Disney Princess Let’s Party Launches This August

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Disney princesses have inspired girls and fans of all ages to discover, dream and believe through characters who go on epic, fun adventures where they realise their true potential. The heroines and their beloved stories have created shared moments between generations and this August, the fun continues with Disney Princess Let’s Party.

 

Disney Princess Let’s Party invites families and fans to create their own magical world and adventures by holding their own magical princess party inspired by the Disney princesses - from Cinderella to Jasmine, Belle to Ariel, Mulan and Tiana, there is a story and adventure waiting for all to be shared and celebrated.

 

The Disney Princess Ultimate Party Digital Hub is now live at www.disney.co.za/Disney-Princess-Party, featuring party inspiration including downloadable activity books, recipes, craft tutorials and more – all on hand for families to use to help spark their imagination.

 

24 – 31 August will mark Disney Princess Week and to celebrate, for the month of August, grown up party goers and throwers will be encouraged to share their Disney Princess parties on social media using the hashtag #DisneyPrincessZA, Tagging @DisneyinAfrica on Facebook and @DisneyAfrica on Instagram, to stand a chance of winning an exclusive Disney Princess hamper worth over R5000.00*.

 

Comments Christine Service, General Manager of DTC & Networks and Country Manager Sub-Saharan Africa of The Walt Disney Company Africa: “Disney continues to entertain the world with beloved stories and characters and the Disney princesses create opportunities for shared connections across generations. We hope that fans and families will enjoy throwing their own Disney Princess-inspired celebrations this August, embracing the messages of uniqueness and positivity with a dose of imaginative play, adventure and fun.”

 

A vast selection of Disney Princess toys, games, fashion and accessories will be available at leading retailers across South Africa, including Disneystore.eu this August too, offering something for Disney Princess fans of all ages. Mattel has products for hours of play, including Disney Princess Spin and Reveal Fashion Dolls (with 11 surprises), the Disney Princess 2-in-1 Stories Fashion Dolls inspired by favourite moments, Disney Princess Castle Pet Palace Playset and the magnificent Magical Adventures Castle – the ultimate Disney Princess doll house. LEGO® brings the Disney Princess Castle & Royal Pets Toy Building Playset, Disney Moana’s hilarious side-kick Hei-Hei set and Disney Cinderella’s Castle, complete with horse carriage. Enchanted playtime awaits!

The celebrations continue with Disney+, the home of all Disney Princess animated feature adventures, Moana 2 (2024), Raya and the Last Dragon (2021), Moana (2016), Brave (2012), Tangled (2010), The Princess and the Frog (2009), Mulan (1998), Pocahontas (1995), Aladdin (1992), Beauty and the Beast (1991), The Little Mermaid (1989), Sleeping Beauty (1959), Cinderella (1950) and Snow White and the Seven Dwarfs (1937). Not to mention the live action reimagining’s and retellings of these stories (Maleficent (2014), Cinderella (2015), Beauty and the Beast (2017), Mulan (2020)) as well as hours of animated series, shorts and specials including Beauty and the Beast: Belle’s Magical World, LEGO® Disney Princess: The Castle Quest, and much more.

 

Disney Channel (DStv 303) and Disney Junior (DStv 309) will be celebrating Disney Princess Week too, with the premiere of Disney’s Moana on Friday 29 August at (17:00 CAT on Disney Channel) and new episodes of much-loved Disney Junior Ariel (weekdays on Disney Junior). As a special treat also on Disney Junior, Sofia the First will air with episodes featuring the Disney princesses themselves inspiring Sofia in her journey to be a better leader and friend.

 

There are a number of ways to celebrate and create your own magical world, with Disney Princess Let’s Party this August.

Hulu Is Set To Launch On Disney+ Globally By The End Of The Year

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A new “unified” Disney+ and Hulu streaming app will be available in 2026, the company said. According to a Disney rep, customers will still be able to buy a stand-alone Hulu subscription (as well as a stand-alone Disney+ plan).

“Today we are announcing a major step forward in strengthening our streaming offering by fully integrating Hulu into Disney+,” CEO Bob Iger and CFO Hugh Johnston said in prepared commentary on the media giant’s quarterly earnings. “This will create an impressive package of entertainment, pairing the highest-caliber brands and franchises, great general entertainment, family programming, news and industry-leading live sports content in a single app.”

The single Disney+ app with Hulu will deliver an “improved consumer experience,” which will lower churn, Iger said on the earnings call. Both services will be “on one tech platform,” which will result in cost synergies, according to Iger. In addition, Disney — which already sells ads for Disney+ and Hulu together — sees new opportunities for bundling ad sales by fully combining them, he said.

In their prepared remarks, the Disney execs said, “By creating a truly differentiated streaming offering, we will be providing subscribers tremendous choice, convenience, quality, and enhanced personalization. This will enhance our ability to continue to grow profitability and margins in our entertainment streaming business through expected higher engagement, lower churn, and advertising revenue potential, as well as operational efficiencies that over time may result in savings that we can reinvest back into the business.”

In addition, Hulu will become a global general entertainment brand: Starting in the fall of 2025, it will replace the Star tile on Disney+ internationally.

“Work is already underway to continue enhancing our technology, and over the coming months, we will be implementing numerous improvements within the Disney+ app, including exciting new features and a more personalized homepage,” Iger and Johnston said.

The move to fully sew Hulu together with Disney+ comes after Disney — following two years of negotiating — closed its deal with Comcast to buy out NBCUniversal‘s one-third stake in Hulu in June 2025. Disney paid Comcast in total about $9 billion, including $8.61 billion in November 2023 and $438.7 million this past June. Comcast had been seeking more than $13 billion for the 33% Hulu stake; the final price tag was determined through arbitration by a third-party banker.

Disney has already taken steps to integrate Hulu and Disney+. In the spring of 2024, the Disney+ app launched “full” integration of Hulu content, which the company has used as a way to convert stand-alone Disney+ customers into bundled Disney+/Hulu subs.

Also Wednesday, Disney announced that it will no longer report streaming subscriber numbers for Disney+, Hulu and ESPN+, following the lead of Netflix and others.

Power Rangers TV Series In Development For Disney+

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“Percy Jackson and the Olympians” showrunners Jonathan E. Steinberg and Dan Shotz are in talks to write, showrun and produce a live-action “Power Rangers” series for Disney+ and 20th Century TV, TheWrap has exclusively learned.

Hasbro will produce the series, which will reinvent the franchise for a whole new generation of fans while delighting those who already know and love the world of Power Rangers.

The ’90s TV show, originally called “The Mighty Morphin’ Power Rangers,” was inspired by a Japanese children’s show, “Super Sentai” (even using footage from that show). It featured five teenagers who gain the ability to “morph” into superheroes known as the Power Rangers, complete with their own mech fighters. A film version of the series that starred most of the original cast was released in 1995, with a second one in 1997 (this one featured only a few original cast members).

The series has had many different iterations throughout the past 25 years.

Lionsgate and Saban Film attempted to reboot the original “Power Rangers” franchise in 2017 as a gritty, YA adaptation. The film grossed only $142 million on a budget of around $100 million, scrapping hopes for a bigger franchise.

Hasbro then acquired Power Rangers in 2018 in a deal designed to capitalize on the franchise’s full potential across all of the company’s divisions. 

The development of “Power Rangers” is part of Hasbro Entertainment’s ongoing strategy to elevate storytelling and produce series based on Hasbro’s most iconic brands alongside the industry’s best talent, studios and distribution platforms. Beyond “Power Rangers,” Hasbro Entertainment’s active projects include a re-imagining of “Clue” across film and television with Sony’s TriStar Pictures and Sony Pictures Television; a live-action “Dungeons & Dragons” series “Forgotten Realms,” currently in development at Netflix with Academy Award nominee Shawn Levy executive producing; showrunner Terry Matalas’ animated “Magic: The Gathering” series, currently in production at Netflix; a major, live-action film and television universe adapted from “Magic: The Gathering,” produced alongside Legendary Entertainment; and game shows based on “Trivial Pursuit” and “Scrabble,” which both premiered on The CW this past fall.

Steinberg and is currently the co-creator, executive producer and showrunner of “Percy Jackson and the Olympians” for Disney+, along with his producing partner Shotz. It just wrapped its second season and has been renewed for a third. Other credits include the critically acclaimed series “The Old Man,” starring Jeff Bridges and John Lithgow for FX. Both series are produced by 20th Television/The Walt Disney Company, where Steinberg and Shotz have housed their production company, Quaker Moving Pictures, since 2019.

Lionel Messi Inspired Animated Series Is Coming To Disney Channel And Disney+

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A Lionel Messi-inspired animated series will soon premiere on Disney Channel after Disney Branded Television acquired Messi and the Giants from Sony Music Vision and Sony Pictures Television – Kids, Billboard has learned. 

The sci-fi animated show follows a 12-year-old boy named Leo, who is transported from his home in Argentina into an alternate universe. The series will demonstrate how the character faces adversity, builds a team, and discovers how to become a hero. 

“I always dreamed of being involved in a project that would share the values of sports, the very same values that have been so important to my career, with younger generations,” Messi expressed in a press release. “Nothing truly is impossible with teamwork, perseverance, discipline, and hard work. I look forward to sharing this series with kids around the world, and I hope I will inspire them and motivate them to achieve their own dreams. Ever since I was a kid, I always loved animated series, and I look forward to watching this series with my own kids.” 

Each episode of Messi and the Giants is 22-minutes long and will premiere on Disney Channel, followed by Disney Channel On Demand and globally on DIsney+, and will be available in English, Spanish and other languages.  

“Football — or soccer as we call it in the United States — is the world’s most beloved sport, uniting and captivating millions of fans of all ages,” noted Ayo Davis, president, Disney Branded Television. “We are proud to work with Lionel Messi and Sony Pictures Television to bring ‘Messi and the Giants’ to our passionate, global kids’ audience. We know that its themes of family, friendship, and teamwork will resonate with not only football enthusiasts but everyone everywhere who loves a great story.” 

“It’s been a privilege to team with Leo and our colleagues at Sony Music on this first-time collaboration,” Joe D’Ambrosia, EVP and general manager, Sony Pictures Television – Kids added. “We’re thrilled that Disney is giving a global platform to this fun take on a classic tale and look forward to launching a global consumer products and branded partnerships program alongside the show’s debut.” 

“There is an incredible team all working together on this project, with Leo’s magic as the inspiration behind it all,” said Afo Verde, Chairman & CEO, Sony Music Latin Iberia. “We are thrilled that Disney has now joined our roster to help bring this imaginative series to audiences and inspire fans all around the world.” 

Disney TV Announces New ‘Prep & Landing,’ ‘Moon Girl’ Shorts, ‘Kindergarten: The Musical,’ ‘Big City Greens’ S5 & Much More

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Today, during the Annecy International Animation Film Festival, Disney Branded Television (DBT) announced a lineup of new animated projects and shared first looks from its preschool and kids slate. The announcements were made by Ayo Davis, President of Disney Branded Television, alongside DBT animation leaders Meredith Roberts, EVP of Disney Television Animation; Alyssa Sapire, SVP of Development, Series and Strategy, Disney Junior; and Orion Ross, VP, International Animation.

Additionally, Disney Television Animation commemorated its illustrious 40-year anniversary at the festival with a special panel highlighting the studio’s dominance in kids’ animation over four decades — with beloved titles like Phineas and Ferb, Mickey Mouse Clubhouse, Monsters at Work, The Proud Family: Louder and Prouder, Sofia the First and more — as well as current and future hits ranging from Kiff to Big City Greens, ZOMBIES: The Re-Animated Series, Hamster & Gretel and StuGo.

Disney Junior, Disney Television Animation and International Animation teams will feature several additional panels throughout the week, including one that highlights the power of storytelling through music and features Disney Junior’s Ariel, Kindergarten: The Musical, ZOMBIES: The Re-Animated Series, Kiff and Big City Greens, as well as a panel for the upcoming global series The Doomies.

“Disney Branded Television is proud of our four-decade legacy of creating magical and visually stunning animation beloved by young audiences around the world,” said Davis. “It’s a momentous year at Annecy, as we celebrate our studio’s milestone anniversary and showcase some of our most exciting new projects and creative talent that are ushering us into a new era of storytelling.”

Among the new Disney Junior and Disney Television Animation titles and first looks announced at Annecy are the following:

New Series & Specials

Prep & Landing: The Snowball Protocol (22-minute special)

Produced by: Disney Television Animation

Executive Producers: Kevin Deters and Stevie Wermers-Skelton

Story Editor/Co-Producer: Colleen Evanson

Producer: Melissa Kurtz

Director: Shane Zalvin

Writer: Hilary Helding

In this new installment of the Emmy-winning holiday specials, the high-tech team of elves from the elite unit known as Prep and Landing is back! When their holiday missions go awry, Wayne thinks he is in BIG trouble with Santa, which opens a vault of merry mishaps from the past. It’s going to be hard to dig their way out of the snowbank this time in Prep & Landing: The Snowball Protocol. The special will debut next year.

Marvel’s Moon Girl and Devil Dinosaur: Moon Girl’s Lab (Shorts)

Produced by: Disney Television Animation

Executive Producers: Laurence Fishburne, Helen Sugland and Steve Loter

Co-Executive Producers: Rodney Clouden and Pilar Flynn

Marvel’s Moon Girl and Devil Dinosaur: Moon Girl’s Lab is a new musical S.T.E.M.-focused short-form series in which Moon Girl is dropping knowledge and dropping bars as she uses the power of science to take down some serious baddies. Each of the eight shorts will feature a new song by Grammy Award winner Raphael Saadiq, who serves as executive music producer on the series, and a science theme, including adaptations, states of matter, plants, force and motion, light, echolocation and coding.

The shorts will premiere Friday, June 28, on Disney Channel and Disney Channel YouTube. All eight shorts will be available on Disney+ the same day.

SuperKitties: Sup-Purr Adventures (Shorts)

Produced by: Sony Pictures Television – Kids in association with Disney Junior

Creator: Paula Rosenthal

Executive Producers: Sarah Mullervy, Kirk Van Wormer and Audu Paden

Supervising Producer: Bryan Korn

SuperKitties: Su-Purr Adventures is a new short-form series inspired by 2023’s No. 1 new preschool series, SuperKitties. It features Bitsy, Ginny, Sparks and Buddy as they showcase their superhero skills and kitty kindness that they use to work together as a team to make their town of Kittydale a great place to live.

The shorts will premiere Wednesday, August 7, on Disney Junior and Disney Channel and next day, Thursday, Aug. 8, on Disney+ and Disney Junior YouTube.

Series Renewal 

Big City Greens (Season 5)

Produced by: Disney Television Animation

Creators/Executive Producers: Chris and Shane Houghton

Executive Producer: Anna O’Brian

Co-Executive Producer: Stephen Sandoval

Producer: Michael Coughlin

Greenlit for a fifth season today, Big City Greens was the No. 2 most-watched kids animated series of 2023, with more than 2 billion hours watched across linear and streaming since it debuted in 2018.

The series follows the offbeat adventures of 10-year-old Cricket Green (voiced by Chris Houghton), a mischievous and optimistic country boy who moved to the big city with his wildly out-of-place family. The show is heavily influenced by the brothers’ childhood growing up in St. Johns, Michigan, a small rural town north of Lansing, also known as the mint capital of the world. Many of the characters are inspired by real-life family members and childhood townsfolk.

This summer also marks the premiere of Big City Greens the Movie: Spacecation, which will be screened at Annecy as part of the prestigious Le Pâquier lawn screening series. Additionally, Anna O’Brian, director of the movie, has joined the series for season five as executive producer.

First Look

Disney Junior’s Ariel

Produced by: Wild Canary in association with Disney Junior

Executive Producer: Lynne Southerland

An exclusive first-look clip from the highly anticipated new series Disney Junior’s Ariel was released today.

Inspired by the beloved story of The Little Mermaid, the series debuts Thursday, June 27, on Disney Junior in the U.S. with an initial batch of eight episodes available on Disney+ the following day, Friday, June 28.

The series follows 8-year-old mermaid princess Ariel as she and her friends embark on fun-filled, action-packed underwater adventures throughout their Caribbean-inspired fairy tale kingdom of Atlantica and beyond.

Kindergarten: The Musical

Produced by: Oddbot Entertainment in association with Disney Junior

Creators: Michelle Lewis and Charlton Pettus

Executive Producers: Tom Warburton, Michelle Lewis, Kay Hanley, Charlton Pettus and Dan Petty

Co-Executive Producer/Story Editor: Laurie Israel

The main title theme song — performed by Grammy Award-winning and Tony Award-nominated actress and singer Eva Noblezada (The Great Gatsby) — and key art for Disney Junior’s upcoming new series Kindergarten: The Musical was also released today.

The series follows five-year-old Berti, who, along with her new friends, is navigating all the exciting and emotional experiences that come with starting school for the very first time. Taking place in a kindergarten classroom at Porter Elementary, the series features fantastical Broadway-style song and dance numbers that help kids express their big feelings and provide a peek into their incredible imaginations. The series is set to debut on Disney Junior and Disney+ later this year.

StuGo

Produced by: Titmouse in association with Disney Channel

Creator/Executive Producer: Ryan Gillis

Co-Executive Producer: Sunil Hall

Story Editor: Craig Lewis

The main title theme song for StuGo was also released today. The series is set to premiere this fall on Disney Channel and Disney+.

The series follows six overambitious middle schoolers tricked into attending a fake academic summer camp by a mad scientist. Now they’re stuck for three months on a wild tropical island with mind-reading manatees, giant fighting fungi and fashion-forward mutants ― less academia than they’d hoped for but a lot more adventure.

The Doomies

Produced by: Xilam in association with Disney+

Co-Creator/Director: Andrés Fernandez

Co-Creator/Head Writer: Henry Gifford

Co-Creator/Art Director: Rémi Zaarour

An exclusive first look of Disney’s new spooky comedy animated series, The Doomies, was released today.

The chilling series follows best friends Bobby and Romy, who mistakenly open a gateway to the underworld and turn their sleepy coastal town into a hotspot for terrifying creatures of doom. As they try to cover up their mess, they get roped into an epic monster mystery, which will see them battle both literal and inner demons.

Disney And Warner Bros. Discovery To Rollout Bundled Disney+ And Max Streamer

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The companies are aiming to launch the bundle this summer. The exact launch date and the price point have not yet been announced, but plans call for both ad-free and ad-supported versions to be available.

The move creates the first cross-company partnership for any of the top-tier services to come to market as the race to catch up with Netflix began in earnest about five years ago. It follows years of speculation and public musings by top executives about when bundling across the industry might reduce friction and begin to make streaming more cost-efficient for programmers and consumers alike. Pay-TV operators long served as third-party bundlers in the cable age, but while distribution deals with the likes of Roku and Amazon are key to any streaming service gaining traction, it’s mostly every-app-for-itself in the streaming era.

Churn, the industry term for the number of canceled subscriptions in a given period, has been a nagging problem for media companies. For decades, they had grown accustomed to the far more stable patterns of pay-TV, which was built on a foundation of long-term contracts and physical equipment. In the realm of direct-to-consumer internet businesses, a tap of an app can vaporize revenue, one of the many reasons why companies have been looking more closely at bundling, especially with cord-cutting ravaging their pay-TV network holdings.

Viewers, meanwhile, complain of a dizzying landscape of apps and titles filling their screens, making the simple act of finding something to watch a grueling process. The “endless scroll” of Netflix and later imitators has amplified Bruce Springsteen’s fabled lament about “57 channels and nothin’ on.”

Within companies, synergistic bundling has been commonplace for several years, with Disney in the vanguard with its successful troika of Disney+, Hulu and ESPN+. Many players are taking the next step and more fully consolidating services. Max last year rebranded from HBO Max and added Discovery+ programming. Disney has been steadily bringing its flanker services into closer alignment with flagship Disney+, adding a Hulu tile to Disney+ earlier this year and planning an ESPN one later this year.

In yet another sign of the times, Paramount+ and Showtime’s streaming service fully merged in 2023. Paramount Global’s recent travails and efforts to finalize a potential merger have also been accompanied by speculation that Paramount+ would be ripe for the kind of bundle announced by Disney and WBD. Comcast and Paramount had held talks about a Peacock-P+ combo, but those discussions reportedly faltered due to disputes over control.

Disney, despite rolling up all of Hulu in a buyout of Comcast’s one-third stake in recent months, has shown increased interest in joint ventures. It recently teamed with Fox Corp. and WBD on a sports-focused streaming bundle. That still-unnamed service, nicknamed “Spulu,” is due to launch this fall.

Brands to be showcased in the new Disney-WBD bundle include ABC, CNN, DC, Discovery, Disney, Food Network, FX, HBO, HGTV, Hulu, Marvel, Pixar, Searchlight and Warner Bros. The new offering will be available for purchase on any of the three streaming platforms’ websites.

“On the heels of the very successful launch of Hulu on Disney+, this new bundle with Max will offer subscribers even more choice and value,” said Joe Earley, President, Direct to Consumer, Disney Entertainment. “This incredible new partnership puts subscribers first, giving them access to blockbuster films, originals, and three massive libraries featuring the very best brands and entertainment in streaming today.”

“This new offering delivers for consumers the greatest collection of entertainment for the best value in streaming, and will help drive incremental subscribers and much stronger retention,” said JB Perrette, CEO and President, Global Streaming and Games, Warner Bros. Discovery. “Offering this unprecedented entertainment value for fans across all the complimentary genres these three services offer, presents a powerful new roadmap for the future of the industry.”

Disney Might Be Looking To Bundle Disney+ With Other Streaming Services, Could This Be The Possible Outcome For European And African Markets?

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After Netflix debuted, numerous companies wanted the piece of the pie with Disney+ despite being a late entrant managed to be one of the leading streaming services globally in its short span. It prompted the launch of Max, Paramount+ and Peacock. 

With the high levels of streamers, the whole thing just crashed as consumers weren't willingly to pay for these many streaming services. All of which were eyeing worldwide domination, come in short as streaming had proved to be most challenging in these markets.

It had led NBCUniversal and Paramount Global to rollout a joint streaming service through the Sky Group division in parts of Europe. As existing rivals such as Disney+, Netflix and Prime Video had been gaining the upper hand.

Although, Disney+ is the most successful late entry to the streaming market. Unlike the latter to have further consolidated their offering the streamer is not accessible in parts of Europe and Africa leading consumers to miss out on various content. 

Disney Channel to date has been treated as a promotional channel to the streamer. After launching at least one film from the streaming service on a monthly basis alongside animated series such as Monsters At Work and Chip'n'Dale: Park Life.

This has been the one of the few options consumers had in browsing some of the content not available in the region. 

In an interview with CNBC, Disney's CEO Bob Iger was asked whether they do see bundling as a option for the streamer. He assured consumers of that possibility although no definitive timeframe was given or how it would impact the existing Disney+ standalone service.

In 2021, WWE signed a content deal with NBCUniversal's Peacock which would see the WWE Network fold under the streamer. Now the question here is if Disney were looking to follow in a similar pursuit could it lead to the closure of the streamer. 

Disney had been reviewing their international business and limiting Disney+ local presence. Considering some countries have strict bylaws on local content a lucrative deal matching that of WWE Network would be one way to get away from those regulations. 

Renewals Or Cancellations: Hamster And Gretel + Moon Girl And Devil Dinosaur + Kiff + Big City Greens + The Villains Of Valley View + Ravens Home On Disney Channel

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Last month, Disney opted to scrap Secrets Of Sulphur Springs and The Ghost And Molly McGee after their current seasons on Disney Channel. This news comes after the brand had announced the cancellation of Bunk'd and Saturdays as they look to reduce content costs and focus more on existing IPs.

Some IPs slated to air across various international feeds include Playdate With Winnie The Pooh and The Little Mermaid for Disney Junior and Phineas And Ferb Season 5 and Monsters At Work for Disney Channel.

Following these cancellations, fans of the networks have been in an uproar wondering what fate awaits their remaining offering. As some readers are aware, Disney is rumoured to have axed Pretty Freekin Scary and although there's still no official confirmation the company has been known for doing it's content dirty (e.g. Milo Murphy's Law).

Below a list of various content on the Disney Channel and their status

Renewals

Big City Greens Season 4

Hamster And Gretel Season 2

Moon Girl And Devil Dinosaur Season 2 (exclusive to Disney+ in EMEA)

Kiff Season 2

Cancelled/Ending

Bunk'd Season 7

Secrets Of Sulphur Springs Season 4

The Ghost And Molly McGee Season 2

Saturdays Season 1

Unknown

Raven's Home (currently on season 6)

The Villains Of Valley View (currently on season 4)

Hailey's On It (currently on season 1)

Pretty Freekin Scary (currently on season 1)

Star+ Will Be Integrated Under Disney+ In Brazil And Latin America By 2024

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A major change in the streaming market will take place in Brazil in 2024. Disney will close the Star+ service application and unify the platform with Disney+ in the second half of next year. 

Currently, Disney sells the two subscriptions separately and also on Combo+, which offers both platforms for a single price. It is also possible to subscribe to services at a lower price using the Meli+ subscription, from Mercado Livre. 

The unification of streaming services was confirmed by Disney in a press release. The action seems like a natural step for the company, which will also do something similar in the United States, with the Hulu platform. 

The Star+ application will be closed in Brazil and Latin America. 

Changes for the consumer 

According to official information, Disney will announce more details about the merger in the future, including issues such as the price and destination of Star+ subscribers, which will be closed. 

For consumers who already subscribe to Combo+, the change will bring more convenience during use. Currently, Disney+ and Star+ use applications that are practically the same, but have separate catalogs. 

While the Disney-named service focuses on the company's productions, Pixar and Marvel, Star is usually the home of Fox and sports. 

Currently, Star+ has productions from American channels such as FX and ABC, in addition to sports programming from ESPN. With the merger, this content will be centralized in just one application in Brazil and Latin America. 

Thus, in addition to bringing all the Marvel, Pixar and Star Wars films, Disney+ will also feature sports content and award-winning television productions. 

Regular Nick Shorts: Netflix To Premiere 'The Casagrandes Movie' In 2024, Spider-Man’s Restarting High School In This Upcoming Disney+ Cartoon And Marvel Studios Unveils Black Panther Prequel Eyes Of Wakanda

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The Casagrandes is being revived

The news was announced by WrapPRO, which profiled Netflix Animation and their current and future efforts in the space. Midway through their piece, they reveal a first look (pictured above) and confirmation that The Casagrandes Movie will be released sometime in 2024.

Nickelodeon revealed that The Casagrandes Movie, a brand new film based on The Casagrandes, was in the works earlier this year. Although not much else about the movie has been said since the original announcement, Miguel Puga, a co-executive and director on Nickelodeon's hit animated series, hinted in November that production on The Casagrandes Movie had wrapped!

According to WrapPRO, The Casagrandes Movie is directed by Miguel Puga and written by Tony Gama-Lobo and Rebecca May, Lalo Alcaraz and Rosemary Contreras. The movie was produced by Nickelodeon Animation Studios Inc.

Spider-Man stars in a new series

Spider-Man is one of the hallmarks of Marvel. Of course, he’s had multiple cartoon iterations over the years, from the 90s rendition to the Spectacular series. And now, he’s going back to Freshman year.

Announced in 2021, Spider-Man: Freshman Year – or as it is now called, Friendly Neighbourhood Spider-Man – is one Marvel Studios animated project that fans don’t know a lot about, despite getting some details at 2022’s San Diego Comic-Con.

Sadly there isn’t a concrete release date, but Friendly Neighborhood Spider-Man has been confirmed to premiere on Disney+ sometime in 2024. It will also run for at least one additional season after its first.

Black Panther prequel makes a landing

In March 2023, rumors began to swirl that Black Panther director Ryan Coogler’s Proximity Media production company had begun developing an animated series for Marvel Studios. As Marvel Studios revamped their streaming slate and skipped out on SDCC ’23, the series, said at the time to be referred to as The Golden City, remained nothing but a rumor until now. During a press event for Season 2 of What If…? held at the Walt Disney Studios Lot, head of streaming, television and animation for Marvel Studios, Brad Winderbaum, revealed that the new series will hit Disney Plus in 2024.

Titled Eyes of Wakanda, the animated series will tell the story of “brave warriors” who “throughout Wakandan history have been tasked to travel the world retrieving dangerous vibranium artifacts.“

The Simpsons Brings An End To Strangulation

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Nothing lasts forever. In time, the continents will crash into each other once more, the sun will swallow the planet and, at some point long after that, The Simpsons will end. But that isn’t to say that it’s incapable of moving with the times before then. Because, in yet another nod to shifting tastes, Homer Simpson has revealed that he will no longer attempt to strangle his son to death.

In the third episode of the current 35th season, Homer greets his new neighbour by shaking his hand. When the neighbour comments that he wasn’t expecting such a firm grip, Homer replies: “See Marge, strangling the boy paid off,” before acknowledging that he doesn’t actually do that any more. “Times have changed,” he adds.

The move has, inevitably, riled a number of feathers. The famously tolerant GB News shrieked that The Simpsons had gone woke by refusing to depict any more scenes of an adult human repeatedly gripping a 10-year-old child by the throat so hard that he struggles for breath and his eyes bulge. Twitter has similarly been ablaze at the snowflakes in charge of their show and their apparent disdain for child abuse.

However, it’s worth pointing out that the episode wasn’t about Homer reaching a point of realisation about never strangling Bart again. It was him pointing out that he doesn’t do it any more. And he really doesn’t. Homer hasn’t strangled Bart since season 31. An entire global pandemic has come and gone in the time since Homer last strangled Bart. The fact that nobody noticed until Homer verbally acknowledged it is either a sign that the outrage machine often operates outside the realms of basic human context, or that people don’t really watch The Simpsons any more.

Either way, despite the howls of the naysayers, this is probably the right thing to do. Homer strangling Bart never sat particularly well in the bigger picture of The Simpsons. Back in 1992, when the show was in its infancy, president George HW Bush publicly remarked that American families needed to be “a lot more like the Waltons and a lot less like the Simpsons”. The line went down badly, because it only demonstrated that Bush didn’t understand The Simpsons. Yes, they were dysfunctional and often at loggerheads with one another, but the Simpson family was bonded together by a tight and permanent love. If you watched the show, you understood this perfectly.

However, it was nevertheless a loving family where the patriarch routinely punished his son by strangling him. I basically came of age with The Simpsons – I was Bart’s age when it first started airing – and the strangulation gag always seemed a bit too near the knuckle to me. I couldn’t properly verbalise at the time, but to me it undermined the basic premise of the entire show.

What’s more, it was never actually funny. The strangulation gag was unyielding in its rigidity. Other running gags, like the prank calls to Moe, could evolve and change over the years. And yet, with staggeringly few exceptions, Homer always strangled Bart in the exact same way. It was an overdone catchphrase. Even if times hadn’t changed, it would still be the weakest part of any episode.

But times have changed, and this is a sign that The Simpsons is doing its best to keep up. It wasn’t always like this. By sticking to its guns when Hari Kondabolu made his documentary The Problem with Apu, keeping Hank Azaria as the voice of Apu Nahasapeemapetilon in the face of growing criticism, The Simpsons was dragged into a long and ugly public spat. Compare this to its quiet recasting of Black characters like Carl, Lou and Dr Hibbert, replacing Azaria with Alex Désert and Kevin Michael Richardson three years ago, and you’ll see a show that doesn’t want to get its fingers burned again. Also, it might just be coincidence, but since doing this, The Simpsons has regained a lot of its old form.

And there are always workarounds. I mentioned the strangulation development to my children, who hoover up episodes of The Simpsons in vast quantities on Disney+. At first, they were just as appalled as the worst recesses of Twitter. “It’s a classic gag!” my eight-year-old wailed. “Why are they taking this away from us?” I explained that it might not be very good for a TV show to depict scenes of a father strangling his children. Eventually they agreed. And then they suggested that Homer could punch Bart instead, or maybe throw him around a bit. So, if Matt Groening happens to be reading, maybe this could be an acceptable way forward.

Disney To Halt Distribution Of DVD And Blu-ray In Australia

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The sales of physical media, including Blu-Ray and DVDs, have been in decline for years, following the increased popularity of streaming services and a shift to digital movie releases.

Recently, Disney announced it was closing down its Movie Club program in Canada following a shift in consumer patterns to watching films on digital and Disney+. And now, according to Digital Bits, multiple industry, distributor, and retailer sources, Walt Disney Studios Home Entertainment will be pulling out of distributing physical discs in Australia.

Over the past few years, many retailers in Australia and other countries, have slowly been withdrawing physical media, including video games, movies and music from sale, as audiences shift to digital platforms. Disney has previously stopped releasing movies on physical media in Latin America and across most of Asia. And it is likely other countries and regions will follow, as the sales of physical discs continue to fall.

For context, in the United States, in 2006, “Pirates of the Caribbean – Dead Man’s Chest” sold 14,476,924 million discs.  In 2012, the highest-selling disc was “Hunger Games”, with 7,434,058 discs sold and in 2022, “Top Gun: Maverick” was the highest-selling DVD with 829,831 sold.  However, in 2023, currently, “Black Adam” is the highest-selling DVD of the year, with just 74,353 discs sold in the US.

Many movie fans are unhappy with this news, especially with a growing trend of streaming services like Disney+ making changes or removing content without notice. Disney has been releasing fewer of its films and shows on physical media over the past few years. Australian film collectors will still be able to import films from global retailers, but this will result in much higher costs due to international shipping etc.

“Guardians Of The Galaxy: Vol 3” is set to be the last physical release in Australia, which arrives in stores in August. Previously released titles will continue to be on sale, but as stock is reduced, these may become unavailable over time.

Ultimately, as audiences have moved to watching films on streaming services such as Disney+ and buying/renting films on digital platforms, it now looks like it’s no longer sustainable to distribute physical discs in Australia.

Disney+ Developing New Animated Series ‘Duckie’

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Disney+ is gearing up for an exciting new animated pilot called Duckie. The project is in the casting phase, managed by Disney TVA Casting, to find the perfect voice talent. The production is scheduled to begin on August 1, 2023, and will be based in Burbank, CA.

The project, which falls under the umbrella of Disney+, is a 22-minute animated pilot that aims to captivate audiences with its unique storyline and relatable characters. The show will explore themes of personal growth, mentorship, and the power of overcoming challenges.

The storyline of Duckie revolves around the eponymous character’s journey of self-discovery. Having recently survived a feral creature’s attack, Duckie finds herself scarred and plagued by self-doubt. While she grapples with the aftermath of this traumatic experience, Duckie enters a pivotal phase in her life. However, her path crosses with a mentor whose unwavering belief in himself is both awe-inspiring and foolish. Initially, they clash, but as their journey progresses, they form a unique bond that holds the potential to save the universe.

The central character, Duckie, is a spirited and headstrong 15-year-old duck who grapples with the desire to be seen as a fully-formed adult within her extensive family. Despite her youth, Duckie possesses a curious nature, an adventurous spirit, sharp wit, and impressive technological skills. However, she is currently recovering from a traumatic attack, causing her to doubt herself in stressful situations. Nevertheless, her world changes when she encounters a mentor who might just help her navigate through her challenges and, together, they might have the power to save the universe.

Duckie is poised to be an exciting addition to Disney+’s animated lineup, promising a heartwarming and adventurous story that will resonate with audiences of all ages. Stay tuned for further updates on the casting process and production timeline as Disney+ continues to bring captivating content to its streaming platform.

FX To Be Revived As A Linear Channel In Poland A Year After It Returned To South Africa On Disney+

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Fox Extended (FX) was a general entertainment channel that was operated by The Walt Disney Company. It served as a sister channel to the defunct FOX brand alongside current entertainment channels National Geographic and Wild alongside Disney Channel and Junior.

Some of the shows seen on the channel included American Dad, Family Guy, The X-Files, Tyrant and The Bridge. Most of which were reverted to FOX brand after the channel was replaced by female based channel FOX Life in 2016.

FX was revived last year when Disney+ launched in South Africa with its own tile under the streaming service. Literally a year after we got the Disney XD of FOX, it was reported that more FOX channels in Europe would be axed.

Folks in Poland were alerted by The Walt Disney Company that FOX would be axed out not like what was seen in Africa and most parts of Europe where it was a complete annihilation. Instead, the brand would be supplemented by FX and not Star as seen in most Portuguese territories.

By November, these channels FOX and FOX Comedy would be known as FX and FX Comedy which just brings out a lot of mystery behind the future of The Walt Disney Company's remaining linear offering viewed in Europe, Middle East and Africa.

As some are aware, most of the companies remaining linear offering reside within these regions with Africa expected to retain these channels through 2024 as announced in 2021. Could it be possible that these channels will stick around for a while longer maybe?

If there's anything to learn about from their business in Latin America, don't trust that a simple change in paint secures the future of these channels. Unlike Africa, FOX was rebranded to Star with a lineup of content from Disney+ available to view and after a year that was ripped away.

Regular Nick Shorts: Cartoon Network And Max Acquired Rights To Lana Longbeard With Tara Duncan Loading Up On Disney Channel And Gamebox To Rollout A 60 Minute Ghostbusters Game

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Zephyr Animation

2D-animated comedy Lana Longbeard has landed its first presales, with Warner Bros. Discovery (EMEA), Super RTL (Germany), Gulli (France) and CBC (Canada) claiming it for their regions. Co-produced by Zephyr Animation (APC Kids’ production arm) and Canadian studio Copernicus, the 52 x 11-minute series for six to nines tells the story of a courageous teen girl who sets sail on her father’s viking ship on a quest to become a famous adventurer. APC Kids has the global distribution rights.

Superights

Animated adventure series Tara Duncan will be distributed worldwide (excluding China) by Paris-based Superights. Produced by Princess Sam Pictures and based on a 15-book series by Sophie Andouin-Mamikonian, this CG-animated show stars a girl who travels to a magical planet to learn how to control her powers and defeat evil villains. Princess Sam has already sold the first season (52 x 13 minutes) to buyers including Disney (France, Belgium, Japan, Africa and the Netherlands), Rai (Italy) and RTE (Ireland), and a second 52-ep season is currently in production.

Columbia Pictures Location Based Entertainment

Who you gonna call? A Ghostbusters VR game is in the works at Columbia Pictures Location Based Entertainment and Immersive Gamebox. Based in London, Immersive Gamebox operates experiential game rooms where content from popular entertainment brands is projected onto the walls for kids to interact with through touch-screens and motion-tracking. The techco is gearing up to launch a 60-minute Ghostbusters: The Cursed Collection game at its 20 locations in the UK, EMEA and US later this year. In the experience, kids will explore haunted streets and battle ghosts from the ’80s movie franchise.

Disney Branded TV & Disney EMEA Kicked Off Next 100 Years Of Toons At Annecy

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Disney Branded Television and Disney Europe, Middle East & Africa (EMEA) took to the stage at the Annecy International Animation Film Festival to announce new projects, debut sneak-peeks, and highlight the expansion of current hit series that are poised to usher in the next century of Disney storytelling.

Titled “The Next 100,” the presentation centered on both Disney’s storied legacy in animation, as well as how the company is creating the next generation of hits. Hélène Etzi, Country Manager & General Manager of Media for The Walt Disney Company France, opened the presentation with Orion Ross, Vice President of Animation for The Walt Disney Company EMEA, and Ayo Davis, President of Disney Branded Television, making several announcements.

Ross announced greenlights for the all-new preschool adventure series Magicampers, set to premiere globally on Disney+ and Disney Junior next year, and the original comedy series The Sunnyridge 3. He also gave attendees a first look at the official trailer for the sci-fi anthology Kizazi Moto: Generation Fire, premiering July 5 on Disney+ (check it out here). New episodes of fan-favorite Chip ‘n’ Dale: Park Life, coming later this year, were revealed, and the latest artwork for the upcoming EMEA originals The Doomies and Dragon Striker was unveiled.

Davis gave attendees a sneak peek of upcoming series and made several announcements, including the greenlight of Disney Junior’s Ariel, a new series inspired by The Little Mermaid. Executive producer Lynne Southerland answered questions onstage and previewed an early animation test featuring Ariel and fan-favorite character Flounder.

Davis also announced the new Disney Channel series StuGo, as well as renewals for four popular series: season four of Marvel’s Spidey and His Amazing Friends, season three of Firebuds, season three of The Proud Family: Louder and Prouder and season two of Kiff. She also shared sneak peeks of several animated shorts, along with other announcements (see below).

Ross and Davis commented: “We’re delighted to be in Annecy announcing our continued commitment to working with leading studios and creators here in France and across the globe, to bring new voices, universal stories and brilliant animation to kids and family audiences around the world.”

New Series Greenlights
Disney Branded Television

Disney Junior’s Ariel (Disney Junior)
Executive producer: Lynne Southerland
Producer: Ezra Edmond
Supervising Director: Kuni Tomita Bowen
Art Director: Chrystin Garland
Story Editors: Norma P. Sepulveda and Keith Wagner
Produced by: Wild Canary in association with Disney Junior

Disney Junior’s Ariel is an animated musical series for preschoolers inspired by the beloved story of The Little Mermaid. It follows eight-year-old mermaid princess Ariel as she and her friends embark on fun-filled, action-packed underwater adventures throughout their Caribbean-inspired fairytale kingdom of Atlantica and beyond. The series features fan-favorite characters, including King Triton, Ursula, Sebastian and Flounder, as well as exciting new additions like Ariel’s two best friends, mer-children Lucia and Fernie, and lots of other adorable sea creatures. The series is currently in production for a 2024 release across Disney platforms worldwide.

StuGo characters
StuGo (Disney Channel)
Creator/Executive Producer: Ryan Gillis
Co-Executive Producer: Sunil Hall
Story Editor: Craig Lewis
Produced by: Titmouse in association with Disney Channel

StuGo is an original animated series about six overambitious middle schoolers who are tricked into attending a fake academic summer camp by a mad scientist. Now they’re stuck for three months on a wild tropical island with mind-reading manatees, giant fighting fungi and fashion-forward mutants ― less academia than they’d hoped for, but a lot more adventure.

The newly announced cast includes Tania Gunadi as Pliny, Zosia Mamet as Merian, Gabourey Sidibe as Francis, Charlyne Yi as Larry, Zach Reino as Chip, Deborah Baker Jr. as Sara, and Lorraine Toussaint as Dr. Lullah.

Disney EMEA

Magicampers
Magicampers (Disney+)
Creator: Obie Scott Wade
Executive Producer: Sandrine Nguyen Tiet
Director: Daniel Dubuis
Writers: Ashley Mendoza, Simon Nicholson, Elizabeth Kamir
Produced by: Mikros Animation for Disney EMEA

Disney’s preschool original Magicampers follows the adventures of best friends Darly and Loomis at a day camp for magical creatures on a fantastical island. Darly is half-pig and half-Pegasus, Loomis is half-donkey and half-unicorn, and their young friends are also mythical mashups of all stripes. Every day they go on incredible journeys of discovery and dream of becoming legendary, having their stories told and retold for all time. At the heart of the series, Darly and Loomis will learn that becoming a legend isn’t about mastering magic powers or winning the biggest prize — it’s about understanding and accepting yourself and others and working together with all kinds of friends. The series stars a diverse young cast as the Magicampers, with Emmy Award winner Uzo Aduba (Mrs. America, Orange Is the New Black) as nature spirit and camp leader Treena.

THE SUNNYRIDGE 3 (Disney)
The Sunnyridge 3 (Disney+)
Creators: Stevie Gee and Essy May
Executive Producers: Chapman Maddox, Jen Coatsworth, James Stevenson Bretton, Jon Rutherford, Benjamin Lole
Director: Liz Whittaker
Head Writer: Jack Bernhardt
Produced by: Blink Industries and Boat Rocker for Disney EMEA

In the original comedy-mystery series The Sunnyridge 3, a trio of lifelong best friends investigate strange goings-on in a uniquely bizarre shopping center on the fringes of suburban London. Rose, Jeru and Wayne practically grew upat the Sunnyridge Mall, but this summer, the weirdness has gone to a whole new level. With their imaginations running wild, they will chase down any conspiracy theory no matter where it leads. Could it be werewolves, hauntings or an ancient curse? Robots, aliens or renegade AI? The trio will discover that the truth is always stranger than fiction in this unpredictable genre-bending mashup created by British team Stevie Gee and Essy May. Multiple award-winning U.K. animation studio Blink Industries (Dead End: Paranormal Park; Love, Death + Robots) produces, in association with multiple award-winning global entertainment company Boat Rocker (Dino Ranch, Love Monster).

Sneak Peeks
Disney EMEA

Kizazi Moto: Generation Fire (July 5 on Disney+) — See full coverage here.

The Doomies
The Doomies (Disney+)
Creators: Andrès Fernandez & Pozla (a.k.a. Rémi Zaarour)
Producer: Marc du Pontavice
Director: Andrès Fernandez
Head Writer: Henry Gifford
Produced by: Xilam Animation for Disney EMEA

When best friends Bobby and Romy mistakenly open a gateway to another world, they turn their sleepy coastal town into a hotspot for terrifying creatures of doom. Roped into an epic supernatural mystery, they will cross paths with the so-called “Chosen One” and do battle with both literal and inner monsters. The Doomies is a spooky comedy that combines thrills, chills and surprises with character-driven comedy from an odd couple of ordinary teens engulfed by extraordinary circumstances. Its fast-paced humor and high-stakes action take place in a quirky French town in the heart of Brittany, imagined with moody flair and graphic style.

Dragon Striker
Dragon Striker (Disney+)
Creator/Producer: Sylvain Dos Santos
Director: Charles Lefebvre
Head Writer: Paul McKeown
Produced by: Cybergroup Studios and La Chouette Compagnie for Disney EMEA

When the world’s most popular sport combines with magic, awesomeness escalates quicker than a dragon-powered strike! In this action-packed adventure full of comedy and high-stakes sports drama, elite players have magical signature moves they can use on the pitch. Twelve-year-old Key is a farm-boy fanboy who can only dream of entering the famous school where the greatest players train before joining the big leagues — until he discovers he has his own ultra-powerful spell and may even be the legendary Dragon Striker. Key joins a team of hapless underdogs who band together to take on the school champions, all the while fighting to prevent an ancient evil from resurfacing.

Disney Branded Television

The Wonderful World of Mickey Mouse: Steamboat Silly (July 28 on Disney+)
Executive Producer: Paul Rudish
Producer: Philip M. Cohen
Director: Eddie Trigueros
Produced by: Disney Television Animation

The beloved Emmy Award-winning The Wonderful World of Mickey Mouse shorts culminate with a final episode titled Steamboat Silly, which follows Mickey Mouse and his friends as they must stop hundreds of old film reel versions of Mickey from wreaking havoc all over town. The short will debut July 28 on Disney+ as part of Disney’s 100-year anniversary celebration.

Primos (Disney Channel)
Creator/Executive Producer: Natasha Kline
Producer: Philip Cohen
Supervising Director: Shaun Cashman
Story Editor: Karla Sakas Shropshire
Produced by: Disney Television Animation

From Emmy Award-nominated creator and executive producer Natasha Kline, Primos introduces Tater Ramirez Humphrey, an eccentric girl with big dreams, determined to find what makes her extraordinary. When her 12 chaotic cousins (“primos” in Spanish) move in for the summer, they help her discover her true self. The series is inspired by Kline’s childhood experiences with her extended multicultural Mexican American family.

The newly announced main cast includes Myrna Velasco as Tater Ramirez Humphrey; Melissa Villaseñor as Tater’s younger sister, Nellie Ramirez Humphrey; Michelle Ortiz as Tater’s mom, Bibi Ramirez Humphrey; and Jim Conroy as Tater’s dad, Bud Humphrey.

The recurring cast includes Angélica María as Tater’s grandmother, Buela; Liza Koshy as Tater’s friend, Serena; and cousins Becca Q. Co (Lotlot), Cristina Valenzuela (Tere and Toñita), Elizabeth Grullón (Lita), Jonathan Melo (Scooter), Sarah Tubert (Cookita), Natasha Kline (Gordita and ChaCha), Nomi Ruiz (Tabi), Rick Simon (Big Nacho and Cousin Bud) and Ryan Anderson Lopez (Nachito).

ZOMBIES: The Re-Animated Series
ZOMBIES: The Re-Animated Series (Disney Channel)
Executive Producers: Aliki Theofilopoulos, Jack Ferraiolo, Gary Marsh, David Light, and Joseph Raso
Producer: Melanie Pal
Supervising Director: Leah Artwick
Story Editor: Rachel McNevin
Produced by: Disney Television Animation

Meg Donnelly and Milo Manheim will reprise their roles as Seabrook’s star-crossed zombie/cheerleader couple, Zed and Addison, in Disney Branded Television’s next iteration of the hit ZOMBIES franchise. Fans can first catch the Seabrook crew in animated form in ZOMBIES: The Re-Animated Series Shorts, premiering Friday, July 21, on Disney Channel, Disney Channel YouTube and DisneyNOW, and thereafter on Disney+. Next, ZOMBIES: The Re-Animated Series, a new comedy-musical animated series, will premiere on Disney Channel.

ZOMBIES: The Re-Animated Series Shorts is an animated short-form series that continues the adventures of fan favorites Zed, Addison and the Seabrook crew from the hit ZOMBIES franchise. The shorts, which keep the spirit and jam-packed music of the movies, find the friends encountering new monsters — a carnivorous plant monster, horrifying mega-cricket and even evil clones — while dealing with school and new experiences like a never-ending summer time loop.

Reprising their roles are Ariel Martin, Chandler Kinney and Pearce Joza as werewolves Wynter, Willa and Wyatt; Carla Jeffery and Trevor Tordjman as cheerleaders Bree and Bucky; Jonathan Langdon as Coach; James Godfrey and Kylee Russell as zombies Bonzo and Eliza; and Terry Hu as outer space alien A-Spen.

Playdate with Winnie the Pooh
Playdate with Winnie the Pooh (Disney Junior)
Executive Producer: Chris Hamilton
Co-Executive Producer: Elise Fachon
Producer: Greg Chalekian
Director: Jojo Ramos Patrick
Produced by: OddBot Inc. in association with Disney Junior

Playdate with Winnie the Pooh follows a young Pooh Bear as he enjoys playdates with his friends. Set in the exciting outdoors of the Hundred Acre Wood, these musical shorts emphasize collaborative play and the joy of spending time with others. Playdate with Winnie the Pooh is set to debut this summer in the U.S. and will then rollout globally.

Disney Junior Wonderful World of Songs (Disney Junior)
Executive Producer: Chris Hamilton
Co-Executive Producer: Elise Fachon
Producer: Greg Chalekian
Director: Henry Dalton
Produced by: OddBot Inc. in association with Disney Junior

These musical shorts for preschoolers celebrate the heritage of Disney with classic characters and songs from beloved movies, series and attractions that highlight the wonder and magic of the iconic brand. Performed by popular musical artists Rob Cantor and Genevieve Goings (Disney Junior Nursery Rhymes), the shorts feature reimagined versions of classic songs, including “Circle of Life” from “The Lion King,” “You Can Fly!” from “Peter Pan,” “How Far I’ll Go” from “Moana” and “It’s A Small World.” The shorts will begin airing on Disney Junior and Disney+ in the U.S. this summer as part of Disney’s 100-year anniversary celebration.

Series Renewals
Disney EMEA

Chip ‘N’ Dale: Park Life New Episodes (Disney+)
Producer: Marc du Pontavice
Directors: Jean Cayrol, Frédéric Martin, Khalil Ben Namaane
Head Writer: Nicole Paglia
Produced by: Xilam Animation for Disney EMEA

Chip ‘n’ Dale: Park Life stars Disney’s much-loved chipmunk underdogs in a nonverbal, classic-style comedy, following the ups and downs of two little creatures living life in a big city park. Combining the traditions of slapstick cartoons with contemporary, comedic character-driven narratives, season two introduces huge new adventures for the two tiny troublemakers. Nervous worrier Chip and laid-back dreamer Dale are joined in their perpetual pursuit of acorns by Donald, Pluto, Butch and other iconic Disney characters as they face down bullies, great and small.

Disney Branded Television

Marvel’s Spidey and His Amazing Friends Season 4 (Disney Junior)
Executive Producer: Harrison Wilcox
Co-Executive Producers: Bart Jennett and Chris Moreno
Co-Producer/Story Editor: Becca Topol
Supervising Producer: Steve Grover
Produced by: Disney Junior and Marvel Studios in association with Atomic Cartoons

The first full-length Marvel series for preschoolers, Marvel’s Spidey and His Amazing Friends follows the adventures of Peter Parker, Gwen Stacy and Miles Morales as they team up with Iron Man, Hulk, Ms. Marvel and Black Panther to defeat foes like Rhino, Doc Ock and Green Goblin and learn that teamwork is the best way to save the day. Season four of the hit series will once again introduce even more new heroes and baddies for the Spidey team to interact with and be part of their adventures.

Firebuds Season 3 (Disney Junior)
Creator/Executive Producer: Craig Gerber
Producer: Craig Simpson
Supervising Director: Robb Pratt
Co-Story Editors: Krystal Banzon and Jeremy Shipp
Produced by: Disney Television Animation

From Emmy Award-winning creator and executive producer Craig Gerber (Elena of Avalor, Sofia the First), Firebuds is a music-filled series following a team of young kids who are the children of first responders, and their talking vehicle sidekicks, as they embark on adventures together and learn what it truly means to be a hero. Season three of the series will feature a water rescue theme.

The Proud Family: Louder and Prouder Season 3 (Disney+)
Creator/Executive Producer: Bruce W. Smith
Executive Producer: Ralph Farquhar
Co-Executive Producer/Story Editor: Calvin Brown, Jr.
Co-Executive Producer: Latoya Raveneau
Producer: Jan Hirota
Produced by: Disney Television Animation

The Emmy and NAACP Award-winning The Proud Family: Louder and Prouder revival follows the adventures and misadventures of 14-year-old Penny Proud and her Proud Family as they navigate modern life with hilarity and heart. The 2020s bring new career highs for mom Trudy, wilder dreams for dad Oscar and new challenges for Penny. Penny’s friends return, including Dijonay, LaCienega, Zoey and Michael, along with a couple of new faces, Maya and KG. Penny’s Suga Mama also returns, ready as ever to dispense tough love or a gentle hand whenever Penny needs it.

Kiff Season 2 (Disney Channel)
Creators/Executive Producers: Lucy Heavens and Nic Smal
Co-Producer/Story Editor: Kent Osborne
Producer: Winnie Chaffee
Produced by: Titmouse in association with Disney Channel

From South African creators and executive producers Lucy Heavens and Nic Smal, Kiff follows an optimistic squirrel, Kiff, and her chill bunny bestie, Barry, as they navigate school, relationships and their often-eccentric community in Table Town, a world where animals and magical oddballs tackle day-to-day life together. Inspired by the people and places Heavens and Smal experienced when they were growing up in Cape Town, each half-hour episode, comprised of two 11-minute stories, includes a new original song.

Disney Planning To Restart The Pirate Of The Caribbean's Franchise

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Sean Bailey, the president of Walt Disney Studios Motion Picture Production, recently spoke with the New York Times to talk about Disney’s live-action projects and one of those projects was Pirates of the Caribbean.

Bailey says restarting the Pirates franchise is a priority at Disney. “We think we have a really good, exciting story that honors the films that have come before but also has something new to say”

For those unaware, Disney is actually developing multiple Pirates projects and we highlight each project and share everything we know so far. So let’s set sail and get into the nitty-gritty.

Pirates Project #1

Back in 2018, it was reported that Deadpool and Zombieland 2: Double Tap writers Paul Wernick and Rhett Reese, were brought on to write Pirates 6, but would drop out months later and were replaced by Chernobyl and The Last of Us creator Craig Mazin and Pirates alum Ted Elliot. While there have been no story details or massive updates on this project, it is still the main Pirates project Disney is actively working on. That said, in 2019, we exclusively reported that Guardians of the Galaxy star Karen Gillan was someone Disney was looking at to star. This project will exist in the previous Pirates of the Caribbean movies continuity, so a return from stars Orlando Bloom, Kiera Knightley, Brenton Thwaites, and Kaya Scodelario is definitely on the table.

Pirates Project #2

In 2020, a report surfaced that Harley Quinn herself Margot Robbie would star in a female-led reboot from Bumblebee writer Christina Hodson. This project is not intended to be a spinoff, but a new story, with new characters set in the Pirates universe. Despite rumors last year that this project was axed, franchise producer Jerry Bruckheimer dispelled that, saying “I think that that script will come forward at a certain point. We developed two different stories for Pirates and the other one’s going forward first, so that’s what we’re working on, to try to get that one made.” The story Bruckheimer is referring to would be the first project we talked about. We had heard when this project was in active development Disney was looking at some pretty big-name actors to star alongside Robbie, names we heard included Jason Momoa, Richard Madden, and Sebastian Stan.

Pirates Project #3

A fun piece of information we shared on The DisInsider Show during our “Rumor of the Week” segment, is that Disney has put a Pirates of the Caribbean Disney+ on the drawing board and are in very early development stages. At this time, I don’t have any further information on this project as it is still in the early stages.

The Elephant in the Room

It’s what everyone wants to know, is Johnny Depp returning to the franchise as Captain Jack Sparrow? A role that garned him an Oscar nomination for his work in Curse of the Black Pearl. Despite rumors last year that the actor had actually closed a deal to appear in a sixth movie and that he was also planning to help co-write the film, after his very public defamation trial against Amber Heard last year, the actor made it very clear that he would never forgive Disney for the way they publicly distanced themselves from him. Some insiders believe he will return. Bruckheimer told Deadline earlier this year that he would still reach out to Depp because Johnny was both his friend and “an amazing artist.” Acknowledging that enough time has passed between him, Disney, and Depp, he explained his reasoning by saying, “You go through things in life that you wish you hadn’t done right.” Bailey was asked about Depp once again and said “Noncommittal at this point,” which is an inkling that a return is very possible.

Now, here is what we at The DisInsider know, we have talked with some people in the industry and we have heard the goal is to bring Depp back in a passing of the torch role, whether that would be in a starring, supporting, or cameo role is currently unknown.

The franchise originated with the Pirates of the Caribbean theme ride attraction, which opened at Disneyland in 1967, the last Disney theme park attraction overseen by Walt Disney. The attraction can be found at four Disney theme parks. Since then, it has become a moneymaker, the five films have grossed over $4.5 billion at the worldwide box office. The franchise has also become a revenue booster in video games, merchandise, and more.

Disney To Launch Single App In The Us With Disney+ & Hulu, Questions Lurking Over Star

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During Disney’s quarterly results, Disney CEO Bob Iger announced that in the United States, they will be launching a single app, which will incorporate Hulu content into Disney+.

Each app will still be available individually, and this might be a way around Disney getting ready to bring together Hulu and Disney+, until Disney sorts out its ownership of Hulu from Comcast.

Bob Iger stated that the one-app experience will offer a better service to its subscribers and increase advertising revenue.

“While we will continue to offer Disney+, Hulu and ESPN+ as standalone options, this is a logical progression of our [direct-to-consumer] offerings that will provide greater opportunities for advertisers while giving bundle subscribers access to more robust and streamlined content, resulting in greater audience engagement and ultimately leading to a more unified streaming experience,”
This follows other moves being made by studios, like Comcast and Warner Brothers Discovery, who are consolidating their apps. Disney feels it can spend more money advertising its major movie and show releases by marketing a single app.

The single-app experience will launch in the United States by the end of the year. Disney’s tech teams have been working on migrating the Hulu legacy system into the Disney+ tech, since early last year, and the teams referred to the project as “Nu-Lu”.

Bob Iger has had conversations with Comcast about buying its stake in Hulu, which Disney can force to happen in 2024. In the last few months, Bob Iger has come to the conclusion that offering more general entertainment with Disney+ content is what they need to do.

“What we’re doing right now — because we own two-thirds of Hulu, and we have an agreement with Comcast that may result in us owning 100 percent — is we’re really studying the business very, very carefully, all those competitive dynamics with an understanding that we have a good platform in Hulu.

We have very strong original programming, actually highly awarded original programming, some delivered by FX, which is a great not only producer but brand, and we also have a good library, so it’s a solid platform. And it’s also a very attractive platform for advertisers. It’s already proven to be valuable for them and advertising is proven to be valuable for us. But the environment is very, very tricky right now and before we make any big decisions about our level of investment, our commitment to that business, we want to understand where it could go”.

Bob Iger has said that the addition of Star to Disney+ internationally has been very successful and they want to offer more general entertainment alongside Disney, to reduce churn, increase revenue and reduce costs.

For more Disney+ and Video Entertainment updates head over to Insidus Plus

Disney+ Loses Another 4 Million Subscribers

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Today, the Walt Disney Company has released its latest quarterly results for the fiscal second quarter 2023, and that means we get an updated look at how many subscribers Disney+, Hulu, and ESPN+ have.

This gives us a clear indication of how the apps are doing, especially with growth or decline in subscriber numbers. These subscriber numbers are based up to April 1st 2023.

Disney+ now has 157.8 million subscribers globally, down over 4 million subscribers from 161.8 million subscribers last quarter. All of these losses have come from subscribers leaving Disney+ Hotstar in India, following the loss of the cricket and, most recently, HBO content. In the US and Canada, they lost 300,000 subscribers, likely due to the recent price rise, less content and political issues. However, Disney+ subscribers in other areas, including Latin America, Europe and Asia, increased by 900,000.

While Hulu has added around 200,000 subscribers, ESPN+ has also added 400,000 subscribers in the US.

Disney CEO Bob Iger said in a statement:

“We’re pleased with our accomplishments this quarter, including the improved financial performance of our streaming business, which reflect the strategic changes we’ve been making throughout the company to realign Disney for sustained growth and success. From movies to television, to sports, news, and our theme parks, we continue to deliver for consumers, while establishing a more efficient, coordinated, and streamlined approach to our operations.”

More importantly, Disney’s streaming businesses have been able to increase its revenue by 12% to $5.5 billion and decrease its operating lost by half a billion dollars, which mainly came from better Disney+ and ESPN+ results, partially offset by lower operating income at Hulu.

The improvement at Disney+ was due to higher subscription revenue and a decrease in marketing costs, partially offset by higher programming and production costs and, to a lesser extent, increased technology costs. Higher subscription revenue was attributable to subscriber growth and increases in retail pricing, partially offset by an unfavorable foreign exchange impact. The increase in programming and production costs was due to more content provided on the service. Improved results at ESPN+ were attributable to growth in subscription revenue due to an increase in retail pricing and subscriber growth.

The decrease in operating income at Hulu was due to higher programming and production costs and lower advertising revenue, partially offset by subscription revenue growth and, to a lesser extent, lower marketing costs. The increase in programming and production costs was attributable to more content provided on the service and an increase in subscriber-based fees for programming the Live TV service, partially offset by a lower average cost mix of SVOD content. Higher subscriber-based fees for programming the Live TV service were due to rate increases and more subscribers. The decrease in advertising revenue resulted from lower impressions, partially offset by higher rates. Subscription revenue growth was due to increases in retail pricing and subscribers.

Disney has also provided a detailed breakdown per region: (Million)

Disney+ – Global – 157.8

Disney+ – Domestic (US & Canada) – 46.3

Disney+ – International excluding Disney+ Hotstar+ – 58.6

Disney+ Core – (excluding Hotstar) – 104.9

Disney+ Hotstar – 52.9

ESPN+ – Million Subscribers (US Only) – 25.3

Hulu – Million Subscribers (US Only) – 48.2

To compare, here are the subscription numbers (Millions) from November’s Investor Call:

Disney+ – Global – 161.8

Disney+ – Domestic (US & Canada) – 46.6

Disney+ – International excluding Disney+ Hotstar+ – 57.7

Disney+ Core – (excluding Hotstar) – 104.3

Disney+ Hotstar – 57.5

ESPN+ – Million Subscribers (US Only) – 24.9

Hulu – Million Subscribers (US Only) – 48.0