Sout Van Die Aarde January 2026 Teasers For eExtra

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Monday 19 January 2026

Episode 1

Taner's sweetheart has long left, but he can't forget her. He works on a new plane with his cousins Wessel and Ramazan, but will their first flight take off?

Tuesday 20 January 2026
Episode 2

The cousins want to buy a plane engine and try to raise the funds by making a bride "fly", with dire consequences. The feud between Muammar and Husyein continues.

Wednesday 21 January 2026
Episode 3

Will the engineers be investing in the cousins' project to ensure the plane is ready for takeoff? What will Taner do when he finds out Dilek is back in town?

Thursday 22 January 2026
Episode 4

Ramazan's television appearance tarnishes both his cousins' and the town's reputation. But the fallout doesn't end there - like a fire, a fierce family feud erupts.

Friday 23 January 2026
Episode 5

Taner is heartbroken by Dilek's rejection, but finds inspiration to build the plane engine he and his cousins need. Gunsil and Dondu try to resolve the feud between their husbands.
 

Monday 26 January 2026
Episode 6

Everyone looks for love. Taner wants it from Dilek. Ramazan from Asuman, and Abdullah wants love between his sons. Not all of them are lucky enough to be successful.

Tuesday 27 January 2026
Episode 7

Taner tries taking the Bull by the horns by speaking to Dilek about their relationship while Ramazan tries to win the battle against Asuman's rejection.

Wednesday 28 January 2026
Episode 8

Rifat can't help but stir up trouble when Serdar walks into his shop, and Muammer has decided that Taner needs a wife. Who will the lucky girl be?

Thursday 29 January 2026
Episode 9

Selami sues Taner and his cousins. Dilek's fiance, Serdar, confronts Taner. Meanwhile, Muammer and Huseyin both scheme to set Taner up with Dilek, unaware of each other's plans.

Friday 30 January 2026
Episode 10

Muamer and Huseyin compete to marry off Taner. Munir warns Ramazan about love's dangers and toxicity. At Naciye and Bekir's wedding, tensions rise - what spectacle awaits?
 

Premiere episodes air on eExtra from Mondays to Fridays at 18h30.

Paramount Is Exploring Potential Partnerships In Reviving MTV

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The Paramount CEO is keen to revive the once-iconic brand, and is talking to major companies and music industry figures about strategic partnerships, including an economic stake in MTV, per Bloomberg. Such a strategic deal could give it expanded access to music rights or artists.

When MTV launched 45 years ago, it debuted with a music video of The Buggles’ “Video Killed the Radio Star.”

It was a statement about the state of the music business, with MTV carving out a niche as the home for music on TV sets, and helping to create the music video format, which dominated its lineup (alongside other music-related programming) for the next few decades.

Now, of course, music videos are as popular than ever, but their home is YouTube (and to a lesser extent, TikTok, Instagram, Spotify, and Apple Music), while MTV shut down MTV News, and has more recently been a repository for aging reality TV shows like Jersey Shore, RuPaul’s Drag Race, Catfish and Ridiculousness.

With Paramount canceling Ridiculousness last year, the brand has been preparing for a wholesale reboot, and now we have a sense of what Ellison has in mind: Bringing back the music.

The music, of course, never left entirely. The MTV Video Music Awards remain one of the few cultural touchpoints for the music industry, and attracts the biggest stars in the business (even if the viewership has largely migrated to its simulcast on CBS, and Paramount+ on streaming).

But other than that, the music has mostly been silenced, and that appears poised to change. That is a big reason why, around New Year’s Eve, posts went viral on Instagram, TikTok, X and LinkedIn about MTV shutting down. It wasn’t (the company was just shutting down a few ancillary music-only channels in the U.K.), but the reaction from people underscored what everyone seems to realize: The brand’s best days were in its past.

Ellison seems to be heeding the call by Tom Freston, the legendary media executive who helped build MTV to be the powerhouse that it was at its peak.

Freston told The Hollywood Reporter in November that he had dinner with Ellison and some of his senior executives to discuss the brand.

“I had a meeting with David and Jeff Shell and a couple people,” Freston recalled. “They had a lovely dinner — me and [former colleagues] Judy McGrath and Doug Herzog and Jason Hirschhorn just before they made the purchase. It was due diligence on their part. They were like, ‘You guys were there in the golden age. We don’t know what’s happened?’ I said, ‘First of all, when they sawed the ‘music television’ off the bottom of the logo, they lost me.’ But all the music people had left and MTV didn’t have any real value as a music brand. I don’t know if you can resurrect it, but I think you might be able to.”

MTV the cable channel may or may not survive the entertainment business’ perilous transition to streaming, but MTV the brand has a shot.

“One, they have a huge library of shows. The Unpluggeds and some of the reality shows were pretty good,” Freston added. “They also have a huge library of music videos and MTV News — everything that happened from 1980 on. So, why couldn’t you do some kind of digital curation thing? Anyway, I’m really happy to see Ellison there. I mean, if someone was going to buy Paramount, the Ellisons got my vote.”

And bringing a music publisher like Warner Music Group or Universal into the fold, or perhaps even a streaming player like Spotify or Amazon Music, could help resurrect a cable brand that had seemingly been left for dead.

Executives at NBCUniversal frame Bravo as a brand that represents a particular type of lowbrow-highbrow reality TV, and that even if the channel vanished, the brand could live on. Paramount executives clearly think they can pull those same levers at the former MTV Networks cable channels.

But the exact strategy, and what partners might want to buy in, will determine that trajectory.

First Look At New CGI Series Reboot For Harry And His Bucket Full Of Dinosaurs Unveiled

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Harry and His Bucket Full of Dinosaurs
When dino-obsessed 8-year-old Harry’s bucket erupts, his house transforms into a fully immersive prehistoric jungle — kitchens flip into lava pits, hallways stretch into canyons, and dinosaurs of every size roar, stomp, and tumble through the chaos — some friendly, some feisty, all unpredictable. Harry and his dino mates leap into action to set things right, using courage, curiosity, teamwork…and the occasional blast of prehistoric plasma when all else fails. 

Credits
Developed by Karen Fowler, Phil Moorhead, San Suryavanshi
Head writer Simon Nicholson 
Art Nadya Mira 

Love Of My Life February 2026 Teasers For Telemundo Africa

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LOVE OF MY LIFE

STARTS MONDAY 23RD FEBRUARY
EVERY NIGHT AT 8PM WAT / 9PM CAT

Monday, 23 February, Daniela and Ricardo are a happy couple until tragedy strikes. Emilio, their accountant and friend, urges Ricardo to sell the company. 

Tuesday, 24 February, Dante’s addiction to gambling, Daniela’s eldest son, leads him down a dark path. He lies to save himself, steals his mother’s ring, and sells it.

Wednesday, 25 February, Talking to Emilio is Daniela’s priority, but Juanita is fed up with his mistreatment and gives an ultimatum: he leaves the house, or she does.

Thursday, 26 February, Daniela needs the hands of a professional and gets much more than that; she is transported to her deepest and most desired dreams.

Friday, 27 February, Curiosity overwhelms Daniela; she wants answers, and to get them, she must obtain a used intimate garment from Pablo.

Saturday, 28 February, Daniela, outraged, is determined to confront Pablo about his lies. Esmeralda confirms that he is not gay and that he is very well-endowed.


Uhambo January 2026 Teasers On Star Khanya

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Monday 5 January 2026

Episode 1

Mitti cherishes her life with Akash, recalling their first meeting and feeling fortunate to have him. With his support, she finds the strength to pursue her business dreams.

Tuesday 6 January 2026
Episode 2

Akash comes home from the hospital and enjoys warm moments with Mitti while the family celebrates Diwali. His silent support for Mitti's boutique suggests challenges ahead.

Wednesday 7 January 2026
Episode 3

Mitti prepares for Diwali by lighting lamps as Akash returns home with a surprise. Meanwhile, Naina learns she is pregnant and struggles to reach Akash with the news.

Thursday 8 January 2026
Episode 4

The family gathers to celebrate Akash and Mitti's anniversary. Later, the joyful occasion takes a shocking turn when the police arrive with news about Naina.

Friday 9 January 2026
Episode 5

The police accuse Akash of exploiting Naina, leaving Mitti shattered. Later, Mitti bravely defends Akash before reporters and rushes to meet him at the station.

Saturday 10 January 2026
Episode 6

Mitti seeks Prithvi's father's support and pleads with her old friend SI Satendra, vowing to prove Akash's innocence. Meanwhile, all await news on Naina's condition.

Sunday 11 January 2026
Episode 7

Mitti vows to prove Akash's innocence despite Kuljeet's accusations and consoles Chirag, while Satendra learns that Naina is ready to give her statement.
 

Monday 12 January 2026
Episode 8

The lawyer advises Mitti to obtain an apology letter from Naina so Akash can be granted bail. Determined to secure Akash's release, Mitti arrives at the hospital to meet Naina.

Tuesday 13 January 2026
Episode 9

Mitti's lawyer visits the police station to meet Satendra regarding Naina's case. Naina tells Mitti that she will fight against Akash until she gets justice.

Wednesday 14 January 2026
Episode 10

The lawyer urges Akash to reveal all case details, while Mitti faces protests at the hospital. Satendra seeks strong evidence from Naina to ensure justice.

Thursday 15 January 2026
Episode 11

Mitti stands up for Chirag's right to dance despite Akash's legal case. Karan teams up with a lawyer to expose Akash, but Prithvi later reveals their plan failed because of Mitti.

Friday 16 January 2026
Episode 12

Kuljeet expresses her discomfort to Mitti's parents about her stage dance. Mitti recalls her good old days with Akash during her pregnancy.

Saturday 17 January 2026
Episode 13

Amrita, the public prosecutor, meets Naina to learn case details. Mitti goes to visit Naina in the hospital to make amends, but crosses paths with Amrita.

Sunday 18 January 2026
Episode 14

Satendra interrogates Akash about Naina and the breach of hospital rules. Mitti promises Chirag she will bring Akash back and desperately wants to meet him at court.
 

Monday 19 January 2026
Episode 15

Naina clashes with the doctor and storms out to appear in court. Later, Amrita and Mittal deliver their opening statements on Naina and Akash's case at the hearing.

Tuesday 20 January 2026
Episode 16

Tensions rise as Amrita accuses Mittal of attacking Naina's character, prompting the judge to intervene. She calls Naina to the stand to question her about Akash.

Wednesday 21 January 2026
Episode 17

Naina explains every detail of her interactions with Akash, leaving Mitti broken. She stuns everyone by agreeing to a DNA test to prove Akash's paternity.

Thursday 22 January 2026
Episode 18

Mitti is left heartbroken and holds herself responsible for Akash not receiving bail. She contemplates why Naina agreed to a DNA test to prove Akash's role in her pregnancy.

Friday 23 January 2026
Episode 19

Naina's video confession, admitting she falsely accused Akash and apologising to him, shocks everyone. Mitti decides to confront her about her motive.

Saturday 24 January 2026
Episode 20

Akash gets released from jail after Mittal submits his bail papers and Naina falls unconscious from excessive bleeding in her hand, leaving her family anxious.

Sunday 25 January 2026
Episode 21

Satendra gets annoyed as his father flirts with Anmol. Mitti demands justice for Naina's false allegations, but Akash's refusal makes her suspicious.
 

Monday 26 January 2026
Episode 22

Mitti visits the hospital to clarify her doubts and talks to a nurse about Naina's life. Later, tensions arise when Akash discovers this and angrily scolds her.

Wednesday 28 January 2026
Episode 23

Amrita goes to Satendra's house to discuss the Akash case. Nurse Komal visits Mitti to deliver the blood reports and shares details about Naina's past.

Thursday 29 January 2026
Episode 24

Akash doubts Mitti after she fails to show up at her workplace when he visits. Mitti and Gudiya set out to find the truth about Akash's case through Naina.

Friday 30 January 2026
Episode 25

As Mitti pleads with unconscious Naina to speak, the nurse reveals she is in a coma. Mitti visits the police station and firmly tells Satendra that she trusts Akash.

Saturday 31 January 2026
Episode 26

Mitti apologises to Akash for doubting him and meeting Naina secretly, which prompts Kuljeet to lash out at her. Akash takes a stand for Mitti against Kuljeet's demand.
 

Premiere episodes of Uhambo air on Star Khanya from Mondays to Sundays at 20h30.

Warner Bros. Discovery Rejects Paramount's Latest Bid For The Company

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The WBD board branded Paramount’s hostile takeover offer as "inadequate" and risky.
Warner Bros rejected Paramount’s latest takeover bid on Wednesday, telling shareholders to stick with a rival offer from Netflix.

Warner’s leadership has repeatedly rebuffed Skydance-owned Paramount’s overtures — urging shareholders just weeks ago to back its the sale of its streaming and studio business to Netflix for $72bn (€61.62bn).

Paramount, meanwhile, has sweetened its $77.9bn (€66.67bn) offer for the entire company and gone straight to shareholders with a hostile bid.

Warner Bros Discovery said on Wednesday that its board determined Paramount’s offer is not in the best interests of the company or its shareholders.

“Paramount’s offer continues to provide insufficient value, including terms such as an extraordinary amount of debt financing that create risks to close and lack of protections for our shareholders if a transaction is not completed," Warner Bros Discovery chair Samuel Di Piazza Jr. said in a statement.

"Our binding agreement with Netflix will offer superior value at greater levels of certainty, without the significant risks and costs Paramount’s offer would impose on our shareholders.”

Paramount did not immediately respond to a request for comment.

Late last month, Paramount announced an “irrevocable personal guarantee” from Oracle founder Larry Ellison — father of Paramount CEO David Ellison — to back $40.4bn (€34.58bn) in equity financing for the company’s offer.

Paramount also increased its promised payout to shareholders to $5.8bn (€4.96bn) if the deal is blocked by regulators, matching what Netflix already put on the table.

In a letter to shareholders, Warner expressed concerns about a potential deal with Paramount. It said it essentially considers the offer a leveraged buyout, which includes a lot of debt, and that it could take 12 to 18 months to close a deal.

The battle for Warner and the value of each offer grows complicated because Netflix and Paramount want different things. Netflix’s proposed acquisition includes only Warner’s studio and streaming business, including its legacy TV and movie production arms and platforms like HBO Max. But Paramount wants the entire company — which, beyond studio and streaming, includes networks like CNN and Discovery.

If Netflix is successful, Warner’s news and cable operations would be spun off into their own company, under a previously-announced separation.

A merger with either company will attract tremendous antitrust scrutiny. Due to its size and potential impact, it will almost certainly trigger a review by the US Justice Department, which could sue to block the transaction or request changes. Other countries and regulators overseas may also challenge the merger.

Starz Placed $25 Billion Bid For All Of Warner Bros. Discovery’s Cable Networks Including Cartoon Network And TLC

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Starz put in a $25 billion bid for all of Warner Bros. Discovery’s cable networks and 20% of its studio and streaming businesses last month, TheWrap has learned, acting as a dark horse contender for an asset most companies bidding on the entertainment company were not interested in.

Warner Bros. Discovery revealed in a filing with the U.S. Securities and Exchange Commission that a previously undisclosed company — labeled “Company C” in the filing — put in the $25 billion all-cash bid on its Nov. 20 deadline. It also proposed a 90-day exclusivity period, which Netflix, Paramount Skydance and Comcast (labeled “Company A” in the filing) did not.

That company was Starz. While the WBD board considered all the bids on Nov. 21, it found that Company C’s bid was “not actionable at that time” and responded to the top three bidders on Nov. 22.

Puck first reported the news.


The filing also revealed more details about Netflix’s and Paramount’s efforts to purchase some or all of WBD, as the companies publicly advocate for their bids to WBD’s shareholders. Netflix and WBD entered into an exclusive arrangement for the streamer’s $82.7 billion bid for the studio and streaming businesses, while Paramount has mounted a $30-a-share hostile takeover bid for the entire company. WBD on Wednesday rejected Paramount’s latest offer.

A Starz spokesperson declined to comment. Starz CEO Jeff Hirsch previously told TheWrap that he wanted his company to be “additive” to networks he believed were too linear-focused in a digital age.

“There’s a lot of networks out there today that are marooned on the linear side and don’t have technical capabilities to do what we’ve done,” he said in May after Starz completed its spin-off from Lionsgate. “We think we can be very additive to content that is stuck on the linear side to give them a digital future.”

Starz reported a $53 million loss in its third quarter, missing Wall Street expectations, and revenue dropped 8% to $320.9 million. It reported a loss of 130,000 U.S. subscribers for a total of 17.5 million, driven mostly by linear subscribers’ cord-cutting. Linear subscribers also dropped by 24o,000 to 5.17 million while it saw a streaming increase of 110,000 U.S. subscribers for a total of 12.3 million.

Still, Hirsch teased the possibility of venturing into the M&A space during its third-quarter call in November, a week before the company reportedly placed its bid for WBD’s cable networks.

“With a potential for increased consolidation across the media landscape, we believe that we are uniquely positioned to capitalize on potential M&A opportunities,” Hirsch said. “Given our track record of profitability converting our business from linear to digital and our industry-leading tech stack, we are positioned to increase our scale as assets that are strategically valuable to Starz become available.”

The company reportedly found its first target last month when it expressed interest in A+E Global Media, the parent company of networks such as Lifetime and the History Channel.

Warner Bros. Discovery Rejects Paramount's $108 Billion Bid For The Company

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Warner Bros. Discovery still isn't interested in Paramount Skydance's offer.

Paramount's latest bid "is inadequate, with significant risks and costs imposed on our shareholders" compared to Netflix's bid, which "represents superior, more certain value for our shareholders," said Samuel Di Piazza, the chair of WBD's board of directors, in a statement to shareholders on Wednesday morning.

In a letter to shareholders, WBD's board recommended that shareholders reject Paramount's all-cash bid of $30 per share in favor of Netflix's cash-and-stock offer. Paramount wants to buy all of WBD, including its cable channels, while Netflix's bid of $27.75 per share is for WBD's studio, HBO, and HBO Max. A key difference between the two bids revolves around the value of WBD's TV networks, such as CNN and TNT, which Netflix isn't interested in buying.

Di Piazza said that Paramount's seventh proposal "once again fails to address key concerns that we have consistently communicated," including about Paramount's financing.

Paramount has said its bid is fully backstopped by Larry Ellison, one of the richest people in the world and father to Paramount CEO David Ellison. The WBD board said in the letter to shareholders that it relies "on an unknown and opaque revocable trust" whose assets or liabilities are subject to change.

Meanwhile, Netflix is paying with cash and stock. Its shares have fallen recently but surged more than 600% from mid-2022 to mid-2025. Netflix has a market cap of over $400 billion.

While Paramount has said that it would have an easier time securing regulatory approval than Netflix, the WBD board says it "does not believe there is a material difference in regulatory risk" between the two proposals.

The Ellisons are close to President Donald Trump. However, Netflix co-CEO Ted Sarandos has pitched the president on the deal and seems to have earned some respect. Trump has called Sarandos a "great person," though he added that the Netflix-Warner Bros. deal "could be a problem" on the regulatory front. Still, the president hasn't come out publicly in favor of one side in the deal.

WBD also said its board "repeatedly engaged" with interested parties, including the Ellisons. Paramount had previously said that WBD went quiet late in the bidding process.

Not even Paramount can be surprised by WBD's decision to stick with its Netflix deal.

David Ellison was overheard saying last week that if WBD's leadership were to "accept the offer exactly as it is today, right, then they're admitting breach of fiduciary duty," Business Insider previously reported.

That's because Paramount said its $30-per-share hostile bid was nearly identical to its previous offer to WBD. Public companies are obligated to act in the best interests of shareholders. So if WBD's board had changed its mind, it could have opened itself up to shareholder lawsuits.

WBD had said in a statement after Paramount's hostile bid that it would "carefully review and consider Paramount Skydance's offer" in a way that was "consistent with its fiduciary duties and in consultation with its independent financial and legal advisors."

Now that WBD's board has given Paramount the cold shoulder again, it's Ellison's move.

The aspiring media mogul told CEO David Zaslav that Paramount's latest offer wasn't its "best and final," which suggests that a higher bid could be coming. Just how much appetite Paramount has to escalate the bidding war is the key question.

If no higher bid comes, WBD's investors have until January 8 to back Paramount, though it could extend that deadline. WBD would owe Netflix a $2.8 billion reverse breakup fee if its shareholders chose Paramount.

Read the full letter to shareholders here:

Dear Fellow Shareholders,

As your Board of Directors, we are committed to acting in your best interest. In this spirit, in October, we launched a public review of strategic alternatives to maximize shareholder value. This followed three separate proposals from Paramount Skydance ("PSKY"), as well as interest from multiple other parties.

That thorough process, overseen by the Board with the assistance of independent financial and legal advisors, as well as our management team, led to the company entering into a merger agreement with Netflix on December 4, with the substantial benefits to WBD shareholders described below. Having failed to submit the best proposal for you, our shareholders, PSKY launched an offer nearly identical to its most recently rejected proposal.

As a Board, we have now conducted another review and determined that PSKY's tender offer remains inferior to the Netflix merger. The Board continues to unanimously recommend the Netflix merger, and that you reject the PSKY offer and not tender your shares.

Below, and in more detail in our 14D-9 filing, we highlight the many reasons for the Board's determination. None of these reasons will be a surprise to PSKY given our clear, and oft-repeated, feedback on their six prior proposals.

The terms of the Netflix merger are superior. The PSKY offer provides inadequate value and imposes numerous, significant risks and costs on WBD.

The value we have secured for shareholders through the Netflix merger is extraordinary by any measure.

Our agreement with Netflix gives WBD shareholders $23.25 in cash, plus $4.50 in shares of Netflix common stock (based on a collar range of $97.91 - $119.67 in the Netflix stock price at the time of closing), plus the additional value of the shares of Discovery Global and the opportunity to participate in future potential upside following Discovery Global's separation from WBD. The entire Board is confident in our recommendation that Netflix represents the best value-creating path for shareholders.

PSKY has consistently misled WBD shareholders that its proposed transaction has a "full backstop" from the Ellison family. It does not, and never has.

PSKY's most recent proposal includes a $40.65 billion equity commitment, for which there is no Ellison family commitment of any kind. Instead, they propose that you rely on an unknown and opaque revocable trust for the certainty of this crucial deal funding. Despite having been told repeatedly by WBD how important a full and unconditional financing commitment from the Ellison family was — and despite their own ample resources, as well as multiple assurances by PSKY during our strategic review process that such a commitment was forthcoming — the Ellison family has chosen not to backstop the PSKY offer.

And a revocable trust is no replacement for a secured commitment by a controlling stockholder. The assets and liabilities of the trust are not publicly disclosed and are subject to change. As the name indicates, revocable trusts typically have provisions allowing for assets to be moved at any time. And the documents provided by PSKY for this conditional commitment contain gaps, loopholes and limitations that put you, our shareholders, and our company at risk.

Amplifying the concerns about the credibility of the equity commitment being offered by PSKY, the revocable trust and PSKY have agreed that the trust's liability for damages, even in the case of a willful breach, would be capped at 7% of its commitment ($2.8 billion on a $108.4 billion transaction). Of course, the damage to WBD and its stockholders were the trust or PSKY to breach their obligations to close a transaction would likely be many multiples of this amount.

WBD's merger agreement with Netflix is a binding agreement with enforceable commitments, with no need for any equity financing and robust debt commitments. The Netflix merger is fully backed by a public company with a market cap in excess of $400 billion with an investment grade balance sheet. The debt financing for the PSKY bid relies on an unsecure revocable trust commitment as well as the credit worthiness of a $15 billion market cap company with a credit rating at or only a notch above "junk" status from the two leading rating agencies. The financial condition and creditworthiness of PSKY, which, if its proposed transaction were to close, would have a high gross leverage ratio of 6.8x 2026E debt to EBITDA with virtually no current free cash flow generation before synergies, raise substantial risks for its acquisition of WBD. Such debt levels reflect a risky capital structure that is vulnerable to even potentially small changes in the PSKY or WBD business between signing and closing.

Additionally, PSKY contemplates $9 billion in synergies from the mergers of Paramount/Skydance and their offer for WBD. These targets are both ambitious from an operational perspective and would make Hollywood weaker, not stronger.

The Board's review was full, transparent and comprehensive — establishing a level playing field that fostered a rigorous and fair process.

The Board repeatedly engaged with all parties, including extensive engagement with PSKY and its advisors over the course of nearly three months. We held dozens of calls and meetings with its principals and advisors including four in-person meetings and meals between David Zaslav and David and/or Larry Ellison and provided multiple opportunities for PSKY to offer a proposal that was superior to those of the other bidders, which PSKY never did.

After each bid, we informed PSKY of the material deficiencies and offered potential solutions. Despite this feedback, PSKY has never submitted a proposal that is superior to the Netflix merger agreement.

Despite PSKY's media statements to the contrary, the Board does not believe there is a material difference in regulatory risk between the PSKY offer and the Netflix merger.

The Board carefully considered the federal, state, and international regulatory risks for both the Netflix merger and the PSKY offer with its regulatory advisors. The Board believes that each transaction is capable of obtaining the necessary U.S. and foreign regulatory approvals and that any difference between the respective regulatory risk levels is not material. The Board also notes that Netflix has agreed to a record-setting regulatory termination cash fee of $5.8 billion, significantly higher than PSKY's $5 billion break fee.

The PSKY offer is illusory.

The offer can be terminated or amended by PSKY at any time prior to its completion; it is not the same thing as a binding merger agreement. The first paragraph of the offer states it is "subject to the conditions set forth in this offer to purchase (as it may be amended or supplemented from time to time)" and continues on the next page, "we reserve the right to amend the Offer in any respect (including amending the Offer Price)". In addition, the offer is not capable of being completed by its current expiration date, due to the need for, among other things, global regulatory approvals, which PSKY indicates may take 12-18 months. Nothing in this structure offers WBD shareholders any deal certainty.

The PSKY offer provides an untenable degree of risk and potential downside for WBD shareholders.

There will be additional costs associated with PSKY's offer that could impact shareholders.

When considering the PSKY offer at this juncture, it is important to note that its acceptance could incur significant additional costs to shareholders — all of which PSKY has ignored in their communications. WBD would have to pay Netflix a $2.8 billion termination fee, which PSKY has not offered to reimburse. In addition, WBD would incur approximately $1.5 billion in financing costs if we do not complete our planned debt exchange as agreed to with certain of our debtholders, which would not be permitted by the PSKY offer. This additional $4.3 billion in potential costs represents approximately $1.66 per share to be borne by WBD shareholders if the offer does not close.

We look forward to moving ahead with our combination with Netflix and delivering the compelling and certain value it will create for shareholders. We urge you to carefully read the 14D-9 filed with the SEC this morning and available on our website, which more fully details the strategic review process and the Board's reasons for its recommendation to you.

Sincerely,

The Warner Bros. Discovery Board of Directors

Paramount+ Greenlights Mo Willems’ ‘The Elephant & Piggie Show’ and ‘The Pigeon Show!’

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Paramount+ is getting into the Mo Willems’ animated animal business in a big way. The streamer announced today that it has greenlit two animated series, The Elephant & Piggie Show! and The Pigeon Show! Starring the Pigeon, based on the best-selling children’s author and illustrator’s books. This is the first time Paramount+ is collaborating with the author’s Hidden Pigeon production company.

“Mo Willems has delighted kids and ‘former kids’ around the world with these beloved characters,” said Jane Wiseman, Head of Originals for Paramount+. “Whether it’s Elephant and Piggie navigating the hard work of ‘best-friending’ or The Pigeon confusing wants and needs (a hot dog! a cookie! to drive the bus!), these characters remind us that the best stories are the ones that make us laugh and feel something real. We’re thrilled to bring them to life on Paramount+.”

“We are so excited to be partnering with Paramount+ to further expand the world of Mo Willems through these two new series,” said Karen K. Miller, CEO of Hidden Pigeon Company. “We can’t wait to present more of the characters and stories that kids everywhere already know and love in ways that will surprise and delight them at every turn.”

The Elephant & Piggie Show! is described as a warm, comedic pre-K series about the hilarious and sometimes challenging work of “best-friending.” The series takes place in the small, walkable neighborhood of Willemsburg, which is full of new locations audiences will love. Elephant Gerald is careful; his best friend Piggie is not. Gerald worries so that Piggie does not have to and together, along with young audiences, they will celebrate the messy and joyful art of friendship.

The Pigeon Show! Starring the Pigeon animates the day-to-day struggles of a pigeon who just wants to be listened to. He will be your best friend if you have a bus and you let him drive it. The series features familiar characters from Willems’ books, such as the adorable Duckling who always seems to get what she wants, plus new characters, like The Pigeon’s 150-million-year-old pterodactyl grandmother, Nana-Dactyl, and his best wing-pals, Ima Pigeon and Doug Pigeon.

Willems is a #1 New York Times best-selling author and illustrator who has received the Caldecott Honor on three occasions (for Don’t Let the Pigeon Drive the Bus!, Knuffle Bunny: A Cautionary Tale, and Knuffle Bunny Too: A Case of Mistaken Identity). His popular Elephant & Piggie early reader series has been awarded two Theodor Seuss Geisel Medals (for There Is a Bird on Your Head! and Are You Ready to Play Outside?) and five Geisel Honors (for We Are in a Book!, I Broke My Trunk!, Let’s Go for a Drive!, A Big Guy Took My Ball!, and Waiting Is Not Easy!). Mo began his career as a writer on Sesame Street, where he received six Emmy Awards.,