Recap To The Past Decade: True African Was Ripped Away From Openview Consumers, Could eMedia Investments Finally Source Out A Replacement?

True African was a general entertainment channel that came in place of the defunct eNolly+ channel on the Openview platform. The channel served a purpose of promoting content from West Africa particularly Ghana and Nigeria through the form of movies and series.

As mentioned, the channel was ripped away from Openview consumers in an attempt to offer fresher entertainment for which channel didn't reflect even when it was operating as eAfrica+ before the switch to eNolly+ it still had a repetitive nature.

But unlike e.tv's News And Sport channel much less OpenNews, the channel was revived on PremiumFree TV which serves as freemium platform's first ever competitor offering a range of movies, drama series, reality shows, music and kiddies entertainment.

Fact of the matter is eMedia Investments hasn't replaced True African sure we have channels like Zee One, Star Life, The Home Channel+ and People's Weather but none of this can make up for the closure of the brand's last attempt in Nollywood entertainment.

As of 2023, eMedia Investments launched their pay-tv venture on the Openview platform which comes with 4 channels and plans to grow the lineup. But what was also outlined about this new pay-tv service was the focus on diversity and inclusion resulting in OUTtv.

The idea of eMedia Investments exploring something similar to True African TV possibly for Openview Ultra wouldn't be far fetched. It's not like consumers were familiar with the offering seen on OUTtv and yet there's plenty of households willingly to pay monthly.

The current offering (excluding OUTtv) kind of resembles the existing lineup seen on StarSat and DStv as well as the pricing for those wishing to view the offering.

Afrikaans Voice Actors For Om Elke Draai And Daai Crazy Somer Season 2



Om Elke Draai

Jaundre Kim Andersen as Selin Sever
Adriaan Havenga as Demir Erendil
Celeste Loots as Ayda Akman
Geon Nel as Burak Yangel
Emma Kotze as Eylül Gündüzeli
Anja Taljaard as Merve Mutlu
Rinaldo Felaar as Bora Durul
Chris Van Rensburg as Ferruh Özerdim
Morne Visser as Muharrem
Anoecha Kruger as Azmiye Bosgeçmez
Chine Van Aarde as Esen



Daai Crazy Somer Season 2

Staain Bruwer as Ahmet Tunali
Elzabe Zietsman as Emel Yaman
Adrian Steyn as Sancaktar
Kevin Smith as Selcuk Taskin
Markus Haywood as Akgun Gokalp Taskin
Steven Sterling as Arda Ates
Caidan Bouwer as Altay Kara
Rowlen Ethelbert Von Gericke as Kaan Gok
Jacques Gombault as Selim Kara
Francois Coertze as Metin Yaman
Natasja Jacobs as Serap Gok
Zetske Van Pietsen as Canan Kara
Izel Bezuidenhout as Yagmur Jasmine Kara
Rikus Strauss as Burak Sancaktar
Zack Hendriks as Eray
Maude Sandham as Naz
Mandle Baard as Cemre
Saanli Jooste as Sare
Lizelle Pike as Şevval
Richard Van Die Westhuizen as Yigit

Microids Announces Totally Spies! Game For Consoles, PC

Microids has announced a partnership with Banijay Kids and Family for a new video game based on the animated series Totally Spies! It will launch for consoles and PC in 2024.

Here is an overview of the game, via Microids:

The Totally Spies! video game will offer players the opportunity to step into the shoes of the three legendary secret agents, Sam, Clover and Alex. Together they must try and save the world from a new enemy, with a host of thrilling missions, offering innovative game mechanics.

“Microids is committed to faithfully and innovatively adapting well-known IP and it is a real honor for us to work on the Totally Spies! license,” said Microids CEO Stephane Longeard in a press release. “Thanks to the skills of our studios and in-house teams, we will do everything we can to offer the community a game that meets its expectations.”

Banijay Kids and Family new business and strategic alliances director Annick Bizet added, “We are seeing great momentum building for the Totally Spies! brand ahead of the much-anticipated return of the series next year. Microids’ expertise and passion for the world of video games, make it the perfect partner to recreate the universe for an authentic and captivating game for our fans.”

Prime Video Loads Up On Batman Toons


Amazon’s streaming service picked up 2D-animated movie Merry Little Batman, which was among the kids projects canceled at HBO Max last year. Continuing efforts to age down the Batman franchise (starting with the launch of preschool-skewing Batwheels on Cartoonito in 2022) this action-comedy pic stars Damian Wayne—a young boy who turns himself into “Little Batman” during Christmas Eve to stop Gotham City’s supervillains from ruining the holidays. Mike Roth (Regular Show) is directing, with Morgan Evans (Teen Titans Go!) writing the screenplay. Roth will also executive produce alongside Sam Register.


Spinoff series Bat-Family is also headed to Prime. Exploring the unique capers of being part of a superhero family, the toon centers around Batman, Alfred and Damian, who has now taken on the mantle of Little Batman full-time.


Finally, Amazon has confirmed a previously reported two-season order for Batman: Caped Crusader—a darker, noir-inspired series that will be similar to Batman: The Animated Series, which aired on Fox Kids from 1992 to 1995. Bruce Timm, J.J. Abrams  and Matt Reeves are executive producing this series, which was another casualty of the HBO Max cancellations last year that has now landed at Prime.


All three projects will premiere exclusively on Prime Video worldwide. And they reflect the streamer’s growing investment in comic book IPs. Last year, Sony Pictures Television signed a multi-title deal to produce live-action series based on Marvel characters for Amazon, with a Silk: Spider Society series already underway.


Meanwhile, DC Studios is also prepping multiple projects based on the Batman IP for the big screen. In addition to DCU installment The Brave and the Bold and Matt Reeves’ sequel to last year’s The Batman, the studio is bringing two incarnations of the iconic character together on screen in The Flash, which hits theaters this June.


Emmett Till: Woman Whose Accusation Led To Lynching Of Black Teenager Dies Aged 88


The woman at the centre of one of the most notorious episodes in US racial history, the lynching of black teenager Emmett Till, has died.


Carolyn Bryant Donham, 88, died in a hospice in Louisiana on Tuesday.


Her accusation that the 14-year-old Mr Till had whistled at her caused his death at the hands of two white men, but also became a catalyst for the civil rights movement.


In August 1955, Mr Till was visiting relatives in Mississippi. Ms Donham, then 21 and known as Carolyn Bryant, accused him of making improper advances on her at the store she worked at in the small community of Money.


One of Mr Till's cousins, Reverend Wheeler Parker, said that the boy whistled at the woman, an act that was contrary to the racist social codes of the era in the Deep South.


It is believed that Mr Till was identified to Ms Donham's then-husband Roy Bryant and his half-brother JW Milam, who abducted the teenager several nights after the incident.


They beat and mutilated Mr Till before shooting him in the head and leaving his body in the Tallahatchie river. It was discovered swollen and bloated three days later, and was returned to his mother Mamie Till Bradley in Chicago.


Mr Till's funeral captured international attention when Mrs Bradley insisted that her son be buried in an open casket, saying: "There was just no way I could describe what was in that box. No way. And I just wanted the world to see."


Pictures of the body shocked America, and pressure was brought to bear on the state of Mississippi to bring Mr Till's murderers to justice. Bryant and Milam were arrested and tried for the killing, but an all-white jury acquitted the two white men.


In an unpublished memoir titled I am More Than A Wolf Whistle, which was obtained by the Associated Press (AP) in 2022, Ms Donham said she was unaware of what would happen to the teenager.


Historian Timothy Tyson said he obtained a copy from Ms Donham while interviewing her in 2008, before passing it on to the AP.


Tyson said on Thursday that her precise role in the killing of Till remains murky, but it's clear she was involved.


"It has comforted America to see this as merely a story of monsters, her among them," Tyson said. "What this narrative keeps us from seeing is the monstrous social order that cared nothing for the life of Emmett Till nor thousands more like him.


"Neither the federal government nor the government of Mississippi did anything to prevent or punish this murder.


"Condemning what Donham did is easier than confronting what America was - and is."


Jerry Springer Dead At 79


Jerry Springer, one of the most influential and controversial figures in TV history, has died...sources has confirmed.

Jerry hosted the smash hit syndicated talk show "The Jerry Springer Show" for 27 years...and it was never a boring moment on the raucous and wild show -- which was known for its outrageous guests who usually got into crazy fights as the audience cheered, "Jerry, Jerry, Jerry, Jerry!"

A family spokesperson says Jerry had been diagnosed with cancer a few months ago, and this week he took a turn for the worse. He died at his home in the Chicago area.

Before TV, he was a politician who ran a failed campaign for U.S. Congress in 1970, got elected to Cincinnati's City Council in 1971...and became the city's mayor in 1977. He served one term.

But, Springer became a worldwide sensation with his show ... which debuted in 1991. Most people won't remember this, but when he started Jerry's show focused on political issues. Of course, it eventually became the exact opposite ... and a ratings smash.

Jerry's show was so popular in the late '90s, it even topped Oprah Winfrey's in several cities. 'Springer' finally went off the air in 2018.

He made one more run in TV, with his courtroom show, "Judge Jerry," which ran for 3 seasons.

Jerry's last TV appearance came last season on "The Masked Singer" ... where he performed as "The Beetle," singing a Frank Sinatra classic.

He's survived by his daughter Katie Springer and his sister Evelyn.

Three Ways To Watch tvN's K-Dramas In South Africa

tvN is a South Korean entertainment channel owned by CJ ENM which broadcast a variety of content including reality shows, drama series and movies. It was added as a pop-up channel on MultiChoice's DStv attributing success with shows like Flower Of Evil and The K-2.

But MultiChoice went against the idea of launching a permanent channel thus leaving various households without shows like Another Miss Oh, Tail Of The Nine Tailed and The Tunnel so we turn through two simple methods of getting access to some of these shows.

1. eVOD

eVOD is a video on demand home to various local productions by eMedia Investments including Splintered Pieces, Housewives, Piet's Sake and Whatever It Takes. It's also home to various shows already viewed on eMedia Investments' e.tv and eExtra channel including Gebroke Harte, House Of Zwide and The Black Door.

As mentioned, eVOD is also home to Asian programming or in this case content seen on tvN including Ice Adonis, The K-2, Flower Of Evil and The Devil Judge. The best part all of this is free but the only downside is the limited offering.

2. Showmax

Showmax is a streaming service owned by DStv's parent company also known as the tvN hater MultiChoice. Just like eVOD, they're also home to various local productions including Blood Psalms, Recipe For Murder, Devilsdorp, St. Agnes and The Wife. It is also licences various content from NBCUniversal, CBS Studios, Sony Pictures Television and Disney Star.

The streamer is also home to the corporation that deprived DStv consumers of tvN as they rather keep the best shows on Showmax including Melting Me Softly, Cheese In The Trap, Encounter and Revolutionary Love. Unlike eVOD, you can browse a number of content but it comes with a fee.

3. VIU

VIU is an Asian based streaming service from VIU International Ltd. which distributes a number of drama series and movies from Indonesians, Malaysians and Burmese to audiences in the Middle East and Africa. They also offer a selection of content from Paramount, AMC International and A+E Networks.

Just like the previous two, they also offer Korean Programming such as L.U.C.A The Beginning and Mouse and some of this comes with a fee while others come at no charge.

SEGA To Acquire Angry Birds Company Rovio

Sega, the Japanese-headquartered video game company best known in the West for its Sonic the Hedgehog franchise, is acquiring Angry Birds developer Rovio, the companies announced today. The Finnish headquartered mobile games developer will be acquired for €706 million (around $775 million), which The Wall Street Journal notes represents a roughly a 19 percent premium over its share price at close on Friday. The deal is expected to close by the end of September.


In a press release, Sega said it hopes to use “Rovio’s distinctive know-how in live service mobile game operation, to bring Sega’s current and new titles to the global mobile gaming market.” It sounds like a similar aim to what Sega’s rival Nintendo has been doing with its franchises, with smartphone releases like Mario Kart Tour, Pokémon Go, and Super Mario Run. Sega also wants to help Rovio “expand its platform outside of mobile gaming.”


“Among the rapidly growing global gaming market, the mobile gaming market has especially high potential, and it has been Sega’s long-term goal to accelerate its expansion in this field,” said Haruki Satomi, president and group CEO of Sega parent company Sega Sammy holdings. In a statement, Rovio CEO Alexandre Pelletier-Normand specifically called out the company’s Beacon platform, which is designed to help develop games-as-a-service products.


Rovio is best known for its work on the Angry Birds franchise, which launched in 2009 and is claimed to be the first mobile game series to have reached 1 billion downloads. In total, Rovio says its games have been downloaded over 5 billion times. Angry Birds has since been adapted for the big screen twice (once in 2016 and again in 2019), but more recent entries in the franchise have struggled to make a similar impact.


Sega isn’t the first company to have expressed an interest in acquiring Rovio. The mobile game developer had previously been in discussions to be acquired by Israel-based Playtika, but talks officially came to an end in March 2022. Rovio has been a publicly traded company since 2017. 


Rovio’s acquisition by Sega is the latest example of an independent mobile gaming titan being hoovered up by a more traditional games giant. Candy Crush developer King was acquired by Activision Blizzard in a $5.9 billion deal that completed in 2016 while Zynga, the company behind FarmVille, was bought by Take-Two for $12.7 billion last year.


Presenting The 12 TV Channels On DStv To Offer DStv Repeats


Last year, eMedia Investments and MultiChoice got into a fist fight in regard to e.tv's 4 channels. According to MultiChoice, the channels don't fit their 5 year content plan and leverage of DStv content so we look at channels from the platform that air DStv content.

1. Televista

Not to be mistaken with Televisa, the channel is operated by Consolidated Media in Nigeria is home to brands like Trybe TV and SoundCity. Initially, the line-up featured the best of Mexico and Latin America with shows like Part Of Me and Without Breasts There's No Paradise. But over the years, the channel has gone as far as supplying Bollywood shows from Zee World.

2. TLNovelas

Despite being home to various original shows such as Head Over Heels, Secrets At The Hotel and Rubi. The TelevisaUnivision channel has been licensing content to various broadcasters across Africa so if there's a channel you want out then look no further than TLNovelas or likely the competition, Citizen TV.

3. Akilli Kids

Located in East Africa, Akilli Kids is a popular children's channel home to educational content in various languages including English aside from Akilli And Me. The channel supplies a stack of shows already viewed on DStv including various shows like Wild Kratts, Team Umizoomi, Splash And Bubbles and Elinor Wonders Why.

4. DreamWorks

International adaptation of eMedia Investments' eToonz so to speak as NBCUniversal had been licencing numerous content in a similar manner to TLNovelas to various broadcasters including the SABC. Basically, 90% of the channel consists of rehashed content for consumers in South Africa while eToonz gets with modern times.

5. Movie Room

Launched in 2022 as a replacement to eMovies and eMovies Extra, the channel is an M-Net Movies Zone or TCM tiered channel with Kagiso Media hoping to rollout original local films on the channel. The competitor to M-Net Movies has some type of uniqueness that can't be explored on other movie channels but when it comes to new movies there's only repeats of Step Up, Madea and Dragonball: Evolution.

6. TNT

Replaced TCM back in 2018, the channel currently ranks as the most popular movie channel in South Africa reaching 10 million households has something for action lovers with Venom, Poltergeist, Lethal Weapon, Suicide Squad and Justice League as if that hasn't been explored on M-Net Movies alongside TV's most talked about wrestling promotion, All Elite Wrestling.

7. Studio Universal

Basically an international version of eMovies or so what we almost believed at one point. The channel blew M-Net Movies out of the water after bringing out the latest films before any other channel on the Compact bouquet including Men In Black: International, Woody Woodpecker, Jumanji: Welcome To The Jungle and Bad Boys For Life all of which had been seen on M-Net Movies 1 & 2.

8. Comedy Central

Being one of the few routes for international dramas (comedies) alongside BBC Brit and M-Net (or Me) the channel has garnered traction with the likes of South Park, The Daily Show, The Carbonaro Effect and Impractical Jokers. But what catches consumers attention is the endless reruns of M-Net's Two And A Half Men, The Big Bang Theory, Modern Family and Friends.

9. Universal

Serving as one of the few competitors to M-Net and BBC Brit, the channel garnered traction for the likes of Rosewood, Law And Order: SVU, Transplant and Fantasy Island. But just like most channels on the list play second fiddle to DStv/M-Net repeat with shows like Chicago P.D., NCIS: Los Angeles, S.W.A.T., Rizzoli And Isles and Bones.

10. Real Time and Discovery Family

After axing Discovery World and Animal Planet, MultiChoice thought of a swell to duplicate the content seen on Discovery Channel, TLC, Food Network, HGTV and Investigation Discovery on two channels thus limiting the content seen on the successors for content selected consumers already have.

11. Nicktoons

Currently the only kids channel to play second fiddle to another DStv channel as Cartoonito graduated out of repeats prior to its rebrand but Nicktoons continues to build up their offering with a stack of content already viewed on Nickelodeon and Nick Jr. including Dora The Explorer, Paw Patrol, The Casagrandes and Middlemost Post.

Conclusion:
This is Insidus giving you the 11 channels to offer DStv repeats but remain onboard while eMedia Investments 4 TV channels on DStv platform were being phased from existence for that exact same reason.

Breaking News From Across The World In The Last 7 Days Dated 16 April


1. Palatin Media and Backbone’s joint-venture FAST Media is to launch the anime Fast Channel Yu-Gi-Oh! across Europe and Africa
2. HBO Max rebrands to Max in May, unveils pricing and further details
3. Warner Bros. Discovery announce new content for the Max streaming service
4. Amazon announce plans to develop new movies and TV shows for Legally Blonde, Stargate, RoboCop and Barbershop franchises
5. Ice Spice and Nicki Minaj unveil new single Princess Diana
6. Tupperware might be closing down due to poor sales
7. Nicki Minaj will lead a new animated project Lady Danger for Amazon and 50 Cent
8. Vice TV unveils Dark Side Of The Ring season 4
9. Paramount moving shows from VH1 to MTV
10. Buying Beverly Hills renewed for season 2 on Netflix
11. Diplo teams up with Stargull Simpson and Dove Cameron on new single, Use Me (Brutal Hearts)
12. Jack Black drops soundtrack for The Super Mario Movie, Peaches
13. Getroud Met Rugby actor murders his lover
14. Piet's Sake 2 release on eVOD

Getroud Met Rugby Actor Guns Down His Lover

On Thursday, local actor Gregg Pettigrew, 51, allegedly shot and killed his 29-year-old lover in Kempton Park, Gauteng, before attempting to take his own life.


The shooting occurred in Pettigrew's home, a rental cottage in the area.


Police received an emergency call from the landlord and were on the scene shortly after. Norkem Park Police spokesperson Colonel Barbara-Anne Ferreira told sources they found a dead male on the scene.


"The other male was still in the bed, next to the male, and he had a firearm in his hand," she said. She said he was drowsy.


"We noticed that there were tablets. He drank an overdose of tablets."


Colonel Dimakatso Nevhuhulwi told sources earlier on Friday that the man was at the "local hospital under police guard".


Pettigrew played the character of Gé on the local soap, Getroud Met Rugby.


He's expected to appear in the Kempton Park Magistrate's Court on Monday, 17 April.


Ferreira said he'd be charged with murder and possession of an unlicenced firearm. She said the family of the deceased was traumatised.


Palatin Media And Backbone’s Joint-Venture FAST Media Is To Launch The Anime Fast Channel Yu-Gi-Oh! Across Europe And Africa

The joint-venture which is dedicated to FAST channels will launch Yu-Gi-Oh! in the UK, Germany, Spain, France, Italy, Spain, Northern Europe and Africa. The new channel will be available in 5 languages — English, German, French, Spanish and Italian.

The new channel will commence rollout in May with the English and German language version on Frevee, LG, Rakuten, Rlaxx, Zeasn and Africa XP, followed by the French, Italian and Spanish version debuting in June.

The new structure, FAST Media is based in Munich and debuted in 2022, after Backbone’s founder Richard Maroko and Palatin Media’s founder Bernd Schloetterer joined forces.

FAST Media has since developed four channels in France and Switzerland: Enquêtes de choc devoted to investigative reports, Homicide, focused on true crime and two channels centered around iconic french TV IPs: the game show Motus and the cult talkshow Y A Que la Vérité qui Compte.

The channels are broadcasted on several platforms, including Samsung TV+ in France and Switzerland, Molotov, LG, Pluto TV, Rakuten, Xiaomi, Plex among others.

Other upcoming projects from FAST Media are scheduled for launch in Q2 2023 in France, Spain and Germany.

The Grand National Will Be Shown On 30 Broadcasters Across The World Including Africa On SuperSport And Racing240

The Grand National will be shown by 30 broadcasters around the globe, including on ITV in the UK.

Other broadcasters secured by HBA Media and Racecourse Media Group for the race include OTT sports streaming platform Fancode showing all three days of the Grand National Festival in India, Viaplay (pan Europe), Setanta (Balkans and Eurasia), Polsat (Poland) and WeDoTV (Germany, Switzerland, Austria). SuperSport and ESPN Star+ will guarantee pan-regional live coverage across Africa, and South America and the Caribbean.

In addition to ITV, RMG, which manages the media rights on behalf of Aintree Racecourse’s owner, the Jockey Club, will air the race through its own TV channel, Racing TV, to 10,000 pubs in the UK and Ireland. Virgin Media will screen the race in homes in Ireland.

Sport 24 will broadcast the race on 27 airlines and cruise lines, and CNN will cover the race for its flagship World Sport programme while Trans World Sport will provide exposure and news outlets will receive content via via Reuters and SNTV.

Grand National broadcasters

North and South America: TVG, NYRA (US); Canadian Broadcasting Corporation, HPI (Canada); ESPN Star+ (50 countries in Latin America, Caribbean) and SportsMax (32 countries in Caribbean).

Africa, MENA and Sub-Continent : SuperSport (48 countries in Africa), Racing 240 (16 countries in Southern Africa), Dubai Racing Channel (17 countries in MENA), Fancode, Sony Pictures Network (India and subcontinent)

Asia Pacific : Sky Thoroughbred Central (Australia), Trackside (New Zealand), Green Channel (Japan, highlights), Wasu (China, highlights)

Europe : ITV (UK); Racing TV (UK, Republic of Ireland); Virgin Media 1 (Republic of Ireland); Equidia (France); SilkNet (Georgia); Viaplay (Pan Europe), Polsat (Poland), Setanta (Baltics and Eurasia), Wedo TV (Germany, Switzerland and Austria).

Dickon White, The Jockey Club’s regional director for the North West, said: “The wide range of interest from international broadcasters further endorses the Randox Grand National’s status as the world’s most famous Jumps race, if not the most famous horse race anywhere on the planet.

“Working with RMG and HBA Media, we are delighted to attract what will be a truly global audience including via some of the biggest names in sports broadcasting.”

Türkiye's TRT Africa Opens With Ambition To Show 'Real Face' Of Continent

Türkiye's public broadcaster TRT launched its new digital news platform TRT Africa, on the sidelines of a broadcasting summit in Istanbul.


The multilingual platform aims to provide an accurate image of the continent according to TRT. Its launch follows Türkiye’s intense diplomacy to gain a foothold in Africa through humane diplomacy contrasting with the West’s exploitative approach.


The platform is the latest addition to TRT’s growing foreign language channels and digital platforms that includes TRT World, Russian, Deutsch, Arabic and Français. TRT Africa will broadcast news in English, French, Swahili and Hausa.


Speaking at the launch ceremony, TRT General Manager Mehmet Zahid Sobacı said Africa has long been exposed to Western media’s biased coverage. “The real history of this great continent, its colorful culture, natural beauties and its stories are not told the way it deserved. TRT Africa reflects Türkiye’s constructive and amiable approach to Africa,” he said. He said the new platform’s motto would be “Africa as it is.” He said they were now working to launch digital news platforms in Spanish and Farsi.


Gregoire Ndjaka, CEO of the African Union of Broadcasting (AUB), also attended a TRT-AUB summit and said at the ceremony that they had convened to strengthen Turkish-African ties. “The coverage of Africa elsewhere in the world creates a perception that it is a place full of conflicts. We desire TRT Africa will support us (to end this perception),” he said.


Fahrettin Altun, head of the Turkish Presidency’s Directorate of Communications, said TRT Africa would be a strong addition to a global communications network and expressed his faith that it would bring an authentic perspective in the face of the common perception of the continent and a one-sided flow of information.


“You will see our country’s fair approach to the continent of Africa and its peoples in the content and broadcasting strategy of this new digital channel. Because we believe the need to develop a new news broadcasting as an alternative to Western media’s discriminating, alienating and negative rhetoric in its coverage of Africa,” Altun said.


Altun, Sobacı and Ndjaka joined Somalia’s minister of information, culture and tourism, Daud Aweis Jama, later to share the first social media messages of TRT Africa in four languages at the ceremony.


The Lost Roles Of Bill Murray

Casting is one of the most important processes in movie making. Placing the right actors in the right roles can determine whether or not an entire film rings true. Thus, casting directors and filmmakers consider a wide range of possibilities before going into production. In this column, we’ll be taking a look at the missed opportunities — the roles that could have been — and exploring how some casting choices that almost happened could have changed careers, projects, and the comedy industry, at large.


Bill Murray is possibly the most respected comic actor of his generation and one who successfully made the difficult transition to drama, receiving numerous awards and nominations along the way. His career has spanned five decades and multiple genres, so it’s no wonder he has more than his fair share of parts that other actors have beat him out for or that he flat-out turned down. In recent years, this is partly due to Murray getting rid of his agent and manager. In their place, he’s set up a toll-free line through which show business folk can leave him messages. He checks the voicemail infrequently. Although this guarantees him a level of privacy and a barrier between him and the business, it’s caused him to miss out on a few choice parts, as well.


Scheduling conflicts while working on other movies, as well as changes made in the lengthy development process also contributed to Murray missing out on a number of projects, so it’s not like Bill Murray just has some incredible inability to tell when he’s offered a great part. Every actor or actress has a history of missed roles like these, as it’s not always easy to determine from reading a script whether the finished product will be any good.


While taking some of these parts would have drastically altered Bill Murray’s career trajectory, others are landmines that he wisely sidestepped. Without further ado, here is an obsessive list of roles Bill Murray was considered for, passed on, or filmed only to have the scenes left on the cutting room floor.


1. Star Wars (1977)

The role: Han Solo

Who got it: Harrison Ford

George Lucas auditioned dozens of big actors for the original

Star Wars, trying to find the right person for each part. As absurd as Murray playing Han Solo sounds, he’s not the oddest actor who auditioned. Kurt Russell, Christopher Walken, Jack Nicholson, Al Pacino, as well as Murray’s frequent comedy costars Steve Martin and Chevy Chase, were all considered to play the guy behind the wheel of the Milennium Falcon, too.


Was this good for Murray’s career?

It’s arguable. While the movie would have given Murray his largest exposure yet, the part wasn’t right for him. Considering the actor’s reluctance to embrace his fame, it’s probably for the best that he didn’t become part of the worldwide Star Wars phenomenon that would have catapulted him to superstardom. He would have had the same trouble Mark Hamill and Carrie Fisher faced when trying to break away from their public perceptions as these prolific characters.


Was this good for the movie?

Absolutely. While Bill Murray’s propensity for ad-libbing could have improved upon George Lucas’s spotty dialogue, it’s hard to imagine he’d make a better Han Solo than Harrison Ford.


2. National Lampoon’s Animal House (1978)

The role: “Boone” Schoenstein

Who got it: Peter Riegert

The original plan was to cast Chevy Chase as Otter, Bill Murray as Boon, Dan Aykroyd as D-Day, and of course, John Belushi as Bluto. Chevy Chase was interested but chose to make Foul Play instead. Scheduling conflicts with SNL allowed for only Belushi to accept his part. Lorne Michaels didn’t want three of his most popular cast members spending half the week in Hollywood filming Animal House instead of prepping for the show.


Was this good for Murray’s career?

No. Animal House was the first blockbuster comedy, the highest grossing film in the genre up until this point, turning Belushi into a star overnight. The part would have given Murray ample opportunity to improvise and to pin down his big screen persona early.


Was this good for the movie?

No. Looking back, I can’t imagine passing this comedic dream team up. Putting Chase, Aykroyd, Murray, and Belushi together onscreen while they were all bursting with youthful energy couldn’t have failed.


3. The Jerk (1979)

Murray filmed a scene in The Jerk that was left on the cutting room floor and the footage inexplicably hasn’t surfaced yet on YouTube or as a special feature. The Jerk was released during Murray’s stint on SNL , and Murray sarcastically panned the film on Weekend Update, saying: “There’s something missing.”


Was this good for Murray’s career?

This was just a cameo, so it wasn’t make-or-break for Murray.


Was this good for the movie?

No. I’ve been aware of this scene’s existence for years but have never found an explanation for why it was cut. I can’t imagine a scene between Bill Murray and Steve Martin, at the height of their comedic powers at the time, was unfunny.


4. The Dead Zone (1983)

The role: Johnny Smith

Who got it? Christopher Walken

Bill Murray was Stephen King’s first choice, but others on the production felt differently.


Was this good for Murray’s career?

No. If Murray had ended up in this role, it would have established his diverse abilities early on and given him freedom to travel between genres.


Was this good for the movie?

Yes. Christopher Walken gives a frightening, memorable performance. Murray could have pulled off something similar, but it would have taken a lot of work to nail the part like Walken did.


5. Splash (1984)

The role: Allen Bauer

Who got it: Tom Hanks

Murray, along with several other actors including John Travolta and Michael Keaton, turned the part down before the producers went to Tom Hanks.


Was this good for Murray’s career?

Yes. While Splash was a hit, Murray had bigger fish to fry at the time. He was busy filming Ghostbusters , which became the highest grossing comedy of all time upon its release.


Was this good for the movie?

Hard to say. Although Tom Hanks is a more natural romantic lead, Murray could have added some much-needed edge to this warm and fuzzy film. His scenes with John Candy and Eugene Levy would definitely have been entertaining.


6. The Three Amigos (1986)

The role: Dusty Bottoms

Who got it: Chevy Chase

Three Amigos had been in development for several years before it entered production. In a 1980 interview, Steve Martin mentioned plans to star in the project with Dan Aykroyd and John Belushi. In 1981, Steven Spielberg became interested in directing the film. He wanted Bill Murray, Steve Martin, and Robin Williams to play the Three Amigos. After some contemplation, Spielberg chose to make E.T. instead.


Was this good for Murray’s career?

Yes and no. While this would have been a great role and a lot of talent was involved, Spielberg has never been a dependable director of comedy. Take 1941 for example, Spielberg’s first flop, which starred Dan Aykroyd and John Belushi and still managed to be unfunny. John Landis was a much better choice, but by the time he got to the project, Murray had moved on.


Was this good for the movie?

Yes. Murray’s involvement is tied in with Spielberg’s. Although Spielberg is a great director, he’s a little inept with comedy.


7. Legal Eagles (1986)

The role: N/A

Who got it? Debra Winger

Bill Murray and Dustin Hoffman were originally attached to star but dropped out due to disappointment with the script. The producers changed Murray’s character to a woman and cast Robert Redford and Debra Winger instead.


Was this good for Murray’s career?

Absolutely. Skipping this one was a wise move on Murray’s part.


Was this good for the movie?

No. Murray and Hoffman showed they worked together well in Tootsie, and they would have made the movie much better, despite potentially hurting their careers.

8. Club Paradise (1986)

The role: Jack Moniker

Who got it? Robin Williams

Harold Ramis’s plan for this forgettable and muddled comedy was to cast Bill Murray as the lead, with John Cleese playing the part that later went to Peter O’Toole. Both actors were initially interested, but Murray felt the character was too similar to the one he played in Meatballs and Cleese didn’t want to spend several weeks filming in the West Indies.


Was this good for Murray’s career?

Yes. While Ramis is an incredibly talented writer and director, and he had a natural rapport with Murray, not much could save Club Paradise from itself.


Was this good for the movie?

No. Murray’s ad-libbing abilities and his habit of re-writing the scripts to his movies himself would certainly have helped, and it would have been great to see him work with John Cleese and the SCTV refugees that made up the rest of the cast. The finished film would have been better, but still lacking.


9. The Witches of Eastwick (1987)

The role: Daryl Van Horne

Who got it? Jack Nicholson

Bill Murray was originally cast in the role but dropped out before filming began.


Was this good for Murray’s career?

No. While I’m sure missing this one was no major regret of his, the film wound up being a well-reviewed, financial success that could only have helped Bill Murray out.


Was this good for the movie?

No. Nicholson had played similar parts to this one, so it wasn’t as shocking when he popped up as a villain in this movie. For Murray, this would have been a break from the sarcastic slacker heroes he tended to play in the ‘80s, but the character was still within his wheelhouse. Murray could have given a surprising performance that added a level of unpredictability to the film.


10. Who Framed Roger Rabbit? (1988)

The role: Eddie Valiant

Who got it? Bob Hoskins

Murray was director Robert Zemeckis and producer Steven Spielberg’s first choice, but they were forced to pick a different actor after being unable to get a hold of him. Murray was very upset when he heard this years later and says he definitely would have accepted the role.


Was this good for Murray’s career?

No. Roger Rabbit was a big success, and it would have been good for Murray to branch out with a quality family film. It’s a very funny movie that’s edgier than most Disney fare and worthy of his talents. Sandwiched in between the massively successful Ghostbusters movies, starring in Roger Rabbit would have continued Murray’s hot streak and solidified his status as one of the most bankable actors in Hollywood.


Was this good for the movie?

No. Although Bob Hoskins handles the role ably, Murray would have been much funnier and a marked improvement.


11. Rain Man (1988)

The role: Charlie Babbitt

Who got it? Tom Cruise

Dustin Hoffman wanted Murray to play his character’s brother.

Was this good for Murray’s career?

No. Rain Man could have been the transition into respected dramatic fare that Bill Murray wouldn’t receive until he met Wes Anderson a decade later.


Was this good for the movie?

No. Cruise does fine here, but Murray has a great ability to play selfish jerks like this character without making them completely detestable. Murray and Hoffman have nice screen chemistry, and the film could have been even better with Murray as Charlie.


12. Batman (1989)

The role: Bruce Wayne/Batman

Who got it? Michael Keaton

Tim Burton considered Bill Murray, amongst others, for the role of the Dark Knight. If it sounds strange to you (and it should), remember that Michael Keaton got his start as a stand-up and was mainly known for comedies like Mr. Mom and Night Shift until Batman. Murray was just as odd a choice as Keaton at the time.


Was this good for Murray’s career?

Hard to say. The role definitely would have bolstered Murray’s fame, and he could have played the part straight, but I doubt audiences would have warmed to him as Batman. On the other hand, if Bill Murray’s Batman had succeeded, it would have been easier for him to branch out into dramatic roles in the ‘90s and kept him at the top of the A-list.


Was this good for the movie?

Yes. Bill Murray would have been fine in the role, but fans and audiences might have been more reluctant to embrace him as a tough crime fighter. Given Murray’s habit of refusing to do sequels (the only two he’s ever done are Ghostbusters II and

Garfield 2), he may have left the series even earlier than Michael Keaton did.


13. Kindergarten Cop (1990)

The role: John Kimble

Who got it? Arnold Schwarzenegger

Director Ivan Reitman offered Murray the part before he went to Schwarzenegger.

Was the decision good for Murray’s career?

Yes. This doesn’t seem like a natural fit. If the movie had still succeeded with Murray in the driver’s seat, Murray might have been typecast in family movies, and who would want that? Schwarzenegger’s success here predates his roles in tripe like Junior and Jingle All the Way.


Was this good for the movie?

Yes. This is a vehicle that feels tailor-made for Arnold Schwarzenegger, and I can’t see Bill Murray as a tough cop.


14. Philadelphia (1993)

The role: Joe Miller

Who got it? Denzel Washington

Director Jonathan Demme wanted a comedic actor as counter balance against Tom Hanks, and he considered Bill Murray and Robin Williams for the role before nixing the idea and choosing Washington.


Was this good for Murray’s career?

No. Murray could have exceeded in this part. Like Rain Man, it’s just another example of a dramatic role he almost got years ahead of Hollywood accepting him as a serious actor.


Was this good for the movie?

Yes. Although Murray definitely would have brought a different energy to the part, it’s hard to imagine him being better suited than Denzel Washington.


15. Forrest Gump (1994)

The role: Forrest Gump

Who got it? Tom Hanks

Forrest Gump is just as strange a potential Bill Murray role as

Batman. The actor turned the part down when it was offered to him early in the development process. Chevy Chase was also offered the part but said no, claiming years later that the script he was shown was an early draft drastically different from the finished product. It’s possible Murray saw this same version of the script, so it makes sense that he would turn it down.


Was this good for Murray’s career?

Absolutely. As strong an actor as Bill Murray is, I don’t know if he could have pulled off playing a mentally-challenged man. I can’t get the image of him as Carl Spackler from Caddyshack on a bench eating chocolates out of my head.


Was this good for the movie?

Yes. This is the role Tom Hanks was born to play. He manages to portray Gump with the right mix of humor and sentimentality, making sure the audience laughs with Forrest Gump more than they laugh at him.


16. Toy Story (1995)

The role: Buzz Lightyear

Who got it? Tim Allen

When Bill Murray turned down the role, the Pixar people went to Billy Crystal, who also said no before Tim Allen accepted.


Was this good for Murray’s career?

No. Fantastic Mr. Fox proved that Murray is a natural and charming voice actor, but it’s really a shame the bulk of his voice work has been on the Garfield films.


Was this good for the movie?

Yes. Tim Allen is a natural fit as Buzz Lightyear, and Murray wouldn’t have been believable as this naive, good-natured character. The writers would have had to make Buzz more hard-edged and sardonic if Murray took the part, and these tweaks could have derailed the entire film.


17. Bottle Rocket (1995)

The role: Mr. Henry

Who got it? James Caan

Murray’s professional relationship with writer/director Wes Anderson has lasted almost as long as his similar set-up with Harold Ramis. Murray has appeared in every Anderson movie since they first worked together on Rushmore in ‘98. Anderson’s first movie, Bottle Rocket, is the only one not to include Bill Murray, but the director did try to cast him. Anderson called Murray’s agent, who, at the time, wasn’t able to get a hold of him as he was traveling around in a Winnebago.


Was this good for Murray’s career?

No. Murray and Anderson always work well together, and although this wasn’t a huge part, it would have been great seeing them collaborate a little earlier.


Was this good for the movie?

No. Murray would have been right at home in Bottle Rocket’s loopy, offbeat universe and would have adapted to Anderson’s tone more naturally than Caan.


18. The People vs. Larry Flynt (1996)

The role: Larry Flynt

Who got it? Woody Harrelson

Murray and Tom Hanks were considered before Harrelson was given the role. Director Milos Forman claims Murray never returned his calls.


Was this good for Murray’s career?

No. Harrelson was mainly a comedic actor up until this point and this was a turning point for him, resulting in his first Oscar nomination. This would have been a great opportunity for Murray and a role he could handleably.


Was this good for the movie?

Toss up. Woody Harrelson gives an impressive performance as Flynt. Murray would have been able to do just as well.


19. There’s Something About Mary (1998)

The role: Pat Healy

Who got it? Matt Dillon

Murray was considered for the part, but the Farrelly brothers decided he was too old.


Was this good for Murray’s career?

No. This is a great character for Murray and his own twisted take on the sleazy P.I. character would have helped keep him in hits.


Was this good for the movie?

No. Bill Murray proved he could work well with the Farrelly brothers in Kingpin, and his is one of my favorite performances in any Farrelly movie.


20. Monsters, Inc. (2001)

The role: Sulley

Who got it? John Goodman

Murray screen tested for the role and was interested, but when director Pete Docter was unable to make contact with him, he took it as a “no.”


Was this good for Murray’s career?

No. Monsters, Inc. is a much better fit for Bill Murray than the Garfield movies, and the success of this film would have helped him with other projects. We’ve all seen how the Shrek movies have been Eddie Murphy’s biggest hits in recent years, keeping his career afloat. Murray could have pulled off something similar.


Was this good for the movie?

John Goodman gives a memorable performance as Sulley, and it’s hard to argue that Bill Murray would have been any better or worse. Like in Toy Story, the character would probably have to be tweaked a little to fit Murray’s persona, but that could have worked here.


21. Bad Santa (2003)

The role: Willie Stokes

Who got it? Billy Bob Thornton

Bill Murray was the first choice and was in final negotiations before dropping out to make Lost in Translation.


Was this good for Murray’s career?

Yes. Although Bad Santa’s a funny movie and Murray would have been great as the lead, choosing Lost in Translation over this project was a smart move. He ended up receiving his first Oscar nomination, and Lost in Translation legitimized Murray’s status as a serious actor.


Was this good for the movie?

No. Murray could have added a little more warmth and sympathy to the role than Billy Bob Thornton, while still remaining mean and rude. It would be like an entire film revolving around Murray’s Groundhog Day character Phil Connors on one of his bad days, and that’s something I’d love to see. Don’t get me wrong, Thornton was great here, but the prospect of Bill Murray in this role is too good to pass up.


22. The Ice Harvest (2005)

The role: Bill Guerrard

Who got it? Randy Quaid

Back in 2004, the New Yorker ran a lengthy profile on Harold Ramis and the effect he’s had on film comedy. In it, Ramis mentions trying to get Bill Murray to play a small part here. At the time, the two hadn’t spoken since a spat they had while filming Groundhog Day , but it’s not clear if this silence still lasts today. Ramis had Bill’s older brother Brian Doyle-Murray offer Bill the part, but Bill declined.


Was this good for Murray’s career?

Taking this part wouldn’t have made much of a difference for Murray career-wise, but it would be nice to see him reconnect with Ramis, with whom he has made many of his memorable movies.


Was this good for the movie?

No. As evidenced by his cameos in Zombieland and Little Shop of Horrors, Murray can take a small part and use it to add a manic intensity to the project at hand. While it wouldn’t have drastically changed the quality of The Ice Harvest, Murray’s scenes could have been highlights.


23. Charlie and the Chocolate Factory (2005)

The role: Willy Wonka

Who got it? Johnny Depp

Tim Burton considered Bill Murray, amongst others, before selecting Johnny Depp.


Was this good for Murray’s career?

No. Murray would have been great as the off-kilter, fun-loving Willy Wonka, and the movie would have introduced him to a new generation of potential fans, while pleasing those who had been following him for decades. The success of the film could have kept him a bankable leading man and shown off his diversity.


Was this good for the movie?

No. Murray is a natural and worthy successor to Gene Wilder and this is a part he could get a lot out of, elevating the quality of the film as a whole.


24. The Squid and the Whale (2005)

The role: Bernard Berkman

Who got it? Jeff Daniels

Filmmaker Noah Baumbauch had Murray in mind for the lead but was unable to get a hold of him.


Was this good for Murray’s career?

No. This would have been a perfect project for Murray and would have kept the momentum going with another critically-acclaimed hit after Lost in Translation. He could have nailed this role and received some major accolades. Daniels obtained a Golden Globe nomination for the part, and Murray could have done the same, if not more.


Was this good for the movie?

No. Jeff Daniels handles the role well, but he doesn’t have Bill Murray’s aloofness. Even Murray’s darkest characters carry themselves with an air of humor, and it would have been great to see this ability to recognize the absurdity of his surroundings juxtaposed with the character’s snooty intellectualism and depression. Murray could have made Bernard Berkman a more complicated and endearing character.


25. Little Miss Sunshine (2006)

The role: Frank Ginsberg

Who got it? Steve Carell

It’s hard to imagine anyone but Steve Carell as Frank, but he actually wasn’t the filmmakers’ first choice. The part was written for Bill Murray, and this was another one he passed on. Murray later said he regrets missing out on the role.


Was this good for Murray’s career?

No. Little Miss Sunshine was a critical and commercial success and a major awards contender. Alan Arkin won an Oscar for his performance, and Murray might have received a nomination too. Not to say that his performance would have been that much better than Carell’s, but the Academy has a habit of looking upon past nominees more kindly.


Was this good for the movie?

It’s arguable. Steve Carell and Bill Murray are both capable actors, and this just comes down to personal preference.


26. How Do You Know (2010)

The role: Charles Madison

Who got it? Jack Nicholson

Murray was James L. Brooks’s first choice to play Paul Rudd’s father, and he even started rehearsing with the cast before dropping out.


Was this good for Murray’s career?

Yes. This is another bomb that Murray wisely dodged. The film was a critical and commercial flop, but it still would have been interesting seeing Murray and Rudd’s scenes together. James L. Brooks is one of the most influential comedy writer/directors out there, and it’s a shame he’s never cast Murray in a better film.


Was this good for the movie?

No. Murray would have been a better fit as Paul Rudd’s father and could have improved the project significantly.


The Dark Truth About Our Gang's Little Radical

The Little Rascals comedy shorts were incredibly popular in the early years of film, but the crew could easily be described as cursed— many of the cast members died under horrifying circumstances, not limited to murder, plane crashes, suicide, and motorcycle accidents.


The Whole Bushel


Beginning in 1922, a series of live-action comedy shorts starring a group of children called Our Gang hit the silver screen. The shorts were a hit, and over decades, a constantly evolving cast of “Little Rascals” entertained audiences, new kids joining up as older ones grew into their teens. While many cast members lived full, normal lives following their stint on the program, a chilling number went on to perish in most terrible fashion.


Bobby Hutchins (20) and Donald Haines (23) both died while serving in World War II. Billy “Froggy” Laughlin died at just 16 when his motor scooter was struck by a car. Norman “Chubby” Chaney died of a glandular ailment at 21. Kendall McComas (64) and Scott Beckett (38) committed suicide. Darla Hood, who frequently figured in as the show’s love interest, died of a heart attack at 47 after contracting hepatitis from a blood transfusion.


In 2002, Jay R. Smith, who lived to 87 years old, was stabbed to death by a homeless man he had befriended. His corpse was found in the desert north of Las Vegas, Nevada. Robert Blake, who successfully made the transition from child to adult actor, found himself in the crosshairs of a murder investigation when his second wife, Bonnie Lee Bakly, was killed in 2001. Blake was acquitted of the charges, but was found liable for her death in a subsequent civil trial.


Perhaps the most famous rascal of all was Carl “Alfalfa” Switzer, the freckled, cowlicked boy who yearned for the affections of his beloved Darla. Switzer left the show in 1940 at the age of 12, and though he had a few bit parts afterward, including roles in such classics as It’s a Wonderful Life and The Ten Commandments, his acting career was pretty much over. Switzer did a series of odd jobs afterward; he had a talent in particular for training hunting dogs. On January 21, 1959, Switzer got into an argument with another man concerning a dog and a debt of $50. He was shot in the groin and bled to death. He was 31. Sixteen years later, Carl’s brother Harold (who also appeared on the series) killed a man in a dispute, then committed suicide at the age of 42.


HBO Max To Be Renamed Max From May 23, Unveils New Content And More

“This is our time. This is our chance,” Warner Bros. Discovery CEO David Zaslav said today in his livestream intro for the company’s unveiling of Max, its rebranded streaming service that goes live May 23. “This is our rendezvous with destiny.”

Max will be the streaming destination for Max and HBO originals, Warner Bros. films, the DC universe, the Wizarding World of Harry Potter and kids content, along with programming across food, home, reality, lifestyle and documentaries from leading brands including HGTV, Food Network, Discovery Channel, TLC, ID and more.

Calling WBD “the greatest storytelling company on Earth” and the biggest and most successful creator of content, Zaslav said Max is “home to shows that have a supersized effect on people an culture,” singling out The Last of Us, The White Lotus, Succession and Euphoria.

Billing Max as “the one to watch for every mood and every moment,” the service’s three-tier pricing also was announced: $9.99 a month/$99 a year for ad-supported tier Max Ad Light; $15.99/$149.99 for Max Ad Free, which offers two concurrent streams; and $19.99/$199.99 for Max Ultimate Ad Free, up to four concurrent streams.

“This new brand signals an important change from two narrower products — HBO Max and Discovery+ — to our broader content offering and consumer proposition,” JB Perrette, WBD’s President & CEO of Global Streaming & Games, said during the presentation. “While each product offered something for some people, Max will have a broad array of quality choices for everybody.”

Among the programming highlights discussed today:

• Max original Harry Potter series, a faithful adaptation of the beloved original book series by J.K. Rowling, who will serve as executive producer;
Max original comedy series derived from The Big Bang Theory;
• HBO original Game of Thrones prequel A Knight of the Seven Kingdoms: The Hedge Knight;
Max original drama series based on The Conjuring films;
• Magnolia Network’s Fixer Upper: The Hotel;
Discovery Channel’s Survive the Raft;
Max original Peter & the Wolf short film from U2’s Bono;
• Adult Swim’s Rick and Morty: The Anime;
Investigation Discovery’s Lost Women of Highway 20;
• Cartoon Network’s Tiny Toons Looniversity; and
• TLC’s Love & Translation

Max also provided first looks today at upcoming titles including:

• The Penguin starring Colin Farrell
• HBO Original drama series The Sympathizer, an espionage thriller and cross-culture satire based on the Pulitzer Prize-winning novel;
• HBO Original limited series True Detective: Night Country, starring Jodie Foster and Kali Reis
• HBO Original limited series The Regime, starring Kate Winslet (retitled from The Palace);
• Max Original six-part docuseries SmartLess: On the Road, following Jason Bateman, Will Arnett, and Sean Hayes as they take viewers on an exclusive behind-the-scenes look at the sold-out live tour of their podcast
• Max Original kids series Gremlins: Secrets of the Mogwai
• HGTV’s four-part Barbie Dreamhouse Challenge hosted by Ashley Graham.

Also making announcements during WBD’s streaming day were Casey Bloys, Chairman and CEO of HBO and Max Content, and HBO SVP Programming Kathleen McCaffrey.

“Our incredible team has been hard at work taking the best of both legacy technology platforms to deliver a product that works much better,” said Perrette. “We’re confident that all these enhancements will deliver a stronger experience for our customers, which will drive more engagement, help enhance retention, and improve customer satisfaction, which in turn will help us continue to scale.”

Here are some highlights of Max product features:

Premium Video Playback. A new video playback experience will deliver smooth and cinematic video to users, wherever and however they prefer to watch. Whether binging their favorites, watching offline on-the-go, or tuning in on Sunday nights for the latest episode of Succession, users can count on seamlessly diving into their preferred worlds.

Personalization. Max will expand personalization beyond just the home page, offering a differentiated and high-performing experience for every user across the whole service.  By significantly increasing our investment in machine learning while maintaining an editorial voice, Max will deliver a unique human and machine approach that will help surface the best content for our users.

More Prominent Kids Experience. At launch, Max will introduce a default kids profile for new subscribers along with accompanying parental controls. Parents can choose to customize settings and select to limit content for the kids profile by ratings: little kids (tv-y), big kids (tv-y7, tvy7-fv), big kids plus (tv-g, g), preteens (tv-pg/pg), or teens (tv-14, pg-13). Parents will also have the ability to set individual profile PINs to lock access to their adult profiles, as well as a parent code to lock their children inside of the Max kids experience.

Simplified Navigation. Max works harder so viewers don’t have to. Streamlined categories, improved content details pages, shortcuts, dedicated brand hubs and thematic content rails, make exploring the app and discovering new interests easier. The updated design coupled with a better personalization engine will help consumers quickly find and discover the best of what they are looking for.

4K UHD. The Ultimate Ad-Free tier of Max will have an expanded catalog of content available in 4K UHD including key programming such as Game of Thrones, The Last of Us, Harry Potter, Lord of the Rings, The Dark Knight Trilogy and more. All Warner Bros. movies released this year and going forward will also be available in 4K UHD when they arrive on Max following their theatrical windows.

Newly Rebranded Max Streaming Service Unveils New Content For Kids And Families

Warner Bros. Discovery disappointed the children’s TV industry last year when it pulled a number of shows from HBO Max, signaling an exit from this part of the business.

However, now, with the launch of the rebranded Max service, the company behind the Looney Tunes and Hanna-Barbera libraries is returning strong to the sector and admitting that it was ostensibly technical difficulties that caused some of its problems for younger folk.

“We sit on the best library of IP for kids content [compared] to anyone so we’re not only going to reboot a lot of what we already have in our library but we’re also going to make new [shows],” said Kathleen Finch, Chairman and Chief Content Officer, Warner Bros. Discovery’s U.S. Networks Group

Finch revealed three new kids projects as part of the Max launch: Peter and the Wolf, a short film from Bono and Gavin Friday, Gremlins: Secrets of the Mogwai, which launches on May 23, and Tiny Toons Looniversity.

She also added, “We’ve got all kinds of projects… in the works. It’s a way for us to really target the kids market in a way that that HBO hasn’t been able to because… HBO is not a kid friendly brand, necessarily, even though Warner Bros. has some of the best IP in the business.”

David Zaslav, President and CEO of Warner Bros. Discovery, seconded this. He pointed out that parents were unlikely to tell their babysitter to turn on HBO Max to sate their children and the service, known for airing series such as The Sopranos and The Wire, didn’t have the requisite parental controls.

"We have great kids content from Sesame Street to Harry Potter to Looney Tunes, Hanna-Barbera and all the original content that Kathleen’s team produces Cartoon Network. But there wasn’t an entry point. So, when anybody goes to Max on [launch] day, they will wake up and there will be a kids hub and right away it will be kid friendly. And we never we didn’t even have the parental

JB Perrette, President and CEO of Global Streaming and International at Warner Bros. Discovery, added that kids hasn’t “met its true potential” on the old HBO Max service.

“Our leading kids brands like Cartoon Network and Boomerang, bolstered by content from DC, Wizarding World, Hanna Barbera and Looney Tunes used to get double digit shares with 2 to 11 linear audiences [but] in streaming that has virtually disappeared even though all the great content and franchises as are still here. Max will better curate our rich history of amazing animation, seminal children’s television and blockbusters the whole family can enjoy as well as new product features.”

HBO Max did have Sesame Street, with new seasons running on the service through 2025.

However, one of the problems that Casey Bloys, Chairman and CEO of HBO and Max Content, found was that it didn’t surround it with other similar types of programming.

“We had Sesame Street on HBO, which is one of the greatest brands in kids. One of the problems was we didn’t surround it with anything else. So, [this solves] part of the problem. One of the benefits here is we don’t have to go figure out how are we going to get a kids business up and running. We have the expertise in house doing so,” Bloys added.

Paramount Is Moving Around A Number Of Its Unscripted Shows From VH1 To MTV

VH1 series including Love & Hip Hop: Atlanta, Couples Retreat and Caught In The Act: Unfaithful are moving to MTV.

The company said it was looking to find new audiences for these shows, which are all being produced by Lashan Browning’s Antoinette Media, which Paramount recently invested in. The move comes as it is exploring a sale of BET Media Group, which now includes VH1, meaning that it will keep a number of its biggest titles on its other network.

The biggest move involves Love & Hip Hop: Atlanta, which is going in to its 11th season. It premiered on VH1 in 2012.

Season 11, which will air this summer, is being rebooted and will follow a more “docu approach to storytelling” as it documents the lives of women who have built their empires in Atlanta.

The series is now produced by MTV Entertainment Studios and Antoinette Media, which the company recently invested in and is exec produced by Sitarah Pendelton and Jubba Seyyid for MTV Entertainment Studios and Lashan Browning, Donna Edge-Rachell, Paris Bauldwin, Daniel Wiener, Alissa Horowitz, Mimi Adams, Gavin Lee Jones, and John Crenny for Antoinette Media.

“On the heels of launching Antoinette Media with Lashan Browning, we’re thrilled to continue fueling our robust unscripted slate of hits on MTV and introduce new audiences to the cultural phenomenon Love & Hip Hop: Atlanta as well as fan favorites like Couples Retreat and Caught in the Act: Unfaithful,” said Nina L. Diaz, Chief Creative Officer and President of Content, Showtime and MTV Entertainment Studios.

Kicking off the block later in the year is Love & Hip Hop: Atlanta “Run it Back”, a clip-show, where cast members of the reality show rewatch moments from the first season of Atlanta and share behind the scenes stories.

It will be followed by MTV Couples Retreat, which has previously run for two seasons as VH1 Couples Retreat. The series follows couples attending a retreat, who are putting all of their chips on the table in Vegas, and they will be forced out of their comfort zones to rediscover each other with the help of unconventional, high-octane guest experts. This includes ziplining through the Vegas Strip, survivalist training in the wilderness with an expert ninja survivalist, trapezing with former Cirque du Soleil performers, to herding cattle and untamed bulls.

MTV Couples Retreat is produced by MTV Entertainment Studios and Antoinette Media and exec produced by Sitarah Pendelton- Eaglin and Jubba Seyyid for MTV Entertainment Studios and Lashan Browning, Donna Edge-Rachell, Paris Bauldwin, Daniel Wiener, Mimi Adams, Michael Carrozza, Gavin Lee Jones, Alissa Horowitz, and Michelle Kongkasuwan for Antoinette Media.

Finally, also launching in the year is the second season of Caught in the Act: Unfaithful, which also debuted on VH1. The show follows host Tami Roman as she continues to help suspicious lovers catch their cheating partners in the act. Once the investigation is complete, the suspicious lover can choose to team up with their partner’s other lover or take them both down in an undercover ambush.

Caught in the Act: Unfaithful is executive produced by Sitarah Pendelton-Eaglin, Jennifer Aguirre, and Executive in Charge of production Liz Kim for MTV. Lashan Browning, Donna Edge-Rachell, Alissa Horowitz, Daniel Wiener, Maricarmen Lopez, and Rich Allen are executive producers for Antoinette Media. Tami Roman also serves as consulting producer.

First Glimpse Into The New Character Expected On Daai Crazy Somer Season 2

Famous actor Olgun Toker managed to impress a large audience with the character of Burak Ersoylu in the series “Arıza” in the winter season. The actor portrayed a psychopathic character so well that the viewers of the series could even believe that he really was that person.


One of the names who left in the first season of the Daai Crazy Somer (Son Yaz) was Olgun Toker, who gave life to the character of Gökhan Şen…Toker showed a strong character acting in Son Yaz with his villain character, just like in the Arıza. Gokhan, who confronted Akgün, acted by Alperen Duymaz, and gave him great difficulties, spread evil…


In the second season of the Daai Crazy Somer, another character is coming, who will shake the story again. The name that will give life to this character has also emerged. Onur Bay, who has played the role of Tekin in the TV series Arka Sokaklar since the age of 9, became the new transfer of the series.



Onur Bay left Arka Sokaklar in June to play new roles. Everyone was surprised when it turned out that the actor’s new series was also Son Yaz.


It has been revealed that Onur Bay will come to the story with a character who will face and compete with Akgün, brought to life by Alperen Duymaz in the new season.


Gökhan was a bad guy and Akgün was very worn out. However, the new character will be a much more challenging person and will stand against Akgün. Onur Bay and Alperen Duymaz scenes will also be talked about a lot in the new season.


Credits: Series Turkish


Recap To The Past: Fetch! With Ruff Ruffman Was Removed From PBS Kids Lineup Ahead Of It's Linear Debut On MultiChoice's DStv


Fetch! With Ruff Ruffman was an educational game show with featured animated host Ruff Ruffman alongside real kids facing real challenges. The kids would do random tasks even play games mostly in the maths and sciences in order to win prizes.

The show was an instant hit with audiences and received critical acclaim. The New York Times praised the series, writing "The show’s creators have written in all the sarcasm and amazingness of a more sophisticated and harder-edged show, but not in a way that condones such behavior.

The series ran for five seasons and 100 episodes from May 29, 2006, to November 4, 2010, on the adult oriented, PBS. Prior to its demise, the series recieved an Emmy for Best Original Song which too is named after the program.

During its run, PBS Kids was a programming block hence the PBS. No 24 hour kids channel was available until at least 2017 and MultiChoice bundled Fetch! alongside various other content from the PBS brand in 2018 on the DStv app under the tile PBS Kids - experimental.

In May 2019, MultiChoice in partnership with PBS extended the agreement for the PBS Kids channel giving more consumers access to #1 trusted for educational content with shows like Arthur, Pinkalicious And Peterrific, Time Warp Trio and Postcards From Buster.

As seen through various promos and ads, we got to see a variety of programs some of which still remain to be unseen on the channel e.g. Super Why, Splash & Bubbles and Ready Jet Go. Of course within these adverts, Fetch! With Ruff Ruffman isn't credited any of them.

Not only that it was removed from 24/7 channel and other shows which were seen on the DStv app came as a double bill amidst the removal which begs the question as to why such a popular show would get screwed over in such a manner.

In a Fetch! With Ruffman Fan Page, it was revealed PBS Kids lost rights to the program and this dated back the same year it was slotted on the DStv app. Taking that to consideration, it's likely that PBS had wanted to remove the program from the DStv app much earlier but couldn't.

So they were only able to do so once the year long agreement was expired and PBS Kids not taking to account that not everyone cares or can afford to use the DStv app removed Postcards From Buster before it could even wrap production for those who couldn't see it.

As for Fetch!, although it can no longer be seen on PBS Kids it can however be viewable on other platforms for starters there's YouTube. I mean a lot of PBS Kids content is viewed freely on that platform.