Zee TV Africa To Undergo Another Rebrand

ZEE Entertainment Enterprises (ZEE) has announced a significant strategic shift, rebranding itself as a—Content and Technology Powerhouse. The company unveiled a new brand identity, symbolised by a dynamic ‘Z’ logo, at the ZEE Cine Awards 2025. This transformation signals a clear intent to integrate technology across its content creation, distribution, and monetization strategies, aiming for enhanced performance and profitability.

According to a company statement, in line with its futuristic approach, Z is taking steps forward to realize its long-term growth aspirations centered around enhanced performance and profitability. The company will identify and create value-accretive opportunities that seamlessly amalgamate technology across all functions, including content creation, distribution and monetization.

The statement read, “As part of this strategic transformation, the company unveiled a new and dynamic brand universe for its next phase of growth, reflecting its bold ambitions for the future, sharp focus on achieving the targeted goals and its unwavering commitment to constantly innovate and deliver value to all stakeholders. As the first truly Indian brand operating globally, the cutting-edge look and feel of ‘Z’ symbolizes the young, emerging India and its bold aspirations for the future.”

ZEE's new brand promise, "Yours Truly, Z," emphasizes a commitment to its stakeholders, particularly viewers and employees. In a letter shared by the company, ZEE pledged to deliver more impactful and engaging entertainment experiences.

The company has also defined its core brand pillars. Its purpose is stated as "to enrich the lives of people around the world by creating extraordinary moments, which celebrate the power of optimism and togetherness." The vision is "to bring about a positive change in people’s lives through purposeful entertainment," and the mission is "to consistently strive towards creating value for all our stakeholders, with a sharp focus on keeping our consumers entertained and informed through world class infotainment platforms." These statements will guide the company's strategic decision-making moving forward.

Sharing his thoughts on the new brand universe, Punit Goenka, CEO, ZEEL said, “As we embark on a phase of growth backed by a robust focus on content and technology, the new look envisioned for the company is futuristic, dynamic and agile; which is a firm representation of our team’s capabilities to capitalize on the emerging opportunities. It also reflects our commitment to embrace emerging technologies to enhance the overall consumer experience. The new brand universe underscores our bold spirit and resolve to remain agile and adaptive in a fast-evolving landscape.”

The company has also defined its core brand pillars. Its purpose is stated as "to enrich the lives of people around the world by creating extraordinary moments, which celebrate the power of optimism and togetherness." The vision is "to bring about a positive change in people’s lives through purposeful entertainment," and the mission is "to consistently strive towards creating value for all our stakeholders, with a sharp focus on keeping our consumers entertained and informed through world class infotainment platforms." These statements will guide the company's strategic decision-making moving forward.

Sharing his thoughts on the new brand universe, Punit Goenka, CEO, ZEEL said, “As we embark on a phase of growth backed by a robust focus on content and technology, the new look envisioned for the company is futuristic, dynamic and agile; which is a firm representation of our team’s capabilities to capitalize on the emerging opportunities. It also reflects our commitment to embrace emerging technologies to enhance the overall consumer experience. The new brand universe underscores our bold spirit and resolve to remain agile and adaptive in a fast-evolving landscape.”

Cartoon Network & Max Greenlight ‘Iyanu’ S2 Plus Two Movies

Following the breakout first season, a second season of Lion Forge Entertainment’s Iyanu, the epic animated fantasy series inspired by Nigerian mythology, along with two feature films expanding its universe, have been greenlit by Cartoon Network and Max.

Based on the graphic novel series Iyanu: Child of Wonder by Roye Okupe, and produced by Lion Forge Entertainment, Iyanu follows a teenage orphan who discovers her divine powers and her destiny to save the ancient kingdom of Yorubaland.

“We’re incredibly inspired by the response to Iyanu and the connection it has made with audiences,” said David Steward II, CEO of Lion Forge Entertainment. “The opportunity to expand this world with a second season and two feature films is a testament to the power of meaningful storytelling and innovative creative collaboration. We’re grateful for the continued support of our partners at Cartoon Network and Max, and it’s been a lot of fun working with Roye to bring Iyanu to life and build the franchise.”

Okupe, who also serves as series creator, executive producer and showrunner, commented, “This is a huge win for Iyanu, Lion Forge Entertainment and YouNeek Studios fans around the world. The support for our show has been nothing short of humbling — and because of that incredible response, we now get to bring the next chapter of Iyanu’s story to life. I’m thrilled to continue expanding the world of Iyanu and the YouNeek YouNiverse, and to share this journey with audiences across the globe. This is just the beginning.”

Season 2 will return with 10 new episodes where we’ll see Iyanu continue to master her burgeoning powers as she finds herself in the midst of a fierce conflict between Elu and the People of the Deep, led by a new formidable opponent. With various factions of Yorubaland vying for powerful divine artifacts that have reemerged, Iyanu strives to find a way to end the war and restore peace. As Team Chosen reunites and tensions rise between old allies and foes, Iyanu must confront even more powerful threats from the Age of Wonders — including secrets buried deep within her own past.

The first of the planned animated film extensions, titled The Age of Wonders, is set to be released later this year. It will transport viewers 500 years before Iyanu’s rise, taking them to a thriving Yorubaland at the peak of its magical civilization. When the embodiment of the seven deadly sins threatens the world, Iyanu’s predecessors join forces with the Divine Ones to prevent the Age of Darkness.

The show’s executive producers are David Steward II, Stephanie Sperber, Kirsten Newlands and Matt Heath from Lion Forge Entertainment, Erica Dupuis of Impact X Capital, Ryan Haidarian of Forefront Media Group and Doug Schwalbe of Superprod. Iyanu was adapted from Okupe’s graphic novel series Iyanu: Child of Wonder by Youneek Studios and Dark Horse Comics.

Iyanu Season 2 will return to Cartoon Network and Max in 2026, followed by the second film currently in production.

Cartoon Network International Unveils Teaser Trailer And Logo For The Wonderfully Weird World Of Gumball

Cartoon Network International has released a teaser trailer and logo for The Wonderfully Weird World of Gumball, a continuation of the BAFTA Children’s, International Emmy, and Annie multi-award-winning series, The Amazing World of Gumball. Produced by Hanna-Barbera Studios Europe, The Wonderfully Weird World of Gumball is set to launch later this year on Cartoon Network Africa and will stream on Hulu in the United States. 

 

Welcome back to Elmore, where the laws of reality are a joke, and family life is anything but ordinary. Whether he’s battling an evil fast-food empire, facing off against a sentient AI in love with his mom, or trying to stop Banana Joe from wearing pants — Gumball Watterson drags his brother Darwin, sister Anais, and the rest of the town of Elmore along for the ride. With even wilder stories, bigger twists, and surreal humor, the show is so amazing that they had to rename it! 

 

Created and executive produced by Ben Bocquelet,

The Wonderfully Weird World of Gumball is a quarter-hour animated comedy series that blends an eclectic mix of media styles – including 2D & 3D animation, CGI, puppetry, photorealism and live action – into a wildly imaginative world defined by its vibrant visual style and sharp meta humour. Matt Layzell and Erik Fountain serve as Executive Producers and Series Directors. The Composer for the series is Xav Clarke and Joe Sparrow serves as Art Director. The stellar voice cast includes Alkaio Thiele as Gumball, Hero Hunter as Gumball’s younger brother Darwin, Kinza Syed Khan as younger sister Anais, Teresa Gallagher as his mother Nicole, and Dan Russell as his father Richard, and many more. 

 

Creator and Executive Producers Ben Bocquelet, Matt Layzell and Erik Fountain say:

“What an amazing opportunity to play with these characters again! Fans can look forward to plenty more antics and misadventures in Elmore because Gumball and Darwin haven’t grown up much since we last saw them…we haven’t either.” 

 

Vanessa Brookman, Warner Bros Discovery, GM, International Kids, Animation and Franchise says: “We thought it was about time that Gumball and the rest of the gang woke up from their catnap, to do what they do best, and delight more fans with more distinctive humour, visual inventiveness and wild adventures. Guided by the immense talents of Ben, Matt, Erik and team, the new series continues Gumball’s legacy as one of the most iconic, groundbreaking and beloved Cartoon Network shows of all time.” 

Disney Channel Acquired Broadcasting Rights To Miraculous Chibi, Scheduled For 2026

Miraculous Corp has locked down a launch plan for Miraculous Chibi that will see its new take on flagship series Miraculous: Tales of Ladybug & Cat Noir roll out on YouTube first in Q4, and then on Disney Branded TV platforms and France’s TF1 in 2026. 

Aimed at five to 11s, this 52 x three-minute spinoff (pictured) is banking on “wildly expressive” non-verbal humor to drive the action for a set of superhero protagonists who have been reimagined in a distinctive Japanese art style called chibi, which gives characters smaller features and exaggerated cuteness. 

The new treatment—which was teased by Miraculous Corp CEO Andy Yeatman at a MIP Junior presentation last fall—is a longer-form expansion of a previous miniseries called Miraculous Zag Chibi that launched in 2018. It featured 90-second chibi-style clips that have since generated more than 650 million YouTube views. With a similarly snackable format and digital-first rollout, Miraculous Chibi is positioning itself to reach the same online audience first before making its way onto linear platforms.  

Miraculous Corp’s strategy borrows a page from Disney, which has given many of its legacy TV characters the chibi treatment in recent years. Disney TV Animation launched a Chibi Tiny Tales shorts series in 2020 that went on to spawn long-form spinoff The Chibiverse two years later.

Warner Bros. Discovery Looking To Spin-Off It's Cable Networks Ahead Of Restructure

Warner Bros Discovery (WBD) is moving towards a potential break-up, CNBC reported on Thursday, as media companies explore options for their struggling cable TV businesses and sharpen focus on their faster-growing streaming and studios divisions.

WBD shares surged more than 4% on the news, rebounding from earlier losses of nearly 6% that were triggered by a dour quarterly report.

The company missed first-quarter revenue estimates and posted a larger-than-expected loss earlier in the day due to a sluggish box office performance and ongoing declines in cable.

The media industry is going through what some executives have called a “general disruption” as millions of subscribers abandon once-lucrative cable TV for streaming. That has piled pressure on companies to consistently produce hit studio content and boost profitability in their streaming businesses.

WBD had laid the groundwork for a possible sale or spin-off of its declining cable TV assets in December by announcing a separation from its streaming and studio operations. It reported results under the new structure for the first time on Thursday.

A split will align the company with Comcast, which is spinning off most of its cable TV networks such as MSNBC and CNBC to position itself for growth in the streaming era.

Analysts have long speculated about a break-up of WBD, formed by the 2022 merger between Warner Media and Discovery.

“WBD would be leaner and have stronger growth potential without cable assets. But finding a buyer could be difficult. Linear TV is deteriorating and WBD has big debts,” said eMarketer analyst Ross Benes.

WBD, which has $38bn (R693.4bn) of gross debt, did not respond to a Reuters request for comment on the CNBC report.

Its CEO David Zaslav said on Thursday the company's programming strength was helping Max attract subscribers in a crowded market for streaming services.

WBD added 5.3-million streaming subscribers in the January to March quarter, more than the 3.1-million estimated by analysts, taking its total to 122.3-million. Its content slate in the period included the third season of HBO's The White Lotus and the medical drama series The Pitt.

However, its results were hampered by a weak showing at the box office as WBD struggled to replicate the success of last year's Dune: Part Two, which grossed more than $700m (R12,7-trillion). Its marquee release for the period, Bong Joon Ho's sci-fi dark comedy Mickey 17, earned only slightly more than its reported budget at the box office.

Studio revenue fell 18% to $2.3bn, missing estimates of $2.7bn, according to Visible Alpha.

The company has, however, made a strong start to the second quarter with Ryan Coogler's horror film Sinners and the blockbuster A Minecraft Movie, which has raked in around $900 million globally, making it the biggest release of 2025 so far.

Revenue at the TV networks segment, which includes CNN, Discovery Channel and Animal Planet, fell 7%.

Overall, revenue fell 10% to $8.98bn, missing analysts' average estimate of $9.60bn, according to data compiled by LSEG. Loss of 18c per share was also larger than expectations for a 13c loss.