The FCC Approves Paramount And Skydance's Merger Attempt

The Federal Communications Commission has cleared the way for Paramount Global to complete its merger with Skydance Media, announcing Thursday that it has approved the deal. The decision removes a final hurdle for the media and entertainment companies to close their transaction.

The FCC's approval, which was necessary for the deal to move forward, caps a long-running corporate saga over the fate of Paramount, which owns Paramount+, the Paramount Pictures movie and television studios, the CBS television network and CBS News and Stations. Paramount also owns Nickelodeon, BET, MTV, Comedy Central and other media brands. 

Paramount Global agreed to merge with David Ellison's Skydance Media in July 2024 after briefly halting negotiations the month before. The deal followed a long, turbulent sales process that drew interest from other major corporate players and investors, including Seagram heir Edgar Bronfman Jr., media mogul Barry Diller, Sony Pictures and private equity firm Apollo Global Management, and Allen Media, the company controlled by former comedian Byron Allen. 

Paramount had said it expected to close the $8.4 billion merger in the first half of 2025. But the first half of the year came and went, and the merger remained under review by the FCC and its chair Brendan Carr, who had been appointed to the role earlier this year by President Trump.

Late on July 1, Paramount announced it had settled a lawsuit with Mr. Trump over the editing of a "60 Minutes" interview with Kamala Harris, a suit that Paramount told the court was without merit. The company agreed to pay $16 million — most of which would go to Mr. Trump's presidential library — and agreed to publish transcripts of future "60 Minutes" interviews with presidential candidates after those interviews air on the show. Mr. Trump has since said he expects Paramount's new owners to offer him about $20 million in advertising and PSAs. Paramount said in a statement it had no knowledge of any commitments to Mr. Trump outside of its $16 million settlement, and Skydance didn't respond to requests for comment.

In two letters to the FCC earlier this week, Skydance pledged to hire a CBS News ombudsman to review complaints of editorial bias for a period of at least two years, and the company confirmed that Paramount had eliminated or modified its DEI programs and hiring practices earlier this year.

E! News Nightly Show Has Been Cancelled On E! As The Brand Pivots Toward A Digital Future

E! News has been canceled as a linear television show, a source with knowledge of the decision. It will officially end on Sept. 25; the nightly entertainment-news program launched in 1991. The show had a two-year hiatus during COVID. E! News will continue on as a digital brand.

Employees learned of the cancellation news yesterday. Tonight’s show will be a repeat; new episodes will resume next week. Access Hollywood and Access Daily will continue on as normal from their production facility at Terrace Studios.

Some E! News correspondents will follow the channel to Versant (formerly referred to simply as SpinCo.), the source said, though those roles are as TBD.

NBCUniversal has split itself in two. The NBC broadcast network, the studios, Peacock and Bravo will stay as key pieces of NBCU; all of the rest (USA Network, Syfy, E!, CNBC, MSNBC, Oxygen and Golf Channel, plus digital businesses Fandango, Rotten Tomatoes and Golf Now) will make up new company Versant.

Versant will be led by CEO Mark Lazarus, chief financial officer and chief operating officer Anand Kini, and chairman David Novak; other senior executives will be plucked from the ranks of NBCUniversal.

Cable channel E! still airs (some) original programming, like Botched Presents: Plastic Surgery Rewind and Honestly Cavallari: The Headline Tour, as well as acquired content. The network recently announced upcoming series Kimora: Back in the Fab Lane and E!’s Dirty Rotten Scandals. The network remains a destination for red-carpet coverage as well as January’s Critics Choice Awards.

Paramount Global Looking To Shutter Both BET And MTV Base Africa In Major Restructure

Paramount Global‘s Africa offices may close, local channels may be shuttered, and staffers’ roles could be impacted, company executives told employees in the region on Tuesday.

The company has been prioritizing investments in its growing streaming business and core global content as it navigates shifts in audience behavior and the macro-economic environment. As part of that, it is reviewing its international pay TV strategy and considering adjustments to its linear channel portfolio in international markets, with a focus on cable brands. Management has also signaled a focus on businesses and regions with the most opportunity for revenue growth.

Tuesday’s news comes as Paramount continues to wait for FCC approval of Skydance Media’s deal to acquire it. THR understands that Paramount has fewer than 100 employees in Africa between its offices in Johannesburg, South Africa and Lagos, Nigeria.

“We are at a point in our journey where we are facing immense industry disruption,” Monde Twala and Craig Paterson, co-general managers of Paramount Africa, said in a staff memo obtained by THR. “Our team is not immune to potential changes as our organization evaluates its pay TV strategy and local channel footprint here in Africa.”

In June, Paramount unveiled further U.S. workforce cuts to the tune of 3.5 percent, following a 15 percent reduction last year. As of the end of 2024, Paramount Global had 18,600 employees worldwide. Co-CEOs George Cheeks, Chris McCarthy and Brian Robbins said in a June memo that the focus was on U.S. headcount but the moves “may also result in some impacts to our workforce outside the U.S. over time.”

Twala and Paterson acknowledged in their staff memo: “Today was incredibly difficult. We want you to know your greatness is seen. We reach out with a heavy heart, but also with immense pride. Your dedication to excellence, creativity and passion for leveraging the power of our content have been the driving force behind our many accomplishments.”

They concluded: “We understand the coming weeks may be tough and feel unsettling. Through it all, please know your efforts are valued beyond measure.”

Captain Planet Live-Action Series In The Works At Netflix

Captain Planet and the Planeteers‘ long-awaited live-action adaptation is getting a big boost — and a major twist. In a competitive situation, Netflix has landed for development Captain Planet, a live-action series based on the cult animated show, Deadline has learned. It hails from Greg Berlanti’s Berlanti Productions, Leonardo DiCaprio’s Appian Way and Warner Bros. Television where Berlanti Prods. is based.

Mrs. Davis co-creator/executive producer Tara Hernandez will be writing the adaptation of the 1990 environmental superhero animated series Captain Planet and the Planeteers, which ran on TBS and in syndication for six seasons.

Appian Way previously spearheaded a live-action feature Captain Planet take. Originally set up at Paramount Pictures in 2016 with Glen Powell co-writing with Jono Matt and potentially starring, the project never materialized, with the rights eventually reverting to Warner Bros. Discovery, though Powell had remained passionate about it as his star rose fast post-Top Gun: Maverick.

Conceived by Ted Turner, Captain Planet and the Planeteers follows five teenagers who tackle environmental disasters with the help of a superhero, Captain Planet. The animated series was produced by DIC Enterprises (Seasons 1-3) and Hanna-Barbera Cartoons (Seasons 4-6).

Berlanti is no stranger to the superhero genre — he built an expansive DC universe at the CW. This marks Berlanti Prods.’ second high-profile live-action series adaptation of a beloved WBD animated property for Netflix, joining the upcoming Scooby-Doo origin series. At Netflix, the company also was behind hit thriller drama series You, co-created by Berlanti.

Berlanti Prods.’ current slate includes NBC’s Brilliant Minds and the CW’s All American. The company’s pipeline also includes horror thriller Stillwater, based on the Skybound comics, which has a series order at Amazon with Berlanti and Carly Wray adapting; mystery Foster Dade in the works at Hulu; Dilettante, starring Jeff Daniels, set up at Apple; and a family drama at HBO Max.

Environmental causes have been at the heart of Appian Way’s documentary slate with projects such as the Emmy-winning The Path Of the Panther, We Are Guardians, Virunga, And We Go Green, Fin, The Loneliest Whale and Ice On Fire as well as the kids animated series Ozi: Voice of the Forest.

After a decade as a writer-producer on The Big Bang Theory and spinoff Young Sheldon, Hernandez co-created with Damon Lindelof and served as an executive producer and showrunner on Peacock’s AI-themed limited series Mrs. Davis. She is repped by WME. Berlanti Prods. is repped by CAA; Appian Way by LBI.

A&E Networks, Parent Company For The History Channel Currently Seen On DStv Is Up For Sale

The parent company of A&E Network, History and Lifetime is joining the growing list of cable channels that are being sold or divested by their studio parent company. NBCUniversal is preparing to divest MSNBC, CNBC, USA Network and four more linear channels. Warner Bros. Discovery also plans a similar separation from a clutch of linear cable assets: CNN, TNT, TBS, Discovery, Food Network, HGTV, TruTV and more.

A+E Global Media (which was formerly known as A+E Networks) is owned as a 50-50 joint venture by the Walt Disney Co. and Hearst. Disney and Hearst recently tapped the investment banking arm of Wells Fargo to handle a sale process.

Sources stressed that there’s no certainty that A+E Global Media will be sold entirely or in part. But with the market conditions that have developed in recent months, Disney and Hearst are motivated to see who may come after A+E’s lifestyle and unscripted outlets. The list of linear channels includes Lifetime Movie Network, FYI and Vice TV. The assets also encompass content units A+E Studios, A+E Factual Studio, A&E IndieFilms, A+E Global Media Digital as well as streaming apps, games, FAST channels, AVOD and subscription-video services Crime 360, Lifetime Movie Club and History Vault.

A+E Global Media is a rare example of a sizable media company that is privately held. The company does not disclose its financial results.

Representatives for A+E, Disney, Hearst and Wells Fargo declined to comment for this story.

The move to nail up a “for sale” sign on A+E’s properties comes as NBCU and WBD are looking to slim down their asset bases and balance sheets by spinning off collections of cable channels that were once marquee properties. But even established traditional cable channels are struggling amid cord-cutting and the rise of streaming.

NBCUniversal is keeping only Bravo out of its eight linear cable channels to help fuel Peacock. WBD will be a significantly smaller company once it is built around the Warner Bros. movie and TV studios, HBO and streamer HBO Max, and gaming division. In announcing plans for a complicated restructuring to separate WBD into two entities – one for Global Networks, the other for Studios and Streaming — WBD nodded to the potential for the channels to be scooped up in a cable rollup. Post-split, both sides of WBD will be better equipped “to be faster and more aggressive in pursuing opportunities that strengthen their competitive positions,” WBD said in its June 9 news release.

A+E Global Media’s well-known brands could be an attractive dance partner for the either the WBD Global Networks divestment or for Versant, the new corporate moniker for NBCU’s spun-off cable channels. The Versant transaction is expected to be done by year’s end. WBD projected a mid-2026 closing for its separation. A+E brands have the benefit of owning outright the bulk of their studio libraries over three and four decades.

Disney has been an outlier among its traditional studio peers. Mouse House leaders in recent months have articulated that the company has found a good rhythm in using linear TV assets to drive content to Disney+ and Hulu. CEO Bob Iger last month said ESPN, ABC, Freeform and Disney’s eight owned-and-operated ABC stations are engines for the company’s expansive streaming platforms.

A+E Global Media channels have never been woven into Disney’s larger channel group, even has Disney has built out its streaming offerings. There’s been speculation for some time that the A+E channels would be part of a sales process. Disney and Hearst both have significant wholly owned linear TV assets that are not connected to the focused sale effort around A+E Networks.

A&E Network, Lifetime and History have bucked the general trend of slashed programming budgets for other cable outlets facing steady audience erosion. Lifetime in recent years as doubled down on its volume of original telefilms. History has upped the production value and promotion around its marquee documentaries and series.

Under president Paul Buccieri, A+E has made the most of its deep library by establishing FAST channels and licensing programs around the world. Buccieri, a seasoned producer and programming executive, joined A+E in 2015 as president of A&E Network and History. He was upped to president of A+E Networks Group in 2018.

The company has its roots in the fertile ground of early 1980s cable in New York. A&E Network and Lifetime were launched in early 1984 at a time when the overall cable channel lineup was still pretty thin. History Channel followed in 1995. All three channels have yielded numerous spinoffs over the years.
For its first 20 years, A&E Networks was jointly owned by ABC, NBC and Hearst. When Comcast acquired NBCUniversal from General Electric in 2011, the cable giant had to sell off its stake in A&E Networks to comply with federal merger conditions.

Cruz Afrika Launches New Show On Moja Love

Cruz Afrika calls for peace between him and rapper Emtee

Ahead of his release for his single Tau featuring a surprise Motswako rapper, and his reality TV show, Cruz Afrika wants to start on a clean slate - new image, new brand, and calls for peace between him and rapper Emtee.

 

Their beef dates back to 2017. What was meant to be banter turned ugly, and the two rappers fell out. All grown up, no longer looking for clout and hype, rapper Cruz wants to make peace and start afresh.

 

They were once close friends, thick as thieves, and did some work together and have several unreleased songs in their bank. But when rumours surfaced that some people in their circle of friends sacrificed their late friend Swati so they could get ahead, things turned sour. Cruz was fingered as one of the people and instigators at the centre of the conspiracy theory, and accused Emtee of being part of the alleged Illuminati. He came out guns blazing on social media and even released a diss track dedicated to Emtee.  

 

Years have since passed, Cruz, all grown up, has reached out to Emtee wanting to make peace and book him for his concert, the Rusternburg Garden Festival on 25 December 2025. However, Emtee has rejected the offer. Ahead of the concert, Cruz is set to release his single Tau, which he describes as "a mature and better version" of himself.

 

"I've grown up now. I want my music to be wholesome and uplifting. I want to squash the beef with Emtee and start over. I invited him to perform as a guest at my annual Rustenburg Garden Festival event, and he declined. I just want to make amends," Cruz Afrika says.

 

Cruz Afrika’s upcoming relese features a massive Motswako artist whom he will announce in due time. The release comes two years after Cruz Afrika took a break from releasing music.

 

"I took time off from making music because I wanted to focus on my event company and other businesses, but because music is a calling, I had to answer to fans. My supporters kept asking me to drop more new music, so I thought of a comeback.”

 

Tau is set to be released in Spring on 05 September 2025. Cruz Afrika is also set to share his story on Moja LOVE (157) in the reality show Love In The Keys to premiere in August 2025.

Bloemfontein Celtic Revival In The Works As SuperSport United Reportedly Sold For R50 Million

SuperSport United FC has been sold to a Bloemfontein businessman for R50 million, paving the way for the rebirth of the beloved Bloemfontein Celtic. The announcement, broken by renowned sports journalist Robert Marawa, confirms that the club will now operate under the new name "Celtic United."

The sale marks the end of an era for SuperSport United, a Tshwane-based club that has been a fixture in the Premier Soccer League (PSL) since 1994, known for nurturing top talent and delivering competitive performances. 

The move signals a revival for Bloemfontein Celtic, a Free State giant with a passionate fanbase known as Siwelele. However, The club’s former owner, the late Petros Molemela, died with the title deed, and the new owners are unable to legally use the name hence the launch of Celtic United. 

Founded in 1969, Celtic had competed in the PSL until financial woes forced it to sell its status to now Royal AM in 2021.

This transaction underscores the fragile financial landscape of South African football. According to a May 2025 report by the Daily Maverick, over 40% of PSL clubs operate at a loss, highlighting the unsustainable model that has seen historic teams like Wits and now SuperSport relinquish their top-flight status.