TNT Novelas Expands To More Parts Of Latin America, Kills Off TBS

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During the year, Turner Network Television, Inc. a subsidiary of Warner Bros. Discovery had trademarked a new brand, TNT Novelas. The channel rolled out in place of TNT Series which had since then inherited a number of soap operas from Turkey and Colombia.

As seen through various pay-tv outlets, the general entertainment channel TBS similar to family brand Boomerang earlier in the year in parts of Europe is being phased out for a more productive brand, TNT Novelas.

Sources site the cutback of original programming on TNT, Cartoon Network and TBS in the United States as one of the contributing factors of TNT Novelas which is expected to takeover the TBS brand name across Latin America (including Brazil) from June 26.

Another being the newly launched Max streaming service in which Warner Bros. Discovery is prioritising the original programming and leaving brands like Cartoon Network to promote the existing batch of content from the streaming service.

In other developments, Warner Bros. Discovery has been phasing out TNT across Europe for Warner TV. Of course, the TNT brand name was revived as a sports channel in the UK on top of that these changes have yet to take affect in the African market.

Afrikaans Voice Actors For Roekeloos Dade, Annekan Die Swa Kry And Ramo

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Roekeloos
Dade (Hayat Sarkisi)
Roberto Kyle as Kerim Cevher
Rene Cloete as Hülya Çamoglu
Melanie Scholtz as Melek
Pierre Nelson as Hüseyin Cevher
Margit Meyer-Rödenbeck as Süheyla Cevher
Anja Taljaard as Filiz
Dee Theart as Nilay
Helena Baard as Bade Cevher
Chante Crainger as Ceylan
Liande Valentyn as Nürgul

Annekan Die Swa Kry (Kardeslerim)
Melissa De Vries as Sengül
Megan Spencer as Nebahat
Richard Van Die Westhuizen as Akif Aktul
Talitta Jameson as Asiye
John Koopman as Ogulcan
Marunzo Thomas as Kadir
Curtley Pitt as Mazlum
Anna Louise Bischoff as Harika
Zaan Du Toit as Suzan
Melissa Myburgh as Melisa
Christian Schoeman as Berk
Hunter Plaatjies as Aybike Eren

Additional voice actors: click here 

Ramo
Hein De Vries as Ramo
Veronique Jephtas as Sibel
Keenan Herman as Alpay
Christian Bennett as Kasak
Anrich Herbst as Yavuz
Craig Adriaanse as Sakik
Jacques Theron as Hale
Grace Pienaar as Neslihan
Abdurgaman Adams as Süleyman
Jill Levenberg as Kerimak
Sanchia Davids as Afet
Hein Poole as Bücür
Rushney Ferguson as Fatos
Basil Appolis as Ismail
Maria Van Die Almeida as Cavidan
Jurgen McEwan as Docak
Nethanel Swartz as Arap
Celeste Matthews as Sebanat
André Samuels as Durdu

Recap To The Month: Showmax Acquired Broadcasting Rights To Berry And The Big City

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Toronto-based WildBrain has closed several broadcast sales for 2D-animated series Berry in the Big City (120 x four minutes), as well as signing new licensing partners for the Strawberry Shortcake consumer products program.


Portuguese/Spanish preschool channel Canal Panda has acquired the first three seasons of the 2D-animated series, along with four 44-minute seasonal specials, with French AVOD platforms TFOU MAX and MYTFI and Polish preschool net MiniMini+ picking up seasons one and two, and Paramount’s AVOD Pluto TV, Africa’s SVOD Showmax and LA-based AVOD Kanopy buying just the first season.


Meanwhile, WildBrain CPLG is moving Strawberry Shortcake into the spotlight with a series of strategic licensing deals. In addition to the iconic character being Funko-ized in the collectibles category, A Leading Role has signed up for costumes, SkinnyDip for phone cases and Diamond Art Club for crafts.


Houston-based cosmetics company Hunnideux will also create character-inspired make-up palettes for the US market, with Florida’s Little Bird Bamboo releasing matching “mommy & me” apparel sets, and American clothing retailer Hot Topic launching a new Strawberry Shortcake collection spanning apparel, accessories and footwear.


The Strawberry Shortcake franchise is experiencing a new surge in popularity, according to The Insights Family. During the last quarter, the UK-based research firm ranked Strawberry Shortcake as the sixth most popular character with kids ages six to nine in the US, putting it ahead of the likes of Harry Potter, SpongeBob SquarePants and Barbie.


SuperSport To Launch Sports Betting Site In South Africa With SuperSportBET

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In a big move for sports betting punters, Multichoice has shown their hand by unveiling their plans to enter the gambling industry, accompanied by the launch of an innovative payment platform. They announced these plans at their Capital Markets Day. The company's foray into the world of gambling is set to disrupt the industry and provide South Africans with an unparalleled gaming experience.

SuperSportBet Mobile South Africa

The decision to venture into the gambling sector comes as no surprise, considering the significant growth and revenue witnessed by the industry in recent years. Multichoice aims to tap into this market by providing a comprehensive gaming platform that combines cutting-edge technology, a user-friendly interface, and a wide range of betting options.

SuperSportBET to Accompany SuperSport

The newly unveiled Multichoice gaming platform, named SuperSportBET, promises to revolutionise online gambling in South Africa. With an extensive selection of sports betting opportunities and experiences, the platform will cater to a diverse audience, like its broadcasting counterpart.

SuperSportBet is the Sports Betting Platform by MultiChoice South Africa

Possibly complementing its venture into the gambling industry, Multichoice has also introduced an innovative payment platform, Moment. This payment platform is designed to streamline transactions in South Africa. This state-of-the-art payment system prioritises user convenience, offering seamless and secure transactions for both deposits and withdrawals. Online gambling payment methods are something every South African considers before creating an account to place sports bets.

Multichoice Acquired KingMakers

KingMakers has been hugely successful in Nigeria's iGaming and sports betting industry. Multichoice acquired a 49% stake in KingMakers in 2022. With KingMakers’ past experience in the sports betting industry, it’s almost guaranteed that SuperSportBET is going to be a great experience for fans of sports betting.

Add to this the fact that SuperSportBET will be able to get exposure to the SuperSport audience, and the potential is massive. If SuperSportBET offers betting on the same sheer amount of sports that is broadcast on SuperSport, there is going to be betting options for everyone.

What Sports Will SuperSportBET Offer Bets On?

SuperSportBET has not said what sports you will be able to bet on through their platform. But based on what we’ve seen in the sports betting industry over the past five years, we predict these sports will be on offer:

Rugby

Cricket

Soccer

Tennis

Golf

Basketball

Ice Hockey

Football

Table Tennis

Volleyball

MMA

Formula 1

Boxing

eSport

Snooker

Darts

Horse Racing

And probably a whole lot more.

Not everyone is confident that Multichoice will be able to handle a sports betting platform:

“Multichoice will find a way to mess it up... Gambling is very competitive and cut throat, neither market condition is something multichoice knows how to operate in.” said one user on the MyBroadband Forums.

It’s exciting times if you are a South African sports betting enthusiast. Upon launch, SuperSportBET is sure to have great welcome bonuses, no deposit bonuses and more.

Zee And Sony Merger Expected To Be Completed By September

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The anticipated merger between Sony Pictures Networks India (SPNI) and Zee Entertainment Enterprises Limited (ZEEL) is expected to be completed by the first half of the current fiscal year ending March 31, 2024, Sony Corp CEO Kenichiro Yoshida said during the company's annual corporate strategy meeting last week.

"By the end of the first half of this fiscal year, we are trying to complete the merger with ZEEL," Yoshida said, adding that the Indian media and entertainment (M&E) market is ripe for accelerated growth due to its large population and the creative talent that exists in the country.

"India has become the most populous country globally. There are so many growth opportunities in India, especially in entertainment. India is a creative country, and it has become the biggest producer of films since 2005," he said. Yoshida also noted that half of India's population is below the age of 30. This, he said, presents a huge opportunity in areas like anime and gaming. "There is great potential for growth in India in these areas," he added.

Apart from Yoshida, the meeting was also addressed by Sony president, COO, and CFO Hiroki Totoki; NP Singh, MD of SPNI, also gave a presentation on the opportunities in the Indian M&E market and the progress made by the company in its 2.5 decades of existence in the country.

Totoki noted that Sony began its journey in India with electronics and later expanded into entertainment. "Now, the proportion of entertainment is bigger than electronics in India. We feel that this is a compelling market," he said.

The Real Life Story Of Disney's The Little Mermaid

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The Little Mermaid, a tale that endured over the centuries


This story is certainly one of the most popular cartoons of the 1990s and 2000s. Ariel, a young mermaid, dreams of becoming human and living on the surface herself. With the help of her friend, she disobeys her father King Triton, and trades her precious voice for a pair of legs with the witch Ursula. But once on land, the young woman, who finds the sailor she has fallen in love with, Prince Eric, must succeed in making him fall under her spell in less than three days without the help of her voice. Should she fail, she would end up damned by the witch’s curse. Only a true love’s kiss can save her, and the whole plot of the film leads viewer to hope for a happy ending, which eventually comes.


At least, this is Disney’s 1989 version. And also the one the studio has chosen to use for the release of a live-action version of The Little Mermaid, due May 2023.


The Little Mermaid, a not-so-fairy story


Although Disney opted to make it a love story, this very much not the plot of the original story as written by Hans Christian Andersen. In fact, in 1837, the author of the Danish tale published Den Lille Havfrue (The Little Mermaid), a story that is very different from the one retold by the animation studio. In the original tale, the Little Mermaid fell under the spell of a human whom she saves from drowning, but unlike Disney’s adaptation, she was not driven to wish for legs out of curiosity for life on earth, or her love for the princes. In Andersen’s story, the young mermaid learns that the souls of humans are eternal and decides to go to the witch to get legs so that she too can acquire this “ability” by marrying a human. Once again, the Danish author’s story is much less squeamish than Disney’s: the Little Mermaid has her tongue cut out by the witch and the “creation” of her legs is so painful that every step she takes feels as if she is being “pierced by knives.”


Similarly, you’ll find no “happily ever after” for Hans Christian Andersen. The prince falls in love with another woman, and decides to marry her, so Ariel knows she is doomed to have her heart broken, literally, and to be turned into sea foam. In a fit of despair, urged on by her sisters, the young woman decides to stab Prince Eric, her only means of breaking her curse and becoming a mermaid again. But at the last moment, Ariel finally decides to spare him. As she throws herself into the sea, ready to accept her fate, she joins a metaphorical paradise, “the women of the air,” as a reward for her good deed.


No great love story, then. Hans Christian Andersen portrays a young woman who idealises her future and sacrifices everything to get there, without taking into account the risks and warnings. It is not her love for the prince that drives her to leave the ocean, but her desire to be immortal.


The Little Mermaid, a work forever linked to Copenhagen


Hans Christian Andersen died in Copenhagen in August 1875 after leaving his mark on the capital and on Danish culture. Although he may have been mocked by his peers during his lifetime, this great friend of Charles Dickens enjoyed worldwide success in posterity. The Danish capital erected many statues of the author, such as the one in Rådhuspladsen Square or the one at City Hall, but also of his most popular work: The Little Mermaid. In Copenhagen harbour, not far from Churchill Park, there is a bronze statue of the famous character in the waters of the Kattegat.


Outside the capital, you can also visit the writer’s childhood home in his home town of Odense. In the south of the country, in the heart of the Efteling amusement park, the Fairy Tale Wood features many of the local hero’s works in their original setting.


NCPD And Marvel Unite For Call To Celebrate Youth With Disabilities

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The National Council of and for Persons with Disabilities (NCPD) today announced that it has joined forces once again with The Walt Disney Company Africa to bring awareness to and celebrate children and youth across the country.

Inspired by the Marvel retail campaign of the same name, the Marvel Heroes Unite initiative kicks off this month with a call for all South Africans to show their support for youth with disabilities. From 16 May 2023, fans are able to purchase specially branded wristbands from www.ncpd.org.za for R30.00 each.

On Youth Day, 16 June 2023, those who have purchased the wristbands are invited to wear them, showing their support and celebration of inclusion and equity for children and young persons with disabilities. Schools in particular are invited to show their support with learners encouraged to wear their wristbands on 15 June 2023, with a chance to win prizes for both the schools and individual learners. Wristbands will be available to purchase throughout the remainder of 2023.

Participants are welcome to share their support on social media by using the hashtag #NCPDHeroesUnite #Marvel and tagging @vavaiyouth on Facebook, Instagram and TikTok. It is through these channels that you can enter the photo competition with fabulous prizes to be won.

Driven by the youth-focused project of the NCPD, Vava iYouth, the campaign seeks to further build on the long-term objective of facilitating full economic and social participation, rights and enjoyment for youth with disabilities. Funds raised from the campaign will go towards funding, education and training, as well as seeking opportunities for self-representation for this sector of the population. Ultimately, the long-term goal is ensuring that youth people with disabilities have equal access to resources and opportunities, leading to meaningful and fulfilling participation in society.

“Marvel Super Heroes showcase attributes such as heroism, relatability and community, with an openness in an interconnected world,” says Luke Roberts, General Manager, Consumer Products, Games and Publishing, The Walt Disney Company Africa Consumer. “We are excited to lend our support to the NCPD, after two successful collaborations under the Disney Princess banners, and bring this powerful campaign to life, all in an effort to showcase and celebrate young South Africans with disabilities.”

“The Heroes United campaign is a reminder that when we join in unity we can achieve great things and make the world a better place for everyone. It demonstrates that age, gender, race or ability do not have to be barriers to working together towards a common goal. Indeed, real life heroes do exist, they are ordinary people who show kindness and who are not afraid to advocate for social justice. So, let’s stand hand-in-hand and work to create an inclusive society that values and celebrates diversity.” Ado Bakasa, NCPD Coordinator Youth Affairs: Vava iYouth.

Inspired by the diverse, heroic, inspirational Marvel Super Heroes, the campaign seeks to show that the attributes that make the characters who they are – strength, endurance, kindness, courage, etc. – are found in all of us. In addition, it is when our characters unite that they are able to overcome all obstacles. Retailers are currently celebrating Marvel Heroes Unite across the country.

Marvel Heroes Unite wristbands are available online at https://ncpd.org.za for R30 and bulk orders are available to organisations and schools who would like to support. All funds will go directly to the NCPD.

"Becoming Xtraordinary": Da Vinci And Bear Grylls Debut Trailer For New Docuseries

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Global family entertainment streamer Da Vinci and Bear Grylls‘ production company BecomingX have debuted the first trailer for docuseries “Becoming Xtraordinary.”

The series features interview-driven stories of success from Julia Roberts, Roger Federer, Courteney Cox, Channing Tatum, Olympic gold medallists, Nobel laureates and more. Co-produced by Chrome Productions, “Becoming Xtraordinary” comprises three seasons of 10 episodes each, all presented by Grylls and guided by in-studio hosts Mwaksy Mudenda (“Blue Peter”) and YouTuber Evan Edinger.

The first season will premiere on May 28 and will be available across Da Vinci’s linear and video-on-demand platforms.

Grylls said: “There are no shortcuts to success, but there are some secrets. We wanted to create a series where families around the globe can hear first-hand from some of the world’s greatest achievers and realize that they too can attain extraordinary things.”

Estelle Lloyd, Da Vinci co-founder, COO, and series executive producer, added: “We fill a gap in the market by offering real-life, inspirational content that families can enjoy together. We strongly believe that what it takes to achieve your ambitions is often influenced by entertainment.”

Vice, Home To Dark Side Of The Ring And F**k That's Delicious On eXposed Files For Bankruptcy

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Vice Media filed for bankruptcy on Monday, punctuating a yearslong descent from a new-media darling to a cautionary tale of the problems facing the digital publishing industry.

The bankruptcy will not interrupt daily operations for Vice’s businesses, which in addition to its flagship website include the ad agency Virtue, the Pulse Films division and Refinery29, a women-focused site acquired by Vice in 2019.

A group of Vice’s lenders, including Fortress Investment Group and Soros Fund Management, is in the leading position to acquire the company out of bankruptcy. The group has submitted a bid of $225 million, which would be covered by its existing loans to the company. It would also take over “significant liabilities” from Vice after any deal closes.

A sale process follows next. The lenders have secured a $20 million loan to continue operating Vice and then, if a better bid does not emerge, the group that includes Fortress and Soros will acquire Vice.

Still, the dreams that Vice executives once had of a stock market debut or a sale at an eye-popping valuation have been wiped away. The company was considered to be worth $5.7 billion at one point.

Investments from media titans like Disney and shrewd financial investors like TPG, which spent hundreds of millions of dollars, will be rendered worthless by the bankruptcy, cementing Vice’s status among the most notable bad bets in the media industry.

Like some of its peers in the digital-media industry, including BuzzFeed and Vox Media, Vice and its investors bet big on the rising power of social media networks like Facebook and Instagram, anticipating they would deliver a tide of young, upwardly mobile readers that advertisers craved.

Though readers came by the millions, new media companies had trouble wringing profits from them, and the bulk of digital ad dollars went to the major tech platforms. Last month, BuzzFeed shut down its namesake Pulitzer Prize-winning news division after going public at a small fraction of its earlier valuation, and Vox Media earlier this year raised money at roughly half its 2015 valuation.

“There are definitely commonalities in the hardships media organizations have been facing and Vice is no exception,” said S. Mitra Kalita, the founder and publisher of Epicenter-NYC, a community journalism company based in Queens. “We now know that a brand tethered to social media for its growth and audience alone is not sustainable.”

Bankruptcy records filed Monday show that Vice is made up of a web of companies associated with its various businesses, including Pulse Films and Carrot Creative, an ad agency. The filings say Vice has outstanding debt of $834 million, dwarfing the amount Vice was recently in talks to sell for.

They also show Vice owes some of its biggest business partners millions of dollars. The company said it owed Wipro, an information technology firm, nearly $10 million. Justin Stefano, one of the co-founders of Refinery29, is owed more than $500,000, according to the filings. And Davis Wright Tremaine, a law firm that has represented Vice, has a claim of more than $300,000.

The bankruptcy filing will give the company some relief from its onerous debt load as its lenders, including Fortress, seek to salvage their investments. Vice Media raised a $250 million loan from Fortress and Soros Fund Management in 2019 as it struggled to make a profit. It has been in default on that loan for months. “It’s the lender coming in and saying, ‘I’m done funding the losses — if I’m going to fund the losses, I’m going to take control of the company,” said Eric Snyder, chairman of bankruptcy at the law firm Wilk Auslander. “It’s not unusual for the lender to come in and tell the debtor, the borrower, ‘You’re putting this into bankruptcy, you’re going to make a motion to sell, we’re going to put in a first bid.’”

Fortress sees a continuing role at Vice for Shane Smith, the brash co-founder who became synonymous with the company’s gonzo journalism from exotic locales and oversaw a boundary-pushing culture that was rife with allegations of sexual harassment, according to a person familiar with the matter. Hozefa Lokhandwala and Bruce Dixon, co-chief executives at Vice, will also stay on.

According to the terms of Vice’s bankruptcy loan, the company has 55 days to complete a sale. In documents filed with the bankruptcy court, Vice said that the timeline to sale, “while tight,” is necessary “to best position the company to survive as a going concern.”

In a statement, Mr. Dixon and Mr. Lokhandwala said that the bankruptcy sale would ultimately “strengthen the company.”

“We look forward to completing the sale process in the next two to three months and charting a healthy and successful next chapter at Vice.”
The bankruptcy is a moment of humility for Vice, which a decade ago appeared destined to sell for an eye-watering sum or make its debut on the public markets. In the 2010s, Vice raised piles of money from traditional media companies, which it had assailed for growing complacent. The company sold advertisers and investors on its ability to reach young millennials who were hungry for an alternative to its corporate rivals, delivering you-are-there dispatches from North Korea and Liberia without the decorum of the mainstream news media.

Shane Smith, left, with the former Vice chief executive, Nancy Dubuc. Mr. Smith, the brash co-founder of Vice who became synonymous with the company’s gonzo journalism, will continue on as an adviser.

But the harsh realities of digital publishing caught up with Vice, and things went sideways. In 2017, the company raised $400 million from the private equity firm TPG in a deal code-named “Project Venus” that valued the company at $5.7 billion. But the cash infusion saddled Vice with financial obligations if it didn’t hit aggressive profitability targets, and it eventually became an albatross for the company. Later that year, The New York Times and other outlets published investigations into allegations of sexual harassment at the company, kicking off a crisis at Vice that shook confidence in its management.

Mr. Smith replaced himself as chief executive of the company, appointing Nancy Dubuc — a longtime TV executive at A&E who shepherded hits like “Duck Dynasty” — to oversee the sprawling Brooklyn-based media empire. Investors hoped Ms. Dubuc would sell the company or take it public, and she made repeated attempts.
The latest took place this winter, a sales process that drew interest from several potential suitors. Antenna Group, a Greek media company that has done business with Vice before, expressed interest in acquiring it, but a deal never materialized. Ms. Dubuc left in February, with no buyer in sight and without achieving her long-stated goal of consistently turning a profit at Vice.

The situation got worse last month. The company laid off employees after Antenna stopped making payments to Vice for a production deal worth hundreds of millions of dollars. The cuts included employees at Vice World News, the company’s global reporting initiative, after it became clear those efforts were no longer financially viable.
Alex Detrick, a spokesman for Antenna and the former chief communications officer for Vice under Mr. Smith, declined to comment.

Ms. Kalita of Epicenter-NYC, who also co-founded URL Media — a network of media outlets owned by Black and brown people that share content and advertising — said Vice’s bankruptcy was a reminder to founders to develop many different kinds of businesses beyond just advertising.

“I think even those of us running profitable media start-ups now,” Ms. Kalita said, “are thinking more carefully about growth and making sure we can continuously define our audience and the value we represent to them.”