Canal+ Afrique Ajoute Quatre Nouvelles Chaînes Aux Packs DStv English Plus Et Convertit E! En Bravo

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Suite à l'acquisition de MultiChoice fin 2025 par Canal+, le groupe français a imposé à l'entreprise diverses mesures d'économies. Cela a notamment inclus le non-renouvellement des droits des Jeux olympiques d'hiver par SuperSport, les décisions étant désormais prises en France.

Alors que de nouvelles coupes budgétaires sont en cours, Canal+ Afrique va offrir à ses abonnés l'accès à 4 chaînes DStv supplémentaires. Cela inclut Studio Universal et National Geographic, ainsi que SuperSport Action et WWE, avec E! qui devient Bravo.

SuperSport Action propose de l'UFC, de la NBA et du football international, tandis que WWE offre une couverture 24 heures sur 24 du catch.

L'ajout de SuperSport Action et WWE sur Canal+ Afrique porte le nombre de chaînes SuperSport disponibles sur la plateforme de 4 à 6. Cela fait suite à l'élargissement par MultiChoice de l'accès à WWE aux abonnés DStv Access en Afrique du Sud.

Bravo, la chaîne internationale emblématique de NBCUniversal dédiée à la télé-réalité et aux franchises iconiques du genre, a été lancée en Afrique en octobre 2025. Elle est prévue pour remplacer la version française diffusée sur Canal+ Afrique dès le 17 mars.

La chaîne rebaptisée diffusera encore plus d'émissions phares, notamment : The Real Housewives of Beverly Hills, Below Deck et ses déclinaisons (Méditerranée, Sailing Yacht, Australie), Southern Hospitality, Bravo’s Love Hotel, Next Gen.

Studio Universal est une chaîne de télévision spécialisée appartenant à Universal Networks International (division de NBCUniversal), axée principalement sur les films et les programmes liés au cinéma.

Elle se spécialise dans la diffusion de films – majoritairement issus du catalogue Universal Pictures – ainsi que du contenu associé comme des interviews, des making-of, des courts-métrages et des blocs thématiques (par exemple, des soirées ou saisons dédiées à un genre, un réalisateur ou un acteur spécifique).

National Geographic propose des documentaires et des émissions spéciales sur des thèmes comme la nature, la faune, la science, l'espace, l'histoire et l'aventure. Elle est célèbre pour ses contenus à haute valeur de production (par exemple, des séries avec David Attenborough ou Air Crash Investigation).

Elle fait partie d'une coentreprise entre la National Geographic Society et The Walt Disney Company.

Suite au retrait de BET Africa et à l'accord de dernière minute entre Warner Bros. Discovery et Canal+ qui a permis à MultiChoice de conserver ses chaînes, il semble que cet accord ait exclu Canal+ Afrique du packaging de Discovery Channel.

Cela a conduit à l'inclusion de National Geographic, avec Studio Universal servant d'ajout sur la plateforme.

Cette traduction conserve le ton informatif et journalistique du texte original. Note que ce contenu semble provenir d'une actualité récente (début 2026) liée à l'intégration post-acquisition Canal+/MultiChoice en Afrique, avec des ajouts de chaînes anglophones via les packs DStv English Plus sur Canal+ Afrique. Si tu veux une version plus courte (titre seul) ou des ajustements, dis-le-moi !

 

Canal+ And SuperSport To Broadcast AFCON In More Than 40 Countries Across Africa

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CANAL+ is proud to announce that its MultiChoice subsidiary, SuperSport, has secured broadcast rights for the TotalEnergies CAF Africa Cup of Nations Morocco 2025™ (TotalEnergies CAF AFCON 2025™) for English and Portuguese-speaking African countries.

When the 35th edition of the tournament kicks off in Morocco on 21 December 2025, CANAL+ will become the first global broadcaster to bring viewers the TotalEnergies CAF Africa Cup of Nations Morocco 2025™, the massive African football showpiece, in French, English, Portuguese and local indigenous languages.

It means the broadcaster will offer CANAL+ and SuperSport viewers the most comprehensive football viewing experience that any sports broadcaster has ever managed to accomplish for Africa’s greatest football competition.

The group made the announcement on 06 November 2025 that SuperSport has concluded a broadcast rights deal with the Confederation of African Football (CAF) for the right to broadcast the tournament in English and Portuguese-speaking Sub-Saharan African territories.

CANAL+ Africa CEO, David Mignot, said: “CANAL+ Africa CEO, David Mignot, said: “Our newly-formed merger with the MultiChoice Group has already unlocked opportunities and benefits for our customers. And this year’s TotalEnergies Africa Cup of Nations Morocco 2025 is a great demonstration of the power and potential of this common ambition: bringing together our expertise to offer unprecedented coverage.

"Moreover, broadcasting this competition in different languages is a strong way to build closeness with our viewers. For all these reasons, our subscribers will be part of the most spectacular celebration of African football."

CAF President, Dr Patrice Motsepe, said: “This is an exciting day for CAF and for African football. When the TotalEnergies CAF Africa Cup of Nations takes place in Morocco in December, Africans everywhere — on the continent and across the diaspora — will be watching with pride. Millions will follow the games on television, celebrating the best that African football has to offer.

“In Ivory Coast, the last AFCON attracted approximately 1.5 billion viewers globally. We anticipate that this edition will be an even greater success, reaching new audiences and inspiring the world once again. When 180 nations express interest in broadcasting AFCON, it is proof that the world is excited about African football.”

CAF President, Dr Patrice Motsepe, said: “[CAF to insert quote]”[SM1]

Rendani Ramovha, Director of Sport Content English and Portuguese-speaking Africa for MultiChoice, (a CANAL+ company), said: “We are especially proud to be able to bring the story of the TotalEnergies CAF Africa Cup of Nations Morocco 2025™, live to all our viewers in English and Portuguese-speaking Sub-Saharan African territories.

"SuperSport has been the preferred choice for millions of passionate fans across the continent, and this tournament won’t be different, as we will have a dedicated SuperSport AFCON channel.

“As part of the CANAL+ Group, we can take that viewing experience to another level, which means people can expect more compelling viewing, brought to them in a language of their choice. It is truly poised to be a celebration of African glory.”

Viewers will be able to view SuperSport’s coverage of Morocco 25 on DStv and GOtv, while CANAL+ subscribers will enjoy the action on CANAL+ Sport and on demand using the CANAL+ app.

In Nigeria and surrounding regions, fans can enjoy the matches in English or Pidgin, while Swahili is available in East African countries such as Tanzania, Kenya, and Uganda. In Angola, South Africa and Mozambique, fans have become accustomed to enjoying the beautiful game in Portuguese on SuperSport, which will be available during the TotalEnergies CAF Africa Cup of Nations Morocco 2025™.

South Africans, meanwhile, will also enjoy games in isiZulu and Setswana on top of the standard English and Portuguese commentary.

CANAL+ and SuperSport’s coverage of the tournament will include stellar line-ups of star analysts, commentators, presenters and African football legends, who will bring their unique takes on the TotalEnergies CAF Africa Cup of Nations Morocco 2025™.

Hundreds of millions of viewers can see their favourite African heroes in action, including the likes of Victor Osimhen (Nigeria), Mohamed Salah (Egypt), Sadio Mané (Senegal), Ronwen Williams (South Africa), Riyad Mahrez (Algeria) and Achraf Hakimi (Morocco).

Spinners,’ The South African Sports Drama From Canal+ And Showmax, Returns For Season 2

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“Spinners,” the South African extreme sports action drama, is returning for a second season that brings back the creators, writers and cast of the hit drama set in Cape Town.

Co-produced by African streaming service Showmax and Canal+, season 2 of “Spinners” shot on location in South Africa with showrunner and co-creator Benjamin Hoffman. Back in the director’s chair is Jaco Bouwer, whose credits include the SXSW prizewinning eco-horror movie “Gaia.” Also back are Matthew Jankes and Sean Steinberg who penned season 2.

Joachim Landau is once again producing the gritty crime drama for Federation Middle East Africa & Caribbean, alongside Ramadan Suleman (“Zulu Love Letter”) who is co-producing through his South African full-service company Natives at Large.

Studiocanal, whose sister company Canal+ commissioned the series, is unveiling a first look of season 2 in the run up to Mipcom. The show illustrates creative synergies between the French TV group and Showmax, the streaming service of MultiChoice, the pan-African pay-TV operator that’s now fully owned by Canal+ and operates across 50 countries in sub-Saharan Africa. It will roll out on both Canal+ and MultiChoice platforms, Showmax and DStv.

The first season of “Spinners” make history as the first African show to take part in Canneseries’ main competition in 2023 and went on to win awards at Dakar Series, and the Shanghai TV festival, as well as garnered three nominations at the South African Film and Television Awards (SAFTA).

The first season followed 17-year-old Ethan (Cantona James) seeking a way out of the Southside’s bloody cycle of gang violence through spinning, a South African extreme motorsport that features drivers performing daredevil stunts. Season 2 sees is set two years after Ethan and his friends escaped the violent grip of gang life and have become spinning stars in the big city. “Fame, love, and happiness finally seem within reach—until a brutal ambush, orchestrated by Ethan’s old gang, shatters their peace. Desperate, Ethan turns to the Maseko clan for help but their protection comes at a heavy cost,” the synopsis reads.

Cantona James and Chelsea Thomas reprise their leading roles, along with Brendon Daniels – who starred in “White Lies” opposite Natalie Dormer, and local star Dillon Windvogel (“Blood & Water”). Cameos include Kayla Olifant, a top female spinner who was recently featured in the National Geographic series “David Blaine: Do Not Attempt.”

New cast members are also joining season 2 of “Spinners,” including Clementine Mosimane (“How to Ruin Christmas”), Mondli Makhoba (“Shaka iLembe”) and rising star Luyanda Zwane (“Sibongile and the Dlaminis”) and Aphiwe Mkefe (“Nkuleko”).

The production of “Spinners” season 2 reflects the ambition of Canal+ which aims at ramping up its pipeline of Canal+ original series in Africa to eight shows per year hailing from all over Africa.

Since 2018, Canal+ has produced 35 Canal+ series with African talent in 11 different African countries. These include “Invisibles,” “Agent,” “Cacao,” “Mami Wata,” “Eki,” “Or Blanc,” “Niabla,” “Ewusu” and “Lakantane.”

Former ICASA CEO To Lead MultiChoice Pty. Ltd (LicenceCo)

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Former CEO of communications regulator Icasa Willington Ngwepe has been appointed as CEO of MultiChoice LicenceCo, the company that houses DStv’s subscription broadcast licences in South Africa.

“Ngwepe brings extensive executive leadership and regulatory experience to the role. His most recent role was executive head of regulatory affairs at MultiChoice Group, where he played a central role in guiding the company’s engagement with regulatory authorities, including the approvals process for the Canal+ transaction across Africa,” MultiChoice said in a statement on Monday.

LicenceCo was created ahead of the acquisition by French broadcasting giant Groupe Canal+ of MultiChoice Group with the aim of isolating the former’s South African broadcast licensee and excluding it from the assets being acquired at group level.

This sought to avoid violating the Electronic Communications Act, which restricts foreign entities from owning and having voting rights higher than 20% in a South African broadcast licensee. LicenceCo is also the entity that South African subscribers will contract with regarding their DStv subscriptions.

AfriFund Investments, a shareholder alongside Identity Partners and MultiChoice black empowerment scheme Phuthuma Nathi in LicenceCo, is led by former Telkom Group CEO Sipho Maseko. Maseko has been appointed as “board observer” at LicenceCo.

“These developments constitute a significant milestone in strengthening the governance of MultiChoice (Pty) Ltd. The appointment of an experienced and independent board, together with the leadership of Willington as CEO, ensures continuity, compliance and stability for the operations in South Africa,” said MultiChoice.

Other nominations

News of the appointments at LicenceCo follow the consummation last month of Canal+’s acquisition of MultiChoice, which has seen the appointment of David Mignot as MultiChoice Group CEO. He replaced Calvo Mawela, who has shifted to the role of chairman of Canal+ Africa.

Mawela and Mignot also have nominated by MultiChoice Group to also serve on the LicenceCo board. Lerato Pule was nominated by Phuthuma Nathi to serve as its interim representative. Other nominations to the board include Sonja de Bruyn of Identity Partners and Sizeka Magwentshu-Rustenburg. Magwentshu-Rustenburg will serve as board chair. 

Canal+ To Launch Streaming Service MyCanal In Eastern Europe By The End Of 2026 Followed By Asia, Could It Replace DStv Stream And Showmax In Africa?

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Canal+ is currently in the process of completing it's acquisition of MultiChoice after recieving a recommendation from the Competition Commission. Now the deal sits with the Competition Tribunal and Independent Communications Authority Of South Africa (ICASA) for further analysis. 

Reports going around is that MyCanal which is basically international version of DStv Stream and rival to Pluto TV from Paramount Global is looking to launch in Eastern Europe by the end of 2026 with Asia likely to follow in the first half of 2027.

The app combines a package of live content, replay and subscription video on demand. In addition to Canal’s own original content, it has also aggregated the platforms of Netflix, Apple TV+, HBO Max, Paramount+, BeIN, Eurosport and Dailymotion.

MyCanal currently operates in Africa namely Ghana, Liberia, Rwanda and Niger basically regions in which it pay-tv service resides. What was interesting about this report is that it mentioned Canal+ plans to rollout MyCanal in regions in which it operates.

With Canal+ currently pursuing MultiChoice who own Showmax and DStv Stream with VIU also operating in South Africa these could as well be potential candidates for its streaming endeavours.

After acquiring Netherland's SPI International, FilmBox+ serves as European equivalent of MyCanal with K+ in Vietnam so the idea of Showmax and DStv Stream fitting under this umbrella wouldn't seem far fetched a stretch.

Following the relaunch of Showmax with NBCUniversal, MultiChoice had mentioned that the number of activations had increased which indicates that the streamer has plenty of scale. This is where DStv Stream lacks as it serves as a companion app to the DStv satellite.

Some consumers have felt that DStv had become expensive even with its OTT counterpart having reduced rates for its dishless consumers. With the price of DStv Premium, consumers can pay for 5 streaming services making DStv Stream a liability.

Merging Showmax and DStv Stream would make it easier to market rather than splitting consumers and alienating them from content. DStv has a batch of channels whose content is not on Showmax and vice versa - merging could reduce those expenses.

Integrating these services could face various delays one being licensing agreements which MultiChoice could have extended for several years. Another has to do with NBCUniversal as they retain 30% in Showmax preventing full integration.

Canal+ could buy back the shares but NBCUniversal could prioritize it's streaming endeavours or want more money as seen with Hulu.

Showmax has been viewed as a direct competitor to DStv so Canal+ could look to reduce its investment perhaps by selling more shares. They do have this whole thing going on with VIU and I'd imagine them keeping a percentage in Showmax in order to tap the rest of Africa which VIU remains nonexistent.

But if I'm being rational, they could as well look to merge the two that's what happened when WarnerMedia and Discovery merged. They removed a ton of content (mainly animation) from Max and focused on adult programming while licensing it's other content to rival platforms.

ARD And Canal+ Join Forces For Sherlock Holmes Spin-Off, Baker Street Four

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Production has started on Baker Street Four. The animated series follows a ragtag trio of street urchins – and a cat called Watson – who act as legendary detective Sherlock Holmes’ eyes and ears on the ground.

German public broadcaster ARD has come on board the project, joining the previously announced French pay TV giant Canal+ and teeing up big-ticket European co-production.

The show is based on the successful French comic book series ‘Les Quatre de Baker Street’, written by Jean-Blaise Djian and Olivier Legrand, and illustrated by David Etien.

Folivari and Blue Spirit are making the series, bringing together two award-winning France-based animation houses. News of the series first surfaced at the Annecy animation fest in 2019. With ARD on board it is now full steam ahead on production.

Skewing to a 6-to-10-year-old audience, the series is directed by Francis Canitrot. It will run to 12 parts and hit screens in 2027.

Specifically, Baker Street Four follows three of Holmes’ helpers and is an inside look at some of the group known in the Arthur Conan Doyle’s stories as the Baker Street Irregulars.

From the slums of Victorian London, the Baker Street Four of the series are Billy, who see himself as the brains of the band of urchins, Tom, an acrobat and ace pickpocket, and Charlotte, the resourceful one of the group. Their stray cat Watson completes the quartet.

Folivari International – which is headed by Melissa Vega and was founded last year by her and Folivari founders Damien Brunner, Thibaut Ruby, Sarah Delmas and Didier Brunner – is across sales. Vega is at the Kidscreen confab in San Diego this week as the global rollout of the series takes shape.

“We’re thrilled to kick off production on the series, thanks to ARD’s greenlight,” she said. “We want the children to discover this series as their first co-viewing experience – one that brings the whole family together through thrilling investigations filled with comedy and adventure.”

Canal+ Is Set To Become A Standalone Company After Shareholders Of Its Parent, Vivendi, Overwhelmingly Approved A Spinoff Plan

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More than 97.5% voted to separate Canal+, ad business Havas and publisher Louis Hachette Group. They will begin trading on the London Stock Exchange, Euronext Amsterdam and Euronext Growth Paris, respectively, on December 16. About 72% of Vivendi shareholders were present at the vote.

Canal+ is known for its European pay-TV operations and is also the owner of Paddington in Peru‘s Studiocanal. It has been aggressively investing in international streamer Viu and Africa’s MultiChoice, and can now look forward to a more independent future, albeit still within the Vivendi group.

“We are delighted with the very high adoption rate of our spinoff project,” said Vivendi chairman Yannick Bolloré, whose family has led the demerger plan. “This indisputable result confirms this strong support of our shareholders for this transformative transaction.

“The Supervisory Board would like to warmly thank Arnaud de Puyfontaine and the whole Management Board, all the teams involved in this project, our different advisors and our shareholders for their trust. We are convinced that this new chapter for Canal+, Havas and Louis Hachette Group will be very promising and create value for all stakeholders.” 

Vivendi’s board gave the split the go-ahead a month ago, as part of a move to tighten finances and give its verticals more flexibility. Despite floating on the London Stock Exchange, Canal+ will remain incorporated and taxed in France, and will not be required to follow mandatory stock market regulations on public offers in either its home country or the UK.

The initial spinoff plan was to leave Canal+ with virtually no debt, but it is set to begin trading with debt of €400 million ($433 million), of which about €225M will be related to the company’s investment in African content giant MultiChoice, as revealed last month. Former Paramount Global CEO Bob Bakish will take a spot on the Canal+ board next week once trading begins.

Canal+ launched in 1984 and was acquired by Vivendi 16 years later as part of a transaction that saw it grouped with Universal. Vivendi sold its Universal assets to General Electric, which formed NBCUniversal by merging the production biz with broadcaster NBC.

JP Morgan estimates Canal+ to be worth €6 billion ($6.3 billion).

Vivendi Board Gives Go-Ahead For Business Split & Sets December Shareholder Vote; Former Paramount CEO Bob Bakish To Join Canal+ Board

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Vivendi‘s plan to split its business in three has gotten board approval and will be taken to a shareholder vote on December 9. Should it go ahead, former Paramount Global CEO Bob Bakish will take a seat on the Canal+ board.

The board has approved the resolutions that will be submitted to shareholders to vote on whether Canal+, ad business Havas and publishing house Louis Hachette Group should separate.

Should the demerger go ahead, Canal+ will begin trading with debts of €400M ($433M) and have a corporate team led by Yannick Bolloré, Chairman of the Supervisory Board, and Maxime Saada, Chairman of the Management Board and CEO. Jacques du Puy and Anna Marsh will both be Deputy CEO, and Amandine Ferré will be CFO.

Board members will include Bolloré, Arnaud de Puyfontaine and, intriguingly, U.S. entertainment veteran Bakish, who has been lying low since his exit as CEO of Paramount earlier this year in April. Bakish will comprise one of eight independent members on the 12-strong board.

The Canal+ and Louis Hachette elements of the split will require two-thirds majorities, while the Netherlands-based Havas part will just need a majority. This is due to the changes that will impact the corporate structures of the different businesses.

Should the plan get shareholder approval, the three businesses would begin trading separately on December 16. Each individual stake owner would see shares allotted on a one-to-one bases. In effect, each Vivendi shareholder who participates in the spin-off will receive one Canal+ share, one Havas share and one Louis Hachette Group share, while retaining their Vivendi share.

Under the new structure, Canal+ would be listed in the UK, Havas in the Netherlands and Louis Hachette on Euronext. Each company would operate separately with a “decision-making center of their activities, as well as their operational teams, in France.” Vivendi would remain on Euronext Paris.

Vivendi Unveils New Corporate Structure For Canal+ Group

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Some Vivendi-owned assets, whose operations are closely aligned with those of Canal+, are currently in the process of being transferred to the latter for the sake of consistency.

Canal+ will consolidate together with its current business GVA, which provides telecommunication services in Africa, including high-speed Internet access marketed under the brand Canalbox; the video streaming platform Dailymotion; the performance venues L’Olympia and the L’Œuvre theater in France as well as the cinema theaters CanalOlympia in Africa.

In this new configuration, Canal+ Group will represent a unique international media operation with exposure to both mature and high-growth markets. It would have recorded €6.2 billion in revenues,

€472 million in Adjusted Earnings Before Interest and Income Taxes (EBITA) and €315 million in Cash Flow From Operations (CFFO) for the year ended December 31, 2023.

Its total number of subscribers would amount to approximately 26.8 million at such date, of which 16.0 million outside of France (c. 60%). Between Dailymotion and the OTT platform myCanal, Canal+ Group would record a global audience of over 400 million monthly active users.

In recent years, Canal+ Group has made significant expenditure and investments amounting to approximately €1 billion annually in technology (including its broadcasting and streaming infrastructure, software development, CRM, etc.) to provide a highly distinctive and industry-leading customer experience on the myCanal and Dailymotion platforms.

The attached appendix sets out key figures of the new consolidation perimeter of Canal+.

Canal+ Group will have three operating segments:

• Canal+ Europe – encompassing the Group’s subscription-TV (including OTT) and advertising-supported free-to-air (FTA) TV businesses across France, the French Overseas and adjacent territories, Poland, Central Europe and Benelux (through its wholly-owned subsidiary M7) as well as telecommunication services in the French Overseas territories;

• Canal+ Africa & Asia – encompassing the Group’s subscription-TV and advertising-supported FTA TV businesses, GVA and CanalOlympia venues across French-speaking Sub-Saharan Africa as well as subscription-TV business in Vietnam, Myanmar and Pacific territories;

• Content Production, Distribution and Other – encompassing Studiocanal, Dailymotion, Thema1 as well as L’Olympia and the L’Œuvre theater.

Canal+ Group also holds a non-controlling 45.2% stake in MultiChoice with an ongoing mandatory takeover offer, a 36.8% stake in the OTT platform Viu and a 29.33% stake in Viaplay.

Vivendi Posts First-Half Revenues Of $9.8 Billion, Bolstered By Canal+, Lagardere

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Vivendi, the parent company of French pay TV banner Canal+ Group, saw its 2024 first-half revenues reach $98 billion, a 5.8% year-on growth. The media conglomerate also posted a 98.4% spike in second-quarter revenues.

Lagardère, the media, publishing and travel retail conglomerate which was acquired last year, as well as Canal+ Group, bolstered revenues. Vivendi also boasted an EBITA of $671 million — 39.3% up compared with the first half of 2023, driven by the consolidation of Lagardère and the growth of Havas. At constant currency and perimeter, EBITA increased by 13.5%, while adjusted net income reached $357 million.

Canal+ Group’s revenues went up by 4.6% to $3.2 billion, helped by TV operations in mainland France and overseas. Revenues from Canal+’s film and TV group Studiocanal also increased by 8.6%, thanks in part to the performance of Amy Winehouse biopic “Back to Black” which was released on April 24 and has sold around the world.

Under the leadership of CEO and chairman Maxime Saada, Canal+ has also increased its interest in Scandinavian pay TV banner Viaplay to 29.33%, becoming its largest shareholder; and recently took a stake in leading Senegalese production company Marodi TV. Canal+ has also made a tender offer to buy the African service MultiChoice Groups.

Asia is also part of Canal+’s international expansion plans. The company has increased in the leading Asian OTT service Viu to 36.8% and is now looking to have it go up to 51%.

Back in France, Canal+ Group has bought OCS, pay-TV package and Orange Studio, the film and series co-production subsidiary. Some of the new editorial developments include the creation of Studiocanal Stories, a new label dedicated adapting literary works into films and TV series in France and several European countries. Canal+ Group is also continuing to strike deals and partnerships with big U.S. players, including Warner Bros. Discovery which signed a distribution agreement with the French banner for its standalone streaming service Max.

Vivendi’s management board gave an update on the group’s plan to split into three separate entities and list assets. Under current plans, Canal+ will be listed at the London Stock Exchange, Havas at the Euronext Amsterdam, and an entity which will bring together publishing and distribution, including Louis Hachette Group, at the Euronext Growth Paris. Vivendi will remain listed on Euronext Paris.

Vivendi said Canal+ and Havas will maintain their leadership and operational teams at the Paris headquarters, and they will also remain French tax residents for French corporate income tax purposes.

Yannick Bolloré, chairman of Vivendi’s Supervisory Board, said the group’s half-year results were “driven by our three main businesses, which contributed to organic revenue growth of nearly 6% and organic EBITA growth of 13.5%.”

Arnaud de Puyfontaine, Vivendi CEO, meanwhile, said its “various businesses have demonstrated their dynamism, both in terms of organic growth and acquisitions, the strength of their respective business models and their ability to transform and adapt to their environment and the expectations of their customers.” The executive said the group is currently “strengthening its international positions.”

Canal+ Increases Stake In Asian Streamer VIU To 36,8% With The Option To Get Majority Ownership

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French media and telecom conglomerate Vivendi’s pay-TV unit Canal+ Group has increased its stake in Asian streamer Viu to 36.8 percent, the company said on Thursday.

“After satisfaction of key business milestones, Canal+ Group has released the last installment of its $300 million staggered investment,” it explained. “A further investment, at Canal+ election, could result in an increase of Canal+’s stake in Viu to 51 percent.”

The company didn’t immediately outline what would be needed for it to make such a decision to go for a majority stake in the Hong Kong-based video streamer. But it did highlight its interest in Asia. “This investment is a renewed testimony to Canal+’s commitment to develop Asia as one of the group’s growth engines and underlines Canal+’s confidence in Viu and its team.”

Canal+ first bought into Viu, led by CEO Janice Lee, in a June 2023 deal with Hong Kong telecom powerhouse PCCW Group, taking a 26.1 percent stake. As part of that deal, Canal+ secured the option of paying an additional sum to increase its stake to a 51 percent majority. 

Launched in 2015 with backing from PCCW, Viu’s video service offers both advertising and subscription-supported options in 16 territories in Asia, the Middle East and South Africa. When it unveiled the Canal+ deal last year, he company said it had more than 66 million monthly active users and 12 million paid subscribers, the bulk of which is believed to be based in Asia. Viu has specialized in licensing and producing original Korean content, but it also creates original content in Southeast Asian territories including Thailand, Indonesia and Malaysia.  

Canal+ has 26.4 million subscribers worldwide, including 17.1 million in Europe, 8.1 million in Africa and 1.2 million in the Asia-Pacific region. Beyond its investment in Viu, it is also the largest shareholder in African pay-TV giant MultiChoice and in Viaplay, the Scandinavian pay-TV and streaming company. Earlier this year, it also took a stake in leading Senegalese production company Marodi TV.

Canal+ Owner Vivendi Is Still Exploring A Stock Split, Publishes First Quarter Revenue

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Canal+ owner Vivendi is still exploring a stock split, as it today posted first quarter revenues up significantly.

France-based Vivendi posted Q1 revenues of €4.28B (R86 billion), up 5.4% on 2023’s numbers when using constant currencies and and the businesses the firm owns today. No earnings were revealed in the unaudited numbers.

Within those numbers, Canal+ saw revenues grow 4.3% year-on-year to €1.5B (R30 billion, +3.5% at constant currency and perimeter). International revenues were up 5.8% thanks to subscriber growth, particularly in Africa, where Canal+ has been buying up shares in MultiChoice and looks set to take over the South African giant. Mainland France TV operations revenue was up over 5%.

However, Studiocanal saw revenues decline compared with 2023, when the likes of Alibi.com 2 and John Wick 2 had significant domestic and international launches.

Other notable performances saw social video platform Dailymotion increase revenues by 24.8%, with the ‘New Initiatives’ division it is housed in posting €42M in revenues overall.

This financials come amid a period of corporate soul-searching at Vivendi, and following the takeover of publisher Lagadère in November last year.

The Paris-based company believes its stock price has been “substantially” reduced due to the consolidated nature of its media operations following the listing of Universal Music Group and wants to split its business.

Having already outlined a plan to explore dividing pay-TV and content giant Canal+, ad firm Havas and publisher Lagadère, Vivendi said a feasibility study into a stock split had been going since December 2023. The company says all three units are individually performing well — with each posting year-on-year revenue growth today — and have been hindered in their ability to invest by the “high conglomerate discount” on its shares.

The current plan is for Canal+, Havas and a publishing and distribution division would all list as independent entities on the stock market. Vivendi would also remain publicly listed “maintaining its role of supporting the transformation and expansion of its subsidiaries and continuing to actively manage its investments.”

Should the Vivendi board approve the split, employee representatives at each new entity would be engaged before necessary regulatory, bonder holder and other lender approvals is sought. A final vote would then take place at the AGM in April 2025 to ratify the moves.

Yannick Bolloré, Chairman of Vivendi’s Supervisory Board, and Arnaud de Puyfontaine, Chairman of Vivendi’s Management Board, said in a statement: “Today we are publishing a particularly sharp increase in revenues for a first quarter. This reflects the strength of our three core businesses and the Group’s ability to transform and grow.

“The organic growth of 5.4% compared to the first quarter of 2023 was notably driven by the significant contribution of Lagardère, validating the relevance of the transaction with this group last November and our confidence in the potential of its activities. Canal+ Group and Havas also delivered solid performances, with increases in reported revenues of 4.3% and 6.2%, respectively, over the same period.”

Canal+ To Acquire A 26% Stake In Hong Kong Based Streaming Platform VIU

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PCCW and Canal+ have announced a strategic partnership through which the French media giant will become a significant minority shareholder in PCCW’s Asian streaming service Viu.

Canal+ will make a staggered investment of $300M in Viu, including an initial investment of $200M, resulting in a 26.1% stake. It also has an option to make a further investment and turn that stake into a controlling 51%.

In a statement, Canal+ talked expansion opportunities and plans to collaborate with Viu on premium production:

During the year, the French company expanded their stake in MultiChoice beyond 30%. This move similar to VIU raises speculation of a possible takeover and should that be the case one has to wonder what would become of Showmax and VIU in South Africa if it's operated by Canal+.

"This new strategic partnership will enable the further growth of Viu, leveraging the global strength and expertise of Canal+ through various initiatives including collaboration on premium productions and content creation, expansion of global market reach for Viu, and continual user experience improvement. The partnership will allow Canal+ to take a major step in developing Asia as its next growth engine.”

Viu is one of Asia’s leading streamers with more than 66 million monthly active users (MAU) and 12 million paid subscribers across Asia, the Middle East and South Africa. The service, which operates a combined AVOD and SVOD model, consistently ranks as the top streamer in terms of MAUs across Southeast Asia and second in terms of subscribers.

It produces a wide range of local-language drama series and lifestyle programming, with a focus on Thailand, Indonesia and Malaysia, and was a first mover in the acquisition of Korean content. In 2022, Viu reported $250M in revenue, representing growth of 36% year over year.

Maxime Saada, Canal+ Group CEO, said: “Canal+ already has leading market positions in Europe and Africa. We are now looking forward to developing Asia as an additional growth engine for the group. Our investment in Viu is a major step towards achieving this goal. Viu is already a business with scale, with its hybrid AVOD and SVOD business model and focus on local content, it has all the ingredients to deliver superior growth and continue to be a leading service in the region and beyond.

Janice Lee, Viu CEO and PCCW Media Managing Director, said: “When we launched Viu, we had set our sights on creating and transforming our media business into an international play by tapping into larger addressable markets in Southeast Asia, the Middle East, and South Africa. Having created a robust streaming business, we are excited to have the addition of Canal+ as a strategic investor to further accelerate growth by drawing on Canal+’s global strength in premium productions, content creation and distribution expertise.”

Redraw Your World: Boomerang Africa Investing In More Preschool As Cartoonito Becomes International Success

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In an interview at the TV Kids Summer Festival, Amy Friedman the head of kids and family programming at Warner Bros. highlighted the successful impact of Cartoonito block which saw 15 titles blaze the lineup with more titles like Bugs Bunny Builders, Batwheels and Tom And Jerry Time being added in future.

Despite the outcome of Cartoonito, Warner Bros. Discovery is still creating competition amongst their brands as Boomerang loads its second preschool series for the year, Cocomelon which was picked up particularly for Cartoonito.

 

 

Cocomelon engages families with entertaining and educational content that makes universally-relatable preschool moments fun! All along with music and song for families to watch together.

Since its launch in 2018, it became the most viewed channel in the United States and second globally accumulating 135 million subscribers on YouTube with 129.5 million viewers on YouTube. Aside from YouTube, the content is viewable on several streaming platforms including Netflix, Hulu and Roku.

 

 

Cocomelon is expected to launch on Boomerang outside of Cartoonito by July which coincides with the recent launch of Legends Of Spark which is also preschool.

Taking that into account, is it possible that Warner is slowly phasing out Boomerang for Cartoonito by making the necessary changes to the lineup and with Boomerang being part preschool worked to their advantage.