Papi navigates tension between Busani and the Dhlomo family, and rejects a bribe to leave. Thato and Balungile's date in Diepsloot causes concern and Bobbi consolidates control over the family business.
Thursday 2 July 2026
Episode 4
Lethabo confronts Bobbi about marriage and Papa rebuilds ambitions with Bobbi.
Busani is shut out by Balungile, Banzi investigates Papi's stolen car, and a call is made as suspicions around Papi intensify.
Friday 3 July 2026
Episode 5
Family tensions erupt as Bobbi and Papi are briefly arrested and Bassie risks her life to secure their release. The Dhlomo siblings fracture and reunite amid betrayal, shifting loyalties and a final deadly decision against Busani.
Monday 6 July 2026
Episode 6
Vera fears Papi may retaliate and tensions rise within the Dhlomo family as Bobbi's leadership is challenged. Thato is attacked by Banzi, and Balungile and Lethabo clash over loyalty and relationships.
Tuesday 7 July 2026
Episode 7
Vera senses Papi is hiding something and Balungile and Thato grow closer. Bobbi manipulates relationships with fake gestures, and family tensions escalate into betrayal and rejection.
Wednesday 8 July 2026
Episode 8
Bobbi's authority is undermined as Busani gains influence. Thato and Balungile grow closer, Ndumi rejects Bobbi's gifts, and Papi and Bassie commit to a final hit against Busani.
Thursday 9 July 2026
Episode 9
Busani survives an assassination attempt while tensions escalate around Kopano, Thato and Balungile's relationship.
Bobbi and Lethabo are in conflict as Papi's plan for a hit unfolds with violent consequences.
Friday 10 July 2026
Episode 10
Papi saves Busani and Kopano from a hit tied to his own actions, while Thato cancels his date with Balungile to focus on family, leaving her confused and hurt.
Monday 13 July 2026
Episode 11
Romantic tensions and loyalties shift as Banzi's behaviour raises concern. Thato and Balungile grow closer amid financial strain, and Papi moves to cover up a violent incident while power struggles deepen within the group.
Tuesday 14 July 2026
Episode 12
Family tensions escalate as Vera grows suspicious and demands justice for Kopano. Guilt, heartbreak and strained relationships leave several loved ones struggling to move forward.
Wednesday 15 July 2026
Episode 13
Teaser unavailable.
Thursday 16 July 2026
Episode 14
A guilty Papi promises vengeance to calm Vera. Lethabo and Bobbi have a little bonding moment that restores her hope in him. Papi is welcomed for his first day at the dealership.
Friday 17 July 2026
Episode 15
Vera silently recoils watching Papi in disgust. Bobbi's birthday surprises for Ndumi begin bright and early. Lethabo is light, believing things are looking up for her and Bobbi while Balungile bemoans her own terrible dating life.
Monday 20 July 2026
Episode 16
Father and son explode into open war. Lethabo wakes up to an empty bed. Ndumi finds herself plagued by doubts and Thato sees Bobbi leaving their home. Papi blames Vera for Kopano disrespecting him.
Tuesday 21 July 2026
Episode 17
The family reaches a breaking point as Kopano chooses to leave instead of living under a father he no longer trusts.
Vera turns her fury on Bassie, determined to discipline her daughter and sever her from Papi's criminal ways.
Wednesday 22 July 2026
Episode 18
Teaser unavailable.
Thursday 23 July 2026
Episode 19
Mathapelo laments not yet being found by Mr Rich. Busani announces that DM is in the red and cost cutting is upon them. Ndumi thaws a bit towards Ntando and Bassie invites her out to help her get over Bobbi.
Friday 24 July 2026
Episode 20
Bobbi is desperate to turn things around for the DM. Bassie wants to debrief about the disaster of seeing Bobbi with Lethabo, but Ndumi wants to pretend like that never happened.
Monday 27 July 2026
Episode 21
A charming but dangerous creditor exposes Dumisani's hidden R5-million debt, leaving the Dhlomos shaken and demanding answers from Masechaba. Mathapelo worries that black tax will finish her.
Tuesday 28 July 2026
Episode 22
Bobbi refuses to sanction Papi hijacking cars for the dealership. Lethabo tries to snoop again but finds that Bobbi's changed his passcode. Mathapelo is a new woman after closing another sale.
Wednesday 29 July 2026
Episode 23
Luyanda and Malusi catch Busani and Bobbi arguing about the car show. Thato and Kopano have been waiting for too long for Mathapelo for their lift club ride to work.
Thursday 30 July 2026
Episode 24
Bassie reels at the realisation of just how far gone Ndumi is with Bobbi. Bobbi tries but fails to bring up the issue of separation with Lethabo.
Friday 31 July 2026
Episode 25
Busani finds herself caught in a very compromising web by Papi. Busani's attempt to sabotage Bobbi blows up in her face as Papi rises as the saviour of the day.
Premiere episodes of The Four of Us air on e.tv from Mondays to Fridays at 20h00. Episodes stream on Netflix the day after and on eVOD 30 days later.
**Telemundo**, un canal de entretenimiento general que ofrece telenovelas de América Latina y México, se prepara para estrenar **La Dinastía Casillas**. Conocida como *Dinastía Casillas*, esta serie es un spin-off de *El Señor de los Cielos*.
### Sinopsis de La Dinastía Casillas
Tras la desaparición de Aurelio, la dinastía se encuentra al borde del colapso. Ismael Casillas (Iván Arana) debe tomar el protagonismo para liderar y proteger los intereses de la familia en un mundo despiadado lleno de ambición y miedo.
Ismael y Diana Ahumada (Isabella Castillo) comienzan la serie en una peligrosa misión para encontrar y liberar a Aurelio y a su hija Rutila. Sin embargo, pronto se ven arrastrados a una brutal guerra por el control del cartel.
La familia se enfrenta a una explosiva confrontación con el cartel de El Gancho, el principal antagonista que busca apoderarse de su poder y territorio.
Para ganar ventaja, el clan Casillas busca una alianza con Elizabeth Cordero (María Fernanda Yepes), la exesposa de “El Chema”. Ella regresa del exilio en Milán para recuperar su influencia en el bajo mundo y termina formando un vínculo complejo con Ismael.
La narrativa explora los cambiantes lealtades y los “fantasmas del pasado” que resurgen, obligando a la familia a elegir entre reinventarse o ver caer todo su imperio.
### Reparto principal
- **Iván Arana** como Ismael Casillas
- **Raúl Méndez** como Víctor Casillas “Chacorta”
- **María Fernanda Yepes** como Elizabeth Cordero
- **Isabella Castillo** como Diana Ahumada
- **Ianis Guerrero** como Fabricio Hernández “El Gancho”
**La Dinastía Casillas** se estrena y se transmite de lunes a domingo a las **10:00 PM CAT** en Telemundo, a partir del **10 de agosto**.
Senzo wants to sign the three members of Truth or Dare, but there is only two.
Thursday 2 July 2026
Episode 4
The Dubes proudly send Noxolo off to her matric dance, unaware they are saying their final goodbyes. Lwandle tells Sihle that she has a massive crush on Njabulo. Sihle betrays her friend by kissing him, which leads to a fatal accident.
Friday 3 July 2026
Episode 5
What's meant to be a dream come true feels like the start of a nightmare for Truth or Dare.
Monday 6 July 2026
Episode 6
Lwandle, Sihle and Njabulo agree to confess to their crime. Rebecca faces tough questions about the yacht party, while the Khumalos try to stitch the family together.
Tuesday 7 July 2026
Episode 7
As Phume's public plea for Noxolo brings the search closer to the truth, Lwandle is haunted by guilt and a missing bracelet drifts into the wrong hands.
Wednesday 8 July 2026
Episode 8
Senzo finally gets a breakthrough in his search for Noxolo. Truth or Dare makes a step forward but Lwandle takes them a few steps back. Democracy confiscates a valuable asset to Njabulo when he plays cat and mouse with him.
Thursday 9 July 2026
Episode 9
Phume's desperation leads her to seek answers from a sangoma. Njabulo is forced to come clean to Sihle about Democracy stealing their music while Gogo Shozi and Malume Jacob act as detectives as they search for Noxolo's body.
Friday 10 July 2026
Episode 10
The Dubes are taken to identify a body believed to be Noxolo's. The trio panic after news breaks that Noxolo's body has been found, fearing the discovery will expose their involvement.
Monday 13 July 2026
Episode 11
The Dubes' prepare to say goodbye to Noxolo. Truth or Dare find themselves forced to attend Noxolo's funeral while Njabulo is forced to fight for Democracy's sneakers.
Tuesday 14 July 2026
Episode 12
Deadly ambition divides the trio, Qedusizi is forced to confront a suspicious death, and Njabulo faces an unexpected setback as Noxolo resurfaces under a new identity. Time is running out.
Wednesday 15 July 2026
Episode 13
Phume refuses to be pulled out of her grief while Rebecca has the worst day of her life. Njabulo and Lwandle declare their feelings for each other.
Thursday 16 July 2026
Episode 14
Phume makes a surprising turnaround from grief to business as usual as she deals with Lwandle's shocking reveal that she wants out of Truth or Dare. Rebecca goes to great lengths to hide the truth about her job from her family.
Friday 17 July 2026
Episode 15
As pressure mounts, the Dubes face tough choices while Sihle and Njabulo chase ambition, and Lwandle is torn between expectation and desire.
Monday 20 July 2026
Episode 16
Senzo and Phume drift apart and grieve in different ways. Lwandle speaks up and finds unexpected support at home. Rebecca is humbled when she is caught in her lie.
Tuesday 21 July 2026
Episode 17
Senzo's violent outburst on the golf course puts a major distribution deal in jeopardy. Truth or Dare face harsh criticism that threatens their dreams of success. Secrets about Rebecca's job loss ignite family tensions and betrayals.
Wednesday 22 July 2026
Episode 18
The lead singer position of Truth or Dare has two best friends pitted against each other. Lwandle shocks her parents with an announcement that threatens to tear the family apart.
Thursday 23 July 2026
Episode 19
Lwandle pays a heavy price for her dreams when her parents cast her out. Senzo's attempt to rekindle his marriage fails, while Gogo Shozi pressures Rebecca about her unemployment dilemma.
Friday 24 July 2026
Episode 20
Grief hasn't settled but Senzo is already pushing for another child, forcing Phume to face the trauma she's tried to bury. Lwandle learns her image isn't hers to choose and the Shozi's storm in, boldly claiming Sihle as their artist.
Monday 27 July 2026
Episode 21
Lwandle struggles with change and rejection all at once. Malume Jacob and Gogo Shozi have delusions of their own stardom. Rebecca makes plans to pick herself up.
Tuesday 28 July 2026
Episode 22
Qedusizi warns Phume not to take advantage of Truth or Dare, she'll have him to answer to. Sihle points out to Phume that Lwandle is struggling. Gogo Shozi and Malume rehearse for the big time.
Wednesday 29 July 2026
Episode 23
Qedusizi apologizes to Njabulo and he accepts it. Rebecca sets up her stall, but is almost discouraged. Gogo Shozi and Malume Jacob perform for Phume, hoping for a recording deal.
Thursday 30 July 2026
Episode 24
Rebecca makes her first sale. Gogo Shozi and Malume Jacob are left with egg on their faces when Phume tells them that Umlilo will not be signing them. Phume learns about Lwandle being homeless and invites her right into the lion's den.
Friday 31 July 2026
Episode 25
The Truth or Dare trio has a good recording session. Gogo Shozi is over the moon after finding out that her son got a job. An unexpected visitor leaves the Shozi family shocked.
Premiere episodes of eGagasini: Waves on Change air on e.tv from Mondays to Fridays at 19h30.
Zeynep discovers bruises on Kader's body and realizes that the little girl has been beaten. Shocked and furious, she immediately tells Serhat that Kader has been abused.
Although disturbed by what he hears, Serhat insists that Kader cannot stay at the mansion.
Zeynep refuses to accept his response. She reminds him that this is Kader's mother's home too and that the child deserves to be safe.
Turning to Kader, Zeynep gently reassures her that she is safe now and that no one will hurt her there. Before leaving, she tells Kader that she will come to see her more often and should keep the piece of paper she gave her so they can talk.
As Zeynep leaves, Serhat tells her that she cannot do this. Without turning around, Zeynep replies she already has.
Later, a furious Zeynep arrives at Tülay's house with her sister, Ezra. She knocks at her door as she wants to show her exactly what it means to abuse a child.
Serhat tells Zeynep that if Kader is going to stay at his house, then she will have to stay there as well. He tells Zeynep that Kader will not tell his daughters—or anyone else—anything about what has happened and will keep her distance from them.
Zeynep immediately refuses, insisting that she has no intention of moving into his house.
Serhat then gives her an ultimatum that until he finds Kader's biological father, she has only two choices: either she stays at the mansion with Kader or he will hand her over to social services.
Zeynep tells Serhat that if his conscience allows him to send an innocent child to social services, then he should go ahead.
Later, Ezra tries to reason with her sister. She points out that Serhat is a wealthy and influential man and believes he will carry out his threat if Zeynep refuses. Ezra suggests that Zeynep temporarily work at the mansion, convinced that Serhat will find Kader's father sooner rather than later.
Zeynep still refuses. Just then, she notices Kader asleep in the back seat of Serhat's car.
Ezra tells her sister that it's up to you to save Kader. Moved by Kader's situation, Zeynep walks back to Serhat and asks what her role would be at the mansion because she has no intention of working as a maid. Serhat explains that he wants her to look after his daughters.
After thinking for a moment, Zeynep agrees—but on one condition. She wants her salary paid upfront. Serhat asks how much she wants. Without hesitation, Zeynep replies, "800,000 lira."
Serhat accepts her demand without bargaining. He tells her that his driver will come to pick her up and reminds her that, from now on, she is to address him as Mr. Serhat.
Zeynep silently agrees, knowing she is doing it for Kader's sake rather than for the money.
At home, Zeynep's mother is worried about her daughter moving into the house of a man she barely knows. She asks Zeynep to reconsider, fearing for her safety.
Zeynep reassures her that there is nothing to worry about. She says Serhat doesn't seem like a dangerous man and promises that she will take care of herself.
Her father is also uncomfortable with the decision. He asks why she feels she has to do this.
Zeynep explains that there is no one else who can protect Kader. She cannot bear the thought of the little girl living alone in the house of strangers without someone she can trust.
Her father then asks how long she plans to stay at the mansion.
"I don't know," Zeynep replies. "Maybe less than a month. I'll leave as soon as Serhat finds Kader's father."
Before leaving, Zeynep asks both of her parents not to tell Tülay where she is going. She wants it to remain their secret until they discover the truth about Kader's father.
Later, at the mansion, Serhat introduces Zeynep to his daughters, explaining that she will be looking after them until their mother recovers.
Zeynep warmly introduces herself and tries to make a good first impression, but the girls respond coldly. They treat her rudely before walking away without another word.
Afterward, Serhat hands Zeynep a non-disclosure agreement (NDA). He explains that she must sign it, agreeing not to reveal anything she learns about his family to anyone.
Zeynep reminds him that she has already given him her word that she would keep everything confidential, but Serhat insists that a promise is not enough and asks her to sign the document anyway. After signing the agreement, Serhat tells Zeynep that her room is upstairs, the first door on the left, before leaving her to settle into the mansion.
Cihan thinks Serhat has made a terrible mistake by bringing Kader into the mansion. He warns his brother that the situation is becoming too complicated.
Serhat explains that he has no other choice. Kader will stay with them only until he finds her biological father. He adds that if the police become involved before then, the entire situation could turn into a much bigger scandal.
Determined to uncover the truth, Serhat continues searching for clues. His investigation leads him to the place where Berrak got her tattoos.
Showing the tattoo artist a photograph of Berrak, Serhat asks if he remembers her. The man immediately recognizes her and recalls that she came in with her own tattoo design. Serhat explains that Berrak was recently involved in a serious accident and tells the artist that she had the tattoo done while she was with another man. He asks if he remembers the man's name or what he looked like.
The tattoo artist thinks for a moment before replying that he does remember Berrak arriving with someone, but unfortunately he can't remember the man's name or any details about him.
Just then, Serhat receives a phone call informing him that his daughters had a fight.
Meanwhile, Sevim calls Cihan and asks him to contact several agencies to find a new babysitter. She insists that the woman Serhat brought into the house is not suitable for the job. Cihan tells his mother that he will look into it.
After picking his daughters up from school, Serhat asks them what happened. Zeynep is present as he tries to get to the bottom of the fight. Serhat asks what the problem is between them.Ilkim immediately says that Hayal hit her first. Hayal doesn't deny it. Instead, she says that Ilkim keeps telling the other children not to be friends with her, leaving her all alone at school. Serhat turns to Hayal and asks if she really hit her sister. Hayal admits that she did. She then innocently says that Zeynep taught her to stand up to bullies. Surprised, Zeynep quickly denies ever telling Hayal to hit anyone.
Hayal then remembers a conversation they had in which Zeynep mentioned standing up to a bully in her own neighborhood.
Zeynep turns to Ilkim and gently asks if she has been bullying her sister. Serhat also asks Ilkim if what Hayal is saying is true.
Ilkim replies that Hayal is a loser and that their mother hates losers. Serhat tells Ilkim that he doesn't care what their mother hated.
Just then, Ilkim notices her mother's scarf sticking out of Kader's pocket. She snatches it away and angrily accuses Kader of stealing it.
Zeynep steps in and defends her. She says Kader probably took the scarf because she liked it or wanted to play with it, not because she intended to steal anything.
Still upset, Ilkim demands that her father throw both Zeynep and Kader out of the house.
Serhat looks at his daughter and firmly tells her that Zeynep and Kader are staying, and that the matter is no longer up for discussion.
After the incident, Zeynep apologizes to Serhat for what Hayal said at school. She explains that if she had realized the problem was a case of sibling rivalry, she would have been much more careful with her words.
Serhat replies that if he had wanted an ordinary nanny, he could have hired someone with a formal education.
Offended, Zeynep asks what made him assume she isn't educated. She then reminds him that Berrak allowed one of their daughters to bully the other in an attempt to make her lose weight. "Is that what you call being educated?" she asks.
Serhat has no response. Instead, he changes the subject and tells Zeynep to keep an eye on Kader.
Zeynep explains that Kader took the red scarf because it reminded her of Berrak. She insists that the little girl never intended to steal it.
The next day, Zeynep helps Hayal get ready for her piano recital. Nervous, Hayal admits that she is afraid she will freeze on stage.
Zeynep gently reassures her, telling her to relax because she has practiced hard and will do wonderfully.
When Hayal walks onto the stage, the audience applauds. Wanting to boost the little girl's confidence, Zeynep lets out a loud whistle and cheers enthusiastically, drawing everyone's attention.
Embarrassed, Serhat quietly tells Zeynep not to make a scene. He adds that bringing Kader to the recital was a mistake. Zeynep explains that Kader only wanted to watch her sister perform. Serhat coldly replies that Kader has no connection to his daughters.
As Hayal begins playing the piano, Serhat notices something that stops him in his tracks. Her piano instructor has the exact same tattoo that Berrak had.
The sight immediately brings back everything he has discovered about Berrak's secret past. Consumed by rage and convinced he has finally found the man he has been searching for, Serhat rushes toward the instructor and brutally attacks him, beating him until others intervene and pull him away.
Still haunted by Sedef's accusations, Serhat calls her and demands that she take him to the clinic she mentioned. Sedef agrees. When they arrive, Sedef tells the doctor that Serhat knows everything and wants the truth. Serhat firmly asks the doctor to explain what happened six years ago. The doctor refuses, saying that all patient records are confidential and that he cannot disclose any information without the patient's consent. He explains that only Berrak herself can authorize the release of her medical records. Serhat reveals that Berrak is currently in a coma and that the doctors do not know whether she will survive. He pleads with the doctor to tell him the truth, but the doctor remains bound by medical confidentiality.
Frustrated, Serhat warns the doctor that if he refuses to cooperate, he will have no choice but to involve his lawyers down on him. As they leave the clinic, Serhat turns to Sedef and asks the question that has been weighing on his mind: who is the father of Berrak's child?..... Sedef tells him that she honestly doesn't know. She explains that she and Berrak had been estranged for years and that the last time she saw her was when Berrak came to the clinic for a routine checkup. Beyond that, she claims she knows nothing about the child's father. After a brief silence, Sedef asks Serhat if Berrak is going to be alright. Without answering her question, Serhat gets into his car and drives away, lost in thought over everything he has just learned.
In the kitchen, Erkan shows Tülay a news article featuring Berrak attending the grand opening of the hotel with Serhat. Looking at the photo, Tülay sarcastically remarks that Berrak abandoned her "bastard" child with them so she could go off and enjoy her glamorous life.
Not wanting Kader to hear the conversation, Erkan tells Kader to leave the kitchen while they talk.
As Tülay continues reading the article, a sarcastic smile spreads across her face. Erkan comments that Berrak and her wealthy family seem heartless for celebrating at the hotel opening while their child is growing up in a poor neighborhood.
Tülay scoffs at his remark and asks why he feels sorry for Berrak and her family before feeling sorry for Kader, who has been the one forced to suffer all these years.
Determined to take advantage of the situation, Tülay tells Erkan to call a supposed woman immediately and demand for more money otherwise she will create a scandal so big that everyone will learn the truth.
Sitting alone in his car, Serhat is overwhelmed by everything he has learned. As he stares ahead in silence, a memory flashes through his mind.
In the flashback, Serhat asks the doctor whether Berrak gave birth to a girl or a boy. The doctor replies that his wife had a baby boy and that Berrak wanted him to be named Kader.
The memory leaves Serhat shaken. He slowly steps out of his car, struggling to process the revelation and what it could mean for his family.
SIX YEARS EARLIER
Berrak speaks to Serhat on the phone as she is staying with her father. She asks if their daughters have settled into their new school. Serhat replies that they have, but they miss her terribly and keep asking when she will come home.
Berrak tells Serhat that her father is doing much better, but he still suffers attacks during the night, so she needs to stay for another week or two. Serhat suggests canceling the rest of his business meetings, saying the girls can miss school for a short while and that nothing important will happen. Berrak tells him not to cancel anything and asks him to be patient for just two more weeks. As they speak, she lovingly places her hand on her pregnant belly.
Back in the present, Serhat is overcome with emotion as he remembers the conversation and begins to cry.
Elsewhere, Kader searches through the trash and finds a page featuring Serhat and Berrak at the hotel opening. Looking at the photograph, she softly whispers, "Mom."
Just then, Zeynep comes outside to throw away the trash. She notices Kader and asks why she is searching through the garbage. Startled, Kader quickly hides the page behind her back.
Concerned, Zeynep asks if she is looking for food and wonders whether she is being fed at home. Kader quietly replies that her aunt gave her a sandwich earlier. Relieved, Zeynep says that's good, but she still asks why Kader was going through the rubbish. Kader simply says, "No reason," before running away.
Meanwhile, Serhat tells his brother, Cihan, that Berrak must have left behind some clue about the child—a photograph, a phone number, or something else. As he frantically searches through her belongings, Cihan asks what he is looking for.
Unable to keep it to himself any longer, Serhat confesses that Berrak had another child and believes she betrayed him. Cihan stares at him in disbelief, insisting that they are talking about Berrak and that he must have lost his mind. In frustration, Serhat throws Berrak's photographs onto the floor. Cihan then asks who the child's father is, but Serhat admits that he doesn't know and vows to find out.
15 DAYS LATER
Serhat meets with his lawyer, who informs him that the divorce papers have been prepared. Without hesitation, Serhat signs the documents. He then asks whether there has been any progress in identifying the man Berrak had supposedly been seeing. The lawyer hands him an address.
Afterward, Serhat tells Cihan that he discovered Berrak had been sending money to someone every month for the past six years after reviewing her bank records. He admits he doesn't know whether the payments were going to Kader's father, but he intends to uncover the truth.
Elsewhere, Zeynep finds her sister, Ezra, repeatedly trying to call her boyfriend, Okan. Seeing how distressed she is, Zeynep asks what happened.
Through tears, Ezra explains that Okan couldn't qualify for a loan, so he convinced her to apply for one in her own name. She reveals that she borrowed 200,000 lira for him. On top of that, he withdrew 70,000 lira from her credit card and even used her phone to apply for additional bank loans, bringing her total debt to 800,000 lira.
Furious, Zeynep scolds her sister for trusting him so blindly.
As Serhat drives through the neighborhood, Zeynep rides her bicycle carrying a basket full of roses. Distracted by his thoughts, Serhat fails to see her in time and accidentally knocks her off her bike.
Alarmed, he immediately stops the car, gets out, and rushes over to help her. He apologizes repeatedly and offers to take her to the hospital, but Zeynep insists that she is fine. Annoyed, she scolds him for driving so carelessly.
Seeing the roses scattered across the road, Serhat offers to help pick them up. Zeynep refuses, saying she doesn't need his help as he might crush her roses too. As they gather the flowers, their eyes meet for a brief moment before they both look away.
Serhat apologizes once more. Zeynep then asks if he is looking for someone in the neighborhood. He tells her he is trying to find a man named Erkan. She points him in the right direction and reminds him to drive more carefully. Serhat thanks her and tells her to be careful as well before driving off.
Serhat arrives at Erkan's house.Just then, Kader sees him and excitedly runs toward him, calling out, "Dad!"
Caught off guard, Serhat tells Kader that he is not his father. He gets into his car and drives away in haste, leaving Kader standing there confused and heartbroken.
Zeynep notices Kader sitting alone, looking upset. Concerned, she walks over and asks what is wrong.Kader sadly tells her that her father came to see her, but he didn't recognize her. Zeynep is confused, so Kader takes out the paper with Serhat's photograph and shows it to her. Zeynep immediately recognizes him as the man she met that morning after he accidentally knocked her off her bicycle. Surprised, Zeynep asks Kader how she knows that Serhat is her father.
Kader quietly explains that she overheard her Aunt Tülay saying so.
Serhat tells Cihan that he went to the address the lawyer gave him. Cihan urges him not to go back there, warning that if anyone discovers what is happening, it could destroy the family's reputation. Serhat replies that he no longer cares about his reputation. The only thing he worries about is how all of this will affect his daughters if they ever learn the truth.
Trying to calm him down, Cihan asks him to stop pursuing the matter. However, Serhat says too many things no longer make sense. He points out that on the day of the incident, Berrak deliberately sent all the household staff home and that the security cameras had been switched off. To him, it is clear that she was expecting to meet someone in secret.
This fills Serhat with anger. Convinced that another man was involved, he vows to find him and uncover the truth.
Cihan pleads with his brother to think about his daughters first. He reminds Serhat that, regardless of what happened in the past, the girls need their father now more than ever and warns him not to let his search consume him.
Zeynep brings Kader to Serhat's mansion. When Serhat sees them, he is surprised and asks why they have come. Zeynep explains that she brought Kader because the little girl believes he is her father. Serhat immediately denies it.
Kader tells Serhat that she overheard her Uncle Erkan saying he was her father. She then takes out the paper she has been carrying and hands it to him.
Looking at him with hopeful eyes, Kader asks, "Are you my father?"
Heartbroken, Serhat replies, "No."
Trying to understand the situation, Zeynep says she has heard enough and asks where Kader's mother is so she can take the child to her. Serhat reveals that Berrak is in a coma after a serious accident and that the doctors are not sure she will survive.
Kader is devastated by the news. Seeing the little girl's reaction, Zeynep turns to Serhat and scolds him for speaking so bluntly in front of a child.
Serhat tells Zeynep to take Kader back to where she came from and asks her not to tell anyone about what she has seen or heard at the mansion.
Zeynep firmly replies that she did not bring Kader there to spread gossip. She wants answers. She asks why Berrak abandoned her own child instead of raising her.
Serhat admits that he still doesn't know who Kader's father is. Filled with anger, he says that if he ever finds the man responsible, he would strangle him for abandoning both Berrak and the child.
Concerned for Kader's future, Zeynep asks what is going to happen to her now.
Serhat repeats that she should simply take Kader back home.
Before leaving, Zeynep reminds him that, whether he accepts it or not, Kader is still his daughters' half-sibling.
Zeynep discovers bruises on Kader's body and realizes that the little girl has been beaten.
The series starts with Serhat stepping out of his car and helps his wife, Berrak out. As they make their way inside, the paparazzi warmly welcome them while clearing a path through the crowd. One of the reporters asks Serhat what the secret to his success is. Smiling, he says there is no secret. He explains that he simply set a goal, remained focused, and worked tirelessly until he achieved it. He also shares that his family, especially his wife, has always stood by his side. Throughout the interview, his wife remains beside him, listening proudly. Berrak tells Serat that she loves him just as much as she did on the very first day they met. Serat replies that he loves her too and is grateful to have her by his side. Meanwhile, Hayal is practicing the piano. Her instructor stops her and points out that she is making the same mistake again, asking her to start the piece over from the beginning. Elsewhere, Serhat asks one of the servants whether his mother has arrived. The servant replies that his brother and Mrs. Azra went to pick her up. Serhat then heads to the patio, where he finds his mother reading an article in a magazine. She shows him what the magazine said about him and his wife.
As Serhat films his daughters horse riding, Sedef notices him and walks over to introduce herself. She reminds him that she was Berrak's friend from high school and that they had met briefly at his wedding. Serhat admits that he doesn't remember her but politely asks how she has been. Sedef asks if Berrak is there. Serhat replies that his wife had some things to take care of and couldn't make it. Sedef says she will give Berrak a call since they haven't spoken in a long time. As Serhat cheers on his daughters, Sedef asks if the girls are his children. He proudly says they are. She then asks about the little one. Thinking she is referring to his younger daughter, Serhat points her out and explains that she is six years old. Sedef clarifies that she wasn't talking about her. Serhat insists that he and Berrak don't have any other children and suggests she may have mistaken them for another family. Sedef agrees, says goodbye, and walks away. As she leaves, an evil smirk spreads across her face.
Moments later, Sedef calls Berrak and asks if her money is ready. Berrak replies that she has the one million they agreed on. Sedef immediately corrects her, saying the amount is supposed to be two million. Growing frustrated, Berrak tells Sedef to take the one million and keep her mouth shut. Sedef coldly warns her that Serhat is nearby and that she could ruin Berrak's life within a minute if she wanted to. Sedef goes on to say that Berrak doesn't deserve him and that he deserves a wife like her instead. Sedef tells Serhat that he is a good father and a devoted husband, adding that his wife has no right to deceive him. A confused Serhat asks what she is talking about and warns her not to speak badly about Berrak. Sedef then drops a bombshell, claiming that Berrak has another child who is six years old. Serhat removes his sunglasses in disbelief and tells her she must have mistaken Berrak for someone else. Sedef insists she knows exactly what she is talking about. She says she was there when Berrak was taken into the maternity ward and reveals that the doctor who delivered the baby is a close family friend.
Growing angry, Serhat asks if she intends to keep talking nonsense or if he should have her thrown out. Sedef replies that she is doing him the biggest favor of his life. Serhat immediately calls for security. Before the guards arrive, Sedef tells him that six years ago Berrak secretly gave birth at a clinic in Çatalca and says she is even willing to give him the name of the hospital. Serhat firmly repeats that he and Berrak have only two daughters and no other children. Sedef then asks, "So you're not the father of the child she secretly gave birth to?" Furious, Serhat orders security to remove her and instructs them never to allow Sedef onto the property again.
After she leaves, Serhat immediately calls Berrak. He asks if she has a friend named Sedef. Startled, Berrak asks why he is asking. Serhat explains that Sedef came to see him and was saying ridiculous things. Nervously, Berrak asks what Sedef told him. Serhat reveals that Sedef claimed Berrak secretly gave birth to a child six years ago. Berrak is left speechless. He then asks why Sedef would slander her like that, but she cannot bring herself to answer.
Trying to get to the bottom of it, Serhat asks if she ever went to a clinic in Çatalca. Before she can respond, Berrak abruptly ends the call. Serhat immediately tries calling her back several times, but she refuses to answer. Zeynep is quietly reading her copy of Sense and Sensibility when a customer enters the flower shop and begins looking through the bouquets. The customer picks up a white rose, and Zeynep smiles as she explains that white roses have very little scent compared to red roses. The customer agrees, so Zeynep prepares five red roses for her and kindly adds one on her.
As the customer leaves, Zeynep notices Kader and calls her over. She sees that Kader is selling handmade bracelets and offers to buy one. While looking at the bracelets, Zeynep asks Kader about her mother. Kader quietly replies that she doesn't have a mother and that she lives with her Aunt Tulay, who is at home. Hearing this, Zeynep is upset that such a young girl is out selling bracelets while her aunt stays at home. Noticing that it is getting late, she offers to take Kader home. However, Kader explains that her aunt told her not to return until she had sold all of the bracelets. Touched by the little girl's situation, Zeynep decides to buy every bracelet Kader has so that she can go home.
Panicked after speaking with Serhat, Berrak picks up her phone and calls a man. She tells him that Serhat now knows about Kader. The scene then shifts to Berrak confronting the man. She tells him that she can no longer carry the shame alone and that everything is over. Determined to end the lies, she says she is going to tell Serhat the truth—that he is Kader's father. The man becomes furious, and the two begin arguing. In the heat of the confrontation, he shoves Berrak. She loses her balance, strikes her head, and falls into the swimming pool.
Realizing that Berrak is still conscious, the man watches as she desperately reaches out and pleads for help. Instead of rescuing her, he grabs the pool net and uses it to force her beneath the water, suffocating and drowning her before fleeing the scene. A short while later, Serhat returns to the house looking for Berrak. Unable to find her, he repeatedly calls her phone, but there is no answer. As he walks toward the pool, he suddenly notices Panicked after speaking with Serhat, Berrak picks up her phone and calls a man. She tells him that Serhat now knows about Kader.
The scene then shifts to Berrak confronting the man. She tells him that she can no longer carry the burden alone and that everything is over. Determined to end the lies, she says she is going to tell Serhat the truth—that he is Kader's father. The man becomes furious, and the two begin arguing. In the heat of the confrontation, he shoves Berrak. She loses her balance, strikes her head, and falls into the swimming pool. Realizing that Berrak is still conscious, the man watches as she desperately reaches out and pleads for help. Instead of rescuing her, he grabs the pool net and uses it to force her beneath the water, suffocating and drowning her before fleeing the scene.
A short while later, Serhat returns to the house looking for Berrak. Unable to find her, he repeatedly calls her phone, but there is no answer. As he walks toward the pool, he suddenly notices Berrak's body floating in the water. Horrified, Serhat rushes toward the pool. At that moment, their daughters also arrive and see their mother's unconscious body floating in the water. The girls are left devastated, screaming and crying as the tragic scene unfolds. body floating in the water.
At the hospital, the doctor meets with the family to update them on Berrak's condition. He explains that she suffered a severe blow to the head, which caused traumatic brain tissue damage and a brain hemorrhage. Fortunately, the medical team was able to stop the bleeding through emergency treatment. However, the doctor goes on to say that Berrak remains in a coma. He explains that although her condition has been stabilized, the extent of her brain injury is very serious. Sadly, there is a possibility that she may never regain consciousness. The devastating news leaves the family in shock as they struggle to come to terms with the uncertainty surrounding Berrak's condition.
SIX YEARS EARLIER
🍂 Berrak is preparing to leave with a suitcase when she speaks to Serhat about her father's condition. She explains that her father has secretly stopped taking his medication for the past month. Although he pretended to take his pills, he had been hiding them instead. She also reveals that he recently broke a window and almost slit his wrists. Concerned, Serhat suggests that her father should be admitted to a psychiatric clinic where he can receive proper care. However, Berat is reluctant because she fears that everyone will find out about her father's illness. She tells Serhat that she has decided to stay with her father until he begins taking his medication regularly again.
PRESENT DAY
🍂 Back in the present, the police update Serhat on their investigation. They explain that the only fingerprints found around the swimming pool belonged to Serhat and other members of the family. So far, there is no evidence that anyone else was with her before the incident. The officers add that they will need to take Berrak's statement if and when she regains consciousness.
Domenica arrives at Santa Teresa del Amor Ranch and boldly walks inside, only to be confronted by Genaro, who points a gun at her and demands to know why she's trespassing. Completely unfazed, Domenica stands her ground, daring him to pull the trigger before revealing that she is Domenica Montero, the rightful owner of the ranch. Later, as she explores the house, Domenica is outraged to discover that Genaro has been occupying her late parents' bedroom. She orders him to move his belongings to the foreman's quarters immediately, warning that if he refuses, she'll throw everything out and burn it. Heartbroken by the condition of her parents' room, she gently cleans an old family photograph and breaks down as memories of them come flooding back.
Forced out of the main house, Genaro angrily takes over the foreman's home, kicking Roque out in the process. Moments later, he, Pedro, and Roque rush outside after spotting smoke, only to find Domenica calmly burning Genaro's belongings. When Nieves questions her actions, Domenica once again declares herself the rightful owner of the ranch and warns her not to follow in her uncle's footsteps. Furious, Genaro reminds Domenica that she'd promised to give him time to move his things, but she insists he had no right to occupy her parents' room in the first place. The following morning, Genaro secretly instructs Nieves to keep a close eye on Domenica and report everything she does. When Domenica appears, she knocks Genaro's hat to the ground and steps on it, reminding him that a true gentleman removes his hat in the presence of a lady. She then orders him to saddle a horse and show her every corner of her ranch.
Meanwhile, Pilar grows increasingly worried after not hearing from Domenica since she left for the ranch. Ernesto reassures her that Domenica is strong enough to handle whatever she's facing, while Gina arrives looking for her, only to learn she has already left. During the tour of the property, Genaro shows Domenica the fields, livestock, and recent harvest. Later, she encounters Luis Fernando at the lagoon and demands that he leave what she believes is her land. Luis Fernando calmly explains that the lagoon doesn't belong to her ranch, but Domenica refuses to back down, declaring that every grain of the land belongs to her and that no one will ever take what's rightfully hers.
Elsewhere, Kiara remembers how she first met Max in Las Vegas and later confesses to Silvia that she, too, was deceived by him. She admits that Max convinced her to lend him a large sum of money, claiming he wanted to buy a house for Domenica, only to disappear with it. Kiara tearfully reveals that the money actually belonged to her mother and fears she'll soon discover the truth.
Believing Domenica will never return, Kiara begins gathering all of her clothes to auction them off and donate the proceeds to charity. Although Pilar initially supports the idea, Nicolasa convinces her to wait a little longer, hoping Domenica might still come home.
At the ranch, Genaro secretly meets with Gabriel and informs him that Domenica has returned and intends to stay. Worried that she might uncover the truth about their activities, Gabriel fears her presence could ruin everything, but Genaro confidently promises to drive her away before she discovers what has really been happening on the ranch. Later, Domenica visits the local café, the only place with internet access. As soon as she checks her phone, she's overwhelmed by messages from business partners informing her that they're ending their agreements because of the scandal surrounding her name. Realizing just how much Max has destroyed her life, Domenica is consumed with anger and vows never to forgive him.
Max arrives at Domenica's house with heartbreaking news, claiming he can no longer marry her because he has gone bankrupt. Blaming his business partner for losing millions of dollars, he insists he isn't worthy of her. Instead of questioning his story, Domenica offers him millions from her own fortune without asking for any written agreement. She then shocks Andrés by announcing that she no longer wants Max to sign the prenuptial agreement. Later, Max meets Domenica at a church, where he tells her that her kindness has changed him and that he doesn't deserve her love.
In reality, Max has already taken millions from both Domenica and Kiara. Kiara had transferred all the money she stole from her mother to Max and now wants him to abandon Domenica at the altar to publicly humiliate her. It is revealed that when Kiara first met Max, they spent a week together in Las Vegas. She only lost interest after discovering he was broke, and the two eventually teamed up to scam Domenica out of her fortune.
On the wedding day, everything is ready except for one thing—there is no groom. As the hours pass, the priest eventually leaves for another ceremony while everyone fears something terrible has happened to Max. Instead, a letter arrives. In it, Max confesses that he stole Domenica's money but claims he cannot marry her until he earns it back and becomes worthy of her love. Meanwhile, Kiara rushes to the airport to escape with Max, only to receive instant karma. Max admits that he has genuinely fallen in love with Domenica before boarding the flight alone—with Kiara's ticket. Left behind, Kiara is devastated after losing both her lover and the millions she stole from her mother.
Despite her heartbreak, Domenica refuses to let the humiliation destroy her. She changes into a beautiful green dress, wears an elegant necklace, and encourages her guests to continue celebrating. However, whispers and gossip surround her everywhere she goes. Things get even worse when Kiara tips off a gossip reporter, who exposes the fraud on social media. Soon, guests begin questioning whether their own money is safe. Feeling betrayed by the very people she once helped, Domenica wonders whether being kind has brought her nothing but pain. She even considers calling in every loan owed to her before deciding she can no longer remain in Mexico. She leaves for her family's estate, where she is met by Genaro, the foreman responsible for the property, who greets the unexpected visitor by pointing a gun at her and demanding to know who she is.
Elsewhere, Luis Fernando is left grieving after Paula dies before meeting their newborn baby. Although cancer treatment has drained nearly all of his savings, he assures his sister-in-law that he still has one valuable asset left—something he hopes will help him build a medical clinic and provide a secure future for his child.
The story begins by introducing Domenica Montero, the kind-hearted woman who runs an orphanage. She has a gentle nature and genuinely cares for every child living there. While at the orphanage, she meets Max Langer, and the two quickly bond over their painful pasts. Domenica tells Max that she lost her parents when she was just seven years old, while Max shares that he grew up in an orphanage in Costa Rica. He's visiting the orphanage to hand out dinosaur toys because he remembers how much even the smallest gifts meant to him as a child. Max also makes a generous donation to the orphanage, allowing them to finally build a computer lab for the children. We learn that Domenica was raised by her maternal aunt, Pilar, alongside her cousin Kiara. She sees Pilar as the mother she never had and considers Kiara her sister. Kiara, however, is deeply jealous of Domenica because she seems to have everything. She views herself and her mother as freeloaders who have never truly been accepted by the wealthy family around them. It's worth noting that Domenica inherited her wealth from her late father, while it appears that her mother and Pilar came from much more humble backgrounds. Meanwhile, Kiara's resentment towards Domenica runs so deep that she devises a plan to steal her fortune. Together with Max, she orchestrates their first meeting at the orphanage, followed by a second encounter where Max "rescues" Domenica after she nearly falls from her horse. Kiara provides Max with all the information he needs to successfully court Domenica, even creating fake social media profiles to make him appear like a successful businessman with plenty of money. The plan works perfectly. Domenica and Max begin dating and eventually become engaged.
Although Max does own a restaurant, he opened it using money he scammed from two women. One of the victims refuses to let the matter go, and Max's friend warns him that he could end up in prison if he's caught but Max isn't worried. First, he lives in Puebla while the woman he scammed lives in Mexico City. Second, he used his real name to scam her and not his alias, Max Langer. He even tells his friend that once he marries Domenica, he'll use her money to pay back his victims. However, Kiara and Max soon face a small problem because Domenica's most trusted adviser, who was also her late father's best friend and has helped manage the family business for years, advises her to sign a prenuptial agreement because of her immense wealth. Domenica agrees and authorizes him to prepare the document. Unfortunately for her, Kiara overhears the conversation and immediately rushes to inform Max. Despite this setback, Kiara and Max remain determined to defraud Domenica. On top of that, Kiara has secretly stolen money from her own mother. The money came from the sale of an apartment that Pilar inherited from Kiara's father, and Pilar had planned to use it to open a small café. Instead, Kiara tells Max that she now has 6 million pesos in the bank and that once they get their hands on Domenica's fortune, they can leave Mexico behind and live a life of luxury together.
Elsewhere, Luis Fernando and his wife Paula return to Mexico after spending time in the United States, where Paula had been receiving cancer treatment. The medical expenses have left them struggling financially, but Luis Fernando reassures Paula that everything will work out. The couple later visits Mercedes, Luis Fernando's mother, who also happens to be one of the women Max previously scammed. They happily tell her that now Paula is in remission, they are finally ready to start the family they've always dreamed of because before beginning her cancer treatment, Luis Fernando suggested freezing Paula's eggs, and now that she's feeling better, Paula's sister has agreed to be their surrogate. Months pass, and the pregnancy progresses smoothly. Sadly, their happiness is short-lived. Paula and Luis Fernando receive the heartbreaking news that her cancer has returned, and this time it is terminal. Knowing what lies ahead, Paula asks Luis Fernando to promise that he won't spend the rest of his life alone. She wants him to find love again after she's gone. Through tears, Luis Fernando promises that if he ever remarries, it will only be to someone as special as Paula.
Studiocanal is getting behind an animated feature adaptation of Marcus Pfister’s children’s classic The Rainbow Fish about an arrogant shiny fish who learns there’s more to life than glittering scales.
The pan-European studio’s German arm Studiocanal Germany is partnering with Claussen + Putz Filmproduktion and Zodiac Pictures on the feature, continuing a collaboration which has also yielded titles such as The Robber Hotzenplotz, The Little Witch and Heidi.
The book, which has sold more than 30 million copies since its publication in 1992, is a beloved children’s staple but has also stirred-up controversy in the U.S. in recent years amid debate over its underlying message.
In the book, the protagonist is a beautiful but arrogant fish who is shunned when he refuses to share his glittering scales with other fish. On the advice of a wise old octopus, he starts giving up his scales to the point that he only has one left but ends up with lots of friends.
Writer Pfister has said the story is ultimately about the beauty of sharing, but recent detractors have said it sends out mixed messages about individuality, acceptance, coercion and boundaries, in turn sparking debates over cancel culture.
This has not stopped Studiocanal putting their heft behind the animated adaptation.
“The Rainbow Fish carries a universal message that is understood and loved all over the world. It is a great joy for us to reinterpret this special story together with our partners as a major cinematic experience for audiences of all ages,” said Studiocanal Germany co-heads Hooman Afshari and Lutz Rippe.
The creative team also took on board some of the recent conversations to put the original book’s intended core message more clearly to the forefront. This resulted in a deliberate shifting of certain emphases, new characters being introduced, and other adjustments.
The film’s feature-length duration also allowed the team to explore the message of the original book in more depth.
The synopsis for the film adaptation reads: “With his shimmering scales, the Rainbow Fish is the most beautiful fish in the entire ocean. But he is also vain and proud, which alienates the other fish. As a result, he becomes increasingly lonely. When he eventually loses one of his beloved glittering scales, it is none other than the Little Blue fish who accompanies him on the search into the deepest parts of the ocean. An adventurous journey begins – and the Rainbow Fish learns that together we are much braver than alone, and that true friendship is more precious than the most magnificent coat of scales.”
The production has come together in partnership with Germany’s 80-year-old Augsburg Puppet Theatre. It is based on a screenplay and directed by the theater’s veteran puppeteer Florian Moch, who has brought the story’s underwater world and colourful community of fish to life through traditional puppetry, crafting most of the puppets himself.
“Being able to create a contemporary, handcrafted puppet film with The Rainbow Fish is something very special—and a childhood dream come true for me,” said Moch.
A high-profile ensemble has been assembled for the German voices of the beloved sea creatures, including actors Jannik Schümann and Luna Wedler, TV host Tobi Krell, actor Bjarne Mädel, comedian Oliver Kalkofe, musician Bela B. Felsenheimer, actors Andrea Sawatzki, Hella von Sinnen and Mechthild Großmann and content creator Tom Böttcher.
Filming in Augsburg will continue until mid-July, with a German theatrical release scheduled for November 19, 2026.
Studiocanal is handling worldwide distribution and worldwide sales.
StudioCanal has announced the development of a new animated television adaptation of Pippi Longstocking in partnership with The Astrid Lindgren Company. The series is being produced by StudioCanal, Heyday Films, and Submarine, with award-winning writer Sara Daddy attached as head writer and screenwriter.
The new series will consist of 52 x 11-minute episodes and will be produced in 3D CGI animation. Designed as a fresh and contemporary reimagining of Astrid Lindgren’s beloved character, the series will introduce Pippi’s fearless spirit, humour, and independence to a new generation of viewers. Production is scheduled to begin in October 2026.
Head Writer Sara Daddy comments, “To be entrusted by the Lindgren family and the brilliant Heyday and StudioCanal teams with the keys to Villa Villekulla is such a privilege. As the daughter of a seaman who overturned convention and took me out of school to sail around the world, I have always felt a connection with Pippi. I am having so much fun honoring her fiercely independent spirit, free-thinking ways, and, of course, superhuman strength. With the brilliant wit and warmth of Astrid Lindgren’s voice as our guide, our aim is to ensure Pippi remains a joyful, empowering icon for today’s children. It is a dream project.”
Max Hallén, CEO of The Astrid Lindgren Company, says: “Astrid Lindgren’s stories continue to grow their audience around the world, reaching new generations of children across markets, platforms and formats. Pippi Longstocking remains at the heart of that journey. Her courage, independence and playful way of challenging the world around her have inspired children around the world for over eighty years and continue to do so today. This series represents an important milestone in our ambition to expand the reach of Astrid Lindgren’s stories and create new opportunities for children everywhere to discover Pippi.”
The series will be produced by David Heyman, Rosie Alison and Rob Silva of Heyday Films, the banner behind the Emmy and Annie Award-winning “The Adventures of Paddington” series, as well as the feature films “Paddington,” “Paddington 2” and “Paddington in Peru,” with “Paddington 4” currently in development.
Red-haired Pippi Longstocking is the main character in the eponymous series of children’s books by celebrated Swedish author Astrid Lindgren. She originated from bedtime stories told to her daughter Karin about an anything but pious freckled little girl with boundless energy, strength and bravery.
A testament to Pippi Longstocking’s enduring and timeless global appeal, the Pippi books have sold over 70 million physical copies, been translated into 80 languages worldwide, and continue to sell 1.5 million annually.
In addition to the animated series, a new Pippi Longstocking feature film based on Astrid Lindgren’s classic stories is currently in development. The film will be produced by David Heyman, Jeffrey Clifford, and Rosie Alison for Heyday Films.
StudioCanal will oversee worldwide distribution of the series. StudioCanal Kids & Family will manage merchandising and licensing in France and the UK, while Rights & Brands will serve as the global merchandising agent for all other markets.
Studiocanal Television and French production company Superprod have teamed up to develop British TV presenter Dermot O’Leary’s popular children’s book series Toto the Ninja Cat into an animated action-comedy series.
Illustrated by Nick East, the six-book series has already been translated into 19 languages, with a seventh installment set to be published later this year. The show follows a partially sighted cat who transforms her visual impairment into a “ninja superpower” using her heightened senses.
Alongside her brother and a trusted band of friends, Toto courageously protects the animals of London from villainous plots and disasters.
The upcoming Toto the Ninja Cat adaptation will consist of 52 episodes running at 11 minutes each, written by Nick Ostler and Mark Huckerby (Danger Mouse). Executive producing the project are Dermot O’Leary himself and his director wife, Dee Koppang O’Leary (The Crown, Bridgerton). Notably, this series is among the first projects to come out of “Studiocanal Stories,” an in-house label formed in 2024 dedicated to literary adaptations for film and television. Worldwide sales for the animated series will be jointly handled by Studiocanal and Superights.
