Elderly People Seen In Titanic Film Were Based On A Real Life Couple

Not only did the film - starring none other than Kate Winslet and Leonardo DiCaprio - recall the tragic sinking of the RMS Titanic in 1912 and deaths of over 1,500 passengers, but the movie also centred itself on the heart-wrenching love story between Rose and Jack too.

However, there's wasn't the only romance to board the ship.

The true story of another couple has since been revealed.

As well as featuring a scene where Jack paints Rose 'like one of his French girls' and a steamy rendezvous in the back of a car, another couple also makes a cut, spooning one another in bed as the water rushes onto the ship - ultimately deciding to die in one another's arms.

While the scene isn't entirely factually correct - the real-life couple actually deciding to hunker down for a hug on the deck opposed to back in their room - the shot is based on a real couple named Isidor and Ida Straus.

Married in 1871, the Jewish couple had seven children together. Isidor was 67 when he boarded the Titanic and Ida the age of 63.

After the Titanic was struck by an iceberg on that fateful day in 1912, the lives of women and children were prioritised on the lifeboats rescuing passengers from the sinking ship.

However, due to the Straus' status - Isidor a co-owner of Macy's Department Store located in New York - his chance to escape followed shortly after.

Despite being offered a seat due to his status and wealth, Isidor turned the opportunity down, stating: "I will not go before the other men."

Ida resolved to not leave without her husband and according to Historical Honey, said: "We have been living together for many years. Where you go, I go."

Isidor's body was recovered after the ship sunk, however, unfortunately Ida's has never been found.

However, their united love lives on in one of the scenes from the 1997 release - not only portrayed as the couple spooning on the bed, but the design for Rose's cabin room onboard the ship inspired by the Straus' actual room which was the best suite onboard the ship.

Skydance Media Plans To Merge Their Operations With Paramount Global, Could This Have An Everlasting Affect On Nickelodeon And MTV?

As some readers are aware, Shari Redstone is looking to sell her shares in Paramount Global home to MTV and Nickelodeon. Currently, Skydance Media and Sony Pictures Television in a joint bid with Apollo Global Management are battling it out.

The Sony-Apollo deal has garnered a lot of media scrutiny as insiders report a possible dismemberment of their linear portfolio. With Paramount Studios being merged onto Sony Pictures Television current offering and studio lots auctioned off.

Skydance Media proposal is said to be favorable because unlike Sony-Apollo they wouldn't go through any regulatory hurdles for foreign ownership. Their plan would be to merge their operations with Paramount Global of course the finer details haven't been outlined. 

From what several sources uncovered, Skydance Media is planning to merge/bundle Paramount+ with another streaming service. It is no secret that Netflix and Disney+ have been edging out the competition so it's likely they're looking after Paramount’s interests. 

Skydance Media has worked with Paramount Global on several projects such as Mission: Impossible, Transformers, Top Gun, Jack Reacher and Star Trek.

If anything, we presume a possible merger between Skydance Media and Paramount Global could lead to a reduction of content or at least for its linear portfolio. As mentioned, Skydance wants to merge Paramount+ with another streaming service. 

On top of that they've got several projects in development and with Paramount Pictures they'll expand on that. Prior to acquisition talks, Netflix had licensed various content from Nickelodeon like Saving Bikini Bottoms: The Sandy Cheeks Movie and Fairly OddParents: A New Wish.

Although Sony-Apollo would lead to the purging of TV channels outside of regulatory confinement. These channels could lose credibility under Skydance Media and serve as second fiddle to the endeavors licensed to Netflix or even Apple TV+.

Warner Bros. Discovery Looking To Bundle Max With Other Streaming Services In Parts Of Europe And Africa

Following the first phase of the recent WBD’s European roll out of Max, Leah Hooper Rosa, EVP of EMEA Streaming, the company’s goal is to operate across all major markets, including the UK.

She said she expects to see more conversations in the future about launching Max in the UK. WBD previously announced it plans to launch service Max in the country by 2026. The media and entertainment powerhouse currently has a long-running licensing partnership with UK pay TV operator Sky, for its HBO content which runs until the end of 2025.

Hooper Rosa, said, “We’re in the game now of we want to be a top three global streaming service. That’s our ambition.”

“We’re on a multi-year journey in terms of our Max roll out across Europe. We’re actively in conversations. Our CEO and Gerhard Zeiler (president of WBD International)  have also shared with partners and working out what that would look like,” she added.

Referring to the company’s recently partnership with Disney to offer a bundle including Disney+, Hulu and Max in the US, Hooper Rosa said – “it’s natural that we see those types of things move into Europe”.

The streamer has launched across Europe in partnership with telcos and pay TV provider in select regions.

“We haven’t seen too many types of those relationships yet in Europe with other streamers doing streaming bundling. But I think there is an opportunity for that in the future and we’ll see how consumers react to that,” she added.

Max debuted in Iberia, the Nordic markets and parts of central and eastern Europe earlier this month, as part of a staggered roll-out for simplicity, said the WBD exec. Further launches are planned for France, Poland, the Netherland and Belgium June.

Currently the streamer is available in 20 countries, including Denmark, Finland, Norway, Sweden, Spain, Portugal, Andorra, Bosnia & Herzegovnia, Bulgaria, Croatia, Czech Republic, Hungary, Moldova, Montenegro, North Macedonia, Romania, Serbia, Slovakia and Slovenia.

At present, WBD will only introduce tis Max’s ad-supported subscription plan in Norway, Sweden, Denmark, Finland, Netherlands, Romania, Poland, France and Belgium.

For their strategy in Europe she explained, “its really a combination of the maturity of the ad market in those regions and the of maturity of our business because we need to be able to sell ads or to be able to have the capability to work with a partner.”

Max also offers a sports add-on, providing coverage of major international and European sports including Australian Open, Roland-Garros, The Championships, Wimbledon, US Open, Giro d’Italia, La Vuelta a España, Tour de France, and every major winter sports World Championship and World Cup events.

As part of the move, Hooper Rosa said it will be scaling back its content across its other streaming services including discovery+ where Max is present, which was the streaming home for WBD’s sports content across the company’s European markets.

“Max is our flagship streaming service,” she said. “So what we’re doing now is a  wind down across Europe of our other streaming services. It’s really on a market by market basis of how we’re managing that transition.”

Warner Bros. Discovery Hinting At More Mergers And Acquisitions Through Interviews

Warner Bros. Discovery, just over two years after closing the merger of WarnerMedia and Discovery, will be “opportunistic” about seeking M&A deals in the next two or three years, president and CEO David Zaslav said.

“I think some companies will be for sale,” Zaslav said, speaking Thursday at the Bernstein 40th Annual Strategic Decisions Conference in New York. “We can be opportunistic but we’re going to be very disciplined.”

“I think there’s likely going to be some consolidation. There are a lot of players. There are a lot of players that are losing a lot of money,” Zaslav said. “One of the reasons why we really fought to drive our free cash flow and pay down our debt is to be in a position — as we roll out globally, as we fight to build our business — that we’re a healthy company.”

Speaking of losing money, Warner Bros. Discovery reported full-year 2023 revenue of $41.3 billion, down 4% on a pro-forma basis, and a net loss of $3.13 billion (versus a net loss of $5.36 billion on a pro-forma basis in 2022). The media conglomerate during the first quarter of 2024 repaid $1.1 billion of debt to end the quarter with $43.2 billion of gross debt.

“Over the next two to three years, I expect that there’s going to be some opportunities,” Zaslav said. “There’ll be some players that want to get out of the business, that will look to consolidate their streaming businesses with others. And so I think we will look to be opportunistic during that time,” he said, adding that he believes there will be 4-5 dominant global streaming platforms as things shake out.

“The global nature of this business is going to require a number of players to decide whether they want to go it alone,” according to Zaslav. He said “consolidation can happen in a lot of different ways,” including through bundling — such as WBD and Disney’s forthcoming Disney+/Hulu/Max bundle — and he also suggested “over the long term some of the smaller players in streaming will end up wanting to be part of a bigger global organization.”

Regarding Paramount Global — which has been in talks about a potential sale to Skydance Media and has been reviewing a joint bid from Sony Pictures-Apollo — Zaslav didn’t address WBD’s recent interest in exploring a merger with the company, but he commented in a lightning-round Q&A about Paramount, “Great storytelling heritage.” Zaslav met briefly late last year with Paramount’s then-CEO Bob Bakish to size up a potential merger but those talks didn’t continue.

Skydance Sweetens Offer For Paramount Global

David Ellison’s Skydance has sweetened its offer to acquire Paramount Global, Deadline has learned, in an attempt to make it more palatable to the company’s Class B stockholders after they trashed the outlines of a previous deal and threatened to sue.

Ellison’s original offer was to buy out Par’s controlling shareholder Shari Redstone for a significant premium, resulting in a windfall for her, and then merge Skydance into Paramount keeping the combined company public. Stockholders wanted to be bought out at a premium as well.

Skydance, backed by Oracle co-founder Larry Ellison and Gerry Cardinale’s RedBird Capital, sweetened the offer once late last month — offering to buy out a certain number of Class A voting shares from stockholders other than Redstone — as an exclusive monthlong negotiating period with Par ended. But it wasn’t enough to woo holders of the Class B non-voting stock, who are the majority of shareholders.

As the Skydance exclusive talks ended with no deal, Sony jumped in for a $26 billion bid with private equity giant Apollo, that was later downsized in some fashion as Sony signed a non-disclosure agreement with with Par about two weeks ago that would let SPE access Par’s books and talks to start in earnest. Those conversations were not exclusive, however, and Skydance remained very much in the mix, continuing to talk with Par as well.

The issue for Sony is not shareholders but regulators. Foreign ownership rules likely prevent Sony from owning CBS broadcast assets, which likely why its offer became more targeted. But it might not be a cakewalk to merge two major studios either. Skydance is safer, more certain on the regulatory front and wouldn’t require a prolonged review amid possible opposition that can drag a deal out and sometimes end without one.

All offers are being evaluated by a special committee of Paramount’s board of directors. Three on that committee — Dawn Ostroff, Nicole Seligman and Frederick Terrell — will formally exit the board as of the company’s annual shareholder meeting next Tuesday. Another board memeber, Robert Kieger, will also be leaving. Par announced the upcoming departures — which will leave it with a greatly downsized board — earlier this year to widespread speculation on what it meant for a deal.

Par hasn’t said whether the three had continued to serve actively on the pared down committee after their pending departures were announced or what the committee composition is now, or will be after the meeting where shareholders vote for directors among other issues on the agenda. The committee in any case is just there for a recommendation, with Redstone the decider and, some feel, a wildcard.

Says one source with knowledge of the dealings, “At the end of the day, whatever the committee recommends to Shari, it’s up to her to decide. A deal’s not a deal without her.”

Hollywood insiders favor a Skydance deal over a Sony/Apollo takeover of Paramount Global. The reduction of a major studio strikes fear throughout the exhibition sector that fewer event films would exist in the long run, the sector currently weathering the aftermath of Covid, two strikes and a Disney-Fox merger which has reduced the supply of movies at multiplexes.

Cancelled Movies: Ghostbusters Film Starring Chris Rock, Chris Farley And Ben Stiller Was Reportedly In Development

Everytime there's rumors of a new "Ghostbusters" film, fans always draw up their dream cast line-up. Prior to the release of Paul Feig's 2016 reboot, fans were clamoring for "Ghostbusters" team that included comedy's top stars of the time (particularly from the Judd Apatow-verse) like Seth Rogen, Jonah Hill, Craig Robinson, and Paul Rudd, among others. While we know that film never came to be, we did get a stacked cast of top comedians including Melissa McCarthy, Kristen Wiig, Kate McKinnon, and Leslie Jones for the 2016 version of the movie, and Paul Rudd did end up in the cast of 2021's "Ghostbusters: Afterlife."

In the '90s, when a script called "Ghostbusters 3: Hellbent" was going around Hollywood, franchise co-creator and Egon Spengler himself, Harold Ramis, had a dream cast in mind for who he thought would take up the mantle for a new generation in that decade. According to an interview with Ramis on Morewhatnot, the late filmmaker and funnyman revealed he would have cast Chris Farley, Chris Rock, and Ben Stiller in a "Ghostbusters" for a '90s film. 

It seemed as if Chris Farley had been a part of the new lineup as Ray Stantz's nephew ever since Dan Aykroyd worked with him on "Tommy Boy." Both Chris Rock and Will Smith were talked about at one time or another through the long development of "Ghostbusters 3" for a Winston Zeddemore-type of role. Ben Stiller was a name that came up all the way through 2005 when the script was still being talked about.

The Ghostbusters Go to Hell concept could never get to the production stage

The sequel Chris Farley, Chris Rock, and Ben Stiller could have starred in would have been called "Ghostbusters 3: Hellbent" and was essentially a concept that featured the Ghostbusters going to hell, fighting the devil, and training a new generation to take over their supernatural business. 

Ghostbuster Harold Ramis talked to Morewhatnot about how he envisioned hell in the script. Ramis said, "My concept there was that Hell is a simultaneous reality, it's slightly out of phase with our reality. It's like a strobe, when our reality is on, hell kind of blinks off." He explained (sort of) how the team ends up in hell saying, "So what the Ghostbusters have to do is kind of a hitch step, you know when you try to get in step with somebody. The Ghostbusters had to technically skip one beat and then they're in Hell." 

The '90s concept was thrown out after nearly two decades of being stuck in development hell. Ramis directed a Judd Apatow-produced comedy called "Year One" in 2009 which starred Michael Cera and Jack Black, who of course also came up as names for Next-Gen Ghostbusters, from "The Office" writers Gene Stupnitsky and Lee Eisenberg. Ramis brought on the writing duo to work on a new script for "Ghostbusters 3" Ramis said that he was interested in a new cast for the movie saying that he wanted to, "Bring a fresh generational spin to it. We were voices for our generation, popular voices, but this generation sounds different." "Ghostbusters 3" never ended up materializing, but fans now have "Ghostbusters: Afterlife 2" to look forward to later in 2023.

Credits: Looper