Development Alert: YouTube Kids Currently Seen On DStv Explora Ultra Is Being Discontinued On Various Platforms

Google integrated YouTube Kids directly inside the main YouTube app for TVs last year. However, the company has continued up until now to run the standalone YouTube Kids app on smart TVs, streaming devices, and gaming consoles.

In July, though, Google will pull the plug on the standalone YouTube Kids app on those devices. According to 9to5Google, the outlet confirmed with the company that the YouTube kids app will be pulled from smart TVs as well as streaming devices and game consoles.

YouTube Kids will continue to exist as a standalone app on iOS and Android devices. 

Google's move to remove the YouTube Kids app from those platforms comes shortly after other big changeups in kids-oriented platforms and apps. 

Earlier this year, Paramount completely killed off its standalone Nickelodeon app, where kids were able to watch clips and full episodes of their favorite Nick Jr. and Nicktoons shows. A pop-up message told users that they would need to go directly to the Nickelodeon website to continue to access their content. Following that move, Paramount also shut down the standalone subscription platform for Noggin, a Nickelodeon-affiliated brand that provided content for preschool-aged children, earlier this month.

Unlike those platforms, YouTube Kids is not going away entirely. Parents will be able to set YouTube Kids profiles in the main YouTube app and then select that profile in the "Who's watching" section in order to access the YouTube Kids platform. Parental control settings and other YouTube Kids features will still be available within those profiles.

PBS Kids Unveils Slate Of Content Including New Series ‘Tiny Time Travel’ and ‘Milo,’ Movies Based On ‘Wild Kratts’ And ‘Nature Cat’

PBS Kids has lined up a slate of new series, movies and shorts for audiences across the United States and later around the world.

The slate includes the premiere of Tiny Time Travel, a series of live-action shorts, along with new Wild Kratts and Nature Cat movies. In addition, PBS Kids will debut season four of Molly of Denali, along with new series Milo, new shorts series Donkey Hodie Bedtime Stories and new episodes of Daniel Tiger’s Neighborhood.

PBS Kids, which targets children ages 2-8, aims to help children “to see themselves uniquely reflected and celebrated in lovable, diverse characters who serve as positive role models and to explore their feelings and discover new adventures along the way.”

“This spring, PBS Kids provides an opportunity for families to embark on exciting adventures with kids’ favorite characters, and a chance to meet some new ones, too,” said Sara DeWitt, senior vp and general manager of PBS Kids. “Our content this season aims to nurture an appreciation of the natural world among our young audiences while also sharing important life lessons and reinforcing some of the key social skills kids need for success in school and beyond.”

Kicking off the spring lineup on March 15 is Tiny Time Travel, a new series of “funny and fast-paced” live-action shorts. The series follows an 11-year-old inventor, Tyler, and his outgoing best friend, Tony, as they use their time machine to go back in time a tiny bit (sometimes just a few minutes or hours) to solve problems in their neighborhood, like stopping a friend from spoiling a movie or giving a customer a re-do after an ordering mistake at a restaurant. 

The show, aimed at kids ages 5-8, teaches social language skills, like understanding nonverbal communication; taking others’ perspectives into account; and resolving miscommunication. The series is created by Tim McKeon (Odd Squad, Gravity Falls) and produced by Marobru Productions and Easy as Pie Productions. 

Molly of Denali, which will return March 25, follows the adventures of 10-year-old Molly Mabray, an Alaska Native girl who lives in the fictional village of Qyah, Alaska. The new episodes follow Molly as she continues exploring with friends and family, from tracking down a fallen meteorite with Tooey, to connecting with her heritage by building a kiidhah zhee (a traditional steam bath) to help cure her mom’s cold, to helping a rival basketball team find an authentic mascot to represent their team. The show, produced by GBH Boston, also incorporates media literacy learning.

Meanwhile, the Wild Kratts and Nature Cat movies, derived from the two series, premiere April 1 and April 22, respectively. A new Wild Kratts game, “World Rescue,” will be available on the PBS Kids Games app and pbskids.org, with new episodes of the show premiering April 2. Meanwhile, the Nature Cat movie features three original songs written by Tony, Grammy and Emmy winner Bill Sherman and performed by the cast: Taran Killam, Kate McKinnon, Bobby Moynihan and Kate Micucci. Chris Parnell is also in the voice cast. In addition, a new short-form series, Nature Chat With Nature Cat, will debut digitally on April 22.

Another new series, Milo, will premiere across PBS Kids streaming platforms on May 13. The show, co-produced by Fourth Wall and DeAPlaneta Entertainment, follows an adventurous cat who loves to use role-play to explore the amazing world of jobs and vocations with his best friends, Lofty and Lark. Milo, who loves meeting all of the different people who come into his parents’ dry-cleaning shop, is curious about what it would be like to be a fireman, detective, astronaut and many other kinds of jobs when he grows up. 

Meanwhile, new episodes of Daniel Tiger’s Neighborhood premiere May 6, exploring concepts like putting things away and finding surprises wherever we are.

New short form series Donkey Hodie Bedtime Stories, which premieres May 27 across streaming platforms, derive from the puppet series Donkey Hodie. The shorts are designed to fit into kids’ bedtime routines and feature characters reading bedtime stories and showing their strategy for calming down before bed.

Paramount Global To Launch Paramount+ Branded Destination With Multichoice In Africa

Paramount Global Content Distribution announced a licensing deal today with MultiChoice to create a Paramount+ branded destination on the pan-African platform. This agreement is part of Paramount's strategy to expand the Paramount+ brand in more ways around the world, including making it available as a direct-to-consumer streaming service, through bundled partnerships in key markets as well as through branded destinations in local markets through licensing deals. Branded areas are currently available via Cosmote in Greece, Streamz in Belgium, Blast TV in Philippines, JioCinema in India and more to come.    

 

The branded destination offers African audiences’ direct access to new and returning television series as well as feature films and marks the debut of the Paramount+ brand in pan-Africa. MultiChoice viewers will have access to world-class content from CBS, Paramount+ Originals, SHOWTIME®, Paramount Pictures, and they will find iconic films and hit television series such as YELLOWSTONE, 1883, 1923, POKER FACE, SPECIAL OPS: LIONESS, LAWMEN: BASS REEVES and upcoming new series LANDMAN as well as returning series like SURVIVOR.

 

“The expansion of our long-standing relationship with MultiChoice from a traditional licensing deal to a fully dedicated, Paramount+ branded destination on the platform is a testament to the tremendous effort of Paramount Global to continue to build the offering from multiple content pillars,” said Lisa Kramer, President, International Content Licensing, Paramount Global Content Distribution. “Consumers in the growing African market already equate Paramount with quality entertainment and we’re thrilled to now offer them a devoted space in which they can both access their favorite programming and discover new hit titles.”

 

"MultiChoice is excited to expand our partnership with Paramount Global to bring the Paramount+ brand to African audiences through our platform,” says Nomsa Philiso, CEO: General Entertainment, MultiChoice South Africa. “This agreement reflects our commitment to providing our viewers with world-class entertainment options and expands our offering with iconic content. We are proud to offer African viewers direct access to a dedicated space where they can enjoy their favourite programming and discover new hit titles, further enriching their entertainment experience."

Development Alert: Colors TV And StarPlus Owners Reliance And Disney Star Agree To Merge Media Business

In a mega deal in the entertainment segment, Reliance Industries Limited (RIL) and Walt Disney Co have signed a binding agreement to merge their media operations in India, according to a Bloomberg report.

As per the agreement, the media unit of Reliance and its affiliates are expected to own at least 61 per cent in the merged entity, with Disney holding the rest.

Disney reportedly agreed to sell 61 per cent of its India business to Viacom 18 at a valuation of $3.9 billion. Viacom18 is owned by Reliance Industries Limited (RIL) Chairman Mukesh Ambani.

There were reports earlier this month that Disney had agreed to sell 60 per per cent of its Indian business to Viacom18. The deal is expected to be a significant move in the Indian media and entertainment industry.

Last month, Sony of Japan dropped its merger plan with Zee Entertainment ended due to disagreements regarding the leadership of the proposed merged media entity.

In the line of fire from activist shareholder Nelson Peltz for poor succession planning, Disney recently appointed two new directors – Morgan Stanley CEO James Gormon and former group chief executive at Sky Sir Jeremy Darroch, late November. In the same month, Walt Disney CEO Iger said on an earnings call in November that the company was “considering options” but that it would like to stay on in India and try and “strengthen our hand, improve the bottom line”.

Eutelsat Group Support The Launch Of UNESCO’s Television Channel, Educa-TV

In a news report by Eutelsat Group, the organisation supported the United Nations Educational, Scientific and Cultural Organization’s (UNESCO) Regional Office for Central Africa to launch the educational television channel Educa-TV at the African Union Summit of Heads of State in Addis Ababa, Ethiopia. The Educa-TV project aims to help improve access to and quality of education by setting up a television channel dedicated exclusively to teaching and learning in Central Africa.

Furthermore, broadcast via satellite, the new channel will be available 24/7, free-to-air, in more than 20 countries on the African continent. Educa-TV is aimed primarily at pupils enrolled in exam classes from primary to secondary school to help them prepare for their final exams. In addition, a non-formal education component aimed at young people and adults will provide training in various fields linked to contemporary challenges, such as health education, education for sustainable development, and entrepreneurship training to promote the employability of young people.

“We are delighted to support UNESCO and ECCAS with the launch of the Educa-TV channel. Our commitment to reducing the digital divide and expanding digital inclusion is a crucial component of the Group’s corporate social responsibility strategy. This new channel fits perfectly with the beneficial social mission that our satellites can offer by facilitating access to education for all students in Central Africa. Thanks to satellite, students in even the most remote and inaccessible regions, whatever the level of infrastructure development, will be able to benefit from this new educational content,” commented Laurence Delpy, President of Eutelsat’s video business.

Kenneth Mitchell, An Actor Who Appeared In Captain Marvel And A Star Trek Series, Has Died

The actor, who was 49, was diagnosed with ALS - also known as motor neurone disease - five and a half years ago.

His family said in a statement on Instagram that Mitchell was "an inspirational work of art to all the hearts he touched".

Mitchell appeared in a variety of TV shows and films, including Captain Marvel, in which he played the titular character's father, Joseph Danvers.

Born in Toronto, Canada, Mitchell was married to actress Susan May Pratt and the pair had two children together.

He revealed that he was suffering from ALS in an interview with People magazine in 2020, and said he had been using a powered wheelchair.

In the post on Instagram, his family paid tribute to him as "a hope seeker, daydreamer, dream believer, soccer player, beach walker, bear hugger... and more than anything else, a proud father".

Popeye: The Origin Story Of Frank ‘Rocky’ Fiegel

‘Oh, I’m Popeye the Sailor Man!’ Most people know Popeye as a tough, spinach-eating sailor, a cartoon character created by American cartoonist E. C. Segar. But did you know who the real-life inspiration behind the strong sailor was? Culture.pl explores the sailor man’s Polish roots!

A scrappy little seaman

Popeye with a can of spinach – Popeye, the cartoon character created by E. C. Segar, photo: East News
Popeye with a can of spinach – Popeye, the cartoon character created by E. C. Segar, photo: East News

Popeye the spinach-chomping sailor was a childhood hero to millions and has made a name for himself all around the globe. Still, for those who have somehow managed not to encounter Popeye, let’s go over the basics. Here’s how Encyclopedia Britannica defines the fictitious sailor:

Popeye is a scrappy little seaman with bulging forearms, a squinty eye, and a screwed-up face, punctuated with an ever-present pipe in his mouth. He is always ready for a fight instead of a reasonable discussion, has a gravelly voice, and is constantly mumbling under his breath. His credo is ‘I yam what I yam, and that’s all what I yam.’ His girlfriend is the gangly, uncoordinated Olive Oyl, for whose attention Popeye vies constantly with Bluto, his bearded, hulking rival.

The character of Popeye was created by Elzie Crisler Segar, an American cartoonist from the town of Chester, Illinois. In 1919, the draughtsman created a comic strip in New York’s Evening Journal, called Thimble Theatre. In 1929, Popeye made his debut as a new character in the strip. Due to the newcomer’s high appeal, the strip was eventually renamed Thimble Theatre Starring Popeye. For decades to come, the character enjoyed immense popularity, appearing in dozens of iterations by various creators – in Fleischer Studios’ animated cartoons or in Robert Altman’s 1980 musical Popeye with Robin Williams in the lead role.

Interestingly, many claim the fictitious sailor was based on a real-life person, one of the citizens of E.C. Segar’s hometown. The man in question is believed to have been Frank ‘Rocky’ Fiegel, whose parents came from Poland.

A heart of gold

The 1979 article Chester Man Accepted as Real-Life Popeye was a Brawler, Loved Kids ran by the Southern Illinoisan newspaper mentions that some citizens of Chester considered Rocky ‘a bum.’ It goes on to explain how this came to be:

Fiegel, a bartender and general labourer around Chester, seldom had steady work and was often seen loafing around the town’s saloons. He lived with his mother until she died, then continued living in the house alone (…)

But it isn’t, of course, the lack of regular employment that’s said to have inspired E.C. Segar. Frank Fiegel was a local brawler, famous for his fist-fighting skills and this is where we really start seeing resemblance to the cartoon Popeye. In the article Rocky’s nephew, Clyde Feegie, recounts a story of his uncle visiting a saloon:

They had two big guys inside who said you had to buy drinks for the house or put on the gloves. They had a big bruiser waiting to fight, but he (Fiegel) put on the gloves and knocked their guy out.

According to Fred M. Grandinetti’s 2003 book Popeye: An Illustrated Cultural History, also Rocky’s facial features and pipe were reflected in the cartoon character:

Because of his hardened physique he was affectionately known as ‘Rocky’. His angular jaw and familiar corn-cob pipe apparently impressed the young Segar.

Indeed, such a figure like Rocky could’ve made a strong impression on Segar, especially since the prospective cartoonist was much younger than him. Fiegel was born in 1868 (it’s unclear whether that was in Poland or in America), whereas E. C. Segar was only born in 1894. Moreover, the Polish-American had ‘a heart of gold for children’ as the Chicago Tribune phrased it. He was known to have selflessly helped out Chester kids, giving them change or protecting them from bullies. That’s another similarity to Popeye who was always a ‘good guy.’

A joke or a prank

Frank’s parents, Anna and Bartłomiej, were Polish. According to the MyHeritage, a genealogy website, the family had ties to the town of Czarnków in today’s central Poland and their surname was originally spelled ‘Figiel’. It was most probably altered to better fit the English-speaking realities of America after the family emigrated there. Curiously, the Polish word ‘Figiel’ means ‘joke’ or ‘prank’, a rather fitting surname for the protoplast of a comic strip hero…

But whether Rocky himself knew that he became the inspiration for Popeye is uncertain. Some say that he learned of this only after Segar’s death of leukaemia in 1938, from a newspaper that printed the story of the comic strip creator and his inspirations. Others, like Popeye historian Michael Brooks, claim that Fiegel received checks from Segar on a regular basis, as a sort of thank-you for the success of the hero based on him. Then again others doubt that Fiegel ‘ever knew he was Popeye.’ Segar moved out of Chester in the early 1920s – years before the character debuted – and according to the 2003 book Comic Strip Artists in American Newspapers by Moira Reynolds, he never actually acknowledged anybody as a real-life inspiration for the famous sailor.

However, what seems to back the story of Rocky being the inspiration is that a number of early-20th-century Chester locals were awfully similar to other characters in Segar’s Thimble Theatre. Olive Oyl, is said to have been modelled after Dora Paskel, a store owner who was ‘unusually tall and thin and wore a bun at the nape of her neck,’ as the New York Times puts it. The chubby, hamburger-loving J. Wellington Wimpy was supposedly based on William Schuchert, the heavyset manager of the Chester Opera House (where Segar had worked for a while) and a known lover of burgers.

What’s beyond any doubt is that the gravestone of Frank Fiegel, who passed away in 1947, can be found at Chester’s Saint Mary’s Catholic Cemetery. The inscription on it says:

Above the inscription you can find an engraving showing the original, 1929 version of Popeye. Of all the hero’s various iterations, the first one, created by Segar, is said to be the one most reminiscent of Rocky.

A friendship between two wanderers

During both Rocky’s and Segar’s lifetimes, Popeye became so popular that the Thimble Theatre comic strips were printed in hundreds of newspapers, even overseas – for instance in Italy, the sailor was known as Braccio di Ferro which means ‘Iron Arm’. In Poland, Popeye’s adventures appeared under two titles: Marynarz Kubuś (Jacob the Sailor Man) and Ferdek i Merdek, Dzieje Przyjaźni Dwóch Łazików (Ferdek & Merdek: The Story of A Friendship Between Two Wanderers). The latter title looks like it may need a bit of explaining: its first part consists of the Polish names that were given to Popeye and Wimpy respectively, whereas the second part… Well, it looks like a free take on the task of presenting the comic strip to the local public. In post-war Poland, however, Popeye was known simply as Popeye.

Speaking of Poland, it doesn’t seem like the town of Czarnków has in any way recognized its ties to the real-life Popeye’s ancestors. A search of the town’s official website reveals no mention of Frank ‘Rocky’ Fiegel. But there is a town, other than Chester, which has made the claim of being the birth place of Popeye – Santa Monica, California, where E.C. Segar moved after having lived in places like Chicago and New York. Here’s an excerpt from a 2009 report titled The Bay Builders Exchange found on Santa Monica’s official website:

When Segar moved to Santa Monica in 1928, he often found inspiration for characters and storylines on the Santa Monica Pier. Although some believe Segar’s characters were inspired by his Midwest upbringing, according to oral history, the Popeye character was modelled on an expert Norwegian fisherman, ‘Santa Monica Olsen,’ who had exotic fishing tales, a heavy Norwegian accent, and rough language.

What appears to back this version of events is that the character of Popeye debuted only a year after Segar moved to Santa Monica. But, due to the lack of compelling evidence, there is no room for definitive declarations here. Perhaps, the character of Popeye was a mash-up, including some traits of Rocky and some of Olsen…

Since E.C. Segar apparently never singled anybody out as the inspiration for Popeye we’re left with speculation. And Frank ‘Rocky’ Fiegel is definitely a strong contestant for that role, due to his undeniable links both to the author and the fictitious hero. So whenever ‘you eats your spinach’ you should remember that it’ll make you not only as strong as Popeye, but (perhaps) also as strong as his real-life, Polish protoplast.

Credits: Culture.pl

Chicken From Outer Space | Courage The Cowardly Dog | Cartoon Network


The pilot episode begins with an elderly couple, the proto-Eustace and the proto-Muriel Bagge, who live on a farm and own a pink beagle dog named Courage. The family are spending an idyllic morning together, when the proto-Courage becomes frightened by a small mouse; this prompts Eustace to angrily scare him further by use of a voodoo mask. Courage moves outside to the porch, and watches as a UFO descends from the skies. An extraterrestrial species of fowl emerges from this UFO.

Courage runs back inside the farmhouse to alert his owners of the danger; however, when they follow Courage into the yard, the saucer has disappeared, along with the alien chicken. Eustace angrily proceeds to scare Courage once more, causing Muriel to angrily strike him with a rolling pin as punishment. Courage makes his way out to the hen house, where he discovers the Space Chicken dispatching the hens Eustace and Muriel tend to.

Courage quickly runs back to the house to alert Eustace and Muriel to the presence of the alien fowl, but when Muriel returns with Courage to the hen house, the remains of the hens have mysteriously disappeared, with only the Space Chicken in their place. While Courage attempts to deduce what happened to the other hens, Muriel unknowingly takes some of the Space Chicken's eggs. Courage is able to knock two of them onto the ground; this angers the Space Chicken, who proceeds to lock Courage in the hen house upon Muriel's departure.

While Courage is making his escape from the hen house, Muriel fries the alien eggs and serves them to herself and Eustace. Courage succeeds in escaping and begins searching for a buried object. At the house, Eustace eats the eggs and begins to sweat profusely, before his eyes seemingly change color. Courage recovers his old slingshot and rushes back to the house, while Eustace begins transforming into an alien fowl himself, laughing insanely all the while. Muriel realizes the eggs are the cause for Eustace's ailment and avoids eating them. Courage arrives back at the farmhouse and ambushes the alien, momentarily knocking him unconscious with the sling-shot. The bird quickly recuperates and a fight ensues.

Courage and the Space Chicken attempt to negotiate for Muriel's safety through numerous games, such as rock-paper-scissors and fencing, while Eustace slowly completes his transformation. A mindless Eustace slowly advances upon Muriel, while Courage succeeds in the games against the alien. After claiming victory, Courage orders him to leave Earth forever. However, the Space Chicken reveals a large beam gun and attempts to assassinate Courage with it; Courage is able to dodge the beam, leading to it bouncing back onto the chicken, seemingly destroying him. Courage then shoots the alien Eustace with the same gun, causing him to disintegrate into a pile of ash.

While Courage and Muriel are lounging peacefully in a rocking chair, a mouse is seen ingesting some of Eustace's ashes, before its eyes change color which causes Courage to scream in terror, ending the pilot with a cliffhanger. As the closing iris is shown, Courage turns to us and says one thing: "This shouldn't happen to a dog!"

Development Alert: Ben 10 Omniverse Had A 9th And 10th Season In Development, Lucky Girl Prequel Series Cancelled

Ben 10: Omniverse unfinished seasons

Ben 10: Omniverse which was the last series right now in the original continuity of Ben 10 was also the biggest series when it comes to seasons and episodes length. Ben 10: Omniverse went on for an eighth season run consisting of 80 episodes as opposed to the original Ben 10 with a fourth season run.

It had the biggest runtime in any Ben 10 series except now since the reboot surpassed it having 166 episodes which can be divided into 83 episodes.

Initially, Ben 10: Omniverse wasn't meant to be that long of a series, when it was first picked up it was only meant to have a 2 season run. But due to the success of the series it was renewed for an additional two seasons and this would carry on till it's last.

Despite it only running for eight seasons, the late Derek J. Wyatt one of the people who worked on the series it was actually suppose to run for another two seasons. If the series wasn't cancelled they would have brought the negative ten in the scrapped seasons and travel to space.

Similar to The Ghost And Molly McGee, this ended up being the season finale to Ben 10: Omniverse as the show was cancelled due to low ratings. They had also planned to bring the villains from the original Ben 10 such as Charm Caster, Vilgax, Dr. Maniac and others.

Ben 10 spinoff

Through an Q&A on X, Duncan Road one of creators of Ben 10 through Man Of Action had revealed that a spinoff based on Gwen Tennyson's persona Lucky Girl had been pitched but hadn't reached the development phase. Prior to this, they were rumours of a Kevin 11 spinoff series which hadn't got picked up by Cartoon Network.

Lucky Girl would have helped attract a wider female audience to Ben 10 since the franchise is male dominant.

Development Alert (Rumour): Noggin Streaming Service Reportedly Shutting Down Soon

Noggin is an educational brand that was started in September 1999 before being replaced by Nick Jr. in 2009. Similar to Da Vinci, it started as a TV channel for a preteen audience featuring educational programs and other factual content like The Electric Company, Ghostwriter and 3-2-1 Contact.

it was revived as a streaming service by Paramount Global and Sesame Workshop featuring a line-up of original content outside of Nick Jr alongside archived material. Internationally, it is being distributed by Prime Video in the UK, Germany, France and Austria.

During the week, Paramount Global had made headlines after it was reported that they'll be laying off 800 employees. This included Liz Paulson, head of animation and live-action at Nickelodeon and Geoff Stier, SVP, Original Programming at Showtime Networks.

It had also been suggested by other sources that Noggin team's had also been affected by these layoffs. Similar to the parent company, there was reports going around that Paramount was looking to sell share in the venture.

New leads have pointed toward the company looking to shut down the streaming service. Although not official, Paramount had shuttered apps for Nickelodeon, BET and Comedy Central so it's likely that latter should it be true will probably integrate with Paramount+.

Paramount Global Layoffs: Paramount TV Studios Combines Development & Current, Other Senior Executives Impacted

Details are starting to emerge about the major round of layoffs Tuesday at Paramount Global impacting about 800 employees in the U.S.

Headed into today’s reductions, there had been chatter about Paramount TV Studios possibly downsizing. The studio, led by Nicole Clemens, has remained independent from the larger CBS Studios as the two combined support operations in November 2022 by centralizing finance, law, production, business affairs and casting.

Paramount TV Studios, which absorbed Paramount+’s scripted originals team in 2022, is now streamlining its programming operations by consolidating development and current under Head of Development Jana Helman, who will continue to report to studio president Clemens.

Leaving are Cheryl Bosnak, PTVS’s EVP and Head of Current; Kate Gill, SVP Development; Julie Katchen, VP of Current; and Devin Crossfield, Manager, Development.

Also departing is PTVS’ SVP and Head of Communications Dominic Pagone, who moved into the role a year ago after five years at Showtime and 18 at FX. CBS Studios and PTVS’ communications operations are now being consolidated under CBS Studios’ EVP Communications Kristen Hall.

CBS Studios and Paramount TV Studios’ development/current teams will remain separate.

PTVS established a stand-alone current department in 2019 when former Disney ABC current executive Bosnak was brought in to lead it.

All Paramount divisions are said to be impacted by the layoffs.

At Nickelodeon, Liz Paulson, head of animation and live-action casting and talent development for the network and studio content for third-party platforms, is leaving. The division’s talent department is being decentralized, I hear. Nick’s animation department has been significantly impacted, with close to 10 layoffs on both coasts.

Other notable TV executive departures so far include Brie Neimand, SVP, Current, Cable and Streaming Series at CBS Studios, who has been at the studio for 2 1/2 years; and Geoff Stier, SVP, Original Programming at Showtime Networks, who has been there for five years.

Today’s layoffs represent about 3% of Paramount’s global head count. At the start of 2023, Paramount had 24,500 full- and part-time employees in 37 countries, with another 5,800 project-based staffers.

“To those with whom we are parting ways, we are incredibly grateful for your hard work and dedication,” Paramount CEO Bob Bakish wrote in a company memo at the start of the layoffs this morning. “Your talents have helped us advance our mission of unleashing the power of content around the world.”

Like other traditional media companies, Paramount has been hampered by a slowdown in advertising as it navigates the transition from linear TV to streaming.

Renewals Or Cancellations: Hamster And Gretel + Moon Girl And Devil Dinosaur + Kiff + Big City Greens + The Villains Of Valley View + Ravens Home On Disney Channel

Last month, Disney opted to scrap Secrets Of Sulphur Springs and The Ghost And Molly McGee after their current seasons on Disney Channel. This news comes after the brand had announced the cancellation of Bunk'd and Saturdays as they look to reduce content costs and focus more on existing IPs.

Some IPs slated to air across various international feeds include Playdate With Winnie The Pooh and The Little Mermaid for Disney Junior and Phineas And Ferb Season 5 and Monsters At Work for Disney Channel.

Following these cancellations, fans of the networks have been in an uproar wondering what fate awaits their remaining offering. As some readers are aware, Disney is rumoured to have axed Pretty Freekin Scary and although there's still no official confirmation the company has been known for doing it's content dirty (e.g. Milo Murphy's Law).

Below a list of various content on the Disney Channel and their status

Renewals

Big City Greens Season 4
Hamster And Gretel Season 2
Moon Girl And Devil Dinosaur Season 2 (exclusive to Disney+ in EMEA)
Kiff Season 2

Cancelled/Ending

Bunk'd Season 7
Secrets Of Sulphur Springs Season 4
The Ghost And Molly McGee Season 2
Saturdays Season 1

Unknown

Raven's Home (currently on season 6)
The Villains Of Valley View (currently on season 4)
Hailey's On It (currently on season 1)
Pretty Freekin Scary (currently on season 1)

Development Alert (Rumour): That Girl Lay Lay To End With A Season 2 On Nickelodeon???

That Girl Lay Lay is an American comedy television series created by David A. Arnold that premiered on Nickelodeon on September 23, 2021. The series stars That Girl Lay Lay, Gabrielle Nevaeh Green, Tiffany Daniels, Thomas Hobson, Peyton Perrine III, and Caleb Brown.

Synopsis for That Girl Lay Lay

Struggling to make her mark at school and needing a best friend to talk to, Sadie wishes that Lay Lay, an artificially intelligent avatar from a personal affirmation app, were real and could help teach her how to stand out. When her wish comes true and Lay Lay is magically brought to life, they navigate life as teenagers and discover who they truly are, all while trying to keep Lay Lay's identity hidden.

The first season premiered on September 23, 2021 and consisted of 13 episodes and surprising the second season premiered July 14, 2022 with 39 episodes set to be produced basically tripling the first seasons commission.

During the week, several viewers had spotted the second season to That Girl Lay Lay on Nicktoons leading some to speculate it's possible demise. Although, there has yet to be official confirmation it's been a norm for Nickelodeon to use their secondary networks when axing shows.

That Girl Lay Lay's possible demise would follow Erin And Aaron and Danger Force as a number of Nickelodeon originals to have been culled in the year. Even fellow competitors Disney Channel's content slate had been cut with Bunk'd and Secrets Of Sulphur Springs.

Goblins Of Litter | Before Courage | Courage The Cowardly Dog | Cartoon Network


Before Courage was a scrapped prequel revival series to the Cartoon Network series, Courage the Cowardly Dog initially made for release on the Boomerang channel. Although development for the series' pilot began in late 2018, it was later shelved due to the management team at Cartoon Network prioritizing their focus to other properties.


In October 2018, Dilworth commented on a Facebook post that he was in negotiations with Boomerang for a prequel to the series. Later that month, Dilworth announced on Facebook that development on a "potential prequel" to Courage for Boomerang was expected to begin.[1] However, in May 2020, when asked about the project, Dilworth responded that it had been "transformed into another thing". Albeit not confirmed, it could be presumed that he may have referred to the Scooby Doo crossover, Straight Outta Nowhere: Scooby-Doo! Meets Courage the Cowardly Dog.


In June 2021, Dilworth revealed that the project was on turnaround as Cartoon Network's management is prioritizing their focus on other projects. In January 2022, Dilworth revealed that the project has already been dropped and fell through for the same reason.


In February 2024, Dilworth posted the animatic pilot for the series, titled "Goblins of Litter", onto his YouTube channel.

Recap To Last Month: Disney Junior Trademark To Be Shortened To DJr

Last month, it was revealed through United States Patent And Trademark Office (USPTO) that Disney had filed a new trademark for Disney Junior known simply as DJr. This would be brand's first official rebrand following its inception back in 2011 in place of Playhouse Disney.

For several years, companies had been simplifying their logos and now they look to expand this to a younger demographic. For starters, there's CBeebies and PBS Kids whose current logos had been aligned to match of existing brands operated by BBC Studios and PBS.

Disney Junior's first logo is currently being used across several platforms with some minor modifications in other countries. Now this one seems bland and lifeless but this is only what's currently seen on paper and may not be the future of the whole brand.

If anything the font and styling used on Junior (Jr) implies that they could some playful aspects. Now with Disney Junior (soon to be DJr) is getting a complete makeover one has to wonder whether some of these aspects could spread to their other channels.

I mean the idea wouldn't seem far fetched, Disney Channel could simply be the "D" while Disney XD is DXD. But then again, the current logo for Disney XD had been simplified from the start while Disney Channel has more of that in Europe than the main market so it's either way.

Interesting to note, DreamWorks Channel and the block DreamWorks Junior have the same initials as Disney Channel and Disney Junior - DC/D and DJR.

Below is an ident to the upcoming rebrand:


ESPN, FOX And Warner Bros. Discovery To Launch Joint Sports Streaming Platform

Walt Disney’s ESPN, Fox and Warner Bros. Discovery plan to launch a joint sports streaming service this fall, giving consumers a new way to access marquee live sports for the first time, the companies said Tuesday.

The platform, which will be owned by a newly formed company with its own leadership team, does not yet have a name or a price. Disney, Fox and Warner Bros. Discovery will each own a one-third stake.

Consumers would be able to subscribe directly via a new app. Subscribers would also have the ability to bundle the product with the companies’ streaming platforms Disney+, Hulu and Max.

The product will be a skinnier bundle of linear networks than a standard cable offering, specifically tailored for sports fans. It will consist of all the broadcast and cable networks owned by Disney, Fox and Warner Bros. Discovery that carry sports, along with ESPN+.

From Disney, that includes ESPN and its sister networks, such as ESPN2, ESPNU, SECN, ACCN, ESPNEWS, as well as the ABC broadcast network. Warner Bros. Discovery’s networks that showcase sports are TNT, TBS and TruTV. Fox will include the Fox broadcast station along with FS1, FS2 and BTN.

“The launch of this new streaming sports service is a significant moment for Disney and ESPN, a major win for sports fans, and an important step forward for the media business,” Disney Chief Executive Officer Bob Iger said in a statement. “This means the full suite of ESPN channels will be available to consumers alongside the sports programming of other industry leaders as part of a differentiated sports-centric service.”

The launch of the product will not stop ESPN from offering a full direct-to-consumer streaming product, which Disney is still researching, according to a person familiar with the matter. ESPN has previously said it plans on releasing that product this year or next year.

The competitors expect to form the joint service at a time when the value of sports media rights is spiking, but viewers have moved away from watching on traditional cable.

Disney, in particular, has suffered from a shift away from its ESPN network, and sought new ways to revive the business, including searching for strategic partners such as the National Football League and the National Basketball League.

Development Alert (Rumour): Hailey's On It Cancelled After One Season On Disney Channel

Hailey's On It! is an American animated science fiction comedy action adventure television series created by Devin Bunje and Nick Stanton. It is produced by Disney Television Animation. The series aired on June 8, 2023, on Disney Channel and premiered internationally sometime in the year.

Synopsis for Hailey's On It

The series, set in Oceanside, California, follows Hailey Banks, a 14-year-old girl who dislikes taking risks. Her life gets turned upside down during her New Year's celebration when she is visited by a scientist who hails from the future. From the scientist's visit, Hailey learns that the completion of a long list of tasks she wrote will be the important start of a chain of events that will lead to her inventing a device that will be used to save the entire planet by reversing global warming.

As seen through Spotify bio of Auliʻi Cravalho who serves as the voice actor to the lead Hailey Banks. Disney Channel might have axed the animated show after one season although not confirmed at this point the brand had never announced a second season as seen with previous shows which confirms people's suspicion.

Disney is focusing on building out its multicam strategy and that includes prioritising shows that are based on Disney-owned IP, and creating global tentpole programming. Other programs to have gotten axed include Bunk'd, The Ghost And Molly McGee, Saturdays and Secrets Of Sulphur Springs..

With this cutback of content one has to wonder how long it will be till it affects their linear offering. As seen globally, Disney has closed various linear channels in the United Kingdom and Ireland, Asia, Australia, Turkey and Italy.

Byron Allen Looking To Make MTV, Nickelodeon And Comedy Central "Cost Efficient", How Does This Impact Paramount Global's Linear Channels?

Last year, Warner Bros. Discovery and Paramount Global were reportedly in talks for a potential merger. Fast forward to the present, Shari Redstone is looking to sell her shares at Amusement Park with Skydance that has collaborated with the company on various films making their bid with Byron Allen topping them.

As reported sometime ago, Allen Media Group made a proposal to acquire Paramount Global for $30 billion (R562 billion) part of which helps them cover up pending debts. Should this deal move forward, they would keep TV channels and the Paramount+ streaming service intact while selling off film studios and other intellectual properties.

The impact on TV channels in the United States

Byron Allen, the founder of Allen Media Group is looking to make these brands cost effective. Selling off "film studios and other intellectual properties" is another way to minimise expenses. It's not really known whether Allen will look to retaining various content from Nickelodeon and MTV.

Similar to CW, it's likely that we'll be seeing Nickelodeon and MTV relying more on third party content and possibly distributing even lesser originals. As mentioned, he was looking to run them on a more "cost-efficient basis". Nickelodeon has garnered popularity for shows like SpongeBob SquarePants and The Loud House, MTV on the other features shows like Teen Mom and Ridiculousness.

The impact on TV channels on a wider spectrum

With Nickelodeon and MTV getting less content, Paramount will likely look into closing channels across the country. This was likely implied when they mentioned selling off "film studios and other intellectual properties" I mean the company in question doesn't have much international presence.

There's always chances that they could retain a portion of channels such as Comedy Central and BET while secondary networks like Nicktoons and MTV Base cease to exist as they won't be much content to supplement the existing line-up of channels.

But then again Sony once offered linear services across the country before closing down most feeds while a few such as the UK were put under different management. Disney had been reducing the carbon footprint for Disney Channel while it continues to operate in the United States.

The future of SpongeBob SquarePants and Ridiculousness

As mentioned, Allen is looking to sell their film studios and it's possible that they could retain the more relevant brands such as Nickelodeon Animation Studios and sell majority of Paramount Pictures. There's been various companies that had their eye on their studios such as Netflix, Skydance, Warner Bros. Discovery and Disney perhaps one of them could look into acquiring.

As for the content in general, Paramount's remaining offering could be licenced to various local broadcasters I mean should these channels not have much of a presence globally.