BET's Future As A Linear Channel Up In The Air As Tyler Perry Reportedly Backs Out Of Deal

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Media mogul Tyler Perry refuses to cough up the $3 billion-plus that Paramount is asking in an auction of Black Entertainment Television — and the fierce haggling has begun to throw a sale into doubt, The Post has learned.

The “Diary of a Mad Black Woman” star has been considered the frontrunner to win the auction for BET Group, whose properties include cable channels BET and VH1 along with the BET+ streaming service.

But Perry is losing patience with the drawn-out process after making an offer that’s short of $3 billion — a price tag that other investors also consider to be lofty, according to a source close to the situation.

The filmmaker, who already owns a 25% stake in BET and BET+, has private equity backing for his offer, the insider added.

“He is used to getting his way and is frustrated,” the source said, adding that final bids are due by mid-July.

Paramount Global bought BET for $2.7 billion in 2000 when the Shari Redstone-owned company was called Viacom. The company wants roughly 10 times the BET Group’s current $325 million in Ebitda, or earnings before interest, taxes, depreciation and amortization, sources said.

However, the continuing decline in cable’s popularity as more people cut the cord figures to be a drag on BET Group’s future earnings.

Paramount Global — which includes CBS, MTV, Paramount Pictures, the recently launched Paramount+ streaming service and book publisher Simon & Schuster — had $15.6 billion in long-term debt as of March, according to public findings.

“Paramount’s leverage now is six times Ebitda, so to make this work a sale needs to happen at eight times or more,” the first source said, since after accounting for taxes a sale at a lower multiple will not reduce its debt level.

“There is interest, but not at eight times [Ebitda].”

There was a report by sometime ago that Perry had won the auction, leading to premature congratulations from Perry’s “Madea” co-star Keke Palmer.

Weather Channel owner Byron Allen is also in the hunt, according to an inside source.

Meanwhile, private equity firm CVC Capital Partners — which partnered with Group Black, a media company that teamed with celebrities including Rapper 50 Cent and NBA legend Shaquille O’Neal — is out of the process, leaving Group Black looking for a well-funded partner, two sources said.

Canal+ To Acquire A 26% Stake In Hong Kong Based Streaming Platform VIU

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PCCW and Canal+ have announced a strategic partnership through which the French media giant will become a significant minority shareholder in PCCW’s Asian streaming service Viu.

Canal+ will make a staggered investment of $300M in Viu, including an initial investment of $200M, resulting in a 26.1% stake. It also has an option to make a further investment and turn that stake into a controlling 51%.

In a statement, Canal+ talked expansion opportunities and plans to collaborate with Viu on premium production:

During the year, the French company expanded their stake in MultiChoice beyond 30%. This move similar to VIU raises speculation of a possible takeover and should that be the case one has to wonder what would become of Showmax and VIU in South Africa if it's operated by Canal+.

"This new strategic partnership will enable the further growth of Viu, leveraging the global strength and expertise of Canal+ through various initiatives including collaboration on premium productions and content creation, expansion of global market reach for Viu, and continual user experience improvement. The partnership will allow Canal+ to take a major step in developing Asia as its next growth engine.”

Viu is one of Asia’s leading streamers with more than 66 million monthly active users (MAU) and 12 million paid subscribers across Asia, the Middle East and South Africa. The service, which operates a combined AVOD and SVOD model, consistently ranks as the top streamer in terms of MAUs across Southeast Asia and second in terms of subscribers.

It produces a wide range of local-language drama series and lifestyle programming, with a focus on Thailand, Indonesia and Malaysia, and was a first mover in the acquisition of Korean content. In 2022, Viu reported $250M in revenue, representing growth of 36% year over year.

Maxime Saada, Canal+ Group CEO, said: “Canal+ already has leading market positions in Europe and Africa. We are now looking forward to developing Asia as an additional growth engine for the group. Our investment in Viu is a major step towards achieving this goal. Viu is already a business with scale, with its hybrid AVOD and SVOD business model and focus on local content, it has all the ingredients to deliver superior growth and continue to be a leading service in the region and beyond.

Janice Lee, Viu CEO and PCCW Media Managing Director, said: “When we launched Viu, we had set our sights on creating and transforming our media business into an international play by tapping into larger addressable markets in Southeast Asia, the Middle East, and South Africa. Having created a robust streaming business, we are excited to have the addition of Canal+ as a strategic investor to further accelerate growth by drawing on Canal+’s global strength in premium productions, content creation and distribution expertise.”

BETA: Lost Youth Channel For The DStv Platform Has Surfaced The Net

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K-TV is a defunct kids brand operated by M-Net which was the pay-tv channel's first attempt in the kids market followed by Koowee which too were erased from existence. But during the timeline of these channels, there were reports that MultiChoice was planning to launch a rival brand to Disney Channel and Nickelodeon.

In a press statement about the channel:

DStv will be launching a new channel in July aimed at teenagers. According to channel head, Helen Smit, no one has really focussed on this audience. "National research tells us that this market has an estimated R6 billion in disposable income. And our internal research has revealed that that's the tip of the iceberg - these kids get spending money on top of their monthly allowances."

Not much was known about the channel at the time only that Helen Smit served as the channel head. She worked as a television producer for over a decade and is well known figure on Paramount, SABC and M-Net.

Just as you thought further details about the channel was lost you come across various graphic designs which was shared through Behance account.

Through this we know that the channel was called BETA as the logo appears on the proposed graphic designs. We also got to see some of the content that would have been seen on the channel including Gossip Girl, Rad Girls, Robot Chicken and Celebrity Rehab.

Although we may never know why this channel never launched as intended. We assume it may have to do with VUZU. Back when the channel was still on air, it was seen with some of this content and when you kind of look like at the channels do share a resemblance.

Honestly, if BETA had launched as intended it would have probably wind up like K-TV, Koowee and M-Net City brands which were popular amongst consumers but had their content build the lineup of another channel or in this scenario M-Net and Nickelodeon.

Recap To The Year: Da Vinci's Family Entertainment Has Been Undergoing Several Changes

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Da Vinci is a educational children's channel featuring a mix of live-action shows such as Operation Ouch, Animal Embassy and Treehouse Stories alongside animated shows such as Superhero Galore, Wild Kratts (currently seen on PBS Kids) and Doki.

It also offered a family oriented block featuring a lot of factual content and documentaries from Knowledge Kids, Discovery Science and National Geographic namely Genius and Future Human Al.

For several months, the company behind Da Vinci has been building its original portfolio with the recent rollout of Bear Grylls' celebrity tailored Becoming Xtraordinary with the slapstick comedy Fantastic Antics to rollout on the channel by the end of the year.

Aside from that, Da Vinci got rebranded during the year eliminating "Kids" from the name. It also led to a number of changes for its linear offering particularly the family offering catered to audiences aged 18 to 49 which has become a reruns graveyard for kids shows.

It doesn't come as a shocker considering not much investment was going onto that area of the channel for new content. Another was the hours in which the content was allocated as not a lot of households are tuning into those channels much less Da Vinci.

The phasing out of family from Da Vinci is similar in a way to the introduction of the 24 hour service for Cartoonito from Warner Bros Discovery as both channels are now tailed for preschoolers and taking on brands like Disney Junior, CBeebies and Nick Jr.

Unlike Da Vinci, Cartoonito doesn't create division amongst consumers as they have shows like Mr. Bean and Tom And Jerry shows which can pull a vast majority of Boomerang viewers while they adjust to shows such as Thomas And Friends and Batwheels.

SpongeBob SquarePants: Here Lies Squidward's Hopes And Dreams

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When I was younger I always thought that Squidward was a grumpy and mean character because of the way he always talks to his "friends". But as I got older I realise that Squidward wasn't that mean after all - it was SpongeBob.

You see countless scenes where he arrives or works at The Krusty Krab. He is annoyed at all of it when you get older working at jobs you don't like to pay the bills. You can almost relate to him in a way.

It's kind of absurd that us humans have to work our entire lives for money only to then just die. Us humans chase money almost like we're gonna bring it into the next life with us.

I order the food, you cook the food, then the customer gets the food. We do that for 40 years and then we die, sounds like pretty good deal to me. What do you say?, Squidward.

You start to sympathize with him, his character shows that he's tired of it all and the only time you ever see Squidward happy is when he's on vacation or away from people.

The reason Squidward is so mean to SpongeBob and Patrick is because they never leave him alone. Sure these two are very kind and caring individuals in a way but I understand Squidward's frustration with them. You gave to admit these two are very intolerable.

I understand Squidward as I too was an annoying individual as a child so I know what it takes to be an annoying person. It doesn't mean someone is a bad person because they are annoying.

They just treat SpongeBob like a brother to Squidward. He doesn't take no as an answer or know when to stop. He's basically can get on your nerves after a long day.

There's also a scene where Squidward arrives to a tombstone where it's filled with broken dreams.

It goes to show you that a lot of people have dreams that they haven't been able to achieve. This goes to show you that you should be able to chase your dreams don't end up like Squidward and work for a job you hate, grind for your dreams, it will take them but keep grinding and you'll get there.

Regular Nick Shorts: Cartoon Network And Max Acquired Rights To Lana Longbeard With Tara Duncan Loading Up On Disney Channel And Gamebox To Rollout A 60 Minute Ghostbusters Game

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Zephyr Animation

2D-animated comedy Lana Longbeard has landed its first presales, with Warner Bros. Discovery (EMEA), Super RTL (Germany), Gulli (France) and CBC (Canada) claiming it for their regions. Co-produced by Zephyr Animation (APC Kids’ production arm) and Canadian studio Copernicus, the 52 x 11-minute series for six to nines tells the story of a courageous teen girl who sets sail on her father’s viking ship on a quest to become a famous adventurer. APC Kids has the global distribution rights.

Superights

Animated adventure series Tara Duncan will be distributed worldwide (excluding China) by Paris-based Superights. Produced by Princess Sam Pictures and based on a 15-book series by Sophie Andouin-Mamikonian, this CG-animated show stars a girl who travels to a magical planet to learn how to control her powers and defeat evil villains. Princess Sam has already sold the first season (52 x 13 minutes) to buyers including Disney (France, Belgium, Japan, Africa and the Netherlands), Rai (Italy) and RTE (Ireland), and a second 52-ep season is currently in production.

Columbia Pictures Location Based Entertainment

Who you gonna call? A Ghostbusters VR game is in the works at Columbia Pictures Location Based Entertainment and Immersive Gamebox. Based in London, Immersive Gamebox operates experiential game rooms where content from popular entertainment brands is projected onto the walls for kids to interact with through touch-screens and motion-tracking. The techco is gearing up to launch a 60-minute Ghostbusters: The Cursed Collection game at its 20 locations in the UK, EMEA and US later this year. In the experience, kids will explore haunted streets and battle ghosts from the ’80s movie franchise.

Genius Brands International Becomes Kartoon Studios

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US-based children’s entertainment company Genius Brands International has changed its name to Kartoon Studios and will transfer its listing from the Nasdaq Capital Market to the NYSE American exchange.

The LA-headquartered studio, which owns the rights to certain IP created by comic book writer and Spider-Man co-creator Stan Lee, said the move heralds the label’s “next phase of growth” in the production, distribution and licensing of kids’ content.

The rebrand comes after the company has made several acquisitions over the past year, including taking a majority stake in Germany’s Your Family Entertainment, plus acquiring Canada’s Wow! Unlimited Media and its subsidiaries Frederator Studios, Frederator Network and Mainframe Entertainment.

“We now have capabilities to do everything in-house, from content creation to production, distribution and global merchandising,” said Andy Heyward, Kartoon Studios chairman and CEO.

Kartoon Studios produces content such as Shaq’s Garage for Pluto TV and Stan Lee’s Superhero Kindergarten for its own Kartoon Channel.

The company caused controversy earlier this year for using artificial intelligence (AI) technology to make shows like Kidaverse Fast Facts. As reported by C21, some children’s TV producers blasted the development as “horrifying” and “downright scary,” but the company defended the use of AI as a “digital assistant.”

The Walt Disney Company To Close 11 Channels In Taiwan, Could Africa Follow Perhaps?

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In 2021, The Walt Disney Company unveiled plans to close 100 international channels so there was a lot of fear for the Disney Channels in Africa following the closure of Disney XD and FOX but MultiChoice managed to secure rights for these brands through 2024.

Fast forward to 2023, The Walt Disney Company had confirmed the closure of more channels with consumers in Taiwan set to lose out on a number of brands including National Geographic, National Geographic Wild, Baby TV, Star Entertainment and Star World.

Disney+ launched in 2019 and has since then become a top priority for the blue brand. Not much investment is going onto Disney Channel or National Geographic as the brands being used to promote the bulk of content seen on the streaming service.

Following the demise of these channels in Taiwan, there's now a lot of fear for these channels in Africa and I know MultiChoice had managed to carry Disney Channel, Disney Junior, National Geographic and National Geographic Wild through 2024.

But for all we know these channels could go dark by the 31st December 2023 at 23:59 which rounds up to 2024 as seen in Taiwan. It had been speculated that most of The Walt Disney Company"s linear offering won't leave past 2025 in European territories.

Disney XD was terminated in Africa alongside the United Kingdom's Disney Channels in 2020 followed by FOX which saw the brand exit Germany, Asia and Africa by 2021. Now there's rumours swirling that the brand would be closing channels across Africa by early 2024.

Disney Branded TV & Disney EMEA Kicked Off Next 100 Years Of Toons At Annecy

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Disney Branded Television and Disney Europe, Middle East & Africa (EMEA) took to the stage at the Annecy International Animation Film Festival to announce new projects, debut sneak-peeks, and highlight the expansion of current hit series that are poised to usher in the next century of Disney storytelling.

Titled “The Next 100,” the presentation centered on both Disney’s storied legacy in animation, as well as how the company is creating the next generation of hits. Hélène Etzi, Country Manager & General Manager of Media for The Walt Disney Company France, opened the presentation with Orion Ross, Vice President of Animation for The Walt Disney Company EMEA, and Ayo Davis, President of Disney Branded Television, making several announcements.

Ross announced greenlights for the all-new preschool adventure series Magicampers, set to premiere globally on Disney+ and Disney Junior next year, and the original comedy series The Sunnyridge 3. He also gave attendees a first look at the official trailer for the sci-fi anthology Kizazi Moto: Generation Fire, premiering July 5 on Disney+ (check it out here). New episodes of fan-favorite Chip ‘n’ Dale: Park Life, coming later this year, were revealed, and the latest artwork for the upcoming EMEA originals The Doomies and Dragon Striker was unveiled.

Davis gave attendees a sneak peek of upcoming series and made several announcements, including the greenlight of Disney Junior’s Ariel, a new series inspired by The Little Mermaid. Executive producer Lynne Southerland answered questions onstage and previewed an early animation test featuring Ariel and fan-favorite character Flounder.

Davis also announced the new Disney Channel series StuGo, as well as renewals for four popular series: season four of Marvel’s Spidey and His Amazing Friends, season three of Firebuds, season three of The Proud Family: Louder and Prouder and season two of Kiff. She also shared sneak peeks of several animated shorts, along with other announcements (see below).

Ross and Davis commented: “We’re delighted to be in Annecy announcing our continued commitment to working with leading studios and creators here in France and across the globe, to bring new voices, universal stories and brilliant animation to kids and family audiences around the world.”

New Series Greenlights
Disney Branded Television

Disney Junior’s Ariel (Disney Junior)
Executive producer: Lynne Southerland
Producer: Ezra Edmond
Supervising Director: Kuni Tomita Bowen
Art Director: Chrystin Garland
Story Editors: Norma P. Sepulveda and Keith Wagner
Produced by: Wild Canary in association with Disney Junior

Disney Junior’s Ariel is an animated musical series for preschoolers inspired by the beloved story of The Little Mermaid. It follows eight-year-old mermaid princess Ariel as she and her friends embark on fun-filled, action-packed underwater adventures throughout their Caribbean-inspired fairytale kingdom of Atlantica and beyond. The series features fan-favorite characters, including King Triton, Ursula, Sebastian and Flounder, as well as exciting new additions like Ariel’s two best friends, mer-children Lucia and Fernie, and lots of other adorable sea creatures. The series is currently in production for a 2024 release across Disney platforms worldwide.

StuGo characters
StuGo (Disney Channel)
Creator/Executive Producer: Ryan Gillis
Co-Executive Producer: Sunil Hall
Story Editor: Craig Lewis
Produced by: Titmouse in association with Disney Channel

StuGo is an original animated series about six overambitious middle schoolers who are tricked into attending a fake academic summer camp by a mad scientist. Now they’re stuck for three months on a wild tropical island with mind-reading manatees, giant fighting fungi and fashion-forward mutants ― less academia than they’d hoped for, but a lot more adventure.

The newly announced cast includes Tania Gunadi as Pliny, Zosia Mamet as Merian, Gabourey Sidibe as Francis, Charlyne Yi as Larry, Zach Reino as Chip, Deborah Baker Jr. as Sara, and Lorraine Toussaint as Dr. Lullah.

Disney EMEA

Magicampers
Magicampers (Disney+)
Creator: Obie Scott Wade
Executive Producer: Sandrine Nguyen Tiet
Director: Daniel Dubuis
Writers: Ashley Mendoza, Simon Nicholson, Elizabeth Kamir
Produced by: Mikros Animation for Disney EMEA

Disney’s preschool original Magicampers follows the adventures of best friends Darly and Loomis at a day camp for magical creatures on a fantastical island. Darly is half-pig and half-Pegasus, Loomis is half-donkey and half-unicorn, and their young friends are also mythical mashups of all stripes. Every day they go on incredible journeys of discovery and dream of becoming legendary, having their stories told and retold for all time. At the heart of the series, Darly and Loomis will learn that becoming a legend isn’t about mastering magic powers or winning the biggest prize — it’s about understanding and accepting yourself and others and working together with all kinds of friends. The series stars a diverse young cast as the Magicampers, with Emmy Award winner Uzo Aduba (Mrs. America, Orange Is the New Black) as nature spirit and camp leader Treena.

THE SUNNYRIDGE 3 (Disney)
The Sunnyridge 3 (Disney+)
Creators: Stevie Gee and Essy May
Executive Producers: Chapman Maddox, Jen Coatsworth, James Stevenson Bretton, Jon Rutherford, Benjamin Lole
Director: Liz Whittaker
Head Writer: Jack Bernhardt
Produced by: Blink Industries and Boat Rocker for Disney EMEA

In the original comedy-mystery series The Sunnyridge 3, a trio of lifelong best friends investigate strange goings-on in a uniquely bizarre shopping center on the fringes of suburban London. Rose, Jeru and Wayne practically grew upat the Sunnyridge Mall, but this summer, the weirdness has gone to a whole new level. With their imaginations running wild, they will chase down any conspiracy theory no matter where it leads. Could it be werewolves, hauntings or an ancient curse? Robots, aliens or renegade AI? The trio will discover that the truth is always stranger than fiction in this unpredictable genre-bending mashup created by British team Stevie Gee and Essy May. Multiple award-winning U.K. animation studio Blink Industries (Dead End: Paranormal Park; Love, Death + Robots) produces, in association with multiple award-winning global entertainment company Boat Rocker (Dino Ranch, Love Monster).

Sneak Peeks
Disney EMEA

Kizazi Moto: Generation Fire (July 5 on Disney+) — See full coverage here.

The Doomies
The Doomies (Disney+)
Creators: Andrès Fernandez & Pozla (a.k.a. Rémi Zaarour)
Producer: Marc du Pontavice
Director: Andrès Fernandez
Head Writer: Henry Gifford
Produced by: Xilam Animation for Disney EMEA

When best friends Bobby and Romy mistakenly open a gateway to another world, they turn their sleepy coastal town into a hotspot for terrifying creatures of doom. Roped into an epic supernatural mystery, they will cross paths with the so-called “Chosen One” and do battle with both literal and inner monsters. The Doomies is a spooky comedy that combines thrills, chills and surprises with character-driven comedy from an odd couple of ordinary teens engulfed by extraordinary circumstances. Its fast-paced humor and high-stakes action take place in a quirky French town in the heart of Brittany, imagined with moody flair and graphic style.

Dragon Striker
Dragon Striker (Disney+)
Creator/Producer: Sylvain Dos Santos
Director: Charles Lefebvre
Head Writer: Paul McKeown
Produced by: Cybergroup Studios and La Chouette Compagnie for Disney EMEA

When the world’s most popular sport combines with magic, awesomeness escalates quicker than a dragon-powered strike! In this action-packed adventure full of comedy and high-stakes sports drama, elite players have magical signature moves they can use on the pitch. Twelve-year-old Key is a farm-boy fanboy who can only dream of entering the famous school where the greatest players train before joining the big leagues — until he discovers he has his own ultra-powerful spell and may even be the legendary Dragon Striker. Key joins a team of hapless underdogs who band together to take on the school champions, all the while fighting to prevent an ancient evil from resurfacing.

Disney Branded Television

The Wonderful World of Mickey Mouse: Steamboat Silly (July 28 on Disney+)
Executive Producer: Paul Rudish
Producer: Philip M. Cohen
Director: Eddie Trigueros
Produced by: Disney Television Animation

The beloved Emmy Award-winning The Wonderful World of Mickey Mouse shorts culminate with a final episode titled Steamboat Silly, which follows Mickey Mouse and his friends as they must stop hundreds of old film reel versions of Mickey from wreaking havoc all over town. The short will debut July 28 on Disney+ as part of Disney’s 100-year anniversary celebration.

Primos (Disney Channel)
Creator/Executive Producer: Natasha Kline
Producer: Philip Cohen
Supervising Director: Shaun Cashman
Story Editor: Karla Sakas Shropshire
Produced by: Disney Television Animation

From Emmy Award-nominated creator and executive producer Natasha Kline, Primos introduces Tater Ramirez Humphrey, an eccentric girl with big dreams, determined to find what makes her extraordinary. When her 12 chaotic cousins (“primos” in Spanish) move in for the summer, they help her discover her true self. The series is inspired by Kline’s childhood experiences with her extended multicultural Mexican American family.

The newly announced main cast includes Myrna Velasco as Tater Ramirez Humphrey; Melissa Villaseñor as Tater’s younger sister, Nellie Ramirez Humphrey; Michelle Ortiz as Tater’s mom, Bibi Ramirez Humphrey; and Jim Conroy as Tater’s dad, Bud Humphrey.

The recurring cast includes Angélica María as Tater’s grandmother, Buela; Liza Koshy as Tater’s friend, Serena; and cousins Becca Q. Co (Lotlot), Cristina Valenzuela (Tere and Toñita), Elizabeth Grullón (Lita), Jonathan Melo (Scooter), Sarah Tubert (Cookita), Natasha Kline (Gordita and ChaCha), Nomi Ruiz (Tabi), Rick Simon (Big Nacho and Cousin Bud) and Ryan Anderson Lopez (Nachito).

ZOMBIES: The Re-Animated Series
ZOMBIES: The Re-Animated Series (Disney Channel)
Executive Producers: Aliki Theofilopoulos, Jack Ferraiolo, Gary Marsh, David Light, and Joseph Raso
Producer: Melanie Pal
Supervising Director: Leah Artwick
Story Editor: Rachel McNevin
Produced by: Disney Television Animation

Meg Donnelly and Milo Manheim will reprise their roles as Seabrook’s star-crossed zombie/cheerleader couple, Zed and Addison, in Disney Branded Television’s next iteration of the hit ZOMBIES franchise. Fans can first catch the Seabrook crew in animated form in ZOMBIES: The Re-Animated Series Shorts, premiering Friday, July 21, on Disney Channel, Disney Channel YouTube and DisneyNOW, and thereafter on Disney+. Next, ZOMBIES: The Re-Animated Series, a new comedy-musical animated series, will premiere on Disney Channel.

ZOMBIES: The Re-Animated Series Shorts is an animated short-form series that continues the adventures of fan favorites Zed, Addison and the Seabrook crew from the hit ZOMBIES franchise. The shorts, which keep the spirit and jam-packed music of the movies, find the friends encountering new monsters — a carnivorous plant monster, horrifying mega-cricket and even evil clones — while dealing with school and new experiences like a never-ending summer time loop.

Reprising their roles are Ariel Martin, Chandler Kinney and Pearce Joza as werewolves Wynter, Willa and Wyatt; Carla Jeffery and Trevor Tordjman as cheerleaders Bree and Bucky; Jonathan Langdon as Coach; James Godfrey and Kylee Russell as zombies Bonzo and Eliza; and Terry Hu as outer space alien A-Spen.

Playdate with Winnie the Pooh
Playdate with Winnie the Pooh (Disney Junior)
Executive Producer: Chris Hamilton
Co-Executive Producer: Elise Fachon
Producer: Greg Chalekian
Director: Jojo Ramos Patrick
Produced by: OddBot Inc. in association with Disney Junior

Playdate with Winnie the Pooh follows a young Pooh Bear as he enjoys playdates with his friends. Set in the exciting outdoors of the Hundred Acre Wood, these musical shorts emphasize collaborative play and the joy of spending time with others. Playdate with Winnie the Pooh is set to debut this summer in the U.S. and will then rollout globally.

Disney Junior Wonderful World of Songs (Disney Junior)
Executive Producer: Chris Hamilton
Co-Executive Producer: Elise Fachon
Producer: Greg Chalekian
Director: Henry Dalton
Produced by: OddBot Inc. in association with Disney Junior

These musical shorts for preschoolers celebrate the heritage of Disney with classic characters and songs from beloved movies, series and attractions that highlight the wonder and magic of the iconic brand. Performed by popular musical artists Rob Cantor and Genevieve Goings (Disney Junior Nursery Rhymes), the shorts feature reimagined versions of classic songs, including “Circle of Life” from “The Lion King,” “You Can Fly!” from “Peter Pan,” “How Far I’ll Go” from “Moana” and “It’s A Small World.” The shorts will begin airing on Disney Junior and Disney+ in the U.S. this summer as part of Disney’s 100-year anniversary celebration.

Series Renewals
Disney EMEA

Chip ‘N’ Dale: Park Life New Episodes (Disney+)
Producer: Marc du Pontavice
Directors: Jean Cayrol, Frédéric Martin, Khalil Ben Namaane
Head Writer: Nicole Paglia
Produced by: Xilam Animation for Disney EMEA

Chip ‘n’ Dale: Park Life stars Disney’s much-loved chipmunk underdogs in a nonverbal, classic-style comedy, following the ups and downs of two little creatures living life in a big city park. Combining the traditions of slapstick cartoons with contemporary, comedic character-driven narratives, season two introduces huge new adventures for the two tiny troublemakers. Nervous worrier Chip and laid-back dreamer Dale are joined in their perpetual pursuit of acorns by Donald, Pluto, Butch and other iconic Disney characters as they face down bullies, great and small.

Disney Branded Television

Marvel’s Spidey and His Amazing Friends Season 4 (Disney Junior)
Executive Producer: Harrison Wilcox
Co-Executive Producers: Bart Jennett and Chris Moreno
Co-Producer/Story Editor: Becca Topol
Supervising Producer: Steve Grover
Produced by: Disney Junior and Marvel Studios in association with Atomic Cartoons

The first full-length Marvel series for preschoolers, Marvel’s Spidey and His Amazing Friends follows the adventures of Peter Parker, Gwen Stacy and Miles Morales as they team up with Iron Man, Hulk, Ms. Marvel and Black Panther to defeat foes like Rhino, Doc Ock and Green Goblin and learn that teamwork is the best way to save the day. Season four of the hit series will once again introduce even more new heroes and baddies for the Spidey team to interact with and be part of their adventures.

Firebuds Season 3 (Disney Junior)
Creator/Executive Producer: Craig Gerber
Producer: Craig Simpson
Supervising Director: Robb Pratt
Co-Story Editors: Krystal Banzon and Jeremy Shipp
Produced by: Disney Television Animation

From Emmy Award-winning creator and executive producer Craig Gerber (Elena of Avalor, Sofia the First), Firebuds is a music-filled series following a team of young kids who are the children of first responders, and their talking vehicle sidekicks, as they embark on adventures together and learn what it truly means to be a hero. Season three of the series will feature a water rescue theme.

The Proud Family: Louder and Prouder Season 3 (Disney+)
Creator/Executive Producer: Bruce W. Smith
Executive Producer: Ralph Farquhar
Co-Executive Producer/Story Editor: Calvin Brown, Jr.
Co-Executive Producer: Latoya Raveneau
Producer: Jan Hirota
Produced by: Disney Television Animation

The Emmy and NAACP Award-winning The Proud Family: Louder and Prouder revival follows the adventures and misadventures of 14-year-old Penny Proud and her Proud Family as they navigate modern life with hilarity and heart. The 2020s bring new career highs for mom Trudy, wilder dreams for dad Oscar and new challenges for Penny. Penny’s friends return, including Dijonay, LaCienega, Zoey and Michael, along with a couple of new faces, Maya and KG. Penny’s Suga Mama also returns, ready as ever to dispense tough love or a gentle hand whenever Penny needs it.

Kiff Season 2 (Disney Channel)
Creators/Executive Producers: Lucy Heavens and Nic Smal
Co-Producer/Story Editor: Kent Osborne
Producer: Winnie Chaffee
Produced by: Titmouse in association with Disney Channel

From South African creators and executive producers Lucy Heavens and Nic Smal, Kiff follows an optimistic squirrel, Kiff, and her chill bunny bestie, Barry, as they navigate school, relationships and their often-eccentric community in Table Town, a world where animals and magical oddballs tackle day-to-day life together. Inspired by the people and places Heavens and Smal experienced when they were growing up in Cape Town, each half-hour episode, comprised of two 11-minute stories, includes a new original song.