airing every Thursday until 26 March.

February 2026 On History Across Africa | Lost Grail With Alice Roberts | The Curse Of Oak Island | The Proof Is Out There

Lost Grail with Alice Roberts

Sundays at 20:15

Starting 15 February

 

Synopsis:

Alice Roberts investigates Britain’s Holy Grail legend, beginning on the Isle of Wight with the story of Joseph of Arimathea before heading to Glastonbury to explore claims that he buried the Grail beneath the Tor. Experts assess the tale’s historical credibility, while research in Oxford reveals that the Grail link emerged later in literature and became tied to King Arthur. In Wales, Alice uncovers related myths of sacred vessels, then follows the trail through London and the Knights Templar to Scotland’s Rosslyn Chapel, where a mysterious wooden bowl was found. Ultimately Alice finds peace among Templar ruins, revealing that the Grail’s true power may lie in personal discovery…not physical proof.

The Proof is Out There S5

21 February

Saturdays 19:25

Host and veteran journalist Tony Harris is once again on a quest for answers, calling out the hoaxes, and highlighting the most credible evidence. Did ocean scientists discover an unknown life form? Was a UFO tracking an American fighter plane? Do the chemicals found on two fishermen’s clothes prove they were abducted by aliens? These are just a taste of the compelling questions this season seeks to answer through expert analysis of archival visuals.

 

The Curse Of Oak Island S13

27 February

Fridays 20:15

The #1 US Hit returns. Is it pirate treasure, a Viking hoard, or a lost biblical relic? No one knows, and anyone who has tried to find out has been met with dangerous setbacks, including booby traps! The Lagina brothers deploy technology like never before in this season, but there's an even bigger obstacle: A prophecy predicts seven people will die before the treasure is found. The death toll so far is six. Tune in for a double billed first episode, the normal duration show will air from 6 March.

Paramount Sweetens Offer For Warner Bros. Discovery

Paramount has enhanced its offer for Warner Bros Discovery, not formally upping its $30-a-share cash bid but injecting a new $0.25-per-share so-called “ticking fee” payable to WBD shareholders for each quarter its transaction has not closed beyond December 31, 2026.

It said the move comes to about $650 million in cash value each quarter and underscores “Paramount’s confidence in the speed and certainty of regulatory approval for its transaction.” It also agreed to fund a $2.8 billion termination fee that would be payable to Netflix and ticked off a series of concessions around WBD’s debt financing costs and obligations.

Warner Bros Discovery has a deal to sell its studios and streaming assets to Netflix and advised shareholders several times to reject a hostile takeover offer from David Ellison‘s company, which is looking to acquire all of WBD. There’s a full-out PR battle raging as executives of all three court content creators, unions, Warner shareholders, politicians and regulators on both sides of the Atlantic. Netflix late last month upgraded its offer of $27.75 a share from cash-and-stock to all cash.

WBD has yet to set a date for a special meeting in April where shareholders will vote on the Netflix transaction. It’s been urging them to cast a yes vote. Paramount is aggressively lobbying them to vote no and, meanwhile, to tender their WBD shares to Paramount. The Ellisons have said they are planning to run an alternate slate of directors for election at WBD’s annual meeting, which comes later.

Both deals are expected to have long lead times to close. Netflix is not buying the cable assets and its agreement would see WBD spin off linear television into a separate public company called Discovery Global.

Paramount is ramping up the pressure with its announcement today. The $2.8 billion termination fee that would be due to Netflix if WBD switches sides has, for instance, has been an objection raised by the Warner board, which confirmed receipt of the amended offer. It will “carefully review and consider” it and issue a recommendation. Meanwhile, the board stressed that it still backs the Netflix deal and advised stockholders not to take any action on Paramount’s latest unsolicited offer.

Paramount’s other new commitments include eliminating WBD’s potential $1.5 billion financing cost by fully backstopping an exchange offer that relieves WBD of its contractual bondholder obligations. Par said it will fully reimburse WBD’s shareholders for the $1.5 billion fee without reducing a separate $5.8 billion termination fee. That’s the amount Paramount (and Netflix) have agreed to pay WBD if an acquisition fails to close.

Also, if WBD’s financing sources will not extend the maturity of WBD’s existing $15 billion bridge loan, Paramount said its own debt financing sources “are fully prepared to do so, with any incremental costs covered by Paramount. Alternatively, Paramount will permit WBD to structure permanent financing in any way it chooses so long as the debt is redeemable at a commercially reasonable cost.”

Paramount said it will provide WBD flexibility between signing and closing, including by matching any comparable Netflix interim operating covenants. It said it “is open to discussing with the WBD Board of Directors contractual solutions to account for the possibility of continuing deteriorating financial performance beyond what WBD is currently projecting for its linear network business.”

Paramount’s amended offer is now fully financed by an increased $43.6 billion of equity commitments from the Ellison family and RedBird Capital Partners and $54 billion of debt commitments from Bank of America, Citigroup and Apollo.

Financing includes “an irrevocable personal guarantee” from Oracle co-founder Larry Ellison of $43.3 billion covering the equity financing as well any damages claims against Paramount.

“While we have tried to be as constructive as possible in formulating these solutions, several of these items would benefit from collaborative discussion to finalize. If granted a short window of engagement, we will work with you to refine these solutions to ensure they address any and all of your concerns,” David Ellison wrote in a letter to the WBD board released publicly and in an SEC filing today.

Paramount claims the WBD board has consistently refused to engage with it over the course of multiple offers, which Warner has denied.

A Look Into The Life Of Former Child Star Tara Tara Correa-McMullen

Tara Correa-McMullen was born on May 24, 1989, in Westminster in Windham County, Vermont, to Thomas Raymond McMullen and Mary Devra Correa née Brown.

While growing up, Correa-McMullen became interested in acting, dance, and music. When she was just 4 years old, she showcased a penchant for playing the piano.

Ten years later, Tara was cast in a recurring small-screen role on Judging Amy. In the beloved series, which starred Amy Brenneman, Tara portrayed Maritaz Cruz, a former gang member who over a series of episodes season is encouraged by Amy to change her ways. But sadly, by the season's close, Cruz is killed in prison.

In real life, on October 21, 2005, Correa-McMullen was with her friends in front of an apartment complex in Inglewood, CA when she was shot and killed.

Law enforcement described her as the innocent victim of a gang-related shooting.

In the End
Like too many former child stars, before, during, or after her lifetime, Tara Correa-McMullen met a tragic end, leaving this world much too soon, and long before her time.

Globale Fenomeen Landman Praat Afrikaans Op kykNET

kykNET het ’n groot slag vir Afrikaanse kykers geslaan deur die oorklankingsregte van dié trefferreeks aan te koop wat gehore oraloor boei met naelbyt-intriges in die onstuimige wêreld van die oliebedryf in Texas.

“Ons is baie opgewonde om te sien hoe kykers op hierdie reeks gaan reageer – dit sluit diegene in vir wie Landman heeltemal nuut is, en ook diegene wat dalk al die reeks in Engels op M-Net gekyk het, en dit nou in hul moedertaal wil ervaar. Landman is een van die laaste jare se groot TV-hoogtepunte, en ons glo die storiewêreld wat Taylor Sheridan geskep het, sal vir heelwat van kykNET se kykers aangrypend wees – en vermaaklik!” sê Waldimar Pelser, M-Net direkteur van Premium-kanale. “Wees egter gewaarsku: dit raak soms nogal warm daar in Texas!”

Die reeks is deur Taylor Sheridan geskep wat ook vir trefferreekse soos Yellowstone, 1883 en 1923 verantwoordelik was. Landman speel in die weste van die Amerikaanse deelstaat Texas af en vertel die verwikkelde verhaal van ’n groep mense – van die miljardêrs tot die olieveldwerkers – wie se lewe om olie draai.

Billy Bob Thornton is te sien as die landman Tommy Norris. In Afrikaans is ’n landman iemand wat met die bewerking van plaasgrond te doen het. In hierdie geval is dit iemand wat die uiters belangrike skakel tussen oliemaatskappye en grondeienaars is; die een wat moet onderhandel oor regte vir ontginning en ontwikkeling terwyl die wetlike voorskrifte, wat ’n span hoogsbetaalde regsgeleerdes natuurlik ten gunste van hul werkgewers probeer plooi, ook in ag geneem moet word.

Landman draai egter nie net om grondbesitters en ryk oliebase nie. Die weste van Texas grens aan Meksiko, wat beteken dat dié gebied ook deur dwelmkartels as ’n verspreidingsroete gebruik word.

Wie is wie?

• Tommy Norris (Billy Bob Thornton met die stem van De Waal Stemmet) is ’n geharde landman wat vir M-Tex Oil werk en al hulle onderhandelinge behartig. Om almal, van die oliebase tot die dwelmhandelaars, gelukkig te hou, is egter geen maklike taak nie.

• Angela (Ali Larter met die stem van Natasja Jacobs) is Tommy se eksvrou en die ma van sy twee kinders, Cooper en Ainsley.

• Cooper (Jacob Lofland met die stem van Rowlen von Gericke) het geologie studeer, maar het sy studies gestaak en werk nou vir M-Tex as ’n handlanger op die olievelde.

• Ainsley (Michelle Randolph met die stem van Anré Buguegnon) is ’n hoërskoolleerder.

• Rebecca Falcone (Kayla Wallace met die stem van Sue Pyler) is ’n regsgeleerde wat werk vir M-Tex Oil doen.

• Dale Bradley (James Jordan met die stem van Antowan Nöthling) is ’n petroleum-ingenieur en ’n goeie vriend van Tommy.

• Monty Miller (Jon Hamm met die stem van Charl van Heyningen) is die eienaar van M-Tex Oil en het ’n jarelange professionele en persoonlike verhouding met Tommy.

• Cami Miller (Demi Moore met die stem van Renske Jacobs) is Monty se vrou.

• Nathan (Colm Feore met die stem van Jakkie Groenewald) is ’n prokureur en administrateur by M-Tex Oil.

• Ariana Medina (Paulina Chavez met die stem van Claudia Jones) is ’n jong weduwee wie se man in ’n ongeluk op een van M-Tex Oil se olievelde dood is.

’n Gedugte span vertalers, onder meer Morné Coetzer, Janine Opperman en Francois le Roux, het hulle uitstekend van hul uitdagende taak gekwyt en dit reggekry om die atmosfeer van hierdie briljante reeks in Afrikaans vas te vang. Die oorklankingsregisseurs is Rina Nienaber en De Waal Stemmet.

Verfilming van Landman het Februarie 2024 in Fort Worth, Texas, begin. Die eerste twee episodes is op 17 November 2024 uitgesaai en was dadelik ’n internasionale treffer. Die eerste seisoen, wat uit tien episodes bestaan, se laaste episode is op 12 Januarie 2025 uitgesaai. Die tweede seisoen het onlangs begin, en die kontrak vir die maak van die derde seisoen is in Desember 2025 geteken.

kykNET se Afrikaanse weergawe is een van die min oorklankings van die reeks wat wêreldwyd beskikbaar is.

Landman begin op Sondag 22 Februarie om 21:00 op kykNET (DStv-kanaal 144) en sal ook op DStv Stream en Catch Up beskikbaar wees. Die reeks het ’n ouderdomsbeperking van 16.

Lost Footage Of Aaliyah's Role In The Matrix (RIP)