Nickelodeon Refreshes Its Look For The First Time In 14 Years

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The network will spend the rest of 2023 rolling out a new brand identity and refreshed on-air look that’s designed to invoke nostalgia and return to its history.

“It was time for us to really look at the brand, and look at our audience, and talk with our audience and revisit all the pieces of Nickelodeon,” Sabrina Caluori, evp of global kids and family marketing at Nickelodeon and Paramount, told sources.

The “Portal to Fun” campaign launched yesterday with the first of five spots. “Quartet” shows a bored kid at a family dinner, who then notices the orange splat above them on the ceiling. After sticking their head through the splat, the kid finds a barbershop quartet performing.

Nick found after internal research that the “core DNA” of the brand still resonated with kids today, according to Caluori.

“We take that to the best and the mess of being a kid,” said Caluori. “We did learn that, what’s fundamentally different now than when the brand was initially taking shape, is kids’ relationship to their parents and parents’ relationship to their kids.”

Research found that kids and their parents are looking for more ways to connect, and Nickelodeon saw an opportunity.

“That was an exciting unlock for us because it meant while we can continue to be the best and the mess of being a kid, we can use that to actually bring kids and families closer together, which they are longing for in this time,” said Caluori.

The marketing executive has been with Nickelodeon for less than two years and, as a self-described Nick kid, can personally relate to the familial relationships the new campaign brings.

“It’s the first brand I ever had any passion for as a kid, and now I’m a mom of three kids who are in the demo,” said Caluori. “It’s been really exciting for me to be able to look at the brand and look at everything that we’re doing through the eyes of my kids while also ensuring that everything that we’re doing still spoke to the Nick kid inside me.”

In the splat zone

To create the new identity, Nickelodeon partnered with six U.S. and international agencies. The company asked the agencies to come back with a spot that used the new brand work and represents Nick’s energy and identity through the lens of its most notable IP—SpongeBob, Paw Patrol, Blue’s Clues, Baby Shark, Loud House and Monster High—making sure there is a moment of the iconic Nickelodeon slime.

The first step came through Nick’s internal marketing team and its creative partner Roger. Once that was determined, the IP went out to other animation houses around the globe.

All five spots will run across Nickelodeon’s linear and digital social platforms in three phases.

The network teased the first phase during the Kids’ Choice Awards in March. There, observant viewers may have noticed Nickelodeon brought back its iconic “splat” and wove the new look into design elements throughout the broadcast and weekend-long coverage.

The second phase began yesterday with the launch of “Quartet.” And expect a second spot, “Rollercoaster,” to debut later this week. This spot depicts a kid in a waiting room who sees the orange splat, and then sticks their hand through, only to be dragged along a crazy rollercoaster ride—ending in, you guessed it, splat.

The third marketing phase begins in July and will run through the end of the year when Nick’s new branding look and feel debuts internationally in the U.K., followed by Latin America and further markets.

Why now?

The refresh comes ahead of a big upcoming slate for Nickelodeon, including theatrical releases for Teenage Mutant Ninja Turtles and Paw Patrol, as well as upcoming Paramount+ films like Good Burger 2 and Zoey 102.

“We have these movies that have some of the callbacks that we’re referencing and reinforce everything that’s great about this studio, but that are directed at either families or this more ‘adult’ Nick kid,” said Caluori.

To help further the marketing push, starting at the end of this month, Nickelodeon will be on the ground at 400 schools around the country, reaching 250,000 kids—and kids can vote to slime their favorite teacher. There will also be two large events coming in Philadelphia and D.C.

Nickelodeon was among the brands Paramount spotlighted at its upfront dinner for clients in late April. Paramount ad sales chief John Halley told Adweek that after the success of its decision to exit its usual upfront week presentation this year, the company is “not going back” to its traditional approach.

“Moonbug Kids” Linear Channel Rebrands And Changes Name To “Moonbug” As It Aims To Expand Global Access To Popular Kids’ Content

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Moonbug Entertainment, a subsidiary of Candle Media, today announced a new refreshed look of the company's 24/7 linear channel, “Moonbug KIDS”, and a new name, “Moonbug”, in line with its wider corporate rebrand. The new “Moonbug” channel identity aims to convey the same energy and fun as its colourful shows and characters.


While streaming and content on demand continue to gain popularity, linear channels are still relevant and, in 2022, Moonbug saw a big expansion of its linear channel, reaching 75+ countries across the globe. Moonbug has provided dedicated feeds to leading partners across EMEA and APAC including O2, Multichoice/DStv, OSN, Turktelekom/Tivibu, Cignal, Astro, Turkcell/TV+, Telekom Malaysia/Unify TV, Telekom Indonesia/Indihome and more.


“We want to give every family the opportunity to enjoy our shows on their preferred and go-to platforms, whether it is on the go or at home on an ad-free linear channel,” said Moonbug’s Managing Director EMEA and APAC, Nicolas Eglau. “Especially with a preschool audience, linear channels can be a huge help for young families trying to establish healthy routines. Whether it is bedtime, mealtimes or brush your teeth moments, our programming finds the suitable content to mirror families' daily life.”


“Linear TV remains extremely relevant across many territories, where viewers favour ad-free content and a curated experience. It is also particularly relevant in markets where streaming penetration is not as extended and there is a big demand for linear services,” adds Dilek Doyran, Moonbug Director, Distribution & Content Partnerships in EMEA.


Moonbug is known for being a trusted brand for families around the world, and for delivering great entertainment for young kids. By listening to its audience and incorporating feedback from parents, Moonbug’s linear channels are designed to support families and their routines.


This rebrand further contributes towards moving everything under a cohesive Moonbug umbrella, elevating its brand positioning and encouraging industry and consumer recognition as the company behind some of the most beloved shows in kids’ entertainment.


Rumour: Paramount Global To Be Closing More MTV Feeds Internationally

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Paramount Global has been active across the market for almost a year. Prior to the time it was known as ViacomCBS, they have been various adjustments and now that we've managed to wrap up 2022 we can finally see the extent and the justification to all that.

For those who watch MTV and Nickelodeon (or in this case Nick Jr.) may have noticed some a number of changes. For starters, MTV became a music channel once more with a bit of Catfish and Ridiculousness while as the preschool hotspot Nick Jr. has learnt a number of new languages.

As mentioned sometime ago, Paramount is cutting back on costs for their linear offering and these two were a result of that. My guess has to do with Paramount+ I presume they want to get as much fresh content onboard to attract potential clients.

Although there has yet to be confirmation of a closure, I wouldn't be surprised if we got to that position already Nickelodeon has been scrapped in most of Asia and i have seen various MTV channels mostly irrelevant close in various parts of Europe.

According to sources, Paramount might be looking into closing down MTV in the coming future (2023/4). Not sure whether this would affect their music portion but I don't see why it should as it's more like what NBCUniversal got with Peacock and it's linear offerings - variations.

As mentioned, I wouldn't be surprised if it were true especially with various local feeds merging which was the case for Disney XD before closing down. In the end, I do feel shows like Ridiculousness would make a perfect fit on Comedy Central and BET.

Compared to MTV, these two function in a way that doesn't collide with Paramount+ I mean one has The Nanny And Modern Family on repeat while the other offers All Of Us and plays second fiddle with The Neighborhood and Martin.

Recap To The Year: Moonbug Kids To Fold Under The Moonbug Brand, Dumps Kids From The Name

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Moonbug Kids (DStv 314) is a preschool channel owned by Moonbug Entertainment (a subsidiary of Candle Media). It supplies shows such as CoComelon (also seen on Cartoonito), Oddbods, Blippi, Little Baby Bum and Supa Strikas (also seen on Cartoon Network).

During the year, Moonbug Entertainment had unveiled their first ever refresh of the brand in 5 years following the increased popularity of their content which they've managed to licence to various broadcasters (as mentioned) alongside the Moonbug Kids channels.

As stated by Moonbug prior to the rebrand:

Moonbug was created on the basis of acquiring IPs and growing them into fully established franchises. This rebrand marks a shift that will see everything move under a cohesive Moonbug umbrella, elevating its brand positioning and encouraging industry recognition as the company behind the most beloved shows in kids’ entertainment.

DixonBaxi created a new strategy and creative platform which is says are inspired by Moonbug’s bold attitude.

At the heart of the new identity sits a bespoke animated logotype that ‘fizzes and pops with a playful personality’, hinting at the entertainment that makes Moonbug content unmissable. A flexible brand system with a fresh colour palette, super-sized art direction and activity-focused icons fill every space with the same bright, playful personality.

“It has been a unique challenge to create a new brand that captures the magic of the shows that billions of kids tune in to over and over again, but still feeling distinctly Moonbug,” said Harry Ead, creative director, DixonBaxi. “We feel that we have created a brand that will match Moonbug’s ambitious plans without losing what makes them so special.”

MultiChoice on top of providing various material acknowledging the rebrand they recently updated their EPG to commemorate the long-awaited rebrand of the Moonbug channel.

Moonbug Channel joins other existing brands Da Vinci, History, eNCA, Nickelodeon, Cartoonito (formerly Boomerang), Max and PBS Kids that have or are expected to rollout on air look later in the year.

Recap To The Past Decade: True African Was Ripped Away From Openview Consumers, Could eMedia Investments Finally Source Out A Replacement?

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True African was a general entertainment channel that came in place of the defunct eNolly+ channel on the Openview platform. The channel served a purpose of promoting content from West Africa particularly Ghana and Nigeria through the form of movies and series.

As mentioned, the channel was ripped away from Openview consumers in an attempt to offer fresher entertainment for which channel didn't reflect even when it was operating as eAfrica+ before the switch to eNolly+ it still had a repetitive nature.

But unlike e.tv's News And Sport channel much less OpenNews, the channel was revived on PremiumFree TV which serves as freemium platform's first ever competitor offering a range of movies, drama series, reality shows, music and kiddies entertainment.

Fact of the matter is eMedia Investments hasn't replaced True African sure we have channels like Zee One, Star Life, The Home Channel+ and People's Weather but none of this can make up for the closure of the brand's last attempt in Nollywood entertainment.

As of 2023, eMedia Investments launched their pay-tv venture on the Openview platform which comes with 4 channels and plans to grow the lineup. But what was also outlined about this new pay-tv service was the focus on diversity and inclusion resulting in OUTtv.

The idea of eMedia Investments exploring something similar to True African TV possibly for Openview Ultra wouldn't be far fetched. It's not like consumers were familiar with the offering seen on OUTtv and yet there's plenty of households willingly to pay monthly.

The current offering (excluding OUTtv) kind of resembles the existing lineup seen on StarSat and DStv as well as the pricing for those wishing to view the offering.

Afrikaans Voice Actors For Om Elke Draai And Daai Crazy Somer Season 2

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Om Elke Draai

Jaundre Kim Andersen as Selin Sever
Adriaan Havenga as Demir Erendil
Celeste Loots as Ayda Akman
Geon Nel as Burak Yangel
Emma Kotze as Eylül Gündüzeli
Anja Taljaard as Merve Mutlu
Rinaldo Felaar as Bora Durul
Chris Van Rensburg as Ferruh Özerdim
Morne Visser as Muharrem
Anoecha Kruger as Azmiye Bosgeçmez
Chine Van Aarde as Esen



Daai Crazy Somer Season 2

Staain Bruwer as Ahmet Tunali
Elzabe Zietsman as Emel Yaman
Adrian Steyn as Sancaktar
Kevin Smith as Selcuk Taskin
Markus Haywood as Akgun Gokalp Taskin
Steven Sterling as Arda Ates
Caidan Bouwer as Altay Kara
Rowlen Ethelbert Von Gericke as Kaan Gok
Jacques Gombault as Selim Kara
Francois Coertze as Metin Yaman
Natasja Jacobs as Serap Gok
Zetske Van Pietsen as Canan Kara
Izel Bezuidenhout as Yagmur Jasmine Kara
Rikus Strauss as Burak Sancaktar
Zack Hendriks as Eray
Maude Sandham as Naz
Mandle Baard as Cemre
Saanli Jooste as Sare
Lizelle Pike as Şevval
Richard Van Die Westhuizen as Yigit

Microids Announces Totally Spies! Game For Consoles, PC

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Microids has announced a partnership with Banijay Kids and Family for a new video game based on the animated series Totally Spies! It will launch for consoles and PC in 2024.

Here is an overview of the game, via Microids:

The Totally Spies! video game will offer players the opportunity to step into the shoes of the three legendary secret agents, Sam, Clover and Alex. Together they must try and save the world from a new enemy, with a host of thrilling missions, offering innovative game mechanics.

“Microids is committed to faithfully and innovatively adapting well-known IP and it is a real honor for us to work on the Totally Spies! license,” said Microids CEO Stephane Longeard in a press release. “Thanks to the skills of our studios and in-house teams, we will do everything we can to offer the community a game that meets its expectations.”

Banijay Kids and Family new business and strategic alliances director Annick Bizet added, “We are seeing great momentum building for the Totally Spies! brand ahead of the much-anticipated return of the series next year. Microids’ expertise and passion for the world of video games, make it the perfect partner to recreate the universe for an authentic and captivating game for our fans.”

Prime Video Loads Up On Batman Toons

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Amazon’s streaming service picked up 2D-animated movie Merry Little Batman, which was among the kids projects canceled at HBO Max last year. Continuing efforts to age down the Batman franchise (starting with the launch of preschool-skewing Batwheels on Cartoonito in 2022) this action-comedy pic stars Damian Wayne—a young boy who turns himself into “Little Batman” during Christmas Eve to stop Gotham City’s supervillains from ruining the holidays. Mike Roth (Regular Show) is directing, with Morgan Evans (Teen Titans Go!) writing the screenplay. Roth will also executive produce alongside Sam Register.


Spinoff series Bat-Family is also headed to Prime. Exploring the unique capers of being part of a superhero family, the toon centers around Batman, Alfred and Damian, who has now taken on the mantle of Little Batman full-time.


Finally, Amazon has confirmed a previously reported two-season order for Batman: Caped Crusader—a darker, noir-inspired series that will be similar to Batman: The Animated Series, which aired on Fox Kids from 1992 to 1995. Bruce Timm, J.J. Abrams  and Matt Reeves are executive producing this series, which was another casualty of the HBO Max cancellations last year that has now landed at Prime.


All three projects will premiere exclusively on Prime Video worldwide. And they reflect the streamer’s growing investment in comic book IPs. Last year, Sony Pictures Television signed a multi-title deal to produce live-action series based on Marvel characters for Amazon, with a Silk: Spider Society series already underway.


Meanwhile, DC Studios is also prepping multiple projects based on the Batman IP for the big screen. In addition to DCU installment The Brave and the Bold and Matt Reeves’ sequel to last year’s The Batman, the studio is bringing two incarnations of the iconic character together on screen in The Flash, which hits theaters this June.


Emmett Till: Woman Whose Accusation Led To Lynching Of Black Teenager Dies Aged 88

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The woman at the centre of one of the most notorious episodes in US racial history, the lynching of black teenager Emmett Till, has died.


Carolyn Bryant Donham, 88, died in a hospice in Louisiana on Tuesday.


Her accusation that the 14-year-old Mr Till had whistled at her caused his death at the hands of two white men, but also became a catalyst for the civil rights movement.


In August 1955, Mr Till was visiting relatives in Mississippi. Ms Donham, then 21 and known as Carolyn Bryant, accused him of making improper advances on her at the store she worked at in the small community of Money.


One of Mr Till's cousins, Reverend Wheeler Parker, said that the boy whistled at the woman, an act that was contrary to the racist social codes of the era in the Deep South.


It is believed that Mr Till was identified to Ms Donham's then-husband Roy Bryant and his half-brother JW Milam, who abducted the teenager several nights after the incident.


They beat and mutilated Mr Till before shooting him in the head and leaving his body in the Tallahatchie river. It was discovered swollen and bloated three days later, and was returned to his mother Mamie Till Bradley in Chicago.


Mr Till's funeral captured international attention when Mrs Bradley insisted that her son be buried in an open casket, saying: "There was just no way I could describe what was in that box. No way. And I just wanted the world to see."


Pictures of the body shocked America, and pressure was brought to bear on the state of Mississippi to bring Mr Till's murderers to justice. Bryant and Milam were arrested and tried for the killing, but an all-white jury acquitted the two white men.


In an unpublished memoir titled I am More Than A Wolf Whistle, which was obtained by the Associated Press (AP) in 2022, Ms Donham said she was unaware of what would happen to the teenager.


Historian Timothy Tyson said he obtained a copy from Ms Donham while interviewing her in 2008, before passing it on to the AP.


Tyson said on Thursday that her precise role in the killing of Till remains murky, but it's clear she was involved.


"It has comforted America to see this as merely a story of monsters, her among them," Tyson said. "What this narrative keeps us from seeing is the monstrous social order that cared nothing for the life of Emmett Till nor thousands more like him.


"Neither the federal government nor the government of Mississippi did anything to prevent or punish this murder.


"Condemning what Donham did is easier than confronting what America was - and is."