The Controversial Life Of American Actor Mark Salling

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Mark Salling was an American actor and musician who is best known for appearing on hit TV series Glee. The star died at the age of 35, weeks before he was due to be jailed after pleading guilty to two child pornography charges.

Who is Mark Salling?
Mark Salling was born in Dallas, Texas, on August 17, 1982, and was raised in a "strict Christian home".

He graduated from high school in 2001, before attending the Los Angeles Academy College of Music, where he gave guitar lessons to make a living.

After roles in films Children Of The Corn IV and The Graveyard, Salling was cast in the TV show Glee in 2008, playing American football star Noah "Puck" Puckerman.

During his six seasons on the show, his performances led to Salling being nominated for a Teen Choice Award for male Breakout Star.

What were the child porn charges faced by Mark Salling?
On October 4, 2017, Salling pleaded guilty to two counts of child pornography.

Police found 50,000 "sexually charged" images on the 35-year-old's computer, including pictures containing a pre-pubescent child.

While he was initially facing 20 years jail time, TMZ reported that prosecutors were looking for a sentence of between four and seven years with 20 years of supervised release.

Salling agreed to compensate the children in the photos to the tune of $50,000 each.

He was also required to enter a sex offender treatment programme as part of his plea deal.

The actor was initially caught after police were reportedly tipped off by one of the star's ex-girlfriends and he was arrested on December 29, 2015, but later released on $20,000 bail.

He was charged with receiving and possessing child pornography on May 27, 2016.

The case was referred to federal authorities after investigators realised the scope of the collection.

Lieutenant Andrea Grossman, commander of the LAPD Internet Crimes Against Children Task Force, said: "It doesn’t matter who you are or what you do, if you hurt a child you will be held accountable."

She added: "These images are more than photographs, they are child abuse."

What was Mark Salling's cause of death?
On January 30, 2018, TMZ reported that Salling had taken his own life, just weeks before he was due to be jailed over child pornography charges.

His lawyer confirmed the death of the actor, who was found dead in a field close to where he lived and near a baseball field after a "welfare check" 911 call at 8.50am.

TMZ reported that a family member reported Salling missing at 3am on Tuesday, January 30.

According to the website, he was found hanged, with a coroner confirming in February 2018 his death was due to "asphyxia by hanging, suicide".

In a statement given to The Blast his family said: "Mark was a gentle and loving person, a person of great creativity, who was doing his best to atone for some serious mistake and errors of judgement.

"He is survived by his mother and father, and brother. The Salling family appreciates the support they have been receiving and asks for their privacy to be respected."

TMZ also reported that the actor had cut both his wrists in a suicide attempt weeks before his guilty plea.

He reportedly "freaked out" and called for his roommate, who contacted the emergency services.

Salling was rushed to hospital and taken to a rehab facility a few days later.

What did Mark Salling's ex girlfriend say about his death?
Actress Georgie Leahy was with Mark right up until his arrest for child-pornography.

She said she was having a manicure when the news broke.

"I collapsed in the nail salon," Leahy told The NY Post.

"What happened with Mark evoked so many complex feelings," she said.

"I didn't feel like I had permission to hurt because of everything he was accused of."

This was originally published by The Sun

Vivendi Board Gives Go-Ahead For Business Split & Sets December Shareholder Vote; Former Paramount CEO Bob Bakish To Join Canal+ Board

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Vivendi‘s plan to split its business in three has gotten board approval and will be taken to a shareholder vote on December 9. Should it go ahead, former Paramount Global CEO Bob Bakish will take a seat on the Canal+ board.

The board has approved the resolutions that will be submitted to shareholders to vote on whether Canal+, ad business Havas and publishing house Louis Hachette Group should separate.

Should the demerger go ahead, Canal+ will begin trading with debts of €400M ($433M) and have a corporate team led by Yannick Bolloré, Chairman of the Supervisory Board, and Maxime Saada, Chairman of the Management Board and CEO. Jacques du Puy and Anna Marsh will both be Deputy CEO, and Amandine Ferré will be CFO.

Board members will include Bolloré, Arnaud de Puyfontaine and, intriguingly, U.S. entertainment veteran Bakish, who has been lying low since his exit as CEO of Paramount earlier this year in April. Bakish will comprise one of eight independent members on the 12-strong board.

The Canal+ and Louis Hachette elements of the split will require two-thirds majorities, while the Netherlands-based Havas part will just need a majority. This is due to the changes that will impact the corporate structures of the different businesses.

Should the plan get shareholder approval, the three businesses would begin trading separately on December 16. Each individual stake owner would see shares allotted on a one-to-one bases. In effect, each Vivendi shareholder who participates in the spin-off will receive one Canal+ share, one Havas share and one Louis Hachette Group share, while retaining their Vivendi share.

Under the new structure, Canal+ would be listed in the UK, Havas in the Netherlands and Louis Hachette on Euronext. Each company would operate separately with a “decision-making center of their activities, as well as their operational teams, in France.” Vivendi would remain on Euronext Paris.

Afrikaans Voice Actors For Blink Kant Bo And Op Dun v

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Cartoon Network Celebrates Teen Titans GO! 400th Episode Milestone In November

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The special stop-motion animated episode is set to premiere across all Cartoon Network global markets on 30th November.

Teen Titans Go!, the longest running animated series in DC history, is celebrating its 400th episode with a special global roll out across Cartoon Network on Saturday 30th November.

Festivities for the Warner Bros. Animation series officially kicked off at New York Comic Con with a special panel featuring executive producer and showrunner, Pete Michail, and the entire voice cast – Tara Strong (Raven), Greg Cipes (Beast Boy), Khary Payton (Cyborg), Hynden Walch (Starfire) and Scott Menville (Robin). Fans in attendance were treated to a special early screening of the 400th episode which comically features the Titans fighting for their television lives after Superman, in an effort to get their show cancelled, banishes them to the world of stop-motion animation.

Beginning in November, fans can join in on the 400th episode celebration with Cartoon Network hosting Teen Titans Go! dedicated programming on its channels across the US and EMEA. Cartoon Network on-air schedules will feature a takeover for the entire month of November airing ‘Every Episode Ever’ of Teen Titans Go!. The network takeover will also feature all-new custom promos, bumps and idents on-air, all culminating in the 400th episode special, premiering on 30th November.

Cartoon Network’s bespoke Roblox experience – Cartoon Network Game On! – has also launched two new mini-games in celebration of the 400th episode special, titiled Teen Titan Go! Treasure Hunt and Teen Titans Go! Capture the Flag. In Teen Titans Go! Treasure Hunt, users race against the clock to help the Teen Titans find some of their most treasured items that the heroes have lost, unlocking exclusive rewards in the process. Teen Titans Go! Capture the Flag brings the highly popular Roblox game mechanic into the world of Teen Titans Go!. The game will feature the five Teen Titans and also characters from The H.I.V.E Five. Both in-game activations are now live.

The celebration will continue into the new year when Beast Boy: Lone Wolf, an all-new short-form animated series, will premiere across Cartoon Network’s on-air channel and digitally via its YouTube channel in the UK this month, and in EMEA in 2025. Produced by Hanna-Barbera Studios Europe, Beast Boy: Lone Wolf is a series of action-comedy shorts following Beast Boy as he embarks on his first solo adventure to prove he can be a superhero without the Teen Titans. With every episode dedicated to a new villain for Beast Boy to fight, the series is sure to delight fans.

Disney Jr. Announces New Animated Series Marvel’s Iron Man and His Awesome Friends

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Disney Jr. announced the greenlight for Marvel’s Iron Man and His Awesome Friends, the first preschool Iron Man series which will feature a young Tony Stark (Iron Man) and his world-saving besties, Riri Williams (Ironheart) and Amadeus Cho (Iron Hulk). The young trio work together to make the world a better place, protecting their city and each other.

From Disney Branded Television, the series is currently in production and slated for a summer 2025 premiere on Disney Jr. and Disney+. The new series is part of Disney and Marvel’s expanded strategy to introduce these iconic Avengers characters and stories to a new generation of fans.

“Iron Man is the character that launched Marvel Studios and will always be especially beloved here as the hero that made the MCU possible,” said Brad Winderbaum, Head of Streaming, Television and Animation at Marvel Studios. “That’s why we’re so excited to partner with the incredible team at Disney Branded Television and bring Iron Man to a new audience. Together we are building a series that introduces the most brilliant scientists and inventors in the Marvel Universe as they share in fun armored adventures.”

Ayo Davis, President, Disney Branded Television, commented, “We’re thrilled to introduce Marvel’s Iron Man and His Awesome Friends to preschoolers on Disney Jr. and Disney+, expanding their connection to the iconic Marvel universe. Partnering with Brad and the Marvel Studios team on this series allows us to bring the incredible legacy of Iron Man to a whole new generation, sparking young imaginations with characters that embody courage, teamwork, and creativity.”

Synopsis: Marvel’s Iron Man and His Awesome Friends follows the adventures (and misadventures) of best friends and super geniuses Tony Stark, Riri Williams and Amadeus Cho as they work together to solve problems both big and small and protect their city. To help them in their Super Hero endeavors, they each have their own Iron Suits that allow them to fly and give them each enhanced super-strength. In addition, Iron Man has a Nano-Shield; Ironheart has a Heartbeat Bubble forcefield to protect people, and Iron Hulk has his strong Iron Boom clap and Iron Hulk Stomp. They work out of their beachfront base, Iron Quarters (IQ), under the supervision of their superpowered android, Vision, and their furry pup, Gamma, who has her very own Iron Pup suit and accompanies the Iron Friends on many of their adventures.

The series stars Mason Blomberg (Shameless), Kapri Ladd (Danger Force) and Aidyn Ahn (Kids Say the Darndest Things) as the voices of Tony Stark/Iron Man, Riri Williams/Ironheart and Amadeus Cho/Iron Hulk, respectively. David Kaye (Transformers) voices the role of Vision, and Fred Tatasciore (Marvel’s Moon Girl and Devil Dinosaur) voices Gamma. Additional characters and casting will be announced at a later date.

From Disney Branded Television, Marvel’s Iron Man and His Awesome Friends is executive produced by Sean Coyle (Puppy Dog Pals) and Harrison Wilcox (Marvel’s Spidey and His Amazing Friends). James Eason-Garcia (Pupstruction) is co-executive producer and story editor, Alex Cichon (LEGO Marvel: Spider-Man: Vexed by Venom) is supervising producer; Ashley Rideout (Marvel’s Spidey and His Amazing Friends) is producer, and Michael Dowding (Hello Ninja) is supervising director.

The series is produced by Disney Jr. and Marvel Studios in association with Atomic Cartoons.

NFL Is In Talks To Acquire Some Of Skydance's Assets Ahead Of Merger With Paramount Global

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The National Football League is in talks with David Ellison’s Skydance Media and one of his major investors, RedBird Capital Partners, that could result in some of the league’s media assets changing hands, according to people familiar with the conversations.

The talks could include a sale of NFL Media and its NFL Network cable channel, or an acquisition by Paramount Global of the league’s interest in Skydance Sports, a joint venture that produces movies and TV shows, according to the people, who asked to not be identified because the discussions are private.

Paramount, which holds rights to broadcast NFL games, is in the process of merging with Skydance, an independent film and TV studio, in a deal expected to close next year. Paramount’s contract with the league includes a change of control provision that could allow the NFL to seek another media partner, the people said. The NFL’s deal with Paramount’s CBS network is worth about $2.1 billion a year through 2033.

Although it is unlikely that the NFL will seek to replace CBS as its broadcast partner, the provision has prompted a wider conversation about business opportunities between the league, Skydance and RedBird. The league is already in business with both parties and Commissioner Roger Goodell has praised Skydance in interviews.

In 2022, the NFL invested $45 million in Skydance Sports in a deal that valued the entity at about $100 million. Skydance and NFL Films produced a new season of HBO’s Hard Knocks documentary series, focusing on the New York Giants, this year. The two companies are also working on a 10-part documentary series on Dallas Cowboys owner Jerry Jones.

The league and RedBird are partners in EverPass Media, which distributes the NFL Sunday Ticket games to bars and restaurants. RedBird is also an owner of the United Football League, which plays in the spring season. Larry Ellison, the father of the Skydance founder and one of the world’s richest men, has previously expressed interest in owning a professional football team.

The NFL has been shopping its media assets for a few years. NFL Media includes the league’s digital operations, the NFL cable network, the film unit and NFL RedZone, a subscription service. Walt Disney Co.’s ESPN sports division had been in talks about a potential deal that could have seen the company acquire NFL Media, giving the league a stake in ESPN in return. Those talks have stalled, however.

Vivendi Unveils New Corporate Structure For Canal+ Group

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Some Vivendi-owned assets, whose operations are closely aligned with those of Canal+, are currently in the process of being transferred to the latter for the sake of consistency.

Canal+ will consolidate together with its current business GVA, which provides telecommunication services in Africa, including high-speed Internet access marketed under the brand Canalbox; the video streaming platform Dailymotion; the performance venues L’Olympia and the L’Œuvre theater in France as well as the cinema theaters CanalOlympia in Africa.

In this new configuration, Canal+ Group will represent a unique international media operation with exposure to both mature and high-growth markets. It would have recorded €6.2 billion in revenues,

€472 million in Adjusted Earnings Before Interest and Income Taxes (EBITA) and €315 million in Cash Flow From Operations (CFFO) for the year ended December 31, 2023.

Its total number of subscribers would amount to approximately 26.8 million at such date, of which 16.0 million outside of France (c. 60%). Between Dailymotion and the OTT platform myCanal, Canal+ Group would record a global audience of over 400 million monthly active users.

In recent years, Canal+ Group has made significant expenditure and investments amounting to approximately €1 billion annually in technology (including its broadcasting and streaming infrastructure, software development, CRM, etc.) to provide a highly distinctive and industry-leading customer experience on the myCanal and Dailymotion platforms.

The attached appendix sets out key figures of the new consolidation perimeter of Canal+.

Canal+ Group will have three operating segments:

• Canal+ Europe – encompassing the Group’s subscription-TV (including OTT) and advertising-supported free-to-air (FTA) TV businesses across France, the French Overseas and adjacent territories, Poland, Central Europe and Benelux (through its wholly-owned subsidiary M7) as well as telecommunication services in the French Overseas territories;

• Canal+ Africa & Asia – encompassing the Group’s subscription-TV and advertising-supported FTA TV businesses, GVA and CanalOlympia venues across French-speaking Sub-Saharan Africa as well as subscription-TV business in Vietnam, Myanmar and Pacific territories;

• Content Production, Distribution and Other – encompassing Studiocanal, Dailymotion, Thema1 as well as L’Olympia and the L’Œuvre theater.

Canal+ Group also holds a non-controlling 45.2% stake in MultiChoice with an ongoing mandatory takeover offer, a 36.8% stake in the OTT platform Viu and a 29.33% stake in Viaplay.

SuperSport And SABC Agree On Sub-Licensing Terms Of PSL Broadcast Rights

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SuperSport and the South African Broadcasting Corporation (SABC) have reached an agreement regarding the sub-licensing of Premier Soccer League (PSL) broadcast rights ahead of the start of the new Betway Premiership season.

 

The move comes after strong relations between the two South African broadcasters following the agreement of sub-licence agreements for the MTN8 tournament as well as the Currie Cup semi-final match which was contested this past weekend and upcoming final match.

 

The PSL saw the dawn of the new Betway Premiership last Saturday, 14 September 2024, with millions of fans seeing their favourite team content the biggest prize in South African football.

 

SuperSport CEO Rendani Ramovha said “The latest sub-licence agreement with the SABC is another step towards a strong relationship with the public broadcaster, for the benefit of the millions of football lovers across the country and the African continent. The PSL has proven itself time and again to be the most coveted football product among South Africans and we look forward to delivering another outstanding season of football action on Your World of Champions, SuperSport.”

SABC Group CEO Nomsa Chabeli said: “We are pleased with this acquisition, and it is another demonstration of our commitment to delivering exceptional sport content to our diverse audiences. Our rights package includes a total of 51 matches comprising of 23 Betway Premiership matches, 10 Carling Black Label Cup matches, 12 Nedbank Cup matches, and 6 National First Division matches. We will broadcast league matches every Saturday on SABC 1 during the league season, ensuring our audience has access to exciting live local football”.

 

 

 

Ms Chabeli further stated that “We will also be enhancing our coverage by strengthening the analysis team. This move will ensure that we provide insightful commentary and in-depth analysis for our viewers. The added new members to the team are Itumeleng Khune, Jabu Mahlangu as well as Coach Thabo Senong who will be joining our resident analysts Doctor Khumalo, Simphiwe Dludlu and Hlompho Kekana in studio”.

Paramount Television Studios Is Closing Down As Part Of Cost Cutting Procedure With Content Set To Merge With CBS Studios

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PTVS’ shutdown will result in the exit of 20-30 employees. All current PTVS series and development projects will be folded into CBS Studios.

“To be clear, this is not a decision based on how PTVS performed. This move is the result of significant changes in the TV and streaming marketplace and the need to streamline our company,” Cheeks said. “Under Nicole’s leadership, this studio consistently punched above its weight in attracting top storytellers and stars to create best-in-class series. I want to thank every PTVS employee for shepherding a slate of shows that helped usher Paramount into the streaming era.”

Headed into the current wave of layoffs that will impact 15% of Paramount Global’s U.S. workforce over the next few months for $500M in savings, there had been chatter about Paramount TV Studios as a potential casualty following a string of downsizing/consolidation moves since CBS Studios and Paramount TV Studios were put together under Cheeks’ purview in the fall of 2022.

Both Cheeks and Clemens tried to assuage fears at the time by assuring PTVS staff that the division would remain independent from the larger CBS Studios as the two combined support operations by centralizing finance, law, production and casting. The same year, Paramount TV Studios absorbed Paramount+’s scripted originals team. (Word is more P+ layoffs may be coming after Labor Day.)

In the most recent round of layoffs in February, PTVS consolidated development and current under Head of Development Jana Helman, with a slew of senior programming executives leaving. It also dissolved/downsized communications, marketing and post-production which are now handled by CBS Studios. Prior to that, Clemens, a well-liked veteran executive, revealed that the studio was no longer going to produce limited series except for third-party buyers.

Also possibly factoring into the decision to shut down PTVS is Paramount Global’s pending merger with Skydance whose television division is very similar in scope and output to PTVS. The two companies have collaborated on such series as Reacher, Tom Clancy’s Jack Ryan and the upcoming Cross.

Other notable series produced by PTVS over the years include 13 Reasons Why, The Alienist, Station Eleven, Time Bandits, and The Spiderwick Chronicles.

Speculation about CBS Studios and Paramount TV Studios combining has actually been around since the 2019 CBS-Viacom merger was announced. Launched by Paramount Pictures’ Brad Grey in 2013, Paramount TV Studios has been the smaller of the two and its volume was impacted when Paramount+ pared down its scripted originals ramp-up plans to stem streaming losses. The studio continued to sell to outside platforms.

In her note to staff, Clemens, who joined PTVS in 2018, reflected on the label’s legacy.

“Over the past 11 years, PTVS has weathered seemingly insurmountable obstacles through a combination of strength, determination, and unwavering commitment,” she said. “We met these challenges with incredible resilience, creativity, and passion for what we do, and I could not be prouder of our team. We’ve also had the privilege to collaborate with some of the most brilliant creative talent in the industry to help tell incredible stories seen around the world, entertaining and shaping culture.”

Here are the two memos:

Note from Nicole Clemens: President, Paramount Television Studios

Dear PTVS Family,

As you’re all aware, Paramount Global has made the difficult decision to close Paramount Television Studios as part of the company’s broader restructuring plans. This has been a challenging and transformative time for the entire industry, and sadly, our studio is not immune.

Over the past 11 years, PTVS has weathered seemingly insurmountable obstacles through a combination of strength, determination, and unwavering commitment. We met these challenges with incredible resilience, creativity, and passion for what we do, and I could not be prouder of our team. We’ve also had the privilege to collaborate with some of the most brilliant creative talent in the industry to help tell incredible stories seen around the world, entertaining and shaping culture.

Although Paramount Television Studios is ending, our ethos will live on in shows that will continue to be enjoyed by global audiences for years to come. We’ve cemented our legacy by shepherding some of the most influential, award-winning, and critically acclaimed shows in the streaming era with series like “13 Reasons Why,” “The Offer,” “Defending Jacob,” “The Alienist,” “The Haunting of Hill House,” “Station Eleven,” “Time Bandits,” and many more. We have broken streaming platform records with “Tom Clancy’s Jack Ryan,” “Reacher,” and “The Spiderwick Chronicles.” Our upcoming shows, “Cross,” “Before,” and “Murderbot,” are sure to join the ranks of those hits.

This has been the most formative chapter in my career, and that is mainly due to the remarkable colleagues I have had the honor to lead and learn from on a daily basis. Thank you for supporting me, inspiring me, and laughing with me for the last six years — I wouldn’t have wanted to be in the trenches with anyone else.

I want to thank George Cheeks for his leadership and support through it all. There will undoubtedly be some tears as we move on, but this business is a marathon, and I am certain that we will cross paths, if not work together, again.

“Often when you think you’re at the end of something, you’re at the beginning of something else.” – Fred Rogers

With heartfelt gratitude,

Nicole

Note from George Cheeks: Co-CEO, Paramount Global and President & CEO, CBS

CBS Team,

As you saw from the email Brian, Chris and I sent earlier, this is a very difficult day at Paramount Global. I’m reaching out to share that today’s news unfortunately impacts CBS, including one of our studios.

A short time ago, we informed the team at Paramount Television Studios (PTVS) that the studio will cease operations at the end of the week. To be clear, this is not a decision based on how PTVS performed. This move is the result of significant changes in the TV and streaming marketplace and the need to streamline our company.

I want to thank PTVS President Nicole Clemens and the talented team she built for the many signature hits they produced. Under Nicole’s leadership, this studio consistently punched above its weight in attracting top storytellers and stars to create best-in-class series. I want to thank every PTVS employee for shepherding a slate of shows that helped usher Paramount into the streaming era.

Going forward, all current PTVS series and development projects will transition to CBS Studios.

In addition to PTVS, there are members of CBS teams who will be leaving the company. These are valued colleagues we admire and respect, whose talents contributed to the leadership position we enjoy today. I want to express my deepest gratitude for their contributions, hard work and dedication.

As we move forward, please keep these co-workers in your thoughts as our HR teams and their teammates help support them through this process.

There is a lot of news to unpack today. I know it’s unsettling. I continue to be impressed and grateful for our teams’ ability to stay focused and stick together during this transitional time.

George