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Women Of Wrestling (W.O.W.) An All New Female Wrestling Series Owned By Impact Wrestling's Parent Company AXS Entertainment Relaunches Next Year In 160 U.S. Territories, Could e.tv Or SuperSport Perhaps Get It?

It's a very interesting and prosperous time across the wrestling industry right now. At no time before were there more wrestling promotions on major TV networks, giving more wrestlers the chance at a big stage in front of millions. And at no time have more non-traditional or even underseen wrestlers been given a shot at the main event scene.

Of course, no group of wrestlers has seen a bigger rise up the ranks like the women of the industry, who have shattered through the glass ceiling of Bra & Panty matches and silent valets to main eventing WrestleMania.

This renaissance of women's wrestling has now reached the apex, as there will now be an entire show featuring solely women's wrestling on major TV networks with the announcement that the recently shuttered promotion WOW – Women of Wrestling will be returning in 2022 and on major television networks in 160 U.S. markets in a new deal with ViacomCBS.

WOW Superhero Tessa Blanchard in the teaser trailer for the WOW reboot in 2022, courtesy of WOW.

While WOW had a brief run on the specialty TV network AXS TV from 2019-2020, this will be a huge step up in visibility for the promotion. New episodes of WOW will air in weekend syndication on 160 ViacomCBS networks across the U.S., which accounts for 70 percent of the country. And if you're looking for older seasons of WOW, those are anticipated to be available to stream on the CW Seed and Pluto TV platforms starting in December of 2021.

Jeanie Buss , the owner of WOW (along with WOW creator David McLane) and the Los Angeles Lakers said the following about the promotion and its big relaunch :
"Wrestling's presentation of women has long been very important to me, and we now are presenting the epitome in sports entertainment that will highlight the athleticism of these superstars as we reintroduce WOW.

Our partnership with the entire ViacomCBS Global Distribution Group family allows us to continue our mission of providing wrestling fans and WOW Superheroes what they have all deserved: a global platform for a dedicated women's wrestling league."
Dan Cohen , President of ViacomCBS Global Distribution Group also included the following statement about WOW:

"We are thrilled to partner with Jeanie Buss and David McLane to create a significant global footprint for WOW and expand our diverse, world-class content portfolio.

This series offers audiences unique, compelling and creative entertainment that features female 'superheroes' in the ring, behind the cameras and in all aspects of the business. Both in the U.S and abroad, we believe this is an event program that will make some noise in the marketplace."

Also included in the big WOW reboot news today is what should serve as a big confidence-boost to fans that AJ Mendez (formerly AJ Lee in WWE) will follow her husband CM Punk in a return to the wrestling industry by becoming both an Executive Producer and color commentator on the rebooted WOW.

There's no word on an official launch date yet for 2022, but WOW did release the following teaser video featuring returning former WOW Champion Tessa Blanchard.

e.tv used to air WOW every Wednesday at 8pm now they house it's former sister brand Impact Wrestling which was once available through SuperSport.

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Updated: Utsav Next Target Could Be The Star Channels Currently On DStv, StarSat, Zuku TV And Openview + Disney Channel And Disney Junior Could Go Off Air Sooner Than Expected As Disney Shifts Its Focus Towards Streaming

Later this week, Disney and Star in India announced that they would exit from the English general entertainment industry which resulted in the termination of most of their channels with Hindi channels taking their spot.

The Walt Disney Company revealed plans to close 100 international Disney channels before the FY22 with more Disney Channels expected to close in Europe as streaming looks to be the brands top priority.

The likely reason for Star's demise is due to Disney+ since The Walt Disney Company took the Star branding for their streaming service so Star India keeping it for English viewers would only cause confusion.

Earlier this year, the UK & Europe rebranded their Star channels to Utsav with the changes applicable to viewers of those regions. Of course, there's several signs that the branding will be duplicated in more countries.

Vijay TV is the only channel internationally to use that adapt to that branding and Star India is seemingly testing out the Utsav branding through the StarPlus and Star Gold channel in Africa.

Star Life being the only English channel in Africa will have to create some distance from Star India or join the party seeing that they're exiting the audience it's catered for.

The European counterpart manages the Star channels in Africa so it seems logical for the Utsav branding to enter the region the question would have to be why delay the switch, could Star Life have some involvement perhaps?

The Disney Africa Facebook page stopped promoting content from Disney Channel and moved it to the Disney Africa Channels page (formerly Disney Junior Africa) with the main page likely to be used as a portal to promote Disney+.

The UK, Asia, Italy and Australia already lost Disney Channel and Disney Junior so it doesn't seem far fetched to think the same fate awaits the Disney Channels in Africa.

The Walt Disney Company is set out to be another Netflix. Even if that means cutting the cord of several channels in markets where cable is dominating the circuit.

In November, Disney Channel and Disney Junior have seemingly hit the reruns button with the main channel airing reruns of Gigantosaurus.

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tvN's Parent Company CJ ENM Joins The Anime Business As They Partner Up With Toei Animation

Korean entertainment powerhouse CJ ENM has entered into a strategic partnership with leading Japanese animation studio Toei Animation as it continues to expand its global footprint. Under the agreement, the two companies will collaborate across both their libraries and team to create new product including television series, films and animation. The tie-up will also allow both to tap each other’s regional markets.

CJ ENM is is Korea’s foremost film and television studio, cable operator and music producer. Best known for multiple Oscar winner Parasite, the company’s film credits also include Snowpiercer and Miss Granny. Series credits range from Crash Landing On You to Goblin: The Lonely And Great God and Hospital Playlist while it is also behind music format I Can See Your Voice; stage credits include the Tony Award winning Broadway production Kinky Boots.

CJ further has a strategic investment in David Ellison’s Skydance Media and is currently co-producing a drama series with the U.S.-based company. It is also involved in the production of the TV-adaptation of Parasite with HBO.

The company has been on a global expansion push over the past year looking to form partnerships with content creators in the U.S., Europe and Asia.

Toei has produced numerous series including the Dragon Ball Z and One Piece franchises as well as Galaxy Express 999 and Sailor Moon. Its library numbers 13,100 episodes, including 255 feature films and 288 television series.

The two partners will now work closely to co-produce premium content that appeals to a global audience, be it new projects or those based on existing IP. They have formed a task-force with creatives from both sides to accelerate production.

“Toei Animation’s IP has great potential for transmedia or cross-media storytelling, as they have an existing strong global fandom and appeals to a wide range of age groups. We are also excited to see how CJ ENM’s original content that expands over 5,000 different IPs will be able open new doors of creative possibilities for Toei Animation,” said Jongmin Yi, Senior Vice President of CJ ENM’s Content R&D Center. “Through this strategic partnership, we plan to develop never-seen-before transmedia contents in both Korea and Japan.”

Added Takashi Washio, Executive Officer and Executive Producer of Production Department at Toei Animation, “We look forward to working with CJ ENM, a company that has been recognized for its borderless content and its influence in shaping some of the new trends in the global media entertainment landscape. Combined with Toei Animation’s know-hows from a wealth of experience and accomplishments in producing global animation hits, we are confident that the two companies will be able to create synergy to create global mega-hit contents.”

CJ ENM currently has a content agreement with MultiChoice's Showmax for their K-Dramas and they are pushing to get DStv to bring back tvN.

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ViacomCBS: Could BET Africa Be On The Chopping Block?

BET has been available in Africa for nearly a decade offering a range of shows such as Real Husbands Of Hollywood, The Wendy Williams Show, Being Mary Jane and The Westbrooks.

As years passed, BET has slowly become redundant with most of their lineup consisting of repeats. Wendy which serves as the sole purpose of the brand is often M.I.A.

Earlier this year, Monde Twala, senior vice president and general manager for ViacomCBS Networks Africa and peer lead BET International, announced the end of BET as a linear pay-TV channel in the UK as they divert the brand's focus toward streaming.

It wouldn't surprise me if the same fate awaited BET in Africa perhaps it will even have more success online than it could as a linear service as ViacomCBS continues rolling out Paramount+ across Europe.

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Sony Pictures Networks India And Zee Entertainment Enterprises Are Set To Merge

Sony Pictures Networks India (SPNI) and Zee Entertainment Enterprises Ltd. (ZEEL) announced that they have entered into an exclusive, non-binding Term Sheet to combine both companies’ linear networks, digital assets, production operations and program libraries. The non-binding Term Sheet provides an exclusive negotiation period of 90 days during which ZEEL and SPNI will conduct mutual diligence and negotiate definitive, binding agreements. The combined company would be a publicly listed company in India and be better positioned to lead the consumer transition from traditional pay TV into the digital future.

The merger of ZEEL and SPNI would bring together two leading Indian media network businesses, benefitting consumers throughout India across content genres, from film to sports. The combined company is expected to benefit all stakeholders given strong synergies between ZEEL and SPNI.

Under the terms of the non-binding Term Sheet, Sony Pictures Entertainment, the parent company of SPNI, would invest growth capital so that SPNI has a cash balance of approximately USD $1.575 billion at closing for use to enhance the combined company’s digital platforms across technology and content, ability to bid for broadcasting rights in the fast-growing sports landscape and pursue other growth opportunities. Sony Pictures Entertainment would hold a majority stake in the combined company. Current ZEEL Managing Director & CEO Punit Goenka is to lead the combined company.

About Sony Pictures Networks India (SPNI):
Sony Pictures Networks India (SPNI), is an indirect wholly owned subsidiary of Sony Group Corporation, Japan. SPNI has several channels in Africa including Sony Entertainment Television (SET and SET HD), one of India's leading Hindi general entertainment television channels; MAX, India's premium Hindi movies and special events channel, the digital entertainment.
SPNI reaches out to over 700 million viewers in India and is available in 167 countries.

About ZEE Entertainment Enterprises Ltd.:
Zee Entertainment Enterprises Ltd. is a media & entertainment powerhouse offering entertainment content to diverse audiences. With a presence in over 173 countries and a reach of more than 1.3 billion people around the globe, ZEEL is among the largest global content companies across genres, languages, and platforms. The company operates brands such as Zee TV, Zee Cinema and Zee World.

SPI International Launches A Digital Version Of Their Top Performing Turkish Channel, Dizi

Global media company SPI International unveils their new digital streaming service, Dizi, which will offer a selection of critically-acclaimed Turkish series as well as the best series, telenovelas and soap operas from all over the world depending on the demands of the local markets. Dubbed the Home Of Good Stories, Dizi combines the lean-back and lean-forward viewing experiences with a linear channel offer and a large selection of on-demand content.
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“The launch of the Dizi streaming service signifies the evolution of the Dizi brand into a fully integrated service that combines linear and on-demand content propositions to bring the best series from Turkey and beyond to all available screens around the globe,” comments Berk Uziyel, CEO at SPI International. “As a part of SPI’s macro strategy, we offer good movies spanning all genres under one roof via FilmBox’s "Home of Good Movies". Now with our Dizi brand, we introduce the "Home of Good Stories", where in addition to some of the most sought-after Turkish series, viewers can expect to see top-quality series with powerful storylines from around the world in the future,” adds Uziyel.
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The service’s global debut will take place this week at a NEM Dubrovnik event. In reference to the new product, SPI's Chief Marketing Officer Haymi Behar says: “The Dizi app builds on the success of the Timeless Dizi Channel and features around 400 hours of content from an inventory of critically-acclaimed series such as Black Money Love, Kurt Seyit & Shura and Insider with new episodes added monthly. The app will feature English, Polish and Spanish localized interfaces and 13 language options and more will be added in time. The Dizi service will both enable viewers to tune into the linear channel and watch episodes on-demand through their preferred devices at their leisure.”

Subscribers can access the service at www.dizi.com via web, download the mobile app that’s compatible with iOS and Android operating systems or stream their favorite content through the Smart TV app that’s available for Apple TV and soon-to-come for Android TV, Samsung and LG Smart TV devices. Dizi service also aims to integrate with many platforms and partner operators worldwide to provide their subscribers a seamless entertainment experience and the option to discover new series on demand.

For those who were upset with MultiChoice for terminating the channel and those who want to view the content in English. Good news the above fits your tastes.